• From K-Pop to Parasite, the popular culture of South Korea is being celebrated in a new exhibition which opened at the V&A last weekend. Hallyu! The Korean Wave features around 200 objects across four thematic sections focused on the phenomenon known as ‘hallyu’ (meaning ‘Korean Wave’) which rose to prominence in the late 1990s and rippled across Asia before reaching across the world. Highlights including outfits worn by K-Pope idols PSY, Vespa and ATEEZ, an immersive recreation of Parasite’s bathroom set and monumental artworks by the likes of Nam June Paik, Ham Kyungah and Gwon Osang. There’s also fashion designs by Tchai Kim, Miss Sohee and Minju Kim, and early examples of advertising and branding, including an original poster from the Seoul Olympics, and the first Korean branded cosmetic from the 1910s. The display can be seen until 25th June next year. Admission charge applies. For more, see www.vam.ac.uk/exhibitions/hallyu-the-korean-wave.
• An exhibition which seeks to challenge perceptions about how video games interpret stories about war and conflict opens at the Imperial War Museum London on Friday. War Games: Real Conflicts | Virtual Worlds | Extreme Entertainment explores the relationship between video games and conflict through a series of 11 unique titles, including everything from Call of Duty: Modern Warfare to 2D artillery game Worms and a military training simulator, which, over the last 40 years, have reflected events from the First World War to the present. The display features immersive installations, never-before-displayed objects and perspectives from industry experts. There’s also a retro gaming zone and a programme of supporting events. Admission is free. Runs until 28th May next year. For more, see iwm.org.uk/events/war-games.
• The work of celebrated South African artist and Honorary Royal Academician William Kentridge has gone on show the Royal Academy. Spanning the artist’s 41 year career, William Kentridge brings together important works spanning from the 1980s through to the present day, including charcoal drawings, animated films, a mechanical theatre, sculptures, tapestries and performance pieces. Highlights include a selection of Kentridge’s early, rarely-seen drawings from the 1980s and 1990s including three triptychs displayed together for the first time and the most significant work from the period, The Conservationist’s Ball, (1985) as well as around 25 large charcoal drawings, made for the creative process of the eleven animated Drawings for Projection, and the installation Black Box / Chambre Noire, (2005), a mechanical theatre piece including puppets and projections, which interrogates the harrowing story of the massacre of the Herero people in Namibia, now considered the first genocide of the 20th century. The display in the Main Galleries can be seen until 11th December. Admission charge applies. For more, see roy.ac/kentridge.
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