Old Masters have been removed from the Picture Gallery at Buckingham Palace for the first time in almost 45 years to allow for essential maintenance works. The works, which include paintings by Titian, Rembrandt, Vermeer, Van Dyck and Canaletto, will be featured in a landmark new exhibition – Masterpieces from Buckingham Palace – which, featuring some 65 artworks in total, opens in the palace’s Queen’s Gallery on 4th December. They have been removed from the Picture Gallery – one of the palace’s State Room where Old Master paintings have hung since the reign of King George IV in the 1820s – over a period of four weeks to allow for building improvements which will include the replacement of electrics and pipework – some of which has not been updated since the 1940s – as well as the gallery’s roof. The refurbishment is part of a £370 million, 10 year refit programme being carried out at the palace due for completion in 2027.
• The new Queen’s Diamond Jubilee Galleries at Westminster Abbey open to the public on Monday. The museum galleries, located more than 50 feet above the abbey’s floor in the medieval Triforium, tell the 1,000 year history of the abbey through some of its greatest treasures. Entry to the Triforium – never before open to the public – is via the new Weston Tower, the first major addition to the abbey since 1745 which comes with previously unseen views of the neighbouring Palace of Westminster. The exhibition in the galleries, meanwhile, features some 300 objects and tells the abbey’s story around four major themes – building the abbey, worship and daily life, the abbey’s relationship to the monarchy and its role as a national place of commemoration and remembrance. Among the items on show are a column capital from the cloister of St Edward the Confessor’s Church (built around 1100), a scale model of the abbey commissioned by Sir Christopher Wren which features a never built massive central spire, The Westminster Retable (1259-69) – the oldest surviving altarpiece in England, the Litlyngton Missal – an illuminated 14th century service book, Queen Mary II’s Coronation Chair dating from 1689, the 2011 marriage licence of the Duke and Duchess of Cambridge, and early abbey guidebooks for visitors. The new galleries and tower were completed in a £22.9 million project funded through private donors and trusts. Admission charge applies. For more, see www.westminster-abbey.org/visit-us/plan-your-visit/the-queens-diamond-jubilee-galleries/. PICTURES: Top – The Queen’s Diamond Jubilee Galleries; Right – The Weston Tower (Images courtesy of Westminster Abbey/Alan Williams).
• The Royal Collection’s South Asian art goes on show at the Queen’s Gallery in Buckingham Palace from tomorrow. Splendours of the Subcontinent: A Prince’s Tour of India 1875-6 centres on the historic four month visit made by Albert Edward, Prince of Wales (later King Edward VIII) to the subcontinent prior to his mother, Queen Victoria, being formally declared Empress of India. It brings together some of the finest examples of Indian design and craftsmanship in the Royal Collection including some of the 2,000 gifts presented to the Prince on his tour. Highlights include an enamelled gold and diamond perfume holder given by Ram Singh II, Maharajah of Jaipur, a 10 piece gold service given by the Maharaja of Mysore, and a jewelled walking stick featuring a concealed gun, thought to have been the gift of Maharao Ram Singh of Bundi. There are also enamelled peacock feather fans, a gold and emerald turban ornament, and a brooch and necklace featuring a depiction of the Prince and Princess of Wales. The display can be seen until 14th October. Admission charge applies. The exhibition is being shown alongside Splendours of the Subcontinent: Four Centuries of South Asian Paintings and Manuscripts, which features highlights from the Royal Collection’s world-class holding of paintings and manuscripts from the region. For more, see www.royalcollection.org.uk.
• British-born artist Thomas Cole’s depictions of the unspoiled American wilderness form the centre of a new exhibition at The National Gallery. Thomas Cole: Eden to Empire includes 58 works, mostly on loan from North American collections, including his iconic painting cycle The Course of Empire (1834-6), and the masterpiece that secured his reputation (and which has never been seen in the UK before), View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm – The Oxbow (1836). Cole’s paintings will be shown alongside those of artists who had the greatest influence on him including JMW Turner and John Constable. Opens on 11th June and runs until 7th October. Admission charge applies. As a bonus, The National Gallery is also hosting a free exhibition of a series of 10 works created by Ed Ruscha in response to Cole’s The Course of Empire. These can be seen in Room 1. Admission is free. For more, see www.nationalgallery.org.uk.
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• Buckingham Palace will host a family festival in celebration of the 90th birthday of Queen Elizabeth II this Saturday. The festival, which will be held in the Family Pavilion on the West Terrace, at the Royal Mews and in The Queen’s Gallery, will feature a 24 foot high, life-sized drawing of the Roald Dahl’s Big Friendly Giant (BFG) by Sir Quentin Blake, story-telling sessions, arts and crafts activities including the chance to make hats inspired by the Queen’s outfits and a BFG ‘dream jar’, and a toy kitchen where under fives can decorate a birthday cake. There will also be dressing-up activities in the Royal Mews and a special family tour of current exhibitions at The Queen’s Gallery while a selection of refreshments will be available. Admission charge applies. For more information, check out www.royalcollection.org.uk.
