Earlier…
LondonLife I – Marking 80 years since the end of World War II…
Areas of London
This Week in London – The first Lady Mayor’s Show; Joseph Wright ‘of Derby’ at the National Portrait Gallery; and, Audrey Hepburn’s Blue Plaque…
• The Lord Mayor’s Show – or this year, for the first time in its 800 year history, the Lady Mayor’s Show – takes place on Saturday as Dame Susan Langley is celebrated as the City of London’s 697th Lord Mayor of London. Langley, who takes office at Guildhall on Friday in the ancient ‘Silent Ceremony’, is the third woman to hold the role and the first to adopt the title “Lady Mayor”. The more than three mile-long procession, which kicks off at 11am, features around 7,000 participants, 200 horses and more than 50 decorated floats and travels from the Mansion House, the official mayoral residence, through the City to the Royal Courts of Justice, via St Paul’s Cathedral, before returning. The centrepiece as always is the State Coach carrying the Lady Mayor as she fulfills the dual purpose of showing herself to residents and swearing allegiance to the crown. For more – including details of the procession’s route, head to https://lordmayorsshow.london/.
• The first exhibition dedicated to the work of 18th century artist Joseph Wright ‘of Derby’ opens at The National Gallery tomorrow. Wright of Derby: From the Shadows focuses on his career between 1765 and 1773 when he created his candlelight series. On show are a number of works from this series including Three Persons Viewing the Gladiator by Candlelight (1765), A Philosopher giving that Lecture on the Orrery in which a lamp is put in place of the Sun (1766), and the gallery’s own An Experiment on a Bird in the Air Pump (1768). Mezzotint prints of Wright’s works – key to the establishment of his international reputation – will also be on display. The exhibition, in the Sunley Room, runs until 10th May. Admission charge applies. For more, see www.nationalgallery.org.uk/exhibitions/wright-of-derby-from-the-shadows.
• Hollywood icon Audrey Hepburn has been honoured with an English Heritage Blue Plaque on her former home in Mayfair. The plaque at 65 South Audley Street was where Hepburn lived in a flat with her mother between 1949 to 1954 as she launched her career as an actor. It was from here that she travelled to the West End to perform in chorus lines, appeared in British films such as 1951’s The Lavender Hill Mob and while living here that she was cast as the lead in Gigi on Broadway – a key stepping stone towards her breakthrough performance in 1953’s Roman Holiday. Hepburn was born in Brussels but had strong ties to London, training at the Ballet Rambert and working as a dancer and model before moving on to acting. Of course, as well as Roman Holiday, Hepburn performed notable roles Sabrina, Funny Face, Breakfast at Tiffany’s, My Fair Lady, and Charade. She later dedicated herself to humanitarian work, serving as a UNICEF Goodwill Ambassador, and was awarded the Presidential Medal of Freedom shortly before her death in 1993. For more on English Heritage Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques/.
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Bonfire Night – Five places in London featured in the events of the Gunpowder Plot…
It’s 5th November and that means Bonfire Night, the annual event featuring bonfires, effigies of Guy Fawkes (and others), and fireworks displays in commemoration of the November, 1605, foiling of a conspiracy to kill King James I (and many others) by blowing up the House of Lords (you can read more about it in earlier posts here and here).
Here’s five places of significance to the story of the plot:
1. The Houses of Parliament: It was in the undercroft beneath the House of Lords that Guy Fawkes was found with 36 barrels of gunpowder. The cellar is now gone – having been destroyed when the Houses of Parliament burned down in 1834.
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What’s in a name?…Upminster…
Known to many as the eastern end of the District Line, Upminster is located some 16.5 miles to the north-east of Charing Cross and is part of the London Borough of Havering.
Historically a rural village in the county of Essex, its name comes from Old English and means a large church or “minster” located on high ground.
The church is said to have dated at least as far back as the 7th century and to have been one of a number founded by St Cedd, a missionary monk of Lindisfarne, in the area. It was located on the site occupied by the current church of St Laurence (parts of which date back to the 1200).
The nearby bridge over the River Ingrebourne shares the name Upminister and is known to have been in existence since the early 14th century.
Once wooded, the area was taken over for farming (cultivation dates as far back as Roman times) and by the 19th century it came to be known for market gardens as well as for some industry including windmills and a brickworks.
Development was initially centred around the minister and nearby villages of Hacton and Corbets Tey. It received a boost in the 17th century when wealthy London merchants purchased estates in the area.
