Given our current series on London’s animal life, we thought it an opportune time to take a look at another of London’s most famous animals – in this case a hippopotamus called Obaysch.
‘The Hippopotamus at the Zoological Gardens, Regent’s Park, London’, c1855, by Count de Montizon (Spanish, 1822 – 1887). PICTURE: George Eastman Museum/Flickr
Obaysch had been living near (and named for) an island in the River Nile in Egypt. He was gifted by the Ottoman Viceroy, Abbas Pasha, to the British Consul General, Sir Charles Murray (who became known as “Hippopotamus Murray” due to his affection for the animal).
Transported via a steamer to Southampton, he arrived at London Zoo in Regent’s Park on 25th May, 1850.
Said to have been the first hippo to be brought to Europe since the days of the Roman Empire, Obaysch soon gained the status of a celebrity at London Zoo with Queen Victoria among the thousands who came to see him (she apparently compared his swimming technique to that of a porpoise) in a craze that became known as “hippomania”.
In 1854, Obaysch was joined by a female hippo Adhela, also known as ‘Dil’, (again as a gift of the Viceroy) who was the first living female hippo in Europe since, you guessed it, Roman times.
In 1860, Obaysch escaped from the hippo enclosure and was only lured back to his enclosure by using one of the zookeepers whom he apparently particularly disliked as bait.
The zoo hoped the pair of hippos would breed but it wasn’t until 1871 that they first became the parents of a baby who sadly, didn’t survive.
Two more babies followed and the second of these, born in November, 1872, and named Guy Fawkes despite subsequently being found to be a female, became the first captive bred hippo to be reared by its mother.
Obaysch died on 11th March, 1878 and Adhela four years later on 16th December, 1882. Guy Fawkes died in March, 1908.
The Coronation Stone in Kingston-upon-Thames. PICTURE: Loz Pycock (licensed under CC BY-SA 2.0)
This month marks the 1,100th anniversary of the coronation of the Saxon King Aethelstan, so we thought it fitting to recall the place of his coronation, believed to be the Coronation Stone at the heart of the south-west London Royal Borough of Kingston upon Thames.
Located outside the Guildhall, the now Grade I-listed stone is an ancient block of sarsen stone which was originally at a chapel, believed to have been wooden, on the edge of the town’s market place (close to the site of All Saints Church which originally dates from the 12th century).
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‘Wake-up Call’ by Gabriella Comi, Italy, (Highly Commended, Behaviour: Mammals). PICTURE: Courtesy of the Wildlife Photographer of the Year, Natural History Museum
• Depicting a dramatic stand-off between a lion and a cobra in the Serengeti National Park in Tanzania, Gabriella Comi’s impressive image is among the 60,636 entries, from across 113 countries and territories, received in the Natural History Museum’s 61st annual Wildlife Photographer of the Year competition. The competition’s category winners and the prestigious ‘Grand Title’ and ‘Young Grand Title’ awards will be announced on 14th October, 2025, after which, from 17th October, 100 of the images will go on show at the museum in South Kensington. Other images revealed this week include Amit Eshel’s portrait of an inquisitive pack of Arctic wolves and photographs of flamingoes, coyotes and red deer by emerging young photographers as young as nine-years-old. For more, see https://bit.ly/WPY61Exhibition.
• The Science Museum has launched a new online exhibition, Vanishing Africa, which features images by Kenyan-born photographer Mirella Ricciardi and reveal how much climate change is changing the continent. Taken in East Africa over two years in the 1960s, the photographs are a visual record of the Indigenous peoples of the region, including the Maasai, Samburu, Turkana, Orma, Pokot and Rendille people, and “capture a land of untamed wilderness, diverse wildlife, and Indigenous communities attuned to nature”, an East Africa which many no longer recognise. The exhibition has been published to celebrate the ‘UK/Africa Season of Culture’ and launches ahead of the international climate summit, COP30. To view it, head to www.sciencemuseum.org.uk/objects-and-stories/vanishing-africa-through-mirella-ricciardis-lens.
• On Now: Black Chiswick Through History. This project, launched in 2011, looks at how the history of Chiswick House is connected to Black history and people of colour. This year’s installation explores the life of 18th-century Chiswick House resident James Cumberlidge – one of the few people of African heritage in Britain whose likeness was captured and preserved for posterity – and traces his journey from page boy at Chiswick House to trumpeter in the Royal Court of King George III. There’s also a painting dating from the 1870s which depicts Queen Victoria attending a fashionable garden party right here at Chiswick House in July, 1875. Runs until 28th September. Admission charge applies. For more, see https://chiswickhouseandgardens.org.uk/event/visit-chiswick-house/.
