South Kensington

This Week in London – Dick Whittington explored at the Guildhall Library; Francis Bacon’s portraits; and, the 60th Photographer of the Year competition…

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PICTURE: Courtesy of the City of London Corporation

• A new exhibition exploring the life of one of the City of London’s most famous Lord Mayors has opened at the City of London’s Guildhall Library. Marking the library’s 600th anniversary, Whittington, the Man, the Myth and the Cat uses chapbooks (small printed booklets used for street literature in early modern Europe), children’s books, and works relating to pantomimes, to investigate Whittington’s story (including the question of whether or not he owned a cat). The exhibition details Whittington’s “rags to riches” tale and the many myths that later grew up around him, revealing information about his many loans to to kings (Richard II, Henry IV and Henry V), how he was three times Lord Mayor of London (1397, 1406 and 1419) and how he paid for the building of public lavatories at St Martin Vintry and a refuge for unmarried mothers at St Thomas’ Hospital as well as the rebuilding of Newgate Prison, and the establishment of the first library at Guildhall. Addressing the myth of the Whittington’s cat, it explains how it may have come about as a result of a play on words – ‘cat’ (or cattes) being a word used to describe a fleet of boats used for importing and exporting which was a mistranslation of the French word, ‘achat’, for trade. The exhibition, which runs until April next year, is free to visit. For more, see www.cityoflondon.gov.uk/services/libraries/guildhall-library.

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• The first exhibition in almost 20 years to focus on Francis Bacon’s portraits opened at the National Portrait Gallery, off Trafalgar Square, this week. Francis Bacon: Human Presence charts the artist’s career through 50 of his works arranged in five sections – ‘Portraits Emerge’, ‘Beyond Appearance’, ‘Painting from the Masters’, ‘Self Portraits’, and ‘Friends and Lovers’. Works on show include self-portraits as well as Head VI (1949), Study for a Pope I (1961), Three Studies for a Portrait of Isabel Rawsthorne (1965) and Portrait of a Man Walking Down Steps (1972). The exhibition also includes photographic portraits and film of Bacon by some of the century’s leading photographers, including Cecil Beaton, Arnold Newman, and Bill Brandt. Can be seen until 19th January. Admission charge applies. For more, see www.npg.org.uk.

‘The Swarm of Life’ by Shane Gross, Canada, winner of the 60th Wildlife Photographer of the Year competition.

• A Canadian marine conservation photojournalist, Shane Gross, has won this year’s Wildlife Photographer of the Year competition for an image capturing the magical underwater world of western toad tadpoles. The Swarm of Life is among 100 prize-winning images which are going on show at the Natural History Museum in South Kensington from tomorrow as it celebrates the 60th year of its Photographer of the Year competition. This year’s contest attracted a record-breaking 59,228 entries from 117 countries and territories. Among the other images on display are German Alexis Tinker-Tsavalas’ Life Under Dead Wood  depicting the fruiting bodies of slime mould with a tiny springtail (Tinker-Tsavalas won Young Wildlife Photographer of the Year). Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London. The exhibition runs until 29th June. Admission charge applies. For more, see www.nhm.ac.uk/wpy.

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This Week in London – Theatre and Performance at the V&A; blue plaque for Diana Beck; and, the Royal Academy celebrates Michael Craig-Martin…

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The V&A in South Kensington. PICTURE: graham chandler (licensed under CC BY-NC-ND 2.0)

• The V&A in South Kensington is celebrating the 100th anniversary of its Theatre and Performance collections with Enthoven Unboxed: 100 Years of Collecting Performance, which opened last weekend. The exhibition commemorates the 1924 donation of more than 80,000 playbills, programmes, and ephemera from collector, humanitarian, and campaigner Gabrielle Enthoven. Highlights among the objects on display include John Pasch’s artwork featuring the original Rolling Stones tongue and lips, a pair of semi-quaver spectacles worn by Elton John during his 1981-2 British and world tours, a self-portrait bust by 18th century actress Sarah Siddons, a set model designed by Misty Buckley for Stormzy’s headline set at Glastonbury Festival in 2019, and, a prompt script used by Phoebe Waller-Bridge for Fleabag in the West End. The free display can be seen in the Theatre and Performance Galleries (Rooms 103-106) until 4th January. For more., see www.vam.ac.uk,

• Diana Beck, the first female neurosurgeon in Britain, has been honoured with an English Heritage Blue Plaque. Unveiled earlier this month, the plaque marks the site of her former home and consulting rooms at 53 Wimpole Street in Marylebone. Beck lived at the property from 1948 to 1954, a period during which she created and ran a neurosurgical department at Middlesex Hospital. It was also during this period that Beck operated on her most famous patient – Winnie the Pooh author AA Milne, who had suffered a stroke in 1952. For more, see www.english-heritage.org.uk/visit/blue-plaques/

Michael Craig-Martin, ‘Common History: Conference, 1999’. Acrylic on aluminium, 274.3 x 508 cm. Gagosian, London © Michael Craig-Martin. Image courtesy of Gagosian

• The largest retrospective of the work of artist (and Royal Academician) Michael Craig-Martin has opens at the Royal Academy on Saturday. The exhibition in Royal Academy’s Main Galleries features more than 120 works spanning the period from the 1960s through to today and includes sculpture, installation, painting and drawing, as well as works newly created for the display. Among the highlights are the installations On the Table (1970) and An Oak Tree (1973), the large scale wall drawing in tape, Interlocked (MoMA project 1990) and the large scale painting Eye of the Storm (2003) as well as his depictions of single objects and word paintings. The exhibition runs until 10tH December. Admission charge applies. For more, see www.royalacademy.org.uk.

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This Week in London – ‘Lucky Jim’ reunited with historic plane; Banksy work related to Guildhall Yard; and, a new Kew audio tour…

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• ‘Lucky Jim’, a toy cat mascot belong to Jim Alcock – pilot of the first trans-Atlantic flight, has been reunited with the Vickers Vimy biplane aircraft that made the flight for the first time since 1919. The cat accompanied the famous aviator and his navigator Arthur Whitten Brown on their historic 17 hour, 1,880 mile journey. Following preservation efforts is now displayed alongside the aircraft in the Flight gallery at the Science Museum in South Kensington. Lucky Jim was previously displayed at the Science and Industry Museum in Manchester until 2019. A cartoon version of the cat is also the star of a new family trail around the gallery. For more, see https://www.sciencemuseum.org.uk/see-and-do/flight.

