This 15th century tower can be found at the north-west corner of Lambeth Palace, London residence of the Archbishop of Canterbury.
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Events
London Explained – Albertopolis…
A nickname, connected to Prince Albert (beloved husband of Queen Victoria), which was given to an area of South Kensington centred on Exhibition Road which is packed with various cultural and educational institutions.
The land, which had been the Kensington Gore Estate, was purchased by the Royal Commission for the Exhibition of 1851 on the suggestion of Prince Albert using the profits made from the Great Exhibition which had been held just to the north in Hyde Park. His vision was for arts and science quarter which included schools, colleges and libraries as well as museums, exhibition rooms and spaces for events.
Among the buildings subsequently constructed upon it were those bearing Prince Albert’s name including Royal Albert Hall and the Victoria and Albert Museum along with the huge Albert Memorial.
Other institutions on the land include the Natural History Museum, Imperial College London, the Royal College of Music, the Royal College of Art, the Science Museum, the Royal Geographical Society and the since removed Royal Horticultural Society Gardens.
The area gained its nickname in the 1850s due to the Prince’s role in the Great Exhibition and its subsequent purchase and was seen to both celebrate, but also by some, to satirise him. It fell out of use after the Prince’s death in 1861 but was subsequently revived in the 1960s and since to bring attention to buildings in the area threatened with demolition.
A pedestrian subway under Exhibition Road runs north from South Kensington Station and gives access to the museums (when it was built in 1885, a toll of one penny was charged to use it).
This Week in London – Black On The Square; poetry celebrated at Westminster Abbey; and, Ellen Terry’s costumes at Smallhythe Place…
• A celebration of Black communities and culture returns to Trafalgar Square this weekend. Taking place on Saturday, the Mayor of London’s Black On The Square festival features live music and dance as well as art, fashion, food from Ghana, Guyana, Jamaica, Mauritius and Nigeria, and a range of family-friendly activities. Multi award-winning actor and rapper Bashy is headlining with other acts including Cultur FM, Kofi Stone, Krar Collective, Shingai, Phoebs and Karen Nyame. The free festival runs from noon to 6pm. For more, see www.london.gov.uk/events/black-square-2024.
• Westminster Abbey, home of the famed Poet’s Corner, has unveiled a new season of events celebrating poets and poetry this autumn. Voice and Verse, which launches on 3rd October, features poetry readings, talks, tours, musical performances and workshops. Highlights include a lunchtime concert to be held in St Margaret’s Church with music inspired by the poetry of writers memorialised in Poet’s Corner, a talk on the lives and legacy of World War I poets and an eventing of poetry held in Poet’s Corner itself. For more information, including event dates and booking information, head to www.westminster-abbey.org/events/autumn-season.
• Further afield: Two of Victorian actor Ellen Terry’s costumes – worn while performing Lady Macbeth in an 1888 production of Macbeth at London’s Lyceum Theatre – have gone on display at her former home of Smallhythe Place in Kent. The costumes, designed by Alice Comyns Carr, include the iridescent green ‘Beetlewing dress’, decorated in over 1,000 beetle wings, and immortalised in a John Singer Sargent painting of Terry. There’s also a gown worn by Terry in the play’s banqueting scene in which Macbeth sees the ghost of Banquo. Made of muslin and shot through with gold thread, it is on display for the first time after extensive conservation work to address the damage caused by its repeated use on stage and the alterations and repairs which have occurred since. The Dressing Lady Macbeth: An Exhibition can be seen until 3rd November. Admission fees apply. For more, see www.nationaltrust.org.uk/visit/kent/smallhythe-place.
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10 towers with a history in London – 2. The tower of St Olave, Old Jewry…
This tower is a survivor and was originally part of the rebuilt Church of St Olave, Old Jewry.
The medieval church, which was apparently built on the site of an earlier Saxon church, originally dated from 12th century. Its name referred to both the saint to whom it was dedicated – the patron saint of Norway, St Olaf (Olave) – and its location in the precinct of the City that was largely occupied by Jews (up until the infamous expulsion of 1290).
The church, which is also referred to as Upwell Old Jewry (this may have related to a well in the churchyard), was the burial place of two former Lord Mayors – mercer Robert Large (William Caxton was his apprentice) and publisher John Boydell (who apparently washed his face under the church pump each morning). Boydell’s monument was later transferred to St Margaret Lothbury.
