Vikings at the British Museum; World War I portraits; and, Ruin Lust…

March 6, 2014

RoskildeThe Vikings come to the British Museum from today with the first major exhibition in more than 30 years. Vikings: life and legend, the first exhibition to be held in the new Sainsbury Exhibition Gallery, was developed with the National Museum of Denmark and the Staatliche Museen zu Berlin (National Museums in Berlin) and looks at the Viking period from the late 8th century to the early 11th century. Featuring many new archaeological discoveries and objects never seen before in the UK alongside items from the British Museum’s own collection, the exhibition is centred on the surviving timbers of a 37 metre long Viking warship excavated from the banks of the Roskilde fjord in Denmark (pictured). Other items include skeletons recently excavated from a mass grave of executed Vikings in Dorset, the Vale of York Hoard (discovered in 2007) and a stunning hoard of silver from Gnezdovo in Russia. A unique live broadcast event presented by historian Michael Wood taking cinema audiences around the exhibition will be shown in cinemas across the nation on 24th April. Admission charge applies. Runs until 22nd June. For more, see www.britishmuseum.org/whats_on/exhibitions/vikings.aspx. PICTURE: Copyright of the National Museum of Denmark. 

The commemorations of the World War I centenary have commenced at the National Portrait Gallery with The Great War in Portraits. The first of a four year programme of events and displays at the gallery, the exhibition features iconic portraits of figures such as Winston Churchill, Kaiser Wilhelm, Siegfried Sassoon and Wilfred Owen as well as major art works by the likes of Lovis Corinth, Max Beckmann, and Kirchner, whose painting Selbstbildnis als Soldat (Self-portrait as a Soldier) is featured, and Harold Gillies’ photographs of facially injured soldiers from the Royal College of Surgeons. Among the highlights are Jacob Epstein’s The Rock Drill, a contrasting pair of British and German films about the Battle of the Somme, and a press photograph of Gavrilo Princip, the student who sparked the flames of war when he assassinated Archduke Franz Ferdinand. Elsewhere among the 80 works on display are portraits of war heroes such as VC winners are contrasted with those of soldiers disfigured by war, POWs and those shot for cowardice. Admission is free. Runs until 15th June. For more, see www.npg.org.uk/whatson/firstworldwarcentenary/exhibition.php.

Our fascination with ruins is the subject of a new exhibition which opened this week at Tate Britain. Including more than 100 works from the likes of JMW Turner, John Constable, John Martin, Eduardo Paolozzi, Rachel Whiteread and Tacita Dean, Ruin Lust examines the craze for ruins that overtook creative types in the eighteenth century and the subsequent revisiting – and at times mocking – of this fascination by later figures. Works on show include Turner’s Tintern Abbey: The Crossing and Chancel, Looking towards the East Window 1794, Constable’s Sketch for ‘Hadleigh Castle’ c 1828-9, Graham Sutherland’s Devastation series 1940-1 – showing the aftermath of the Blitz, Jon Savage’s images of London in the late 1970s, and Whitehead’s Demolished – B: Clapton Park Estate 1996, showing the demolition of Hackney tower blocks. Runs until 18th May. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-britain/exhibition/ruin-lust.

About these ads

4 Responses to “Vikings at the British Museum; World War I portraits; and, Ruin Lust…”

  1. Amy Says:

    Reblogged this on My Life is History and commented:
    If you visited the exhibit, what did you think?

  2. Amy Says:

    If you have gone to the Viking exhibit, what did you think?

  3. artandarchitecturemainly Says:

    Those war-based art works by Lovis Corinth, Max Beckmann, and Ernst Kirchner are powerful, even more powerful because they were painted by the “other side”. Ditto the non-glamorous young men who are very rarely rememorialised – soldiers disfigured by war, POWs and those shot for cowardice.

    When the exhibition closes in mid June, will the objects be retained at the National Portrait Gallery? I hope so.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s