The Palm House at Kew Gardens. PICTURE: Annie Spratt/Unsplash

• Explore the plants of Kew Gardens’ historic Palm House with a new audio tour. Created by Kew’s Community Horticulture Programme in collaboration with outreach participants, Pollinators of the Palm House puts a spotlight on some of the remarkable stories and pollination tricks of incredible plants inside the 175-year-old structure. These include the giant cycad (Encephalartos altensteinii) – officially the oldest pot plant in the world, and the traveller’s palm (Ravenala madagascariensis), which is pollinated by lemurs in the wild on Madagascar. For more, see www.kew.org.

• An artwork by Banksy has been relocated to Guildhall Yard for its protection. The work, which depicts swimming piranhas, appeared on a sentry box near Ludgate Hill earlier this month. A City of London Corporation spokesperson saying a permanent home would be found “in due course”.

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This week in London – Re-live the ‘Golden Age of Piracy’; getting below the surface of the Thames; a look inside East London houses through time; and, a new public garden in the City…

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The Old Royal Naval College in Greenwich. PICTURE: Robert Bye/Unsplash

• ‘The Golden Age of Piracy’ will come to life in a living history weekend this Saturday and Sunday at the Old Royal Naval College in Greenwich. With the focus on the period between 1650 and 1720 (when more than 5,000 pirates were said to have been active), visitors will learn how to separate pirate fact from fiction, enjoy songs of the sea, witness sword and cutlass fights, and hear the tale of a real 18th-century mutiny. Each day culminates with a demonstration of the firepower of pirates and marines in the arena on the lawns overlooking the River Thames. There’s also the opportunity to wander through the pirate encampment and learn about the clothes and weapons of the period, listen to some love music and sample food from the Taste of History period kitchen. Runs from 11am to 4pm on Saturday and Sunday. Admission charge applies. For more, see https://ornc.org/whats-on/golden-age-of-piracy/.

• The world of sound below the surface of the River Thames is the subject of a new contemporary art installation at the Natural History Museum which opens tomorrow. The River, composed by Norwegian sound artist Jana Winderen in collaboration with spatial audio expert Tony Myatt, uses underwater audio recordings to immerse visitors in a 360 degree audio composition which spans the river from the source by Kemble through central London and on to the sprawling estuary leading into the North Sea. The River is free to visit. Bookings, to ensure entry, can be made at https://www.nhm.ac.uk/visit.html.

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One of the new rooms at the Museum of the Home – a Jewish tenement flat from 1913. PICTURE: Courtesy of the Museum of the Home.

• Seven new and reimagined period rooms reflecting the stories of our East London community, past, present and future, have been unveiled at the Museum of the Home in Shoreditch. Thanks to the Real Rooms project, the expanded ‘Rooms Through Time: 1878-2049’ now includes a Jewish tenement flat from 1913, an Irish couple’s house in the 1950s, LGBTQ+ renters sharing an ex-council home in the 2005, a British-Vietnamese home in 2024, and the Innovo Room of the Future, which explores real homes amid challenges such as the climate crisis and technological advances. The scope of the existing 1870s Parlour and Front Room in 1976 have also both been expanded. Entry to the permanent display is free. For more, see https://www.museumofthehome.org.uk.

• A new public garden has been opened at the intersection of Cheapside and New Change in the City of London. Formerly known as the Sunken Garden, the area has undergone a transformation and now features benches created from 150-year-old-plus granite stones salvaged from the Thames River Wall and recycled timber from fallen London Plane trees. There’s also new permeable paving which lets rain drain freely into the ground and stores it for trees to use later, reducing pressure on the sewer system while new plant species have been selected with local wildlife in mind.

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LondonLife – ‘Fern the Diplodicus’ takes up new post at the Natural History Museum…

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‘Fern the Diplodicus’ has been unveiled at the Natural History Museum this morning, the latest addition to its transformed gardens which open to public on Thursday.

The cast of Fern the Diplodocus arrives at the Natural History Museum. PICTURE: © The Trustees of the Natural History Museum, London

The bronze cast of the museum’s moved loved figure takes pride of place in the new Evolution Garden, which, along with the Nature Discovery Garden, sit within five acres of green space surrounding the South Kensington museum.

The Evolution Garden provides the opportunity to explore the 2.7 billion history of the planet and, as well as Fern, features a canyon clad in ancient Scottish stone, and a second dinosaur, Hypsiophodon.

The cast of Hypsiophodon in the garden. PICTURE: © The Trustees of the Natural History Museum, London

The Nature Discovery Garden showcases different wildlife habitats in the UK’s urban spaces – complete with the frogs, newts, dragonflies and mandarin ducks that are already living there – and features a nw Nature Activity Centre which combines scientific facilities with a hub for school workshops and family activities.

For more, see www.nhm.ac.uk/visit/galleries-and-museum-map/our-gardens.html

This Week in London – Trail-blazing women celebrated at the Tower; ‘The Judgement of Paris’ back on show; and, Barbie at the Design Museum…

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PICTURE: Joseph Gilbey/Unsplash

• The lives of five little-known trail-blazing women are being celebrated at the Tower of London. The five women – who will take part in a guided procession through the grounds and features in staged performances and face-to-face interactions at the Tower this summer – include Winifred Maxwell, a fearless Jacobite who smuggled her husband out of the Tower the night before his execution and Katherine le Fevre, who served as the Master Smith of the Tower during the Hundred Year War with France. Also represented are Phillis Wheatley, an intellectual prodigy and enslaved woman hailing from West Africa who became the first African-American author of a published book of poetry; Catalina of Motril, a Granadan bedchamber attendant of Katherine of Aragon who was privy to her former mistress’ secrets; and, Leonora Cohen, Yorkshire-born Suffragette who smashed the case holding the Crown Jewels at the Tower with an iron bar – and kept campaigning until she was 105. The chance to meet the women is included in general admission until 1st September. For more, see www.hrp.org.uk/tower-of-london/.

• Peter Paul Rubens’ The Judgement of Paris has returned to public display after a 14 month restoration project. The project found that the painting, believed to date from 1632‒5 during the last decade of Ruben’s life, has been restored several times including a significant re-working of the composition sometime between 1676 and 1721. The new analysis reveals what changes were made by Rubens himself to the work – which arrived in Britain in 1792 and was acquired by the National Gallery in 1844 – and which were done after his death. For more, see www.nationalgallery.org.uk.