The church was sadly destroyed in the Great Fire of 1666 but it was among those rebuilt under the eye of Sir Christopher Wren in the 1670s. It’s from this rebuilding that the current tower dates.
At this time, the parish was united with that of St Martin Pomeroy (which had already shared its churchyard and which was also destroyed in the Great Fire).
Wren’s church was eventually demolished in 1887 as moves took place to consolidate church parishes under the Union of Benefices Act – the parish was united with that of St Margaret Lothbury and proceeds from the sale were used to fund the building of St Olave, Monor House. It’s worth noting that a Roman pavement was found on the site after the church demolition.
The tower (and the west wall), meanwhile, survived. The tower was subsequently turned into a rectory for St Margaret Lothbury and later into offices.
Interestingly, the Grade I-listed, Portland stone tower is said to be the only one built by Wren’s office which is battered – that is, wider at the bottom than the top. It’s topped by some obelisk-shaped pinnacles and a weather vane in the shape of a sailing ship which was taken from St Mildred, Poultry (was demolished in 1872).
The tower’s former clock was built by Moore & Son of Clerkenwell. It was removed at the time of the church demolition was installed in the tower of St Olave’s Hart Street. The current clock was installed in 1972.
LondonLife – Scenes from the State Opening of Parliament…
Last Wednesday, 17th July, was the State Opening of Parliament, the first since the new Labour government took office. More than 1,100 members of the armed forces were in attendance, accompanied by 200 military horses, as the procession of King Charles III and Queen Camilla made its way to the Houses of Parliament where the King delivered a speech outlining the government’s plans.
What’s in a name?…Nunhead…
This district of London, which lies to the south-east of Peckham in the London Borough of Southwark, is believed to owe its name to a local tavern named, you guessed it, the Nun’s Head on the linear Nunhead Green (there’s still a pub there, called The Old Nun’s Head, in a building dating from 1905).
There may well have been actual nuns here (from which the tavern took its name) – it’s suggested that there was a nunnery here which may have been connected to the Augustinian Priory of St John the Baptist founded in the 12th century at Holywell (in what is now Shoreditch).
A local legend gets more specific. It says that when the nunnery was dissolved during the Dissolution, the Mother Superior was executed for her opposition to King Henry VIII’s policies and her head was placed in a spike on the site near the green where the inn was built.
While the use of the name for the area goes back to at least the 16th century, the area remained something of a rural idyll until the 1840s when the Nunhead Cemetery, one of the “Magnificent Seven” cemeteries of Victorian London, was laid out and the area began to urbanise.
A fireworks manufactory – Brocks Fireworks – was built here in 1868 (evidenced by the current pub, The Pyrotechnists Arms). The railway arrived in 1871.
St Antholin’s Church was built in 1877 using funds from the sale of the City of London church, St Antholin’s, Budge Row, which was demolished in 1875. St Antholin’s in Nunhead was destroyed during the Blitz and later rebuilt and renamed St Antony’s (the building is now a Pentecostal church while the Anglican parish has been united with that of St Silas).
There’s also a Dickens connection – he rented a property known as Windsor Lodge for his long-term mistress, actress Ellen Ternan, at 31 Lindon Grove and frequently visited her there (in fact, it has even been claimed that he died at the property and his body was subsequently moved to his home at Gad’s Hill to avoid a scandal).
Nunhead became part of the Metropolitan Borough of Camberwell in 1900. These days, it’s described by Foxtons real estate agency as “a quiet suburb with pretty roads and period appeal”.
Treasures of London – The Abraham Tapestries, Hampton Court Palace…
Hanging in the Tudor Great Hall at Hampton Court Palace, this series of 10 huge tapestries are believed to have been commissioned by King Henry VIII and were first hung in the hall in 1546.
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Lost London – St Benet Fink…
This unusually named church dates back to at least the 13th century and stood on what is now Threadneedle Street.
St Benet is a contraction of St Benedict (he who founded monastic communities in Italy in the 6th century) and this was once of four City churches dedicated to the saint before 1666. The word ‘Fink’, meanwhile, is a corruption of Finch and apparently referred to Robert Finch (or Fink) who paid for a rebuild of the church in the 13th century.
The medieval rectangular church was among those destroyed in the Great Fire of 1666. Rebuilding commenced soon after, thanks in part to a £1,000 donation from a Catholic George Holman (he was rewarded with two pews and a place in the vault). The church was completed in 1675 apparently for a cost at just over £4,000.
