•  Tower Bridge marks its 125th anniversary on Sunday and in honour of the event, there will be celebrations inside and outside the bridge right across the weekend. Entry to the bridge will be priced at just £1.25 and visitors will also receive a one-off souvenir bookmark as well as £5 off the official Tower Bridge book. Tickets cannot be booked in advance. Among the activities is a new photographic exhibition on the high-level walkways showcasing rare archival images and new photographs while costumed performers depicting historic figures – including the bridge’s first and only Indian engineer, divers who dug the foundations and the bridge’s first female employees – will be re-enacting scenes which (might have) happened during construction. Visitors can also join in the bridge architect Sir Horace Jones’ 200th “big birthday bash” in the Engine Rooms and view a new installation on the piers imagining some of the alternative river crossings that could have been built in place of the bridge. Special events will be continuing until the end of the year. For more, see www.towerbridge.org.uk/125/. PICTURE: Paul Varzar/Unsplash

Contemporary artist Cindy Sherman’s ground-breaking series, Untitled Film Stills (1977-80) has gone on public display for the first time in the UK in a major new retrospective of the artist’s work. Hosted at the National Portrait Gallery, Cindy Sherman explores the development of the artist’s work from the mid-1970s to the present day and includes all 70 images from the Untitled Film Still series as well all five of Sherman’s Cover Girl series, completed while she was a student in 1976 and being displayed together for the first time. There will also be a range of source material from the artist’s studio to give insights into her working processes. Runs until 15th September. Admission charge applies. For more, see www.npg.org.uk.

The work of Swiss artist Félix Vallotton (1865–1925) is being exhibited in a dedicated display for the first time in the UK since 1976. Opening in the The Jillian and Arthur M Sackler Wing of Galleries at the Royal Academy of Arts on Sunday, Félix Vallotton: Painter of Disquiet features about 100 works from public and private collections across Europe and the US and is organised in three sections spanning his career. Highlights include Self-portrait at the Age of Twenty (1885), The Sick Girl (1892), The Visit (1899), Gabrielle Vallotton (1905), Nude Holding her Gown (1904),  This is War! (1916), Red Peppers (1915), and Sandbanks on the Loire (1923). On show until 29th September after which the exhibition will travel to The Metropolitan Museum of Art in New York City. Admission charge applies. For more, see www.royalacademy.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.

Advertisements

The influence of ancient Egypt on English architecture and interiors is under the spotlight in a new English Heritage exhibition inside Wellington Arch’s Quadriga Gallery at Hyde Park Corner. Egypt in England reveals that the Egyptian style, while it has been used in 18th century gardens in England, first rose to popularity after Napoleon’s invasion of Egypt in 1798, continued when the discovery of Tutankhamun’s tomb in 1922 triggered a new wave of ‘Egyptomania’ and went onto into the later 20th century where its influence can be seen on buildings like cinemas and shops. The exhibition features photographs of Egyptian-style buildings and landmarks from across England – including London sites such as the The Egyptian Avenue and Circle of Lebanon Vaults at Highgate Cemetery and The Egyptian Hall at Harrods – alongside images of the Egyptian sources which inspired them. There are also 19th century travel brochures, a number of shabtis (the small mummy-like figurines placed in tombs which were often taken home by visitors as souvenirs) and Wedgewood ceramics designed in the Egyptian style. The display also tells the story of London landmark Cleopatra’s Needle, a 3,500-year-old obelisk which sits on the north bank of the Thames (see our earlier post on it here). Admission charge applies. Runs until 13 January. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.

A new exhibition of photographs taken by celebrated snapper Dorothy Bohm opens at the Museum of London tomorrow. Women in Focus will feature 33 color photographs dating from the 1990s to the present which juxtapose women who work and live in London with the ever-present images of women in advertising, artwork and shop windows. The images show women in their varied roles in society – from parents to professionals – and reflects on how they are seen in London’s public spaces. Runs until 17th February. For more, see www.museumoflondon.org.uk.

• Now On: Mario Testino: British Royal Portraits. This display at the National Portrait Gallery features eight portraits of Royal Family members taken by Mario Testino between 2003 and 2010. As well an official portrait of Prince Charles taken in 2003, others include a portrait of Prince William taken the same year for his 21st birthday, another of Prince Harry on his 21st birthday, a portrait of Prince Charles and Duchess Camilla commissioned by British Vogue in 2006 and official engagement portraits of Prince William and Duchess Catherine taken in 2010. It is the first time the portraits have all been shown together. The exhibition runs in Room 40 until 3rd February. Admission is free. For more, see www.npg.org.uk.

• Now On: A Bigger Splash: Painting after Performance. This newly opened exhibition at the Tate Modern explores the changing relationship between performance and painting, spanning the period from 1950 to today and featuring works from more than 40 artists including David Hockney, Yves Klein, Jackson Pollock and Cindy Sherman. Themes examined in the exhibition include how the painted canvas has been used as an ‘arena’ in which performance is carried out, the use of the human body as a surface and how contemporary artists are using painting to create social and theatrical spaces. Runs until 1st April. Admission charge applies. For more, see www.tate.org.uk.