Improved transportation links also helped in later centuries including the arrival of the London, Tilbury and Southend Railway in 1885 – it was extended from Barking – and the underground in 1902 via the Whitechapel and Bow Railway.
Landmarks include the Church of St Laurence, the redbrick Clock House (dating from about 1775), the 16th century house Great Tomkyns, the Grade II*-listed Upminster Windmill, built in 1803 and considered one of England’s best surviving smock mills, and the 15th century tithe barn (once owned by the monks of Waltham Abbey and now a museum).
Upminster Hall, which dates back to the 15th and 16th century (and, once the hunting seat of the abbots of Waltham Abbey, was gifted by King Henry VIII to Thomas Cromwell after the Dissolution), is now the clubhouse of the Upminister Golf Club.
Hornchurch Stadium, the home ground of AFC Hornchurch, is located in the west of the area.
It was in Upminster that local rector Rev William Derham first accurately calculated the speed of sound, employing a telescope from the tower of the Church of St Laurence to observe the flash of a distant shotgun as it was fired and then measuring the time before he heard the gunshot using a half second pendulum.
This Week in London – The story of Henry VIII’s lost dagger; ‘Secret Maps’ at the British Library; and, ‘Connection and Identity’ at Greenwich…
• The disappearance of a jewelled Ottoman dagger which is believed to have once belonged to King Henry VIII has inspired a new exhibition at Strawberry Hill House, Horace Walpole’s former home in Twickenham in London’s west. Henry VIII’s Lost Dagger: From the Tudor Court to the Victorian Stage looks at the history of the 16th century dagger which, said to have been richly decorated with “a profusion of rubies and diamonds”, was once part of Horace Walpole’s collection. When the collection was sold in 1842, the dagger passed into ownership of the Shakespearean actor Charles John Kean who directed private theatricals for Queen Victoria at Windsor Castle. Kean (1811-1868) pioneered what critics dubbed “living museums” on the Victorian stage by using real artifacts, including the dagger, during performances. But after Kean’s death the dagger vanished without a trace. Dr Silvia Davoli, the principal curator at Strawberry Hill House, launched an investigation to find the dagger and instead found six almost identical daggers scattered around the globe. Two of these daggers – known as the Vienna and Welbeck Abbey examples – are featured in the exhibition alongside reproductions of 18th century materials which related to Walpole’s lost dagger from Yale University’s Lewis Walpole Library. The exhibition can be seen from Saturday until 16th February. Admission charge applies. For more, see www.strawberryhillhouse.org.uk.
• The role maps have played in preserving secrets for the benefit of their creators from the 14th century to the present day is the subject of a new exhibition at the British Library. Secret Maps features more than 100 items ranging from hand-drawn naval charts given to Henry VIII to maps of cable networks used to intercept messages between the world wars; and the satellite tracking technology used by apps today. Among highlights are a map from 1596 attributed to Sir Walter Raleigh on an expedition in search of the mythical city of El Dorado in what is now Guyana in South America; a map produced in 1946 of British India (modern-day India, Pakistan and Bangladesh) with a ‘top secret’ report investigating the potential economic and military impact of partition for the proposed state of Pakistan; one of only two known existing copies of a secret map produced by Ordnance Survey during the General Strike of 1926 amid fears of a public uprising; and a 1927 Cable Map of the world which reveals a global network of censorship stations and was used by the British government to intercept messages sent via submarine and overland cables. Runs until 18th January (and accompanied by a programme of events). Admission charge applies. For more, see https://events.bl.uk/exhibitions/secretmaps.
• Staffordshire-based artist Peter Walker’s large scale interactive artworks, Connection and Identity, can be seen in the Painted Hall at the Old Royal Naval College in Greenwich from Friday. Identity features eight columns suspended within the hall which shift in colour and light while Connection showcases “a dramatic and modern reinterpretation of Michelangelo’s Creation of Adam“. The installation, which is located in the hall sometimes described as “Britain’s Sistine Chapel”, is accompanied by music specially composed by David Harper. Runs until 25th January. Admission charge applies. For more, see https://ornc.org/whats-on/connection-and-identity/.
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10 places to encounter London’s animal life…A recap…
Before we move on to our next Wednesday series, here’s a recap…
LondonLife – Look up!…
The magnificent carved fan vaulted roof of the Henry VII Lady Chapel at the eastern end of Westminster Abbey. The chapel, which 16th century historian John Leland called “the wonder of the world”, was consecrated in 1516.
London Explained – Police in London…
London has several police forces so let’s explain.