• A major exhibition on the creation and evolution of Barbie opens at the Design Museum on Friday. Barbie: The Exhibition, which coincides with the 65th anniversary of the Barbie brand, showcases the diversity of the Barbie range, as well as her friends (and, of course Ken) and looks at how Barbie’s homes, vehicles and other products have reflected the tastes and trends of day. Highlights include a rare first edition of the first doll released by Mattel in 1959 (‘Number 1 Barbie’), the ground-breaking ‘Day to Night Barbie’ from 1985 and the best-selling Barbie of all time, 1992’s ‘Totally Hair Barbie’, which sold more than 10 million across the globe. There are also examples of the first Black, Hispanic and Asian dolls to bear the Barbie name as well as the first Barbie with Down syndrome, the first to use a wheelchair, and the first to be designed with a curvy body shape. Runs until 23rd February. Admission change applies. For more, see https://designmuseum.org/exhibitions/barbie-the-exhibition.

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This Week in London – RNLI’s first HQ commemorated; “weird and wonderful” birds; and, Princess Diana in photographs…

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• The City of London has unveiled a new blue plaque commemorating the Royal National Lifeboat Institution which is this year marking its 200th anniversary. The plaque is on the Furniture Makers’ Hall in Austin Friars which is where the organisation has its first headquarters from 1824 to 1826. The plaque was unveiled by the Lord Mayor of London, Professor Michael Mainelli. The RNLI, which today operates 238 lifeboat stations in the UK and Ireland including four on the River Thames, was founded by Sir William Hillary in the City of London Tavern in Bishopsgate on 4th March, 1824, and early meetings were held at various addresses until it moved into 12 Austin Friars. Meanwhile, ‘Ian Visits’ reports that a new plaque has also been installed at Limehouse Basin to commemorate Lifbåt 416 which was built there by Forrestt & Son’s boatyard in 1868 and sent as a gift to the King of Sweden, Karl XV. The Lifbåt 416, which has been restored, returned to Limehouse Basin this week after attending RNLI commemorations in Poole, Dorset (where it was the oldest lifeboat to take part in a mile-long flotilla).

Hargila army papier-mache headdress close up. PICTURE: Courtesy of Natural History Museum

• The “weird and wonderful” ways birds have adapted to survive are celebrated in a new exhibition at the Natural History Museum. Birds: Brilliant and Bizarre, which opens at the South Kensington institution on Friday, has been created in partnership with the Royal Society for the Protection of Birds and features installations and hands-on exhibits which allow visitors to feel how fast a hummingbird’s heart beats when in flight, smell the strange oil one bird uses to protect its eggs and listen to the sound of a dawn chorus of birds in the year 2050. Objects on show include the ‘Wonderchicken’ – the oldest known fossil of a modern bird, a replica of a stork that flew across the world from the African continent with a spear lodged in its neck, and a headdress of the ‘Hargila army’ (pictured), a group of women in the Indian state of Assam who work to protect one of the world’s rarest storks. Admission charge applies. Runs until 5th January. For more, see www.nhm.ac.uk/visit/exhibitions/birds-brilliant-bizarre.html.

• A walk-through photographic exhibition featuring some of the most iconic photos of Princess Diana opens on Saturday. Princess Diana: Accredited Access features 75 life-sized photographs by her official royal photographer, Anwar Hussein, and his two sons – Samir and Zak – which include behind the scenes access. The exhibition at the Dockside Vaults, St Katharine Docks, runs until 2nd September. Admission charge applies. For more, see www.princessdianaexhibit.com.

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This Week in London – A Greenwich chocolate house recreated; Bridgerton wig debuts at Kew; and, climate tech at the Science Museum…

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• Happy Easter to all our readers! We’ll be taking a break over the next few days with our usual coverage returning next Tuesday.

A caricature of Lloyd’s Coffee House from the 17th century.

• Experience a recreation of Grace and Thomas Tosier’s famous ‘royal’ Chocolate House in Greenwich this Easter. Located in the Old Royal Naval College, Chocolate House Greenwich recreates the Tosier Chocolate House which was located in what became known as Chocolate Row, on the edge of Blackheath. A social space for the leading figures of the day, the chocolate house was run by Grace while her husband Thomas served as chocolate maker for King George I, running the chocolate kitchen at Hampton Court Palace. Visitors will be able to immerse themselves in the chocolate house via an audio and visual experience created by Unusual Expo and actor-writer Jonathan Coote. As well as meeting Grace, there is also the chance to listen in to luminaries such as architect and astronomer Sir Christopher Wren, writer and diarist John Evelyn, the first Astronomer Royal, John Flamsteed, and playwright and architect John Vanbrugh. A series of events will accompany the exhibition – which opens tomorrow – including an Easter Trail for families, a gin and chocolate tasting experience and a ‘Choc-o-Late’ event. Admission charge applies. Runs until 3rd November. For more, see https://ornc.org/whats-on/chocolate-house-greenwich/.

• A wig worn by Golda Rosheuvel in Netflix’s hit series Queen Charlotte: A Bridgerton Story goes on display at Kew Palace from the end of this month. The grey wig with accompanying tiara will be showcased in Queen Charlotte’s dressing room, alongside a lock of the real Queen Charlotte’s hair. Visitors will also be able to join daily 30 minute Queen Charlotte: A Kew Palace story tours, walking in the footsteps of famous royals like King George III and Queen Charlotte. Admission charge applies. For more, see https://www.hrp.org.uk/kew-palace/.

A visitor looks at a tidal turbine blade in Energy Revolution The Adani Green Energy Gallery at the Science Museum © Science Museum Group

• A major new gallery examining the rapid energy transition and decarbonisation needed globally to limit climate change has opened at the Science Museum. The Energy Revolution: The Adani Green Energy Gallery is divided into three sections – Future Planet, Future Energy and Our Future – and highlights technologies and projects being used to address the climate crisis. Objects on show include a seven metre long tidal turbine blade made by Orbital Marine Power which was used in the Orkneys, rare surviving Edison tube mains cables used to power world’s first public electricity network in London in 1882, and a three metre high CoolAnt passive air-cooling facade from India that reduces dependence on powered air conditioning. At the centre of the gallery sits Only Breath, a kinetic sculpture created by artists Alexandra Carr and Colin Rennie from Torus Torus Studios that moves and blooms, stretching to around five metres in diameter when unfurled. The gallery can be found on Level 2 of the South Kensington museum. Admission is free. For more, see sciencemuseum.org.uk/energy-revolution.