Designed by Sir Christopher Wren, the church – due to the irregular shape of the site after the City decided to widen Threadneedle Street, was rebuilt on a decagonal plan, over which sat a dome, with a tower at the west end topped by a bell cage over which sat a ball and cross (apparently this latter feature was unique for a Wren church).
The church survived until the mid-18th century when the Corporation of London petitioned Parliament for permission to demolish the tower of St Benet Fink in order make way for an expanded Royal Exchange (which had burned down in 1838).
Following the demolition of the tower (over which there were some protests), a new entrance was cut into the west wall of the church but it proved less than ideal and the City of London was granted permission to knock down the rest of the church which took place in 1846.
The parish was merged with that of St Peter le Poer. Proceeds of the sale of the site were used to build St Benet Fink Church, Tottenham.
The furniture was sold off and paintings of Moses and Aaron that had formed part of the altarpiece are now in the chapel of Emanuel School in Battersea.
Famous associations include John Henry Newman, the future Catholic cardinal, who was baptised in the church on 9th April, 1801.
An office block now occupies the site. A City of London blue plaque marks the site.
This Week in London – Celebrating Tower Bridge’s 130th; Dame Peggy Ashcroft and Iris Murdoch honoured; modern art in Ukraine; and, Michael Rosen’ illustrators…
• Tower Bridge marks its 130th birthday this year and to mark the event, the London Metropolitan Archives are hosting a free exhibition charting its history at the City of London’s Heritage Gallery. Designed by Horace Jones, the bridge opened on 30th June, 1894, and the display reflects on the splendour of that royal event as well as examining how and why the bridge was built, the engineering involved and how the bridge played a role in defending London during World War I. The exhibition runs until 19th September at the gallery, located in the Guildhall Art Gallery. Booking tickets is recommended. For more, see https://www.cityoflondon.gov.uk/events/tower-bridge-at-the-heritage-gallery.
• Actor Dame Peggy Ashcroft and Dublin-born novelist Iris Murdoch have been honoured with English Heritage Blue Plaques. A leading figure in 20th century theatre, Dame Peggy has been remembered with a plaque on her childhood home in South Croydon. It was in what was then a “leafy market town” that at the age of 13 Peggy first dreamt of performing on the stage while standing outside the local grocers on George Street and to which she returned in 1962 to open a theatre named after her. The plaque honouring Murdoch, meanwhile, has been placed on 29 Cornwall Gardens, part of a Italianate stucco-fronted mid-Victorian terrace in Kensington where she occupied a top floor flat. Murdoch lived in London for more than 25 years and during that time would spend three days a week in the flat. For more, see www.english-heritage.org.uk/visit/blue-plaques/
• The most comprehensive UK exhibition to date of modern art in Ukraine opens at the Royal Academy on Saturday. In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, features some 65 works, many on loan from the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine. Artists represented in the display, which is divided into six sections, include such renowned names as Alexander Archipenko, Sonia Delaunay, Alexandra Exter and Kazymyr Malevych as well as lesser-known artists such as Mykhailo Boichuk, Oleksandr Bohomazov and Vasyl Yermilov. Runs in the The Gabrielle Jungels-Winkler Galleries until 13th October. Admission charge applies. For more, see www.royalacademy.org.uk.
• The work of artists who have illustrated Michael Rosen’s many books for children are the subject of a new exhibition at the Heath Robinson Museum. Michael Rosen: The Illustrators explores Rosen’s books and the many artists who illustrated them over his 50 year career including the likes of Quentin Blake, Helen Oxenbury, Chris Riddell and Korky Paul. Among the works on show are original drawings for titles including We’re Going on a Bear Hunt, Michael Rosen’s Sad Book and Michael Rosen’s Book of Nonsense! Runs until 22nd September. Admission charge applies. For more, see https://www.heathrobinsonmuseum.org/.
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LondonLife – Trooping the Colour…
The King’s Birthday Parade took place in central London on Saturday featuring some 242 military working horses, 250 military musicians, 40 pipers and drummers, and more than 1,000 dual role soldiers of the British Army’s Household Division. The parade is a gift from the British Army’s Household Division to the King and is traditionally held on the second Saturday in June, regardless of the Sovereign’s actual date of birth.
10 significant (and historic) London trees…7. D-Day Tree…
Nations, including the UK, have just marked the 80th anniversary of the D-Day landings in Normandy at a range of locations in France and England. But did you know London has its own “D-Day tree”?