The largest police force in London (and the UK as a whole) is the Metropolitan Police. They are responsible for policing the Greater London area and its 8.6 million residents (with some exceptions – more on that in a moment).
The Met, currently led by Commissioner Sir Mark Rowley, was founded by Sir Robert Peel in 1829 and across the almost 200 years since has grown to a service of more than 33,000 police officers, 11,000 staff, almost 1500 police community support officers and more than 1,100 special officers.
They are headquartered at New Scotland Yard on Victoria Embankment in Westminster.
The Met’s jurisdiction comprises some 620 square miles – the 32 boroughs of Greater London.
An exception within Greater London is within the Square Mile of the City of London, home to some 8,000 residents but host to an additional 500,000 workers, tourists and others each day. This falls under the jurisdiction of the much smaller City of London Police.
The London City Police officially formed in 1832 but became the City of London Police with the passing of the City of London Police Act 1839.
Led by Commissioner Peter O’Doherty, the 17th City of London police commissioner, the service consists of more than 1,000 officers and staff and as well as providing policing services locally, the City of London Police also leads policing efforts nationally on fraud and cyber-crime.
They are currently temporarily headquartered at Guildhall.
A number of other police services also operate in London. They include the British Transport Police, responsible for policing the railway network including track and stations as well as the London Underground and Docklands Light Railway.
The Ministry of Defence Police, meanwhile, are responsible for policing Ministry of Defence property in London including the ministry itself in Whitehall while the tiny Kew Constabulary is responsible for policing Kew Gardens (the former Royal Parks Constabulary merged with the Met in 2004 – the parks are now policed through a specialist unit in the Met).
This Week in London – Turner’s ‘The Battle of Trafalgar’ returns to public display; Halloween at Hampton; Diwali at Greenwich; and, NYE tickets…
• Artist JMW Turner’s only royal commission has returned to public display in Greenwich to mark the 250th anniversary of the artist’s birth. The more than three metre-wide painting (Turner’s largest completed work), The Battle of Trafalgar, went on display on Tuesday – 220 years to the day since the battle it depicts – at the Queen’s House. The 1824 painting, which was commissioned by King George IV, commemorates the victory of the British Royal Navy over a combined French and Spanish fleet off Cape Trafalgar on 21st October, 1805. First displayed at St James’s Palace, it was transferred to the Naval Gallery at Greenwich Hospital in 1829. It was removed from public display in March last year to protect it during a works project at the National Maritime Museum and has now found a new home at the Queen’s House. Admission is free. For more, see www.rmg.co.uk/queens-house.
• The ghosts of King Henry VIII and Oliver Cromwell are among those which can be encountered at Hampton Court Palace from Friday as it marks Halloween. Immersive Halloween-inspired installations with unearth the stories of some of the palace’s former residents while outside there’s a Haunted Garden complete with skeletal horse and carriage. Halloween season at the palace runs until 2nd November and is included in general admission. For more, see www.hrp.org.uk/hampton-court-palace/whats-on/halloween-at-hampton-court-palace/.
• Diwali, the annual Hindu celebration, comes to the National Maritime Museum in Greenwich this Saturday with the ‘Illuminate’ festival. The free festival, which runs from 11am to 5pm and is curated by Mehala Ford – founder of South Asian art collective COMMONGROUND&, includes performances, creative workshops including traditional Rangoli art and Henna art, storytelling sessions including a puppet show telling the epic story of Ramayana, and a lantern parade around Greenwich Park. There ares also talks and Diwali-inspired food. For more, see www.rmg.co.uk/whats-on/national-maritime-museum/diwali.
• Tickets to London’s New Year’s Eve celebrations have gone on sale. The 12 minute show celebrating the new year will kicks off with the familiar sounds of Big Ben’s chimes, before thousands of fireworks and hundreds of lights help to illuminate the night sky around the London Eye all set to a wide-ranging soundtrack. Around 100,000 Londoners and visitors are expected to attend. Ticket prices are between £20 and £35 for Londoners and £40 and £55 for visitors. For more, see www.london.gov.uk/nye.
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10 places to encounter London’s animal life…10.. Hanwell Zoo…
Hanwell Zoo in London’s west is, like Golder’s Hill Zoo, one of the city’s smaller zoos.
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LondonLife – ‘Goavve-Geabbil’ at the Tate Modern…
Described as an “immersive work honouring the reciprocal relationship between the Sámi people, the reindeer, and the land”, the Goavve-Geabbil is a monumental new sculptural installation by Sámi artist Máret Ánne Sara and has been made using materials which sustain her community in Sápmi, the territory of the Indigenous Sámi people which spans the countries of Norway, Sweden, Finland and Russia.