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This Week in London – Women of the RNLI; ‘Tropical Modernism’ at the V&A; and, a new memorial to Sir Ernest Shackleton unveiled at Westminster Abbey…

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National Maritime Museum in Greenwich. PICTURE: Keith Murray (licensed under CC BY-NC-ND 2.0)

• The role of women in the Royal National Lifeboat Institution is being celebrated in a new exhibition at the National Maritime Museum in Greenwich. Women of the RNLI, which marks the bicentenary of the organisation, features a series of 42 photographs depicting women volunteers and the lifeboat stations’ slipways where they work. The images by photographer Jack Lowe are part of his ongoing ‘Lifeboat Station Project’, an attempt to photograph all 238 operational RNLI lifeboat stations and their crews.. Lowe uses a 12×10 inch (30×25cm) Thornton-Pickard field camera from about 1905 and develops the photos using a process called ‘wet collodion’, a technique invented in the mid-19th century. The display also features oral histories from some of the sitters. The display can be seen from Saturday until 1st December. For more, see www.rmg.co.uk.

• A new exhibition exploring the architectural style of Tropical Modernism in West Africa and India opens at the V&A on Saturday. Tropical Modernism: Architecture and Independence centres on the work of British architects Jane Drew and Maxwell Fry who developed Tropical Modernism in the 1940s, working primarily in Ghana and India. The style, which valued function over ornamentation, became a symbol of a post-colonial future. The exhibition includes models, drawings, letters, photographs, and archival ephemera as it documents the key figures and moments of the Tropical Modernist movement. There is also a half hour film installation displayed on three screens. Runs until 22nd September. Admission charge applies. For more, see vam.ac.uk.

• A new memorial stone dedicated to Antarctic explorer Sir Ernest Shackleton has been unveiled at Westminster Abbey. The triangular-shaped memorial, which can be found on a wall in the south cloister, was unveiled at a service earlier this month attended by Princess Anne and members of Shackleton’s family. Located close to tributes to pioneering sailors Captain James Cook, Sir Francis Chichester and Sir Francis Drake, it was designed and made by sculptor Will Davies and its shape reflects Shackleton’s preference to be at the apex of a triangle in group photographs. The memorial incorporates stones including Connemara marble and Kilkenny limestone in reflection of Shackleton’s Irish heritage, and the names of his expedition ships, Nimrod and Endurance, are inscribed upon it, along with the lifeboat The James Caird, and his family motto, ‘FORTITUDINE VINCIMUS’ (‘By Endurance We Conquer’). For more, see www.westminster-abbey.org.

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This Week in London – Notre Dame de Paris celebrated at the Abbey; remembering “great escapes” of World War II; and, ‘Wildlife Photographer of the Year’…

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Notre Dame de Paris on fire in 2019. PICTURE: Nivenn Lanos/Unsplash

• An immersive exhibition on the cathedral of Notre Dame de Paris, currently being restored following a devastating 2019 fire, opened at Westminster Abbey this week. Notre Dame de Paris, The Augmented Exhibition tells the story of the Gothic masterpiece from the 12th century to today and features a digital recreation of the cathedral by digital heritage specialists, Histovery, in collaboration with Rebuilding Notre-Dame de Paris. The exhibition is being held in the 13th century chapter house of the abbey with visitors, thanks to digital technology, able to witness firsthand the lavish wedding of King Henri IV, the coronation of Napoleon Bonaparte, and the 19th century construction of Notre-Dame’s iconic spire of Viollet-le-Duc. Runs until 1st June. Admission charge applies. For more, head here. The exhibition is part of a season of events at the abbey celebrating the bonds between the UK and France.

• An new exhibition focused on the hundreds of thousands of people held captive during World War II has opened at the National Archives in Kew. Great Escapes: Remarkable Second World War Captives, tells the story of famous escape attempts such as the escape from Stalag Luft III known as “the Great Escape” (made famous in the film of the same name) and British officer Airey Neave’s escape from Colditz Castle dressed as a German soldiers well as stories of individuals seeking escape through art, music and finding love while being held. The exhibition is divided into three parts. The first explores the legal framework for the 1929 Geneva Convention governing prisoners and tells the story of MI9, a highly secret British Government agency established in 1939 to help military personnel evade and escape capture. Part two explores the stories from individual prisoners and internees under British, German, and Japanese authority during World War II while part three examines how prisoners were dealt with at the end of the war as well as how the experience of the conflict led to the Geneva Convention being rewritten in 1949. Runs until 21st July. Admission is free. For more, see www.nationalarchives.gov.uk/great-escapes/.

‘Ice Bed’ ©Nima Sarikhani, Wildlife Photographer of the Year People’s Choice Award winner.

• An image of a young polar bear drifting to sleep on a bed carved into an iceberg has won the Wildlife Photographer of the Year People’s Choice Award. Nima Sarikhani’s Ice Bed, and the four finalist ‘Highly Commended’ images were selected from a shortlist of 25 images chosen by the Natural History Museum and an international judging panel from almost 50,000 images entered in the 59th Wildlife Photographer of the Year competition. The other finalists include Tzahi Finkelstein’s The Happy Turtle – a meeting between Balkan pond turtle and a northern banded groundling dragonfly, Daniel Dencescu’s Starling Murmuration - which captured the moment a starling murmuration formed the shape of a bird, Mark Boyd’s Shared Parenting in which two lionesses groom a cub in Kenya’s Maasai Mara, and, Audun Rikardsen’s Aurora Jellies which shows two moon jellyfish illuminated by the aurora borealis in a fjord in Norway. The five images can be seen both online and in the accompanying exhibition at the Natural History Museum until 30th June. Admission charge applies. For more, see www.nhm.ac.uk/wpy/peoples-choice.

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This Week in London – Life in the Roman army explored; clockwork treasures from China; and, Kew Gardens’ Orchid Festival…

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• A major new exhibition on life as a Roman legionary opens at the British Museum today. Legion: Life in the Roman army shares stories of real legionaries and shows how the army was as much an “engine of social change” as it was a war machine. More than 200 objects, many of which are on display in the UK for the first time, are on show including the world’s only intact legionary shield, on loan from Yale (pictured), and the oldest and most complete classic Roman segmental body armour, found in Kalkriese, Germany, in 2018. There are also the remains of a soldier found at Herculaneum, reunited with his belt and equipment for the first time outside of Italy, as well as the Crosby Garrett mask helmet – found in Cumbria in 2010, and a unique dragon standard found in Germany. The exhibition, which can be seen in the Sainsbury Exhibitions Gallery until 23rd June, also features a specially designed Horrible Histories themed trail of the exhibition with interactive family stations. Admission charge applies. For more, see www.britishmuseum.org.