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Usually Treasures of London focuses on an object held in a museum or gallery or an outdoor feature such as sculpture or memorial but in honour of its 200th birthday this year, today we’re taking a look at the Royal Mews at Buckingham Palace.
Here are some facts about the Mews which you may not know…
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Located in one of the oldest parts of the city’s iconic fortress, the medieval palace has undergone a revamp with a restoration of the sumptuous and extravagant decorative scheme that was in place in the 13th century.
The medieval palace is found within the St Thomas’s Tower, the Wakefield Tower and the Lanthorn Tower on the southern side of the Tower and was built on the orders of successive monarchs, King Henry III and his son King Edward I. They were used as a domestic and diplomatic space periodically by the kings and their queens, Eleanor of Provence and Eleanor of Castile.
The medieval palace today includes a recreation of Edward I’s vibrant bedchamber in the St Thomas’s Tower (which once directly fronted the River Thames and sits above the water gate later known as Traitor’s Gate) and an exploration of the influence Eleanor of Castile had on the decoration.
The Wakefield Tower, meanwhile, was built by King Henry III as royal lodgings between 1220 and 1240. It originally sat at the river’s edge and could be accessed from the river by private stairs.
Believed to have been used as an audience chamber, it contains a recreation of a throne and canopy based on 13th century examples which are decorated with a Plantagenet lion – the symbol of the royal family. The vaulted ceiling is 19th century.
The third of the towers – the Lanthorn Tower – was built as lodgings for King Henry III’s Queen but is now a 19th century reconstruction after the original tower was gutted by fire.
It contains a display and among the new objects is a stone, on loan from the Jewish Museum London, which came from a Jewish mikveh or ritual bath, dating to about 1200 and discovered in London in 2001 within the home of the medieval Crespin family. It’s part of a new effort to explore the story of London’s medieval Jewish community, the taxation of which helped to pay for the construction of St Thomas’s Tower in the 1270s.
Other new objects on show in the Lanthorn Tower include a 13th century seal matrix from a 13th century Italian knight and a gold and enamel 13th century pyx – a small round container used to hold communion wafers made in the French city of Limoges (both on loan from the British Museum) as well as a child’s toy knight made of lead that dates from c1300, lent by London Museum and a perfectly preserved wicker fish trap which was excavated from the Tower moat, containing bones likely dating from the 15th or 16th century and illustrating the moat’s role as a fishery.
A replica of King Edward I’s seal matrix in the Medieval Palace exhibition, accompanied by a description in braille. This item is intended to be touched by visitors, to help them understand what the seal matrix might have looked and felt like in three dimensions. PICTURE: Michael Bowles (www.michael-bowles.com)
Among other stories now told in the display is that of less well-known Tower residents such as King Edward I’s laundress Matilda de Wautham, and John de Navesby the keeper of the white bear which was held in the menagerie at the Tower.
WHERE: The Medieval Palace, The Tower of London (nearest Tube Station is Tower Hill); WHEN: 9am to 5:30pm daily (last entry 3:30pm); COST: £35.80 adults; £28.50 concession; £17.90 children (free for Historic Royal Palaces members and £1 tickets are available for those in receipt of certain means-tested financial benefits); WEBSITE: www.hrp.org.uk/tower-of-london/
Attributed to R. & S. Garrard, ‘Love Trophy’ Collar, 1901
Charles Baugniet, ‘After the Ball’: a Lady in a Ballgown Asleep on a Sofa, c1860–67
• The glamour and opulence of the Edwardian era – and the two royal couples that exemplified it – is the subject of a new exhibition opening at The King’s Gallery at Buckingham Palace tomorrow.The Edwardians: Age of Elegance takes an in-depth look at the lives of King Edward VII and Queen Alexandra, and King George V and Queen Mary, exploring not only their family interactions but their glittering social circles, travel adventures and, of course, the royal events they attended. More than 300 items are on display in the exhibition – almost half on show for the first time – with highlights including Queen Mary’s ‘Love Trophy’ Collar necklace which is on display for the first time, a Cartier crystal pencil case set with diamonds and rubies, and, a blue enamel Fabergé cigarette case featuring a diamond-encrusted snake biting its own tail which was given to King Edward VII in 1908 by his favourite mistress as a symbol of eternal love. There’s also a never-before-seen photograph of Edward wearing fancy-dress as a knight of the Order of Malta as he attended a ball celebrating Queen Victoria’s 1897 Diamond Jubilee, a previously unseen study of Sleeping Beauty by the Pre-Raphaelite artist Sir Edward Burne-Jones, and, Charles Baugniet’s After the Ball which is on show for the first time in more than a century. Runs until 23rd November. Admission charge applies. For more, see www.rct.uk.
