Recently acquired by the National Army Museum (fittingly given this is the 200th anniversary of the Battle of Waterloo), this cloak was worn by the Duke of Wellington during the Waterloo Campaign.
Spattered with mud, the cloak is made from blue wool and trimmed with a navy collar and facings. Purchased by the museum at auction for £38,000, it will now form part of a collection of other Waterloo and Napoleonic items in the museum’s permanent collection.
The cloak can apparently be traced back to Lady Caroline Lamb, who had an affair with Wellington in the summer of 1815 and is believed to have been given the cloak as a memento. The first documented owner was Grosvenor Charles Bedford who was given the cloak in 1823 by the surgeon and anatomist Anthony Carlisle.
On presenting Bedford with the cloak, Carlisle had commented that it had been given to him by Lady Caroline who had received it from the duke. The cloak has been passed down within Bedford’s family ever since.
The National Army Museum in Chelsea already possesses a portrait of Wellington by Edward Stroehling (1768-1826) which depicts him wearing a similar cloak.
The cloak will go on display when the museum reopens next year. For more on the museum in the meantime, see www.nam.ac.uk.
PICTURE: Courtesy National Army Museum.
• A monumental Victorian-era drawing of the Battle of Waterloo has gone on display in London for the first time since 1972. The Waterloo Cartoon, more formally known as The Meeting of Wellington and Blucher after the Battle of Waterloo, measures more than 13 metres long and three metres high. A preparatory drawing for a wall painting which still exists in the House of Lords’ Royal Gallery, it took artist Daniel Maclise more than a year to complete in 1858-59 and was based on eye-witness accounts (the artist even recruited Queen Victoria and Prince Albert to use their German contacts to gather information from Prussian officers present on the day). Long considered a masterpiece, it was bought by the Royal Academy in 1870 – the year of Maclise’s death – and was on show at Burlington House until the 1920s. It has been in storage for much of last century and, newly restored following a grant from Arts Council England, has now gone on display to mark the 200th anniversary of the Battle of Waterloo. The newly conserved drawing is the focus of a new exhibition – Daniel Maclise: The Waterloo Cartoon, which opened at the Royal Academy in Piccadilly yesterday (between May and August, it was on show as part of a Waterloo exhibition at the Royal Armouries in Leeds). Runs until 3rd January. Admission charge applies. For more, see www.royalacademy.org.uk.
• There’s a rare chance to see inside a former Huguenot merchant’s house dating from 1719 in Spitalfields this weekend. The property at 19 Princelet Street was the home of the Ogier family, who had come to London escaping persecution in France and worked in the silk weaving trade. It was later subdivided into lodgings and workshops with later occupants following a range of trades and professionals while a synagogue was opened in the garden in 1869. The site – which the Spitalfields Centre charity hopes to establish as a museum of immigration – is not generally open to the public but will be open this Saturday and Sunday – from 2pm to 6pm. Entry is free (but donations would be welcome) and there may be queues so its suggested you arrive early. For more, see www.19princeletstreet.org.uk.
• Watch a bee keeping demonstrations, help dig up some potatoes and introduce the children to some farm animals. The Kensington Gardens’ Harvest Festival will be held this Sunday, between 11am and 4pm, and will also include a range of children’ activities, experts from the Royal Parks Guild on hand to answer your questions about food growing and complimentary hot and cold drinks available throughout the day while stocks last. It’s the first of three harvest festivals to be held in Royal Parks this month with Greenwich Park set to host its inaugural harvest festival on 13th September (11am to 4pm) and The Regent’s Park Allotment Garden to host one on 19th September (11am to 5pm). For more, see www.royalparks.org.uk.
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Unveiled earlier this month at Waterloo Station to mark the bicentenary of the Battle of Waterloo, the memorial features a supersized solid bronze replica of the obverse side of the Waterloo Campaign medal depicting Nike, the Greek goddess of victory.
The memorial, which was installed on a balcony above the main concourse by The London Mint Office on behalf of Waterloo200 – the organisation overseeing bicentenary commemorations, is dedicated to the 4,700 members of the allied armies who were killed in the battle on 18th June, 1815 (which also left 14,600 wounded and 4,700 missing).
