Known through its many surviving copies, the Whitehall Mural was a dynastic portrait understood to have been created to decorate a privy chamber of King Henry VIII at the Palace of Whitehall.

by Hans Holbein the Younger
ink and watercolour, circa 1536-1537
NPG 4027 © National Portrait Gallery, London (licensed under CC BY-NC-ND 3.0)
The mural, which was the work of Hans Holbein the Younger, featured four figures standing around a central plinth. They include King Henry VIII and his wife Jane Seymour at the front with the King’s parents King Henry VII and Queen Elizabeth of York at the back.
It is believed the portrait, commissioned during the King’s brief marriage to Jane Seymour (between 30th May 1536 and 24th October 1537), may have been created to celebrate the birth of Prince Edward (later King Edward VI) in 1537 and may have been commissioned before or after the prince’s birth.
The iconic image of the bearded King Henry VIII – which was created for the purposes of propaganda – shows him as something of an idealised powerful monarch with feet firmly planted apart and his arms out with a dagger hanging at his waist.
The mural was lost when a fire consumed much of the palace on 4th January, 1698. But copies – both of the mural as a whole and of the individual figure of King Henry VIII – survive including one by Flemish artist Remigius van Leemput commissioned by King Charles II the year before the fire.
There’s also a full-sized cartoon (pictured) showing the left-hand section of the mural which was created by Holbein in preparing to create the mural. Depicting King Henry VIII – his head turned in a slightly different aspect to the final version – and King Henry VII, it would been used to mark out the mural on the wall where it stood.


