The tree, a Ginkgo biloba or Maidenhair tree, is located outside number 22 in Grosvenor Square in Mayfair (on the corner with Upper Brooks Street). It was planted in 1994 to mark the 50th anniversary of the D-Day landings.
As well as the tree itself, the landings are commemorated with plaques around the base which provide the date of the landings and its code-name, Operation Overlord.
The location apparently relates to 20 Grosvenor Square being, for a time, the headquarters of Dwight D Eisenhower, Supreme Commander of the Allied Expeditionary Force launched on D-Day. There’s a plaque on the building commemorating his tenure.
In fact, the number of Americans working in the square – at locations including the US Embassy – led to it being known colloquially as ‘Eisenhower Platz’).
The tree was planted by the City of Westminster.
Note: There seems to be some conflicting information, not the least on a plaque in Bushy Park about Eisenhower’s connections with Grosvenor Square and Norfolk House in St James’s Square. We’ll be investigating further to clarify.
LondonLife – Dress rehearsal…
Members of the Household Division in London rehearse for the King’s Birthday Parade, known as Trooping the Colour. The Colonel’s Review is held one week before and saw some 250 musicians, 20 pipers, 240 military working horses, and almost 1,000 dual role soldiers of the British Army’s Household Division run through their paces on Saturday. Trooping the Colour will take place on 15th June.
© MoD Crown Copyright 2024
Treasures of London – Waterloo Station Victory Arch…
Sitting over the main entrance to Waterloo Station is a Victory Arch which commemorates railway personnel who died in World War I and II.
There are several plaques located at the top of the steps under the arch commemorating those who died in the conflicts and among them, particularly notable this week as the world marks the 80th anniversary of D-Day, is one commemorating those who died in the Normandy landings.
The plaque was installed on the 50th anniversary of the landings – 6th June, 1994.
The arch was built as part of a station rebuild in the first couple of decades of the 20th century and added to the design following World War I. The new station was completed in 1922.
The now Grade II-listed memorial, the work of sculptor Charles Whiffen, features two sculptural groups located on either side – one dedicated to Bellona and dated 1914 and the other dedicated to Peace and dated 1918.
Set around a glazed arch are the names of countries where key battles were fought in the conflict and at the centre is a clock set within in a sunburst. Sitting above the arch is a depiction of Britannia holding aloft the torch of liberty.
As well as the D-Day plaque under the arch, a Roll of Honour commemorates the 585 London and South Western Railway employees who lost their lives in World War I. There is also a plaque commemorating the 626 men of the Southern Railway who died in World War II.
What’s in a name?…Barons Court…
This district in west London doesn’t have anything to do with any particular baron but rather was named Barons Court by the late 19th century developer Sir William Palliser.
It apparently refers to the Court Baron, a form of manorial court which could be held in medieval times by any Lord of the Manor and is perhaps a nod to nearby Earl’s Court. It’s said by some that it may also be a reference to the Baronscourt estate in County Tyrone, Northern Ireland, where Sir William possibly had connections.
Many of the street names refer to members of the Palliser family or estates and the district, which lies between West Kensington and Hammersmith, features a Tube station which opened in 1905.
Barons Court did suffer bomb damage during World War II.
Landmarks include the London Academy of Music and Dramatic Art (LAMDA), housed in what was formerly a ballet school on Talgarth Road, the Queen’s Club tennis club, and the Margravine or Hammersmith Cemetery, which, laid out by architect George Saunders, opened in 1868.
