Exhibitions exploring why culture and heritage are attacked during times of war and how cultural treasures in British museums and galleries were protected during World War II open at London’s Imperial War Museum on Friday. What Remains – which highlights both historic and contemporary instances in which buildings, places, art and artefacts have been deliberately targeted during times of conflict as well as examples of resistance, protection and restoration, and, Art in Exile – which looks at the role UK cultural organisations have played in wartime, are both part of Culture Under Attack, a free season of events that explore how war threatens cultural heritage. Also launching as part of Culture Under Attack this week is Rebel Sounds, an immersive exhibition that reveals how music has been used to resist and rebel against war and oppression with examples from Nazi Germany in the 1930s, Northern Ireland in the 1970s, Serbia in the 1990s and present day Mali. All three displays run until 5th January. For more, see www.iwm.org.uk/seasons/culture-under-attack. PICTURE: British Army poster from 1943, created to educate and inform its soldiers of the importance of respecting property, including cultural heritage (© IWM)

• Sir Arthur Pearson, newspaper publisher and founder of St Dunstan’s (Blind Veterans UK), has been remembered with an English Heritage Blue Plaque. The plaque was unveiled at his now Grade II*-listed home on Portland Place in Marylebone last week, the place where he lived with his wife and some of the blinded servicemen supported by St Dunstan’s in the later years of World War I and those following. Pearson had made a fortune as a press magnate, founding the Daily Express in 1900 and later purchasing The Evening Standard but his attention turned to campaigning for the blind after he was told he would lose his sight in 1913. For more on English Heritage Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques/.

The largest ever exhibition of the work of pioneering Greek artist Takis (Panayiotis Vassilakis) has opened at the Tate Modern this week. Takis features more than 70 works by the self-taught artist – renowned as a “sculptor of magnetism, light and sound” –  including a rarely-seen Magnetic Fields installation, a series of musical devices generating resonant and random sounds, and forests of his antenna-like Signals. Can be seen until 27th October. Admission charge applies. For more, see www.tate.org.uk.

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From coaching inns to horse markets, riverside mansions to gin palaces – the ‘lost’ buildings of London form the focus of a new exhibition which opens at the City of London Corporation’s London Metropolitan Archives in Clerkenwell on Monday. Picturing Forgotten London features drawings, engravings, photographs, maps, films and contemporary recollections displayed under themes including entertainment, food, commerce and trade, and transport. Through the exhibition, visitors will discover frost fairs (pictured), ‘open-shout’ trading floors, pleasure gardens, almshouses, cabmen’s shelters, dockyards, farms and a 1960s supermarket. Among the highlights are a look at the notorious Westminster neighbourhood known as Devil’s Acre and images of such lost landmarks as Euston Arch and Crystal Palace as well as Geoffrey Fletcher’s observational drawings of 60s and 70s London and a large scale reproduction of an 1867 illustrated map of public buildings, theatres, music halls and other landmarks known as The Strangers Guide. Admission is free. Runs until 31st October. For more, follow this link. PICTURE: Courtesy of the City of London Corporation’s London Metropolitan Archives.

Marking 50 years since a series of significant protests took place around the world, a new display at Tate Britain in Millbank shows how artists responded to what it calls a “watershed moment in political and social history”. London: 1968 features a series of iconic agin-prop posters by the Camden Poster Workshop who moved their studio into the London School of Economics during the student occupation in October. They provide a visual record of some of the key issues of the time including industrial strikes, the Vietnam War, and civil rights movements in Ireland, America and South Africa. There’s also a Patricia Holland film looking at the occupation of the Hornsey School of Art and work by radical artists such as Barry Flanagan, Richard Long, Joseph Beuys and Mario Merz who all participated in a landmark exhibition at London’s ICA in 1969. The display, which is free to see, coincides with another free display at Tate Modern – 1968: Protest and the Photobook – which brings together politically engaged photobooks made during this period. London: 1968 runs until 31st October. For more, see www.tate.org.uk.

A posthumous Victoria Cross awarded to Corporal Bryan Budd for bravery in Afghanistan has gone on display at the Imperial War Museum London in Lambeth. Corporal Budd, who served in the 3rd Battalion, The Parachute Regiment, was awarded the VC on 14th December, 2006, for two separate acts of gallantry in Helmand Province – the first in an incident on 27th July that year when he initiated a daring attack on the enemy in order to evacuate a wounded comrade, and the second, on 20th August, when he led a surprise attack on a Taliban position, killing several enemy but sustaining wounds from which he died. The VC, which was purchased by Lord Ashcroft, is the most recent now in his collection – prior to its acquisition the most recent he had was awarded to Sergeant Ian McKay in October, 1982, for gallantry during the Falklands War. For more, see www.iwm.org.uk.

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