• Kew Gardens holds it first Science Festival this weekend with a range if interactive activities for visitors to get hands-on with. The family friendly festival will celebrate the ground-breaking discoveries made by Kew scientists and allow visitors to explore how to use a DNA sequencer, clone a cabbage or pollinate orchids with tuning forks. The festival will also features a special display and talks about carnivorous plants and there’s special activities for younger “budding scientists” such as making their own mushroom spore print. The festival kicks off tomorrow and runs until Sunday. For more, see www.kew.org.
• On Now: Our Lives in Data. This free exhibition at the Science Museum in South Kensington explores some of the many ways in which our data is collected, analysed and used for a variety of purposes – from a toy that learns from a child’s personality to become a better playmate to new virtual reality tools created by game designers to help researchers understand vast collections of data. There is also the chance to test facial recognition software through an “intelligent mirror” and an exploration of some of the latest products developed to help people protect their data, including a Cryptophone and wi-fi blocking paint. Runs until September, 2017. For more, visit www.sciencemuseum.org.uk/data.
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• The Lord Mayor’s Show will mark its 800th anniversary on Saturday as the newly elected Jeffrey Mountevans – the 688th Lord Mayor of the City of London – makes his way through the City to Westminster to swear loyalty to the Crown. The procession of 7,000 people, some 180 horses and 140 vehicles will set off on its way along a three-and-a-half mile route at 11am, starting at Mansion House and traveling down Cheapside to pause at St Paul’s Cathedral (which is open for free all day) before heading on via Ludgate Hill and Fleet Street to the Royal Courts of Justice before returning the City via Queen Victoria Street from 1.10pm. In a special nod to the 800th anniversary, the famous bells of St Mary-le-Bow will ring out a special 800-change at noon. The day will conclude with fireworks over the River Thames kicking off at 5.15pm (for the best view head down to the riverside between Waterloo and Blackfriars Bridges, either on Victoria Embankment or on the South Bank). The show’s origins go back to 1215 when, in exchange for a Royal Charter granting the City of London the right to elect its own mayor, King John insisted the newly elected mayor travelled to Westminster each year to swear loyalty to the Crown. For more (including a map to print out), see https://lordmayorsshow.london. PICTURE: From a previous show.
• Vermeer’s The Music Lesson is among 27 of the finest 17th and 18th century Dutch paintings in the Royal Collection which will go on display in a new exhibition at the Queen’s Gallery at Buckingham Palace from tomorrow. Masters of the Everyday: Dutch Artists in the Age of Vermeer also features works by the likes of Gerrit Dou, Pieter de Hooch and Jan Steen, all produced during what is known as the Dutch ‘Golden Age’. The exhibition is being shown alongside another display – High Spirits: The Comic Art of Thomas Rowlandson – which will focus on the work of 18th and early 19th century caricaturist Thomas Rowlandson. Around 100 of Rowlandson’s works feature in the display with highlights including The Two Kings of Terror featuring Napoleon and Death sitting face-to-face after Napoleon’s defeat at Leipzig in 1813, The Devonshire, or Most Approved Method of Securing Votes depicting Georgiana, Duchess of Devonshire, kissing a butcher (it was claimed she had claimed kisses for votes in the Westminster election of 1784), and A York Address to the Whale. Caught lately off Gravesend in which the Duke of York thanks a whale for distracting attention from accusations that his mistress was paid by army officers to secure promotions from the Duke. Admission charge applies. Both exhibitions run until 14th February, 2015. For more, see www.royalcollection.org.uk.
• The first major UK exhibition of the works of kinetic sculpture pioneer Alexander Calder opened at the Tate Modern this week. Alexander Calder: Performing Sculpture features more than 100 of the ground-breaking 20th century artist’s works which trace how Calder turned sculpture from the idea of a static object to a continually changing work to be experienced in real time. Works on show include figurative wire portraits of artists – Joan Miró and Fernand Léger (both 1930), works exploring the idea of forms in space – Red Panel, White Panel and Snake and the Cross (1936), motorised mobiles such as Black Frame and A Universe (1934), and chiming mobiles such as Red Gongs (1950) and Streetcar (1951). It closes with the large scale Black Widow (c.1948), shown for the first time ever outside Brazil. Runs until 3rd April. Admission charge applies. For more, see www.tate.org.uk.
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• King Henry VIII’s well-thumbed gardening manual, a late 15th century copy of the Ruralia Commoda, and a 16th century portrait of Jacopo Cennini, factor and estate manager to the House of Medici – believed to be the earliest surviving portrait of a gardener – are among more than 150 objects on display at a new exhibition celebrating the art of gardens. Opening at The Queen’s Gallery in Buckingham Palace tomorrow, Painting Paradise: The Art of the Gardens features some of the earliest surviving records of gardens and plants in the Royal Collection including Jan Brueghel the Elder’s Adam and Eve in the Garden of Eden (1615), The Family of Henry VIII (c. 1545) featuring King Henry VIII’s Great Garden at Whitehall Palace – the first real garden recorded in British art, and A View of Hampton Court by Leonard Knyff (c. 1702-14) – described as the “greatest surviving Baroque painting of an English garden”. There are also works by Frenchman Jean-Baptiste Martin, Swiss artist Johan Jacob Schalch and Sir Edwin Landseer. The exhibition runs until 11th October. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Illustration from Henry VIII’s copy of the gardening manual, c. 1490-95. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2015.