In this, Sara’s first major work in the UK, the artist draws on her experience as member of a reindeer herding family to highlight ecological issues impacting Sámi life and has combined hides and bones derived from traditional reindeer herding practices along with wood, industrial materials, sound and scent.
The Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil can be seen in the Turbine Hall at the Bankside institution until 6th April. Admission is free. For more, see tate.org.uk/visit/tate-modern.
Where’s London’s oldest…Italian deli?
Terroni of Clerkenwell, which opened in 1878, is said to be London’s oldest Italian deli.
Located in the district known as Little Italy next to St Peter’s Italian Church, Terroni was opened by Luigi Terroni to supply Italians living in London with a taste of home.
The business at 138-140 Clerkenwell Road in Clerkenwell was sold to the Anessa family in 1983. It underwent renovation in the early Noughties which saw the deli double in size. A coffee bar was added in 2012.
For more, see https://terroni.co.uk/.
This Week in London – Wildlife Photographer of the Year exhibition; 20th century conflicts; Jennie Baptiste at Somerset House; and Nigerian Modernism…
• An exhibition of entries into the annual Wildlife Photographer of the Year competition opens tomorrow at the National History Museum in South Kensington. The exhibition features 100 images selected from a record-breaking 60,636 entries and follows from this week’s announcement of the winners at a ceremony held at the museum earlier this week. The display includes the winning image – ‘Ghost Town Visitor’ which, captured by South African wildlife photographer Wim van den Heever depicts a brown hyena near the ruins of a long-abandoned diamond mining town in Kolmanskop, Namibia – as well as the winner of the Young Wildlife Photographer of the Year 2025 – 17-year-old Italian Andrea Dominizi’s After the Destruction which spotlights a longhorn beetle in the Lepini Mountains of central Italy, an area once logged for old beech trees, with a background of abandoned machinery. Other images on show include the winner of the Impact Award – Brazilian photographer, Fernando Faciole’s Orphan of the Road depicting an orphaned giant anteater pup following its caregiver after an evening feed at a rehabilitation centre – as well as category winners. The exhibition can be seen until 12th July next year. Admission charge applies. For more, head here.
• Three 20th century conflicts which broke out in Malaya, Kenya and Cyprus after World War II are the subject of a new exhibition at the Imperial War Museum in Lambeth. Emergency Exits: The Fight for Independence in Malaya, Kenya and Cyprus looks at how these three conflicts, known as “emergencies” to the British Government, shaped and continues to shape Britain, its former territories and the wider world today. The display includes more than 70 objects such as propaganda posters, flags and artworks as well as oral histories and personal belongings which belonged to those impacted by them. As well as telling the stories of the three conflicts, Emergency Exits also explores Operation Legacy, the British Government’s attempt to prevent publication of sensitive documents related to the conflicts which included evidence of human rights abuses. The free exhibition, which opens on Friday, runs until 26th March. For more, see iwm.org.uk/events/emergency-exits-the-fight-for-independence-in-malaya-kenya-and-cyprus.
• The first major solo exhibition focusing on the work of pioneering Black British photographer Jennie Baptiste opens in the Terrace Rooms at Somerset House on Friday. Jennie Baptiste: Rhythm & Roots, which is a highlights of Somerset House’s 25th birthday programme, charts how Baptiste used her lens to capture youth culture, music, fashion, and urban life within the Black British diaspora in London in the past few decades. The exhibition can be entered under a “pay what you can” model. Runs until 4th January. For more, see www.somersethouse.org.uk/whats-on/jennie-baptiste-rhythm-and-roots.
• On Now: Nigerian Modernism. The Tate Modern is hosting the first UK exhibition to trace the development of modern art in Nigeria with more than 250 works by more than 50 artists on display. The exhibition, which spans the period from the 1940s to today, features works by globally celebrated artists of the 1940s, Ben Enwonwu and Ladi Kwali, as well as works by The Zaria Arts Society members Uche Okeke, Demas Nwoko, Yusuf Grillo, Bruce Onobrakpeya, and Jimo Akolo, Nsukka Art School members including Obiora Udechukwu, Tayo Adenaike and Ndidi Dike, and concludes with a spotlight on the work of Uzo Egonu. The display can be seen until 10th May. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-modern/nigerian-modernism.