• More than 100,000 tulip bulbs are springing to life at Hampton Court Palace for its annual Tulip Festival. The display includes an installation of 10,000 tulips in the palace’s Fountain Court, floating tulip bowls in the Great Fountain, a vintage horse cart spilling tulips in the Clock Court, free-style planting, inspired by the tulip fields of the Netherlands, in the Kitchen Garden and rare, historic and specialist varieties of tulips in the Lower Orangery. There will be daily “tulip talks” in the palace’s wine cellar exploring the history of the flower and how Queen Mary II introduced them to the palace. Runs from Friday until 5th May. Included in general admission. For more, see www.hrp.org.uk.
• The first major exhibition in 30 years dedicated to Cartier jewels and watches opens at the V&A this Saturday.Cartier, which is being held in The Sainsbury Gallery, charts the rise of the globally recognised jewellery house and how it became known as “the jeweller of kings and the king of jewellers”. The display features more than 350 objects with highlights including the Williamson Diamond brooch which was commissioned by Queen Elizabeth II in 1953 and which features the rare 23.6 carat pink Williamson diamond; the Scroll Tiara commissioned in 1902 and worn to the coronation of Elizabeth II and later by Rihanna on the cover of W magazine in 2016; Grace Kelly’s engagement ring (1956) that she wore in her final film High Society; Mexican film star María Félix’s snake necklace (1968); and, a selection of Cartier timepieces that embody its pioneering approach to watchmaking, including the Crash wristwatch, designed by Cartier London (1967). The exhibition runs until 16th November. Admission charge applies. For more, see vam.ac.uk/exhibitions/cartier.
A rectangular block of pale yellow sandstone decorated with a Latin cross, the Stone of Scone, also known as the Stone of Destiny, long featured in the crowning of Scottish kings. But in 1296, it was seized by King Edward I as a trophy of war.
He brought it back to England (or did he? – it has been suggested the stone captured by Edward was a substitute and the real one was buried or otherwise hidden). In London, it was placed under a wooden chair known as the Coronation Chair or King Edward’s Chair on which most English and later British sovereigns were crowned.
On Christmas Day, 1950, four Scottish nationalist students – Ian Hamilton, Kay Matheson, Gavin Vernon and Alan Stuart – decided to liberate the 152 kilogram stone and return it to Scotland.
The stone broke in two when it was dropped while it was being removed (it was later repaired by a stone mason). The group headed north and, after burying the greater part of it briefly in a field to hide it, the stone was – on 11th April, 1951 – eventually left on the altar of Arbroath Abbey in Scotland.
No charges were ever laid against the students.
It was brought back to the abbey and used in the coronation of Queen Elizabeth II in 1953.
The stone was eventually returned to Scotland in 1996 on the proviso it could be temporarily relocated back to London for coronations and now sits in Edinburgh Castle. It was taken to London temporarily in 2023 for the coronation of King Charles III but has since been returned.
The replica Stone of Scone at Scone Castle in Scotland. PICTURE: David Adams
There is a replica of the stone at Scone Castle in Scotland.
Yeoman Warders at the Tower of London. PICTURE: David Adams
• Almost 200 garments from the Royal Ceremonial Dress Collection are able to be explored online thanks to a new collaboration between Historic Royal Palaces, which looks after six royal palaces including Hampton Court Palace and the Tower of London, and Google Arts & Culture. Drawing on ultra-high-resolution photography and 3D scanning, the garments – which include everything from ceremonial uniforms such as those worn by Yeoman Warders and a rare Bristow hat which may have been worn by King Henry VIII to Queen Victoria’s silk shoes, a waistcoat worn by King George III and a dress worn by the future Queen Elizabeth II in 1927 when she was just 18-months-old – can now be viewed in unprecedented detail (a billion pixels per image) without the risk of the damage which can occur thanks to light, humidity, and handling. The Royal Ceremonial Dress Collection comprises over 10,000 pieces of historic dress and related materials spanning the period from the 16th century to the present day and features garments worn by monarchs and key historical figures, including, as well as the aforementioned, Prince Albert, Princess Margaret, and Diana, Princess of Wales. To see the items, head to goo.gle/royalwardrobe.
