A new exhibition charting the history of Henry Moore’s sculpture, Draped Seated Woman (known affectionately as Old Flo), has opened at Canary Wharf. Indomitable Spirit features traces the creation of the 2.5 metre high bronze sculpture in 1957-58, its placement in 1962 on the Stafford Estate in Stepney, and, in 1997, its removal to the Yorkshire Sculpture Park where it has spent the last 20 years before returning to the East End – this time Cabot Square – last year.  It also explores the artist’s life, career and legacy and the reasons as to why Old Flo – part of an edition of six sculptures – became such an important feature in the East End. The exhibition can be seen in the lobby of One Canada Square until 6th April. Admission is free. For more, see www.canarywharf.com. PICTURE: Henry Moore’s ‘Draped Seated Woman’, Canary Wharf.

The first of two Peter Pan-themed weekends kicks off at the Museum of London Docklands this Saturday. Adventures in Peter Pan’s Neverland features a series of interactive events film screenings and performances across the weekend with professional character actors leading workshops and re-enacting short scenes from the story. There will also be “sightings” of Captain Hook’s pirates and other characters and two screenings of the classic animated film Peter Pan each day. Money will be raised for Great Ormond Street Hospital Children’s Charity through donations on ticket sales and other fundraising activities during the event. Runs from 10.45am to 4pm this Saturday and Sunday and again on 3rd and 4th March. Tickets start at £4. For more, see www.museumoflondon.org.uk.

On Now: Winner-the-Pooh: Exploring a Classic. This exhibition at the V&A, which is closing on 8th April, features original drawings by EH Shepard – on show in the UK for the first time – created to illustrate AA Milne’s classic tale and, as well as examining Milne’s story-telling techniques and Shepard’s illustrative style, takes a look at the real people, relationships and inspirations behind the bear’s creation. Around 230 objects are featured in the display and as well as original manuscripts, illustrations, proofs and early editions, they include letters, photographs, cartoons, ceramics, fashion and video and audio clips, with the latter including a 1929 recording of Milne reading Winnie-the-Pooh). Other highlights include Milne’s Winnie-the-Pooh manuscript and pages from the manuscript of House at Pooh Corner as well as Shepard’s first character portraits of Winnie and Christopher Robin nursery tea set which was presented to then-Princess Elizabeth in 1928. Admission charge applies. For more see, www.vam.ac.uk/winniethepooh. PICTURE: Line block print, hand coloured by E.H. Shepard, 1970, © Egmont, reproduced with permission from the Shepard Trust

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Victorian-Christmas The Tower of London is going Victorian this Christmas with visitors able to experience some of what the Yuletide celebrations in the foreboding, much storied buildings were like in the mid-to-late 1800s. Visitors will be shown how many of the Christmas customs we now participate in each year – like writing cards, pulling crackers and the setting up of family Christmas trees – owe their origins to the Victorian era. The Yeoman Warders will be receiving a Victorian makeover and writer of the age – Charles Dickens – will be reciting some of his works before joining in a “raucous” lunch party with some of his fellow writers, artists and benefactors. It’s even rumoured that Queen Victoria and Prince Albert themselves may make an appearance (take that as a given). Bah! Humbug! A Very Merry Victorian Christmas runs from 27th until 31st December. The festivities will all be included in the usual admission price. For more, see www.hrp.org.uk. PICTURE: Nick Wilkinson/NewsTeam.

Kew Gardens are celebrating Christmas with a host of events including a “Twelve trees of Christmas” family trail. The trail, a map of which can be picked up as you enter, includes facts about trees along the route. Volunteer guides are also leading free tours of seasonal highlights and the Kew Christmas tree can be seen at Victoria Gate. Other festive treats at Kew include the chance to see Father Christmas in his grotto (until Sunday only) and a vintage carousel on the Kew Palace Lawn. Many of the Christmas-related events end on 6th January. See www.kew.org for more.

A display focusing on the history of Henry Moore’s sculpture, Draped Seated Woman (better known as Old Flo), has opened at the Museum of London Docklands. Henry Moore and the East End provides a glimpse into 1950s East London and looks at why public art was considered important at the time. It features some of the maquettes (scale models) Moore used in creating the piece. The exhibition was opened following a decision by the Mayor of Tower Hamlets, Lutfur Rahman, to sell Old Flo (now at the Yorkshire Sculpture Park) rather than display the artwork in a public space. The move is being contested by the Museum of London Docklands who have offered to put the work on public display. An online exhibition can be seen at www.museumoflondon.org.uk/oldflo and a ‘pop-up exhibition’ on Old Flo will be launched in January. The museum is also encouraging people to tweet their views about the selling of the sculpture under the hashtag #saveoldflo.

On Now: Take Another Look. Still at the Museum of London Docklands, this exhibition focuses on the visual representation of people from the African Diaspora who were living and working in Britain in the late 18th and early 19th century. The display of 17 exhibits in the London, Sugar and Slavery gallery features prints by artists including Thomas Rowlandson and George Cruikshank as well as newspaper cuttings, mostly dating from 1780-1833, which show black Britons in perhaps what were unexpected roles – soldiers, musicians and sportsmen – during what was the period in which the abolition of slavery occurred. There are a series of events planned around the exhibition which runs until 4th August. Entry is free. For more see www.museumoflondon.org.uk/Docklands/.

On Now: Mariko Mori: Rebirth. The first major museum exhibition of the New York-based Japanese artist Mariko Mori in London since 1998 has opened at the Royal Academy of Arts in Piccadilly. The exhibition features some of the artist’s most acclaimed works from the last 11 years, many of which have never before been seen in the UK, as well as works created just for the exhibition. Highlights include Tom Na H-iu, a five metre high glass monolith lit by hundreds of LED lights and connected back to the Institute for Cosmic Ray Research at the University of Tokyo; Transcircle, described as a “modern day Stonehenge”; and, Flatstone, an installation of “22 ceramic stones assembled to recreate an ancient shrine”. Runs until 17th February. Admission charge applies. For more, see www.royalacademy.org.uk.