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LondonLife – Regent Street curve…
10 Questions – Dr Louise Devoy, senior curator at the Royal Observatory Greenwich…
Exploring London spoke to Dr Louise Devoy about her role at the observatory, her new book, Royal Observatory Greenwich: A History in Objects, and her “must-see” for those visiting the observatory…
How long have you worked as senior curator at the Royal Observatory Greenwich and what was your pathway into the job?
“I’ve been working here for 12 years now and it’s been quite a journey! I originally studied physics with astrophysics at the University of Leicester and intended to continue with scientific research but my ideas changed after an inspirational internship working at a museum in the US. I really enjoyed learning about the history of astronomy – how our ideas have changed over time and the incredible stories of the people who were involved – and I continued my studies in the history of science. I’ve since worked at the Science Museum and British Museum and came here in 2013.”
Have you always been interested in astronomy?
“Yes, I have vivid memories of building a space rocket in primary school from cereal packets and yogurt pots that quite literally fired my imagination! I’ve still got The Night Sky Ladybird book that I bought and later in my teens my parents kindly bought me a telescope so I could learn more about practical astronomy. I don’t have much time for stargazing these days but I’ve recently purchased a compact smart telescope that you can put in your hand luggage and I’m looking forward to taking it on my travels.”
What does your job at the Royal Observatory entail?
“My job consists of two main parts; one based on research and one focused on communication. As a curator, I’m responsible for doing research on our collections, identifying objects for display and collaborating with researchers from other museums and observatories. Once I’ve done the detective work, I like to share these ideas and stories with our visitors through displays, talks and writing books and articles.”
What’s your favourite part of the day at the Observatory?
“For me, I enjoy seeing the sunset as I’m leaving the office, especially as the lights start to come on across London and you get a great view of the city from our hilltop location. It also makes me smile that sunset means going home for me, whereas for Greenwich astronomers in the past, it would have been the start of their working ‘day’!”
What prompted the writing of the book?
“It’s difficult to say but I definitely remember working on this during lockdown in 2020 and being inspired by similar books such as Neil MacGregor’s A History of the World in 100 Objects. Most books about the history of the Royal Observatory focus on the story of longitude, John Harrison’s marine timekeepers and Greenwich Mean Time (GMT) but I wanted to show how the Observatory has a much broader, richer history that encompasses many more people, subjects, stories and objects.
How did you decide which objects to feature in the book?
“I knew that we would be celebrating our 350th anniversary in 2025 and so I decided to choose objects that spanned the full chronology from 1675. I also wanted to expand the scope beyond the well-known clocks and telescopes to include books, paintings, manuscripts, watercolours, and even items of clothing previously worn by the Astronomer Royal and his family. In addition, I selected a few mystery objects to give me a good excuse to dig into the archives and piece together their stories.”
Do you have a favourite among them?
“I really like the story of the hole punch from the 1840s because it’s indicative of the paperwork and number-crunching that is an important but often overlooked aspect of astronomy. Once astronomers have done their observations, they have to apply mathematical corrections (‘reductions’) to account for atmospheric effects that might affect the results. It’s very tedious, repetitive work that was traditionally done by teenage boys known as ‘computers’. The seventh Astronomer Royal, George Biddell Airy (1801–1892) tried to make the process more efficient and less prone to errors by creating a template known as a ‘skeleton form’. The system worked well but generated vast amounts of paper, leading Airy to design a hole punch to organise the work. He was so proud of his idea that he encouraged other observatories to do the same and that’s why you’ll find another example of this hole punch over 8,000 miles away at the South African Astronomical Observatory in Cape Town. Airy invented his hole punch several decades before the standard office hole punch was patented, making our gadget one of the oldest in the world!”
What did you learn during the process of writing the book that you didn’t already know about the history of the Royal Observatory?
“The story of the secret binocular testing during the First World War really surprised me. The Observatory had already been involved in testing chronometers – portable, accurate timekeepers for navigation at sea – since the 1820s but the binocular testing was a new task. For security reasons, it was not mentioned in the Observatory’s Annual Reports and remained an unknown story for decades. I was intrigued by a one-line mention to it in the archives and dug a little further to uncover the full facts.”
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10 places to encounter London’s animal life…8. Epping Forest…
This 6,000 acre woodland and pasture habitat, located on the north-eastern outskirts of London, is famous for its ancient and veteran trees – numbering almost 55,000 – but is also home to a range of wildlife.
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LondonLife – Rush hour, Poplar…
London pub signs – The Lord Clyde, Borough…
This Borough pub’s name comes from 19th century Field Marshall Colin Campbell Clyde (Lord Clyde).