• More than 20 mechanical clocks collected by Chinese emperors are being displayed together for the first time in the UK in a new exhibition opening today at the Science Museum. Among those on display in Zimingzhong 凝时聚珍: Clockwork Treasures from China’s Forbidden City is the ‘Pagoda Zimingzhong’ which, was made in London in the 1700s during the Qing Dynasty in China, ‘Zimingzhong with Turbaned Figure’ which mixes imagery associated with China, Japan and India to present a generalised European view of an imagined East, and the ‘Zimingzhong with mechanical lotus flowers’, which, when wound, reveals a flock of miniature birds swimming on a glistening pond as potted lotus flowers open. Runs until 2nd June. Visitors are invited to pay what they can to visit the exhibition, with a minimum ticket cost of £1 per person. For more, see www.sciencemuseum.org.uk/see-and-do/zimingzhong.

• Kew Gardens’ Orchid Festival returns from this Saturday, this year drawing inspiration from the unique flora and fauna of Madagascar. The display features a specially commissioned film showcasing the beauty of Madagascar – the world’s fourth largest island – as well as themed floral displays and living installations in the Princess of Wales Conservatory. The latter include ‘Lovers Baobab’ on the waterlily pond, floral sculptures recreating some of Madagascar’s most iconic wildlife, including ring-tailed lemurs, chameleons and the aye-aye, the world’s largest nocturnal primate, and a small selection of Madagascan orchids including Angraecum sesquipedale (also known as Darwin’s orchid). Visitors will also hear Malagasy music composed by the Boriza Borothers and be able to purchase food made according to a range of authentic Malagasy recipes, thanks to a menu curated by Malagasy chef Lilia Andrianovy of Lilia’s Kitchen. Orchids After Hours will also return for this year’s festival. Runs until 3rd March. Admission charge applies. For more, see www.kew.org.

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This Week in London – 695th Lord Mayor’s Show; Peruvian and Andean culture at the British Museum; and, a ‘virtual heart’ at the Science Museum…

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The Lord Mayor’s Show in 2019. PICTURE: It’s No Game (licensed under CC BY 2.0)

• The 695th Lord Mayor’s Show – the oldest and longest civic procession in the world – will be held in the City of London this weekend. The three mile-long parade, which dates back to the 13th century, will feature Lord Mayor of London, Michael Mainelli (who will take office during the Silent Ceremony on Friday), who will process through the City streets to swear allegiance to the Crown in Westminster. Accompanying him will be a procession featuring some 7,000 people, 200 horses and around 150 floats and will include representatives of the City’s livery companies as well as military groups, bands and community organisations. The procession leaves from Mansion House at 11am and rolls down Poultry and Cheapside to St Paul’s Cathedral and then via Ludgate Hill and Fleet Street to the Royal Courts of Justice before returning, from 1:10pm, via Queen Victoria Street to Mansion House. For more, see https://lordmayorsshow.london.

• The first permanent display of Peruvian and Andean culture at the British Museum has opened in the Wellcome Trust Gallery. Part of the Living and Dying exhibition is divided into two sections – the first exploring the culture’s relationship with the sea and the second with the land. The displays includes digital elements as well as objects ranging from pottery and textiles to metalwork and conch shells. For more, see www.britishmuseum.org.

• A “compelling, complex and beautiful” large-scale virtual model of a human heart has gone on display in the Science Museum in South Kensington. The model was created by bioengineer Dr Jazmín Aguado Sierra using scans of her own heart and functions just as her real heart does. The ‘Virtual Heart’ display, which is introduced by Dr Aguado Sierra, can be seen in the Engineers gallery, in a section which explores collaborations between clinicians, medical engineers and patients and showcases real-world health solutions. The display is free to see. For more, see sciencemuseum.org.uk/engineers.

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This Week in London – Myanmar explored; Hockney portraits; and the world’s fastest all-electric aircraft…

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The Golden Letter of Alaungpaya, Konbaung period, 18th century © Gottfried Wilhelm Leibniz Bibliothek –Niedersächsische Landesbibliothek, Hannover, Ms IV 751a
Oil Workers Helmet, 1900s © Calderdale Museums Services

• A new exhibition exploring the history of Myanmar, also known as Burma, opens at the British Museum today. Burma to Myanmar, the first major exhibition in the UK to focus on the country’s history, features more than 110 objects and spans the period from around 450 AD through today. Highlights include: a golden letter sent from King Alaungpaya to George II which, made of gold, is set with 24 rubies and placed in an elephant tusk case; a wall hanging (a ‘shwe-chi-doe’ or ‘kalaga’) illustrating scenes from the Ramayana; a gold Buddhist reliquary from the 1400s; a late 19th or early 20th century blanket from the Nung-Rawang people; an oil worker’s helmet from the early 1900s; a map of several Shan states from the 1880s made to assist the British in the process of drawing hard borders with China; and, a bust of General Aung San (1915–47), leader of the Burma Independence Army. The exhibition in the Joseph Hotung Great Court Gallery can be seen until 11th February. Admission charge applies. For more, see http://www.britishmuseum.org/exhibitions/burma-myanmar

• More than 30 portraits painted by British artist David Hockney at his Normandy studio between 2021 and 2022 can be seen for the first time in an exhibition of the artist’s works at the National Portrait Gallery. David Hockney: Drawing from Life was open for just 20 days prior to the gallery’s closure due to COVID-19 in 2020. It has now returned in an expanded form, featuring 160 works which trace the trajectory of Hockey’s practice largely through his intimate portraits of five sitters – Celia Birtwell, Hockney’s mother Laura Hockney; his former partner and curator Gregory Evans; master printer Maurice Payne and himself. The newly added portraits include depictions of the likes of actor and singer Harry Styles and people from the Normandy community in which he works. The exhibition can be seen until 21st January. Admission charge applies. For more, see ngp.org.uk/whatson/exhibitions/2023/hockney-drawing-from-life.