The upsized medal, which has a diameter of 65 centimetres, is a replica of one which was the first to be commissioned for every soldier who fought in the battle, regardless of their rank.
Designed by London-based artist Jason Brooks, the memorial also features a famous quote from the Duke of Wellington on granite: “My heart is broken by the terrible loss I have sustained in my old friends and companions and my poor soldiers. Believe me, nothing except a battle lost can be half so melancholy as a battle won.”
It was unveiled on 10th June by the 9th Duke of Wellington (pictured with the memorial) in a ceremony attended by some of the descendants of those who fought and died in the battle.
Waterloo Station was itself, of course, named in commemoration of the battle (well, indirectly – it, like the surrounding district itself, took its name from nearby Waterloo Bridge which was in fact named after the battle).
• The largest ever exhibition related to the Magna Carta opens at the British Library in King’s Cross tomorrow to mark the 800th anniversary of the document’s sealing. Magna Carta: Law, Liberty, Legacy features two original Magna Carta manuscripts from 1215 as well as 1215 document, the Articles of the Barons (known as ‘draft’ of the Magna Carta), the Petition of Right (1628), the English Bill of Rights (1689), and the Universal Declaration of Human Rights (1948). It will also display two of the most celebrated documents in American history – the Delaware copy of the Bill of Rights and Thomas Jefferson’s handwritten copy of the Declaration of Independence (both on loan from the US National Archives) – along with UK cabinet papers from 1941 in which it was proposed an original Magna Carta manuscript from 1215 be given to the US in return for their support in World War II and artefacts including King John’s teeth, thumb bone and fragments of clothing taken from his tomb in 1797 as well as his will. The exhibition tells the story of the Magna Carta from its creation in 1215 through to its later use by people fighting for various rights and freedoms and its continuing impact on the world today. There’s also a series of interviews with politicians, historians and public figures including Burmese activist Aung San Suu Kyi, former US President Bill Clinton and William Hague. Runs until 1st September. Admission charge applies. For more – and a digitised gallery of artifacts – visit www.bl.uk/magna-carta-exhibition. PICTURE: Great Seal of King John, 1203 © Eton College Archives on display in Magna Carta: Law, Liberty, Legacy.
• The first gallery exhibition devoted to the Duke of Wellington opens at the National Portrait Gallery off Trafalgar Square today. Marking the 200th anniversary year of the Battle of Waterloo, Wellington: Triumphs, Politics, and Passions explores Wellington’s political and military career as well as his personal life. Highlights include Goya’s 1812 portrait of Wellington following his entry into Madrid (later modified to recognise further battle honours and awards), and Thomas Lawrence’s famous portrait painted in 1815, the same year as the Battle of Waterloo (the painting, which normally hangs in Apsley House, was used as the basis of the design of the £5 British note from 1971 to 1991). The exhibition of 59 portraits and other works also includes rarely seen works loaned by Wellington’s family include a John Hoppner portrait of the duke as a young soldier and a daguerreotype portrait taken by Antoine Claudet for Wellington’s 75th birthday in 1844. Runs until 7th June. Admission is free. For more, see www.npg.org.uk or for more on the 200th anniversary of the Battle of Waterloo, see www.waterloo200.org.
• An exhibition celebrating the works of the late fashion designer Alexander McQueen opens at the V&A in South Kensington on Saturday. Alexander McQueen: Savage Beauty presents his works in 10 sections which focus on everything from McQueen’s roots in London, his “skilful subversion of traditional tailoring practices”, his fascination with the animal world and his longstanding interest in Eastern cultures. At the centre of the exhibition is The Cabinet of Curiosities, a display showcasing more than 100 garments and accessories and shown with film footage from his many catwalk presentations. The exhibition runs until 2nd August. Admission charge applies but you’ll have to be quick – the exhibition has already set the record for the most ever advance sales for an exhibition at the museum. For more, see www.vam.ac.uk/savagebeauty.
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