This Week in London – Victorian London captured; and, contemporary art at the British Museum…
• See a glimpse of London as it was during the Victorian era at a new exhibition opening at the London Metropolitan Archives. Lost Victorian City: a London disappeared features photographs, prints, watercolours and documents depicting buildings, horse-drawn transport, docks and various forms of entertainment along with artists’ views of the capital. Highlights include images taken in 1875 by the Society for Photographing Relics of Old London of the 17th century coaching inn, the Oxford Arms, which was demolished two years later, two images by Philip Henry Delamotte showing the moving of the Crystal Palace from Hyde Park to Sydenham following the Great Exhibition of 1851, and a photograph showing the public disinfects whose job was to remove all textiles after an infectious disease outbreak. The display can be seen at the Clerkenwell-based archives until 5th February next year. For more, see
• An exhibition has opened featuring works of art acquired by the British Museum over the past two decades including works by David Hockney, Damien Hirst, Julian Opie, Yinka Shonibare and Cornelia Parker. Contemporary collecting: David Hockney to Cornelia Parker features around 100 works acquired since 2001. Many of the works, which span the period from the 1960s onwards, are being exhibited for the first time. Highlights include Hockney’s prints The Marriage (1962) and Henry Seated with Tulips (1976), Parker’s Articles of Glass and Jug Full of Ice from One Day This Glass Will Break (2015), Michael Craig-Martin’s Coathanger, Light bulb and Watch from Drawings (2015); Caroline Walker’s colour lithograph Bathed (2018); Shonibare’s colour woodcuts Cowboy Angel I, II, V (2017) and Joy Gerrard’s Vigil/Protest (Westminster 14th March 2021), a 2023 drawing in Japanese ink. Runs until 29th September in Room 90. Admission is free. For more, see www.britishmuseum.org/david-hockney-cornelia-parker.
Where (was) London’s oldest…pizzeria?
While pizza had been available in London restaurants some time before, the first dedicated pizzeria is said to have been the first Pizza Express located in Wardour Street in Soho.
The premises on the corner of Rupert Court and Wardour Street was established by Peter Boizot, who has reportedly first discovered pizza while in Italy in the 1940s, and, having witnessed the appearance of pizzerias elsewhere in Europe, decided to bring the concept to London.
Opening its doors on 27th March, 1965, the establishment was modelled on Italian pizzerias. Boizot had partnered with Italian designer, Enzo Apicella, to create an authentic Italian experience which included an open kitchen, simple furnishings and a wine menu (he also brought in a pizza chef from Sicily).
While the concept apparently wasn’t an instant success, it soon did catch on and Pizza Express opened further branches across the city – the first in Coptic Street next to the British Museum in 1967.
Sadly the Wardour Street premises was among dozens that the chain closed during the coronavirus pandemic in 2020.
10 atmospheric ruins in London – 8. Coldharbour Gate…
Located within the outer walls of the Tower of London are the remains of some early 13th century fortifications built by King Henry III.
These include the foundations of Coldharbour Gate which once adjoined the south-west corner of the White Tower as well as the western wall of the Inmost Ward which ran down to the Wakefiekd Tower.
The gate was defended by two cylindrical turrets while the Inmost Ward Wall has arrow loops installed, allowing archers to fire down on attackers who had breached the outer fortifications.
The gate was later used as a prison. Alice Tankerville, who was charged with piracy on the River Thames, became one of the most famous prisoners housed there when, despite having apparently been chained to the wall, she escaped with the help of two guards in 1533 (she was recaptured just outside the Tower).
The gateway was demolished in about 1675 and lead from the roof taken to Greenwich where it was redeployed at the Royal Observatory.
Much of the wall was hidden away behind later buildings but was re-exposed after being bomb damaged during World War II.
Not much remains to be seen today but the foundations do evoke a sense of the royal palace in times past and serve as a reminder that the buildings we see at the Tower today are not all that has existed here.
Other ruins at the Tower of London include the remains of the Wardrobe Tower, which lies at the south-east corner of the White Tower. It is thought to have dated from 1190 and incorporates the base of a Roman bastion.
WHERE: Tower of London (nearest Tube station Tower Hill); WHEN: 9am to 5.30pm (last admission 3.30pm), Tuesday to Saturday; 10am to 5.30pm (last admission 3.30pm) Sunday to Monday; COST: £34.80 adults; £17.40 children 5 to 15 (family tickets available; discounts for online purchases/memberships); WEBSITE: www.hrp.org.uk/toweroflondon/.
10 atmospheric ruins in London – 7. London Wall, Noble Street…
There’s many remnants of the Roman and later medieval wall which once surrounded the City of London – the towering section at Tower Hill near the Tower of London no doubt the most famous.
But there are several other stretches of the stone and brick wall left which evoke a sense of the structure it once was and the defensive role it played in protecting Londoners – among them is a substantial section of the wall located in Noble Street on the city’s western side.
The 80 metre long section of Roman and later medieval remains includes two internal turrets on what was the west side of the Roman Cripplegate fort (built between 120 and 150 AD) as well as a substantial bastion located at the southern end of the site.
The highest fragment of the Roman wall can be seen opposite Oat Lane, near the southern end of the site, while the highest section of the wall – which stands some 4.5 metres high and is mostly medieval – can be seen at the northern end of the site.