• Author, politician and artist Victor Hugo’s rarely seen works on paper have gone on show at the Royal Academy of Arts. Astonishing Things: The Drawings of Victor Hugo features around 70 works drawn from European collections and follows his preoccupation with drawing from early caricatures and travel drawings to later landscapes and abstract works. Arranged across four sections, the works on show include everything from Mushroom (1850) – which depicts a giant anthropomorphic toadstool, some of his many works depicting castles such as The cheerful castle (c 1847), and drawings that Hugo created in tandem with writing his 1866 novel The Toilers of the Sea, set in Guernsey in the years following the Napoleonic Wars, as well some relating to his most famous work, Les Misérables. The exhibition, being held in theJillian and Arthur M Sackler Wing of Galleries, can be seen until 19th June. Admission charge applies. For more, see royalacademy.org.uk.
• A “ground-breaking” exhibition showing the outsized impact British Black music has had on the world stage over the past 100 years has opened at the Barbican Music Library. Black Sound London highlights artists who created their own platforms, audiences, and spaces, often without mainstream support and spans genres including jazz, lovers’ rock, jungle, grime, and drill. Among the objects on show are vintage mixtapes, iconic magazine covers, and fly-posted walls. Runs until 19th July. For more, see www.cityoflondon.gov.uk/services/libraries/barbican-music-library.
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• Never-before-seen royal clothing is going on show at a new exhibition opening at Kensington Palace today. Dress Codes, which includes rarely seen highlights from the Royal Ceremonial Dress Collection, explores the codes and conventions of royal clothing, and the impact fashion can make “when boundaries are pushed and dress codes evolve”. Highlights include two matching Liberty print floral cotton dresses, worn in 1936 by Queen Elizabeth II (then Princess Elizabeth) and her younger sister Princess Margaret, a glittering red Bruce Oldfield gown worn by Diana, Princess of Wales, for a state visit to Saudi Arabia in 1987, and a Catherine Walker green silk velvet tuxedo-style dress which was shared with the world as one of 79 dresses famously auctioned to raise money for HIV/AIDS and cancer charities in 1997. There also two dresses worn by Princess Margaret which are going on show for the first time in the UK – a 1978 Thea Porter evening ensemble and a colourful green embroidered evening gown by the Filipino designer Jose Pitoy Moreno, worn in 1980. Other items include a never-before-displayed black mourning bodice worn by Queen Victoria. Runs until 30th November. Admission charges apply. For more, see www.hrp.org.uk/kensington-palace/whats-on/dress-codes.
• The first ever exhibition of Edvard Munch portraits opens at the National Portrait Gallery. The display, Edvard Munch Portraits, include Munch’s portraits of lawyer Thor Lütken and physicist Felix Auerbach as well as early family portraits such as Evening (1888) which shows his sister Laura on a family holiday and Andreas Munch Studying Anatomy (1886). Other works include The Brooch (1902) and full-length portraits of Jappe Nilssen, the painter Ludvig Karsten and writer Christian Gierløff – all from the group of men he called his ‘Lifeguards’ or ‘Guardians’. Runs until 15th June. Admission charge applies. For more, see www.npg.org.uk.
• The St Patrick’s Day Parade and Festival returns to London this Sunday. Irish Paralympic gold medal winning cyclist Katie-George Dunlevy and Olympic gold medal winning boxer Kellie Harrington are serving as this year’s Grand Marshals of the parade which, with more than 50,000 participants, will feature floats, marching bands, and dance troupes. The parade kicks off at noon and will make its way from Hyde Park Corner past Piccadilly and Trafalgar Square and on to Whitehall. Meanwhile, Trafalgar Square will host an afternoon of entertainment hosted by Irish-Indian-Malaysian DJ and broadcaster Tara Kumar and featuring a wide range of family-friendly performances by the likes of Kíla, Irish Women in Harmony and Ragz-CV. Celebrity chef Anna Haugh will provide Irish cooking demonstrations and there will be an exhibition celebrating Ireland’s unsung women heroes as well as the chance to learn Irish dancing and a dedicated zone for kids with free creative workshops. For more, see https://www.london.gov.uk/events/st-patricks-day-2024.