Rolls Royce’s Spirit of Innovation electric aircraft © Science Museum Group

• The world’s fastest all-electric aircraft, Spirit of Innovation, has gone on show at the Science Museum in South Kensington. Suspended as if in mid-flight, the aircraft is the final object in Making the Modern World, a major gallery which presents advances in science and technology from the birth of the Industrial Revolution to the present day. Powered by a lightweight and energy efficient 400kW electric powertrain, Spirit of Innovation holds the all-electric aircraft world record for highest top speed over three kilometres, with an average of 555.9km/h (345.4 mph), breaking the previous record by over 200 kilometres per hour. The plane also set a new record for the fastest climb by an electric aircraft to three kilometres. Rolls-Royce created the aircraft as part of the Accelerating the Electrification of Flight (ACCEL) project, in collaboration with Electroflight (now part of Evolito), YASA, and the Aerospace Technology Institute. The gallery is free to visit. For more, see www.sciencemuseum.org.uk.

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This Week in London – London’s transport posters on show; a musical exploration at the Science Museum; and, ‘Petrichor’ at Kew…

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London Transport Museum in Covent Garden. PICTURE: Marcus Meissner (licensed under CC BY 2.0)

• The first permanent gallery dedicated to the history of poster art and design at the London Transport Museum in Covent Garden opens tomorrow. The new Global Poster Gallery, sponsored by Global, the Media & Entertainment Group, showcases the museum’s collection of 20th century graphic art and design – one of the world’s largest. The new gallery, which is set over two floors, launches with the exhibition, How to Make a Poster, and an accompanying programme of events. The exhibition visually explores the process of creating posters from the pre-digital age from 1900 and features more than 110 poster artworks and posters including the Underground’s very first pictorial poster titled No need to ask a p’liceman by John Hassall, dating from 1908. Admission charge applies. The exhibition runs until 2025. For more, see www.ltmuseum.co.uk.

• A new interactive exhibition exploring the mysterious hold music can have over us opens at the Science Museum today. Turn It Up: The power of music features historic music players, inventions and unusual instruments. Among the inventions on show are the MiMU gloves invented by Imogen Heap and used by Ariana Grande and Kris Halpin which use gestures to control electronic music-making software, and a virtual instrument called Headspace, created by professional trumpeter Clarence Adoo and inventor Rolf Gelhar after Adoo was paralysed from the shoulders down in a car accident while among the unusual instruments are the pyrophone organ powered by flames to the Anarchestra satellite dish which can be played in multiple new ways to make music. The exhibition can be seen until 6th May at the South Kensington premises. Admission charges apply. For more, see www.sciencemuseum.org.uk.

• The work of acclaimed contemporary artist Mat Collishaw goes on show tomorrow at Kew Garden’s Shirley Sherwood Gallery of Botanical Art on Saturday. Highlights of the exhibition – Petrichor – include the UK premieres of Alluvion, a series of six new AI artworks inspired by Dutch Old Masters, and the large-scale projected work Even to the End. Other works include Heterosis – a collection of dynamic NFT’s which combine genetic algorithms with blockchain technology to facilitate the hybridisation of mutable digital flowers, The Centrifugal Soul – a zoetrope which creates a stunning illusion of motion, and Albion – a large-scale piece in the form of an intricate 19th-century ‘Pepper’s Ghost’ illusion which depicts the Major Oak in Sherwood Forest. Runs until 7th April. Admission charge applies. For more, see www.kew.org.

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This Week in London – Charles Dickens’ court suit and Queen Elizabeth II’s coronation glove; Frans Hals at The National Gallery; Peter Paul Rubens at Dulwich; and, email explored…

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• A piece of the only surviving dress worn by Queen Elizabeth I, Charles Dickens’ court suit, an RSC robe worn by David Tennant as Richard II, and the coronation glove of Queen Elizabeth II are among highlights of a new exhibition at the Guildhall Art Gallery. Marking the 400th anniversary of the Worshipful Company of Gold and Silver Wyre Drawers, Treasures of Gold and Silver Wire features more than 200 objects related to royalty, the arts, military, and the church spanning the period stretching from the Middle Ages to today. Other highlights include a uniform of the State Trumpeter, The Jubilee Cope from St Paul’s Cathedral, a robe of Order of the Garter and the burse of the Great Seal of King Charles II. The exhibition, which opens on Friday, runs until 12th November. Admission charge applies. For more, see www.cityoflondon.gov.uk/events/treasures-of-gold-and-silver-wire-exhibition.

Frans Hals, ‘The Laughing Cavalier’ (1624)/ Oil on canvas, 83 x 67 cm © Trustees of the Wallace Collection, London    

• The Laughing Cavalier serves as the centrepiece of a new exhibition of Frans Hals works at the National Gallery – the largest focused the 17th century Dutch painters’ works in more than 30 years. The Credit Suisse Exhibition: Frans Hals, which has been organised with the Rijksmuseum, Amsterdam features some 50 of the artists works gathered from across the globe. Alongside The Laughing Cavalier which is on loan from the Wallace Collection, highlights include Portrait of Isaac Massa (1626), Portrait of Pieter Dircksz. Tjarck (about 1635–38), The Rommel-Pot Player (1618–22) and Portrait of Tieleman Roosterman (1634). Admission charge applies. Runs until 21st January.

• A major exhibition on the work of Flemish artist Peter Paul Rubens (1577-1640) has opened at the Dulwich Picture Gallery. Rubens & Women features more than 40 paintings and drawings along with archival material and challenges the perception that the artist only painted one type of women as it explores his relationships with women and how they nourished his career and creativity. Highlights include Portrait of a Woman (c1625), Marchesa Maria Serra Pallavicino or Marchesa Veronica Spinola Doria (1606-07), The Virgin in Adoration of the Child (c1616), Looking Down (Study for head of St Apollonia) (1628), Ceres and Two Nymphs (1615-17), The Birth of the Milky Way (1636-1638), and Clara Serena Rubens, the Artist’s Daughter (c1620-23). The exhibition runs until 28th January. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.

• An interactive exhibition exploring email’s impact in our lives – how it shapes our work, relationships, cultures and economies – opens at The Design Museum today. Email is D̶e̶ad̶ ̶, being held in partnership with Intuit Mailchimp, charts the history of email, from its embryonic beginnings in the 1970s to what the email experience might be like in 2070. Admission is free. Runs until 22nd October. For more, see https://designmuseum.org.

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This Week in London – The Indian Army at Hampton Court Palace; Chanel at the V&A; and, Mantegna’s ‘The Triumphs Caesar’ at the National Gallery…

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Part of the Indian Army at the Palace display at Hampton Court Palace: PICTURE © Historic Royal Palaces.