As well as reflecting the City’s Roman and medieval history, this section of wall also evokes a sense of the horrors of the Blitz.
Projecting eastward on the inside of the wall are party walls from World War II bomb-damaged and later demolished homes which once fronted onto Noble Street.
WHERE: Noble Street, London (nearest Tube stations are Barbican and Bank; WHEN: Anytime; COST: Free.
This Week in London – Underground shelters in wartime – then and now; new Ravenmaster at the Tower; and, ‘La Ghirlandata’ back at the Guildhall Art Gallery…
• A new photographic exhibition exploring how Underground stations and metro systems provide shelter to citizens during periods of war, both now and in the past, opened at the London Transport Museum in Covent Garden last week. Echoes of the Blitz: Underground shelters in Ukraine and London features 70 images, including historical pictures from the museum’s collection as well as 38 contemporary photographs shot by six renowned, mainly Ukrainian, documentary photographers. The latter include photography showing ordinary Ukrainian citizens sleeping, waiting, cooking, washing clothes, caring for their pets and creating temporary make-shift homes in metro stations of Kyiv and and Kharkiv show alongside black and white archive images of Londoners taking refuge in Tube stations during World War II. The exhibition, which is being run in partnership with Berlin-based journalistic network n-ost, can be seen until spring next year. Admission charge applies. For more, see www.ltmuseum.co.uk.
• A new Ravenmaster has been appointed at the Tower of London. Yeoman Warder Michael ‘Barney’ Chandler took up the role at the start of this month, 15 years after he first became a Yeoman Warder at the Tower. The Ravenmaster oversees a team of four responsible for the care of the Tower’s seven ravens which legend says must remain at the Tower to ensure its protection. The legend apparently goes back to at least the reign of King Charles II – when the King’s astronomer John Flamsteed complained that the resident ravens were impeding his work at the Tower and requested their removal, the King was told that if the ravens left the Tower then the Kingdom would fall (and so they remained). While the Yeoman Warders have longed cared for the ravens, the post of Ravenmaster was only created in the past 50 years and was first held by Yeoman Warder Jack Wilmington. Yeoman Warder Chandler, who became the 387th Yeoman Warder at the Tower when he was appointed in March, 2009, is only the sixth person to hold the office. For more, see www.hrp.org.uk/tower-of-london/.
• One of the most popular paintings at the Guildhall Art Gallery is being reinstalled to mark International Women’s Day on Friday. Dante Gabriel Rossetti’s La Ghirlandata has been on loan – first to the Tate Britain and then to the Delaware Art Museum in the US – but is now being returned. The painting dates from 1873 and depicts a ‘garlanded woman’ playing an arpanetta and looking directly at the viewer. The muse for the woman is said to have been the actor and model, Alexa Wilding, while the two ‘angels’ in the top corners were posed by William and Jane Morris’ youngest daughter, May Morris. The City of London Corporation acquired the oil on canvas work in 1927. On Saturday, free family activities will be held at the gallery to mark the work’s return. For more, see www.thecityofldn.com/la-ghirlandata.
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10 atmospheric ruins in London – 4. Spitalfields Charnel House…
Located under glass beneath a modern square just to the north-east of the line of the City of London’s walls are the ruins of a medieval building which once held human bones.
Built on what had originally been a Roman burial ground, the medieval hospital known as St Mary Spital was constructed towards the end of the 12th century and a graveyard was located on the site for the burial of those who died there.
A small chapel was built on the site in about 1320, the crypt of which became a charnel house housing the bones of those remains disturbed when
The hospital, which had been run by Austin canons, was dissolved by King Henry VIII in 1539 and most of the bones removed. The crypt was later used as a house which was demolished around 1700 and later lost between the gardens of terraced houses.
The remains of the charnel house was discovered in the late 1990s during excavation works – complete with some 10,000 skeletons – and now lies under a glass floor in Bishop’s Square just to the west of Spitalfields Market (it can also be seen through a glass window in the basement level accessed via stairs in the square).
Two statues can be seen inside the ruins – a greenish figure crouching over a prone purple-red figure. Installed in 2014, they are the work of David Teager-Portman and are called Choosing the Losing Side and The Last Explorer.
Spitalfields Chapel and Charnel House, Bishops Square, London, Spitalfields (nearest Tube station is Liverpool Street; nearest Overground is Liverpool Street and Shoreditch High Street).
Exploring London 