• An audio-led exploration of Hampton Court Palace after dark kicks off next Wednesday to mark International Women’s History Month. Still The Hours uses a layered soundscape to guide visitors through the palace’s darkened halls as established actors including Kathryn Hunter (Harry Potter, Black Doves, Poor Things) and Miranda Richardson (Harry Potter, Good Omens, The Hours) can be heard alongside up-and-coming female voices to “weave a vivid tapestry” of women’s lives at the palace. The stories explored in the hour long presentation range from a suffragette to a mistress and a queen to a maid. Runs until 30th March. Admission charge applies (for ages 14+, under 16s must be accompanied by an adult). For more, see www.hrp.org.uk.
JMW Turner, Self-Portrait, c.1799 Image courtesy of Tate
• Cultural institutions across the UK have announced a year long celebration of renowned painter JMW Turner in honour of the 250th anniversary of his birth. Turner 250 includes more than 30 events with Turner’s birthday on 23rd April a particular focus. Events on the day include the opening of an exhibition of Turner’s rarely-seen images of wildlife at Turner’s House in Twickenham, and the opening of a newly refreshed room in Tate Britain’s Clore Gallery which will be home to a permanent free display of 100 works by the artist. More information will be forthcoming.
• Luke Jerram’s newest and most ambitious large scale artwork, Helios, is making its London premiere at the Old Royal Naval College. Co-commissioned by the Old Royal Naval College, this new seven-metre celestial artwork depicts the Sun in all its glory at a scale of 1:200 million. The imagery for the artwork has been compiled using photographs of the Sun provided by astrophotographer Dr Stuart Green (taken between May, 2018, to June, 2024) and NASA observations of the Sun along with guidance from solar scientist, Professor Lucie Green of University College London (UCL). The sculptural work is accompanied by a specially created surround sound composition created by acclaimed artists Duncan Speakman and Sarah Anderson. Runs from Saturday until 25th March. Admission charge applies. For more, see https://ornc.org/whats-on/helios/
Helios by Luke Jerram in the Painted Hall. PICTURE: Courtesy of the Old Royal Naval College.
• On Now: Churchill in Cartoons: Satirising a Statesman. The Imperial War Museum in Lambeth is marking the 150th anniversary of the birth of Sir Winston Churchill with this exhibition examining how Churchill is represented in political cartoons, both during his life and after. The display features 24 original artworks spanning the period from 1909 to 2003 and examines how these portrayals influenced public perception of the statesman, from his early career as an MP to the role he played in both World Wars, the “Wilderness Years” between and after he lost the 1945 General Election. Among the works are a cartoon from Punch magazine in 1914 depicting Churchill supporting the Roman sea god Neptune with aircraft (representing the establishment of the Royal Naval Air Service), a 1941 David Low cartoon shows a cigar-smoking Churchill with US President Franklin D Roosevelt during their Atlantic Conference, and, a cartoon by US cartoonist Jim Berryman marking Churchill’s defeat in the 1945 election. The free exhibition closes on 23rd February. For more, see www.iwm.org.uk/events/churchill-in-cartoons-satirising-a-statesman.
• Royal Parks have been awarded a £450,000 grant to support the creation of a new, two-acre garden in The Regent’s Park. The garden, to be funded with the grant from the Garfield Weston Foundation, will commemorate the life and legacy of Queen Elizabeth II and will feature a circular pond enhancing wildlife habitats, a central promenade with an accessible platform over the pond, and a vibrant flower garden showcasing species which were significant to the late Queen, such as the specially bred Narcissus ‘Diamond Jubilee’ or Tulipa ‘Royal Celebration’. The new garden is set to open in 2026.
