Famous Londoners – Napoleon?

We know, we know – Napoleon Bonaparte never visited London. But given this month marks the bicentenary of his death on 5th May, 1821, we thought we’d mention a couple of places where you can find traces of the French Emperor in the British capital…

Napoleon as Mars the Peacemaker. PICTURE: Jörg Bittner Unna (licensed under CC BY-SA 3.0;image cropped)

1. Napoleon As Mars The Peacemaker. This larger than life statue – it stands 11 feet tall – is the work of Italian artist Antonio Canova and depicts Napoleon as the Roman God. Napoleon didn’t like the almost naked statue – when he saw it in 1811, he declared it “too athletic” and as a result, it was never displayed in public. Following the defeat of Napoleon at the Battle of Waterloo in 1815, the British Government purchased the statue and presented it to the Duke of Wellington as a gift. Recently cleaned, it is now on display in the Iron Duke’s former home, Apsley House at Hyde Park Corner (and can be seen there when it reopens to the public this week). The house also counts a recently restored bronze death mask of Napoleon among its treasures. The bronze is a copy of a plaster mask modelled on Napoleon’s corpse. For more, see www.english-heritage.org.uk/visit/places/apsley-house/.

2. Napoleon’s horse Marengo. A small grey Arab, Marengo was named after Napoleon’s victory at the Battle of Marengo in Italy in 1800 and apparently served the Emperor between 1800 and 1815. Marengo was captured on the battlefield after Napoleon’s defeat at Waterloo and transported to England. After its death, the horse’s skeleton was preserved and initially displayed at the Royal United Services Institute, moving to the National Army Museum in Chelsea in the 1960s. The skeleton is currently undergoing conservation work at the Natural History Museum before returning to the National Army Museum where it will be displayed in the Battle gallery. For more on the National Army Museum, see www.nam.ac.uk.

3. Portrait of Napoleon. A small image of a young Napoleon, this portrait – which arrived in England in 1797 – was the first many British people had seen of the Emperor (it was copied in engravings which were published across Britain). It was painted in a campaign tent on the road from Verona to Vienna in March, 1797, by Venetian artist named Francesco Cossia. Cossia had been commissioned by Francophile Maria Cosway, an artist then living in Oxford Street, London, to paint likenesses of several French Revolutionary generals including Napoleon. It is believed to have entered the collection of Sir John Soane somewhere between 1827 and 1830 and can now be seen in the Breakfast Room at the Sir John Soane’s Museum in Lincoln’s Inn Fields (reopening on 19th May). For more, see www.soane.org.

Treasures of London – The Banqueting House…

While we’ve looked at some of the history of the Banqueting House during last year’s special on King James I’s London, we thought we’d take a more in-depth look as part of our Treasures of London series…

A perfect double cube with a sumptuous painted ceiling, this early 17th century building is the only remaining complete structure from the Palace of Whitehall which was destroyed by fire in 1698.

The building replaced an earlier banqueting hall built on the orders of Queen Elizabeth I and another, shorter-lived hall, built by King James I, which was destroyed by fire in 1619.

Following its destruction, King James had Inigo Jones design a new hall to provide, as the previous hall had, a location for state occasions, plays and masques – something of a cross between an organised dance, an amateur theatrical performance and just a chance to dress up.

Jones, who partnered with Ben Jonson to produce masques, designed the hall – which has a length double the width – with these performances specifically in mind. The first one – Jones and Jonson’s Masque of Augurs – was performed on Twelfth Night, 1622, even before the building was completed (the last masque was performed here, incidentally, in 1635, after which, thanks they were moved to a purpose built structure nearby, ostensibly to save the newly installed paintings from being damaged by the smoke of torches – see below).

The incredible paintings on the ceilings, which celebrate the reign of King James I and will be the subject of their own Treasures of London article at a later date, were installed by March 1636. Produced by Flemish artist Sir Peter Paul Rubens, they had been commissioned by King Charles I, King James’ son, in commemoration of his father. Ironically, it was outside the building where the monarchy was so celebrated that King Charles I was beheaded in 1649 (this is marked in a ceremony held at the Banqueting House on 30th January each year).

Following the king’s execution, Whitehall Palace wasn’t used for several years until Lord Protector Oliver Cromwell took up residence there in 1654, using the Banqueting House as a hall if audience. It stood empty after Cromwell’s death in 1658 until the Restoration in 1660 when King Charles II again used it as a grand ceremonial hall for receiving foreign embassies and conducting court ceremonies (these including the ancient custom of what is known as ‘Touching for the King’s Evil’ to cure those afflicted with the disease of scrofula as well as the washing of the feet of the poor by the sovereign on Maundy Thursday.)

King James II was the last king to live at Whitehall Palace and during his reign, from 1685-88, it was used as a royal storehouse. But it was revived for formal use following his reign – it was here that King William III and Queen Mary II were officially offered the crown on 13th February, 1689.

During their reign, the court’s focus shifted to Kensington but the Banqueting House was used for Queen Mary to lay in state after her death in 1694.

Following the destruction of the remainder of Whitehall Palace in 1698 – the origins of this fire are apparently owed to a maid who had put some linen by a charcoal fire to dry – the Banqueting Hall was used briefly as a Chapel Royal and, following a renovation in the late 1700s, it was used for concerts and, from 1808, as a place of worship for the Horse Guards.

Further renovation works followed and in 1837, it was re-opened as a Chapel Royal and used as such until 1890 when this practice was formally discontinued. In 1893, Queen Victoria gave the Royal United Services Institute the use of the building as a museum – among the things displayed there were the skeleton of Napoleon’s horse, Marengo. In 1962, the exhibits were dispersed and the Banqueting House today is used for a range of royal, corporate and social events.

There is an undercroft underneath, designed as a place where King James I could enjoy drinking with his friends. It was later used for storage.

WHERE: Corner of Whitehall and Horse Guards Avenue (nearest Tube stations are Westminster and Embankment); WHEN: Monday to Saturday 10am to 5pm; COST: £5 adults/£4 concessions/children under 16 free (Historic Royal Palaces members free); WEBSITE: www.hrp.org.uk/BanquetingHouse/.

PICTURE: Courtesy of Historic Royal Palaces/newsteam.co.uk