The Science Museum is commemorating 70 years of India’s independence with Illuminating India, a season of exhibitions, specially commissioned artworks and events telling the stories of Indian innovators and thinkers who have often been overlooked or written out of Western versions of history. The exhibition Illuminating India: 5000 Years of Science and Innovation celebrates India’s central role in the history of science and tech by surveying its contributions to subjects ranging from space exploration to mathematics, communication and engineering while Photography 1857-2017 is the first exhibition to provide a survey of photography from its beginnings in India in the mid-19th century through to the present day and pivots around two key dates in India’s history – 1857 and 1947. Alongside the exhibitions, artist Chila Kumari Burman has been commissioned to create a special series of artworks and there is a comprehensive program of related public events, some of which are free. The Illuminating India season runs until 31st March. For the full programme of events, head to www.sciencemuseum.org.uk/indiaseason.

To mark the return of Sir Anthony van Dyck’s self-portrait (pictured) to the National Portrait Gallery after a three year nationwide tour, contemporary artist Julian Opie has been invited to present his works in dialogue with the painting. Julian Opie After Van Dyck features new and recent works including Faime (2016), Lucia, back 3 (2017) and Beach head, 6 (2017). The free display in the seventeenth century galleries opens tomorrow and runs until 7th January. It’s the final of three displays held in the gallery as part of the three year tour following the purchase of the Van Dyck self-portrait, painted in about 1640, in 2014. For more, see www.npg.org.uk. PICTURE: National Portrait Gallery.

The friendship and works of Salvador Dali and Marcel Duchamp are explored in a new exhibition opening at the Royal Academy tomorrow. Dali/Duchamp features more than 80 paintings, sculptures, “readymades”, photographs, drawings, films and archival material and is organised into three thematic sections – ‘Identities’, ‘The Body and the Object’ and, ‘Experimenting with Reality’. Among the highlights is Duchamp’s The King and Queen Surrounded by Swift Nudes (1912), Fountain (1917/1964), and The Bride Stripped Bare by her Bachelors, Even (The Large Glass) (1915), as well as Dali’s The First Days of Spring (1929), Lobster Telephone (1938) and Christ of Saint John of the Cross (c1951). Runs until 3rd January and then moves to The Dali Museum in St Petersburg, Florida. Admission charge applies. For more, see www.royalacademy.org.uk.

The first tranche of tickets to see this year’s New Years Eve fireworks event over the River Thames in central London were released late last week. The display will feature more than 12,000 fireworks, and involve 2,000 lighting cues and 30 tonnes of equipment on three barges (and, despite the renovation work, the New Year will still be rung in by the bongs of Big Ben!). The tickets, which are available for £10 each, provide access to a range of specific areas – some of these are already sold out. The full cost of the tickets goes towards costs associated with the ticketing system. People can book up to four tickets at www.london.gov.uk/nye.

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NPG_936_1374_KingCharlesIIbThe first ever display of works of overlooked 17th century artist Cornelius Johnson, court painter to Charles I, has opened at the National Portrait Gallery off Trafalgar Square. Cornelius Johnson: Charles I’s Forgotten Painter features rarely viewed portraits of the king’s children including the future Charles II, James II and Mary (later Princess of Orange-Nassau) as well as a painting of Mary’s son William – all of which have been taken from the gallery’s collection. Overshadowed by Sir Anthony van Dyck, Johnson – who emigrated to The Netherlands when the English Civil War broke out – has been largely ignored by art historians despite the breadth of his work – from group portraits, such as his largest surviving English painting, The Capel Family, to tiny miniatures – and the fact that he is thought to be the first English-born artist who took to signing date his paintings as a matter of course, something he is believed to have picked up during his training in The Netherlands. The display features eight painted portraits and six prints from the gallery’s collection as well as three paintings from the Tate. Runs until 13th September in Room 6. Admission is free. For more, see www.npg.org.uk. PICTURE: King Charles II by Cornelius Johnson , 1639. © National Portrait Gallery, London.

Trafalgar Square will be at the centre of London’s St George’s Day celebrations on Saturday with live music, celebrity chefs, a masterclass by leading tea experts and children’s games and activities. The musical lineup will feature the band from the West End musical Let It Be and the Crystal Palace Brass Band – one of the few traditional brass bands remaining in London. The free event runs between noon and 6pm on Saturday. For more, see www.london.gov.uk/stgeorges.

Indigenous Australia, the first major exhibition in the UK to present a history of Indigenous Australia through objects, opens at the British Museum today. Drawing on the museum’s collection, Indigenous Australia features objects including a shield believed to have been collected in Botany Bay on Captain Cook’s voyage of 1770, a protest placard from the Aboriginal Tent Embassy established in 1972 and contemporary paintings and specially commissioned artworks from leading indigenous artists. Many of the objects have never been on display before. Runs until 2nd August. Admission charge applies. For more, see www.britishmuseum.org.

Thirty prints from the Royal Collection will be on show at The London Original Print Fair to mark its 30th anniversary. The fair runs at the Royal Academy from today until Sunday and among the selected works from the more than 100,000 prints in the Royal Collection are the 2.3 metre long woodcut by Albrecht Durer entitled Triumphal Cart of the Emperor Maximillian (1523), Wenceslaus Hollar’s four etchings of tropical Seashells (c1650), a sequence of proofs of Samuel Reynolds’ portrait of King George III at the end of the monarch’s life, and lithographs produced by Queen Victoria and Prince Albert dating from 1842. For more on the fair, see www.londonprintfair.com. For more on the Royal Collection, see www.royalcollection.org.uk.

The question of what is meant by the concept of luxury is under examination in the V&A’s new exhibition What is Luxury? Opening at the South Kensington museum Saturday, the exhibition will feature a range of luxury objects – from the George Daniels’ Space Travellers’ Watch to a Hermés Talaris saddle, and Nora Fok’s Bubble Bath necklace. Also on show in a section of the exhibit looking at what could determine future ideas of luxury is American artist Gabriel Barcia-Colombo’s DNA Vending Machine (complete with prepackaged DNA samples) and Henrik Nieratschker’s installation The Botham Legacy which tells the fictional story of a British billionaire who sends altered bacteria into space in an attempt to find valuable metals on distant plants. Runs until 27th September. Admission charge applies. See www.vam.ac.uk/whatisluxury.

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