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• Step back in time at Kensington Palace this Christmas with an experience inspired by Queen’s Victoria’s childhood at the palace. Victoria’s Childhood Christmas features intricately designed installations – everything from trees hung with sugar ornaments and handmade paper decorations to bespoke illustrations and period-style gifts – as well as an exploration of how some of the traditions still celebrated today – such as arranging numerous Christmas trees on table tops and displaying unwrapped presents around them – can be traced back to the 1830s at Kensington Palace. There’s also a pop-up theatre set which captures the magic of Victoria’s winter trips to London opera houses and a festive-themed afternoon tea inspired by Princess Victoria’s Christmas traditions served in The Orangery. The experience, which is included in general admission, can be seen until 5th January. For more, see www.hrp.org.uk/kensington-palace/
Parmigianino (1503–1540), ‘Studies of Saints John the Baptist and Jerome, a Crucifix and Various Heads’ (recto), about 1525–7; Red chalk on paper, 13.5 × 22.1 cm; The J. Paul Getty Museum, Los Angeles (87.GB.9); PICTURE: Courtesy of the Getty’s Open Content Program
• Parmigianino’s Madonna and Child with Saints (1526‒7) returns to display in The National Gallery for the first time in a decade in honour of the gallery’s 200th anniversary. The work, which is also known as The Vision of Saint Jerome, was presented to the gallery in 1826 and is being displayed with a selection of some of the most important preparatory drawings providing a rare opportunity to follow the artist’s creative process. The painting can be seen in Room 46 until 9th March. Entry is free. For more, see nationalgallery.org.uk.
• The Buckingham Palace State Rooms are open for one hour tours on select dates throughout winter. Led by an expert guide, the tours, which have a maximum of 30 people, include a complimentary guide. For more, see https://www.rct.uk/whatson
There’s a couple of possible explanations for the name – the first is that the oak in question once marked the southern boundary of the estates or “honour” of the 12th century Earls of Gloucester – hence ‘Honor Oak’.
The second is that Queen Elizabeth I apparently had a picnic with Sir Richard Bulkeley of Beaumaris under its branches on May Day, 1602. Hence again ‘Oak of Honor’ or ‘Honor Oak’.
Sadly, the original tree is gone – it was apparently hit by lightning in the 1880s – and a replacement, which can still be seen today, was subsequently planted nearby.
There’s a few stories surrounding the hill and its oak including that it was here that the Roman general Paulinus overcome Boudicca in 61AD. Another says that the highwayman Dick Turpin used it as a lookout.
Its height did see the hill put to use as a beacon by the Admiralty during the Napoleonic Wars and as a semaphore station by the East India Company. A beacon on top of the hill was erected to commemorate the Silver Jubilee of King George V in 1935 and subsequently used for celebrations including the coronation of Queen Elizabeth II and the Queen’s silver and golden jubilees.
There was also a gun emplacement built upon the hill during World War I.
The area around the hill was largely rural until the late 18th century. In 1809, the Croydon Canal Company constructed a canal which ran from Croydon north to New Cross and which included numerous locks. It was taken over almost 30 years later by the Croydon and London Railway for its new line (the current railway line, the stops on which include Honor Oak Park (opened in 1886), runs along the same course).
There was a bid to incorporate One Tree Hill into a golf course in the late 1800s but following a protest, this was halted and in 1905 the hill was acquired by the Camberwell Borough Council as public open space. It remains so today.
The Church of St Augustine was built to the designs of William Oakley on the hill’s east side in the late 19th century.
Famous residents in the streets around the hill have included Spike Milligan.
The Honor Oak Reservoir lies just to the north of the hill. It was constructed between 1901 and 1909 and was the largest brick built underground reservoir in the world. The roof of the still-in-use reservoir is grassed over and used as a golf course. A rather grand pumping station stands nearby.
An aerial view of the area known as Albertopolis. PICTURE: Andreas Praefcke/Public Domain
A nickname, connected to Prince Albert (beloved husband of Queen Victoria), which was given to an area of South Kensington centred on Exhibition Road which is packed with various cultural and educational institutions.
The land, which had been the Kensington Gore Estate, was purchased by the Royal Commission for the Exhibition of 1851 on the suggestion of Prince Albert using the profits made from the Great Exhibition which had been held just to the north in Hyde Park. His vision was for arts and science quarter which included schools, colleges and libraries as well as museums, exhibition rooms and spaces for events.
Among the buildings subsequently constructed upon it were those bearing Prince Albert’s name including Royal Albert Hall and the Victoria and Albert Museum along with the huge Albert Memorial.
Other institutions on the land include the Natural History Museum, Imperial College London, the Royal College of Music, the Royal College of Art, the Science Museum, the Royal Geographical Society and the since removed Royal Horticultural Society Gardens.
The area gained its nickname in the 1850s due to the Prince’s role in the Great Exhibition and its subsequent purchase and was seen to both celebrate, but also by some, to satirise him. It fell out of use after the Prince’s death in 1861 but was subsequently revived in the 1960s and since to bring attention to buildings in the area threatened with demolition.