Clyde (1792-1863) was a Scottish carpenter’s son who joined the military at age 16 and fought in many campaigns during the first half of the 19th century including the Peninsular War of 1808-1814, the War of 1812 in the United States, the First Opium War in China in 1842, and in India during the Second Anglo-Sikh War in 1848-49.
During the Crimean War, Clyde led the Highland Brigade at the Battle of the Alma and repulsed the Russian attack on Balaclava. He become Commander-in-Chief, India, during the Indian Mutiny in 1857 and relieved the siege of Lucknow in India the same year.
Clyde was raised to the peerage in 1858. Her died in Chatham on 14th August, 1863, and was buried in Westminster Abbey.
A pub was first erected on the site at 27 Clennam Street (on the corner with Ayers Street) at the time of his death in 1863 by brewers in East London (originally known as the Black Eagle Brewery, the name Truman, Hanbury, Buxton & Co – which appears on the pub’s exterior – was being used for the brewery by 1889).
It was rebuilt in 1913 – the present frontage dates from that period – and is now Grade II-listed thanks to its architecture, which exemplifies the development of the ‘house style’ in pub architecture of the early 20th century.
The signage on the pub depicts Lord Clyde wearing the insignia of the Knight Commander of the Bath, an honour he was awarded in 1849 for his services in the Sikh War. There is a statue of him in Waterloo Place in London.
For more, head to https://www.facebook.com/lordclydeborough/.
This Week in London – Lee Miller at the Tate; the Hallelujah Chorus’ origins and impact, and conkers on Hampstead Heath…
• The UK’s largest retrospective of trail-blazing 20th century surrealist photographer Lee Miller opens at Tate Britain today. Lee Miller features around 230 vintage and modern prints, some of which are on display for the first time, which reveal how her approach pushed boundaries and led to the creation of some of the most iconic images of last century. Highlights include the newly discovered solarisation exemplar, Sirène (Nimet Eloui Bey) (c1930-32), her celebrated surrealist image of Egypt’s Siwa Oasis, Portraitof Space (1937), London-based works such as You will not lunch in Charlotte Street today (1940) and Fire Masks(1941) which convey the “pathos and absurdity” of the city in wartime, and war-related images including portraits of Miller and David E Scherman in Hitler’s private bath in April, 1945, as well as a rare 1950 self-portrait showing Miller posed in Oskar Kokoschka’s London studio flanked by artworks. Runs until 15th February. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-britain/lee-miller
• The initial and enduring impact of the Hallelujah Chorus is the subject of a new display at the Foundling Museum in Bloomsbury. A Grand Chorus explores the profound impact music can have on listeners and performers and brings together musical scores, librettos, and musical instruments as well as paintings, photographs, audio, video, personal testimonies, and other archival material spanning three centuries. Originallycomposed as part of his famous Messiah oratorio, George Frideric Handel later incorporated the Hallelujah Chorus into an anthem he created speciallyfor the Foundling Hospital that premiered in 1749 as a fund-raising exercise. The exhibition also showcases a major sound and video installation byMikhail Karikis – We are Together Because (2025), described as a modern counterpart to the Hallelujah Chorus. Runs until 29th March. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/a-grand-chorus-the-power-of-music/.
• Swing a conker at the Hampstead Heath Conker Championships this Sunday. People are all ages are invited to join in, whether a conker veteran or a newcomer, with competitions held in a range of age categories. The competition is being held near the Parliament Hill Bandstand from 1pm to 4pm. Entry is free. For more, see www.cityoflondon.gov.uk/events/go-conkers-on-hampstead-heath-5-october.
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10 places to encounter London’s animal life…7. Kew Gardens…
Famous for it’s flora, Kew Gardens is also home to some unusual animal life including Chinese water dragons who live in the warm environments of the glasshouses.
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Other animals in the gardens include foxes, hedgehogs and birds including green and great-spotted woodpeckers, mute swans, Canada geese, mallards, ring-necked parakeets, kingfishers, tawny owls, moorhens, and stock doves.
And, of course, the gardens are home to a myriad of insects including bees, butterflies and dragonflies as well as aquatic life including frogs, newts and fish.
WHERE: Kew Gardens (nearest Tube station is Kew Gardens); WHEN: 10am to 7pm (last entry 6pm) daily; COST: £25 adults/£8 children 16 and under (children under four free) (cheaper tickets for online bookings and during off-peak period from 1st November to 31st January); WEBSITE: www.kew.org.
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