• A rare charity pin badge like those sold by Indian princess and suffragette Sophia Duleep Singh to raise funds for the Indian Army has gone on show at Hampton Court Palace. It’s part of a new display which shares the stories of Indian soldiers who took up residence on the Hampton Court estate four times: for the coronations of King Edward VII in 1902, King George V in 1911 and King George VI in 1937, as well as for the World War I Victory Parade in London. The Indian Army at the Palace explores their experiences in the camp and in London more generally – everything from food and rationing to entertainment, travel and religious accommodations. Highlights of the display include objects from the Historic Royal Palaces’ collection – such as an official plan from one of the camps, press cuttings depicting the soldiers’ arrival at Hampton Court station, and Indian soldiers in and around the Palace grounds – as well as items on loan from the South Asian community, including a 32nd Sikh Pioneers Indian Army Officer’s tunic, medals and photos belonging to soldiers from the 1902 and 1911 contingents, original photographs of the Gurkha regiment in the 1919 parade and newspaper articles depicting the visits. The display can be seen until 3rd March next year and entry is included in general admission. For more, see www.hrp.org.uk/hampton-court-palace/.

A scene from the ‘Gabrielle Chanel. Fashion Manifesto’ display. PICTURE: ©Victoria & Albert Museum, London.

• The first UK exhibition dedicated to the work of pioneering fashion designer Gabrielle ‘Coco’ Chanel opens at the V&A on Saturday. Gabrielle Chanel. Fashion Manifesto, which is being presented in partnership with Palais Galliera, Fashion Museum of the City of Paris, Paris Musées, charts the evolution of Chanel’s iconic design style and the establishment of the House of Chanel, from the opening of her first millinery boutique in Paris in 1910 to the showing of her final collection in 1971. The display’s 10 sections feature more than 200 “looks” as well as accessories, perfumes and jewellery. Highlights include one of the earliest surviving Chanel garments from 1916; original Chanel-designed costumes for the 1924 Ballets Russes production of Le Train Bleu; outfits created for Hollywood stars Lauren Bacall and Marlene Dietrich; an early example of Chanel’s ground-breaking evening trousers; and, ensembles from Chanel’s final collection of 1971. Runs until 25th February. Admission charge applies. For more, see vam.ac.uk/chanel.

• Six of Andrea Mantegna’s monumental paintings The Triumphs of Caesar go on display at The National Gallery from Monday. On loan from the Royal Collection, the Renaissance artist’s greatest masterpiece will be on show at the gallery for around two years, while their usual home, the Mantegna Gallery at Hampton Court Palace, is closed for maintenance. Mantegna painted a total of nine canvasses for the Gonzaga family in Mantua, between about 1485 and 1506. They were acquired by King Charles I in 1629 and taken to Hampton Court Palace soon after their arrival in England. The paintings, which are being displayed in specially made frames, will be able to be seen in Room 14, along with Peter Paul Rubens’ A Roman Triumph (about 1630) to show a later artistic response to the Triumphs. Other works by Mantegna from the National Gallery’s collection including The Introduction of the Cult of Cybele at Rome, Samson and Delilah, Two Exemplary Women of Antiquity and The Virgin and Child with the Magdalen and Saint John the Baptist are displayed nearby in Room 5 while Mantegna’s The Agony in the Garden can be seen in Room 29. Admission is free. For more, see www.nationalgallery.org.uk.

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This Week in London – George III pocket watch at heart of new exhibition; Tommy Flowers honoured; and, Sara Shamma at Dulwich…

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A gold pocket watch made for King George III. PICTURE: Courtesy of the Clockmakers’ Museum/Science Museum

• A new display featuring timepieces by one of the greatest watchmakers of all time, Abraham-Louis Breguet, opens in Clockmakers’ Museum at the Science Museum on Tuesday. Marking the bicentenary of Breguet’s death on 17th September, 1823, Abraham-Louis Breguet: The English Connection features 25 items seldom seen in public before. They include an exceptionally rare gold four-minute tourbillon pocket watch made for George III in 1808, a ‘Simple à 2 aiguilles equation’ pocket watch made for politician Thomas Noel Hill, 2nd Baron Berwick of Attingham, and, a gilt bronze carriage clock ‘Pendule de voyage petite’ which originally belonged to Robert Henry Herbert, the 12th Earl Pembroke. The museum is located on level 2 of the Science Museum. Entry is free. For more, see www.sciencemuseum.org.uk/clocks.

• An electrical engineer whose ground-breaking work in engineering culminated in the creation of the world’s first ever large-scale programmable digital computer has been honoured with an English Heritage Blue Plaque. The plaque is located at the former workplace of Tommy Flowers at Chartwell Court, in Dollis Hill. Now flats, the property was the former Post Office Research Station where Flowers designed, built and tested the computer known as ‘Colossus’. Flowers, who spent a brief period at Bletchley Park working the code-breakers in 1941, successfully demonstrated Colossus at the research station in 1943 after just 11 months of work. For more, see www.english-heritage.org.uk/visit/blue-plaques/. Meanwhile, news this week that the UK Government, inspired by London’s Blue Plaques, is introducing a national blue plaques scheme. Historic England will work together with English Heritage, local partners, and current plaque schemes to develop and roll out the national programme.

• Artist Sara Shamma’s thought-provoking interpretations of works by artists including Rembrandt van Rijn, Peter Lely, Anthony van Dyck and Peter Paul Rubens go on display at Dulwich Picture Gallery from Saturday. With a focus on women, Bold Spirits addresses themes including identity, death, motherhood and unexpected beauty. Runs until 25th February. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.

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This Week in London – Joshua Reynolds at Kenwood; ‘Power Up’ at the Science Museum; and ‘Crivelli’s Garden’…

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• Seventeen of Joshua Reynolds’ paintings – from one of his earliest portraits to the last painting he ever completed – have gone on show at Kenwood House. Marking the 300th anniversary of the artist’s birth (on 16th July, 1723), Spotlight on Reynolds: Lord Iveagh’s Favourite Artist at 300 features works including Catherine Moore (painted in Paris in 1752 when he was returning from his studies in Italy), Miss Cocks and her Niece (one of the last paintings begun by Reynolds before the loss of his sight around 1790), and a self-portrait he completed in 1788 when aged around 65 (the only self-portrait to show Reynolds wearing spectacles). Also on show in the display are three full-length works that span the early 1770s to the early 1780s: Mrs Tollemache as Miranda, Lady Louisa Manners and Mrs Musters as Hebe. Runs until 19th November. For more, see www.english-heritage.org.uk/visit/places/kenwood/.