• Buckingham Palace, meanwhile, has announced its summer opening under the theme of A Royal Welcome. From 25th July to 27th September, displays in the State Rooms will recreate the settings for some of the many occasions in which the palace welcomes guests – from State Visits and garden parties to investitures and private audiences. The displays will show the behind-the-scenes preparations that go into a state visit and show the ballroom set up for a State Banquet. There will also be a display featuring the knighting stool and a knighting sword and, for the first time ever, visitors will enter the State Rooms through the Grand Entrance, used by those who come to the palace at the invitation of the Queen, including heads of state and prime ministers. The Australian State Coach, most recently used to carry the Duke of Edinburgh and the wife of the Mexican President, Señora Rivera, in March this year, will be displayed in the Grand Entrance portico. Admission charge applies. For more, see www.royalcollection.org.uk.
• About 100 of the “most stunning photographs ever created” go on show in the Science Museum’s Media Space in South Kensington from tomorrow. Revelations explores the role of early scientific photography in inspiring later art photographers and will feature rare shots from the National Photography Collection including an original negative of X-Ray, 19th century photographs capturing electrical charge and William Henry Fox Talbot’s experiments with photomicrography. Displayed alongside are images by some of the 20th century’s pre-eminent art photographers such as Trevor Paglen, Idris Khan and Clare Strand. Runs until 13th September. Admission charge applies. For more, see www.sciencemuseum.org.uk/revelations.
• On Now: Joshua Reynolds: Experiments in Paint. This exhibition at the Wallace Collection in Marylebone provides a new perspective on the portraits of Reynolds, one of the greatest artists of his day. Works on show including Nelly O’Brien, Mrs Abington as Miss Prue and Self Portrait Shading the Eyes as well as lesser known pictures and a rare history painting. The exhibition reveals discoveries made recently during a four year research project into the works of Reynolds now in the care of the collection. Runs until 7th June. Admission is free. For more, see www.wallacecollection.org.
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• The UK’s first major exhibition on the work of the innovative but violent 17th century artist Giovanni Benedetto Castiglione opens tomorrow at the Queen’s Gallery next to Buckingham Palace. The exhibition, which features 90 drawings and prints from the Royal Collection, is aimed at re-establishing Castiglione as one of the greatest artists of the Baroque period, thanks to his being credited with creating huge drawings in oil directly on paper, producing about 60 etchings and inventing the technique of monotype. Works include his monotype prints Head of an oriental (late 1640s) and The Nativity with angels (about 1655), a translation of Titian’s Sacred and Profane Love and drawings like Circe with the companions of Odysseus transformed into animals. Castiglione’s “nomadic” career was marred by his violent temperament – he was repeatedly before the courts for assaulting people, apparently tried to throw his sister off a roof and was forced to leave Rome because, it is believed, he had committed murder. Castiglione: Lost Genius runs with Gifted: From the Royal Academy to The Queen, an exhibition of prints and drawings given to the Queen by Royal Academicians to mark her Diamond Jubilee, until 16th March. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Giovanni Benedetto Castiglione, The head of an oriental, late 1640s. Royal Collection Trust/©Her Majesty Queen Elizabeth II 2013.
• The restored Met Locomotive 1 and the Victorian Jubilee Carriage 353 will be on show this weekend as part of the London Transport Museum’s Open Weekend at its Acton Depot. Visitors will be able to explore the depot’s vast collection of more than 400,000 objects along with a range of other activities including miniature tram and railway rides, heritage bus rides, talks and film screenings, and costumed interpreters as well as the chance to watch artist Ross Ashmore paint the locomotive and Jubilee Carriage. The weekend kicks off tomorrow. For more information and bookings, see www.ltmuseum.co.uk/whats-on/museum-depot/events.
• On Now: Australia. This landmark exhibition at the Royal Academy of Arts at Burlington House in Piccadilly features more than 200 works including paintings, drawings, photography, watercolours and multimedia pieces by 146 Australian artists. Spanning the period from 1800 until today, the display includes works by Aboriginal artists such as Albert Namatjira, nineteenth century immigrants such as John Glover and Eugene von Guerard, impressionists like Arthur Streeton and Tom Roberts, early modernists like Margaret Preston and Roy de Maistre, 20th century painters including Arthur Boyd, Albert Tucker and Brett Whiteley and contemporary artists including Gordon Bennett, Fiona Hall and Shaun Gladwell. Highlights include Frederick McCubbin’s The Pioneer (1904), four paintings from Sidney Nolan’s Ned Kelly series (1946), Rover Thomas’ Cyclone Tracy (1991) and Emily Kame Kngwarreye’s Big Yam Dreaming (1995). Organised with the National Gallery of Australia, the exhibition runs until 8th December. Admission charge applies. For more, see www.royalacademy.org.uk.