The last in a series of major exhibitions on World War I by celebrated photographer Mike St Maur Sheil, Fields of Battle, Lands of Peace and Reconciliation – 2018 is a free outdoor exhibition in St James’s Park reflecting on the final year of the war. The exhibition, like the others before it, features photographs of the battlefields of World War I as they appear today along with archival pictures and maps. Mike St Maur Sheil says the theme of his displays – which have reached an audience of more than 10 million and been exhibited at locations including Paris’ Jardin du Luxembourg, Dublin’s St Stephen’s Green and at the junction of Broadway and 5th Avenue in New York – “has always been that time and nature have healed the wounds of war and reveal that what were once places of horror and killing have now become landscapes of beauty and tranquillity.” The free exhibition can be seen until 19th November. For more on St James’s Park, see www.royalparks.org.uk/parks/st-jamess-park. PICTURES – Two of the images on show: Top, showing the effect of artillery bombardment upon the landscape at Verdun; Below, the landscape today at Beaumont Hamel on the Somme with the shell holes and trenches still clearly visible. (Mike St Maur Sheil / Mary Evans Picture Library).
PICTURE: Clem Onojeghuo/Unsplash
PICTURE: Clever Visuals/Unsplash
PICTURE: Rene Böhmer/Unsplash
• The Victoria and Albert Museum has opened a new permanent gallery displaying highlights from its internationally renowned collection of photographs in what amounts to a chronicle of the medium stretching from its invention in 1839 to the 1960s. The gallery, which opened in late October, initially features works such key figures as Henri Cartier Bresson, Man Ray, Alfred Stieglitz, Diane Arbus and Irving Penn. Among highlights are the oldest photograph in the V&A’s collection – a daguerrotype of Parliament Street taken from Trafalgar Square in 1839, a Robert Howlett portrait of Isambard Kingdom Brunel standing in front of the Great Eastern, and an early botanical photography taken without a camera in 1854. The display also includes two “in focus” sections, looking at the lives of two photographers – initially British photographer Julia Margaret and the influential Henri Cartier-Bresson – in depth. The V&A was the first museum to start collecting photographs when it did so in 1856. Entry is free. For more, see www.vam.ac.uk.
• Remember, remember, the 5th of November! This weekend is Bonfire Night (aka Guy Fawkes Night) and across London communities will be gathering around bonfires to gasp at fireworks displays. We don’t have the capacity to collect all the details of where they’re taking place but thankfully the people at View London do. Follow this link to see its listing of where fireworks displays are taking place. To see our previous entry looking at the origins of the night, follow this link. For more on the Gunpowder Plot, see our previous entry here.
• On Now – War Hose: Fact & Fiction. A book, a long running stage performance and a soon to be released film, War Horse is now also the subject of a major exhibition at the National Army Museum. War Hose: Fact & Fiction is a family-friendly exhibition which tells the real-life story of horses in war and includes archive material from the animal charity The Brooke, which was founded after Dorothy Brooke rescued some former war horses being sold into a life of hard labour in Cairo (Brooke, who rescued some 5,000 horses, went on to found the Old War Horse Memorial Hospital in Cairo in 1934). The exhibition also features content from Michael Morpurgo, author of the novel War Horse, as well as the National Theatre’s production and the upcoming Spielberg-directed movie. Entry is free. Runs until August 2012. For more, see www.nam.ac.uk.
On Now: Private Eye: The First 50 Years. A celebration of the irreverent Private Eye magazine which, since it was founded in October 1961, has distinguished itself through a combination of satire and hard-hitting journalism. The exhibition features more than 120 of the magazine’s funniest cartoons and a display of the magazine’s distinctive covers with one of from each year chosen by editor Ian Hislop. It also shows how surprisingly low-tech the magazine’s production remains despite great changes in technology, and there’s a recreation of the editor’s Soho office. Admission is free. Runs until 8th January. For more, see www.vam.ac.uk.