A pedestrian subway under Exhibition Road runs north from South Kensington Station and gives access to the museums (when it was built in 1885, a toll of one penny was charged to use it).
Located at the south-western end of the Houses of Parliament, the rather grand Victoria Tower was built as part of Sir Charles Barry’s 19th century redevelopment of the site in the Gothic Perpendicular style.
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The Bloody Tower (centre, with the gateway) at the Tower of London. PICTURE: David Adams
Carrying rather a gruesome name, this rectangular-shaped tower sits over a gate leading from outer ward into the inner ward in the Tower of London.
The tower, which once controlled the watergate before the outer walls were constructed, was originally known as the Garden Tower due to its location adjoining the Tower Lieutenant’s Garden.
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Hanging in the Tudor Great Hall at Hampton Court Palace, this series of 10 huge tapestries are believed to have been commissioned by King Henry VIII and were first hung in the hall in 1546.
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Looking out a window at Hampton Court Palace. PICTURE: Greg Willson/Unsplash
• The oldest surviving rooms at Hampton Court Palace – the Wolsey Rooms which King Henry VIII and Thomas Wolsey once used – are the location of a new display opening today exploring the early years of Henry VIII’s reign and the lives of the ‘ordinary’ men and women who shaped the Tudor dynasty.The Tudor World has, at its centre, rare surviving paintings from the Royal Collection including The Embarkation of Dover – depicting the Tudor navy – and The Field of Cloth of Gold which details Henry VIII’s summit with King Francis I of France in 1520. Also on show is a gold ring believed to have belonged to the Boleyn family, a brightly coloured silk hat linked to King Henry VIII, Wolsey’s portable sundial, a wooden chest used to hide religious contraband by Catholic priests during the reign of Queen Elizabeth I, and, an original Tudor chain pump used to help empty the Hampton Court cesspool. Among the stories of “ordinary” Tudor people being shared is that of Anne Harris, Henry VIII’s personal laundry woman who washed the bandages for his leg ulcers and, Jacques Francis, a free-diver from West Africa who was involved in the expedition to salvage guns from the sunken Mary Rose and who later became one of the first Black African voices heard in an English court, when he was called to testify in a case concerning his employer, Paulo Corsi. Included in palace admission. For more, see www.hrp.org.uk/hampton-court-palace/.
• Crossing Borders, a day of free activities, performances and workshops run by local newly arrived people, will be held at the Horniman Museum Gardens in Forest Hill this Saturday. The day will feature arts and crafts workshops led by IRMO, dance performances by Miski Ayllu and the Honduran Folkloric Pride Group, the chance to learn circus skills with young people from Da’aro Youth Project and South London Refugee Association, and the opportunity to make kites with Southwark Day Centre for Asylum Seekers. The free event runs from 11am to 4pm. For more, see https://www.horniman.ac.uk/event/crossing-borders/.
• Transport for London customers can save 30 per cent on entry to the Painted Hall at the Old Royal Naval College when using the TfL network until 17th November. Simply show customers show your TfL journey on the day of your visit via the TfL Oyster and Contactless app and receive the discount, taking the adult entry price, when booked online to just £11.55. For bookings, head to https://londonblog.tfl.gov.uk/2022/07/27/in-the-city/.
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Said to be the oldest of its species in the UK (and a contender for the oldest tree in London), this holm oak (Quercus ilex), also known as a holly leaved oak, is believed to be more than 500-years-old.
The site was the home of senior clergy for much longer – Waldhere, the Bishop of London, first bought the site in 704 AD. And over the years, Fulham Palace and its gardens have evolved significantly with some of the current structures dating from Tudor times.
The Bishops of London left the palace in 1973 and it’s now managed under a trust which was established in 2011.
It’s possible this immense evergreen oak, which is native to the Mediterranean region, was among a number planted in the mid-16th century during the tenure of Bishop Edmund Grindal (about 1553 to 1559).
Bishop Grindal is known to have had a keen interest in the garden and who is credited with introducing the tamarisk tree to England and growing grapes which were sent to Queen Elizabeth I.
It’s also possible the tree was planted during the later tenure of Bishop John Aylmer (1576 to 1594).
The oak, which was coppiced many years ago extending its life, is among the original 41 trees awarded “Great Tree” status in 1988.
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