Power Up at the Science Museum PICTURE: © Benjamin Ealovega

• After five successful temporary seasons, Power Up, the popular hands-on video gaming gallery, returns permanently to the Science Museum from today. Visitors will be able to play on more than 160 consoles and hundreds of video games, as well as undertake a journey through five decades of gaming, from Pong and Mario Kart to the PlayStation 5 and Xbox and the latest in VR technology. The exhibition is divided into 14 themes and sections including a physical games area and a dedicated PC-area. Admission charge applies (daily and annual passes are available). The opening is accompanied by the return of adults-only Gaming Lates. For more, see www.sciencemuseum.org.uk.

• Dame Paula Rego’s public commission, Crivelli’s Garden, is the subject of a new display at The National Gallery. Planned in collaboration with Rego, who died on 8th June last year, the display unites the monumental 10-metre-long artwork with the 15th-century altarpiece by Carlo Crivelli that inspired it, alongside life studies Rego produced of the gallery colleagues that feature in the painting. The display can be seen until 29th October. Admission is free. For more, see https://www.nationalgallery.org.uk.

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This Week in London – National Portrait Gallery reopens with Yevonde; Engineers gallery at the Science Museum; and, Victoria Embankment stones reused…

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The Creativity, Conflict and Crown display at the National Portrait Gallery, London. PICTURE: © Gareth Gardner for Nissen Richards Studio
John Gielgud as Richard II in Richard of Bordeaux by Yvonne (1933), given by the photographer, 1971 © National Portrait Gallery, London.

• The National Portrait Gallery reopens today following a complete refurbishment of the building and construction of a new learning centre – the largest redevelopment of its history. And the first major exhibition to be seen focuses on the ground-breaking work of 20th century British photographer Yevonde (1893-1975). The exhibition – Yevonde: Life and Colour – is the largest of the artist’s work and will feature more than 25 newly discovered photographs among the more than 150 works on display. As well as commercial commissioned works and still lives, the display will also include portraits of some of the most famous faces of the time including George Bernard Shaw, Vivien Leigh, John Gielgud, Princess Alexandra and Margaret Sweeney, Duchess of Argyll as well as Surrealist patron and poet Edward James. It will also celebrate Yevonde’s role as an innovator, show-casing her experimentations with solarisation and the Vivex colour process. The National Portrait Gallery acquired Yevonde’s tri-colour separation archive with funding from The Portrait Fund and went through an extensive research, cataloguing and digitisation process funded by CHANEL Culture Fund. Admission charge applies. Runs until 15th October. For more, see www.npg.org.uk.

• A new gallery dedicated to world-changing engineering innovations and the people behind them opens at the Science Museum tomorrow. ‘Engineers’ celebrates the UK’s engineering heritage and showcase innovations through the global lens of the Queen Elizabeth Prize for Engineering and its winners (its opening marks a decade of the prize). The gallery will spotlight the stories of more than 60 engineers working in a range of fields sitting in four sections – ‘Bodies’, ‘Lives’, ‘Connections’ and ‘Creating’. Items on show in the gallery – which adjoins the Technicians: The David Sainsbury Gallery which opened in November last year – include the first digital camera, the cutting-edge CMR ‘Versius’ surgical robot arm and a miniature atomic clock which the entire GPS system depended upon. Entry to the level one gallery is free. For more, see https://sciencemuseum.org.uk/engineers.

• Granite stones that once formed part of Victoria Embankment have been installed around the City in a project celebrating the role of stone in the City’s creation. Called From the Thames to Eternity, the project – designed by Matthew Barnett Howland and Oliver Wilton from University College London and CSK Architects – features stones which have been removed from the embankment to enable the new Thames Tideway Tunnel. Originally quarried in the 19th century, mainly in Cornwall and Scotland, for use in Joseph Bazalgette’s Thames River wall at Victoria Embankment, they are being installed temporarily and will later be reused in another project.

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This Week in London – Museum of London Docklands marks 20 years; story-telling and technology; and, marking Windrush at the V&A…

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• The 20th anniversary of the Museum of London Docklands will be marked on Saturday night with the Big Docklands Street Party celebrating the history, cultures and communities of the East End. . Two decades after Queen Elizabeth II opened the museum, the street party and museum late includes live performances headlined by Vanity Milan, star of Ru Paul’s Drag Race, street food, pop-up bars, talks and tours, workshops, film screenings, a makers market, pub quiz and after hours gallery access. The museum’s big day will also be marked with the ringing of the Bow Bells – tradition holds that to be a true Cockney one must be born within earshot of the Bow Bells. For tickets and further information, head to www.museumoflondon.org.uk/museum-london-docklands/whats-on/mold20

Digital Storytelling at the British Library. PICTURE © British Library

• A new exhibition showcasing how technology is transforming story-telling has opened at the British Library. Digital Storytelling features a range of digital stories including 80 Days, a four-time BAFTA nominated interactive adaptation of Jules Verne’s Around the World in Eighty Days, and the exclusive public preview of Windrush Tales, the world’s first interactive narrative game based on the experiences of Caribbean immigrants in post-war Britain as well as the popular auto fiction fitness app Zombies, Run! and Breathe, a ghost story that “follows the reader around”, reacting to users’ real-time location data. The display will also explore how writers and artists look into the lived realities behind the news with the inclusion of the likes of A Dictionary of the Revolution, which charts the evolution of political language in Egypt during the uprising in 2011, and c ya laterrrr, an intimate autobiographical hypertext account of the loss of author Dan Hett’s brother in the 2017 Manchester Arena terrorist attack. The exhibition, which runs until 15th October, is accompanied by a series of events. Admission charge applies. For more, see www.bl.uk/events/digital-storytelling.

• Two portraits created three centuries apart and depicting two Jamaican gentlemen scholars – Vanley Burke and Francis Williams – are at the heart of a display at the V&A marking the 75th anniversary of the arrival of HMT Empire Windrush. The display features documentary photographs by Burke, the ‘Godfather of Black British photography’, and everyday things collected by him as well as historical artefacts and scientific images that shed new light on the museum’s enigmatic portrait of 18th-century Jamaican writer Francis William. The free display, which opens Monday, can be seen in Galleries 88a and 90. The occasion is also being marked by a series of events – for more, see vam.ac.uk/season/2023/windrush-75.

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