• The sights and sounds of the elaborate masques of the early Stuart Court – described as a cross between a ball, an amateur theatrical, and a fancy dress party – are being recreated at the Banqueting House in Whitehall. Historic Royal Palaces have joined with JB3 Creative to create an “immersive theatrical experience” for visitors to the building – one of the last surviving parts of the Palace of Whitehall – with the chance to try on costumes, learn a masque dance and witness performance rehearsals for Tempe Restored, last performed in the building in 1632. Inigo Jones will be ‘present’ as masque designer to talk about his vision for the performance. Weekends will also see musicians performing period music and on 27th July there will be a one-off evening event at the Banqueting House based on Tempe Restored. Admission charge applies. Performing for the King opens tomorrow and runs until 1st September. For more, see www.hrp.org.uk/BanquetingHouse/. PICTURE: HPR/newsteam.
• A new exhibition looking at how some of London’s great Georgian and Victorian buildings were lost to bombs and developers before, after and during World War II – and how people such as poet John Betjeman campaigned to save them – opened in the Quadriga Gallery at Wellington Arch near Hyde Park Corner yesterday. Pride and Prejudice: The Battle for Betjeman’s Britain features surviving fragments and rare photographs of some of the “worst heritage losses” of the mid-20th century. They include Robert Adam’s Adelphi Terrace (1768-72) near the Strand, the Pantheon entertainment rooms (1772) on Oxford Street, and Euston Arch (1837). The English Heritage exhibition runs until 15th September. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• IEDs (Improvised Explosive Devices) will be ‘uncovered’ in a new exhibition opening tomorrow at the National Army Museum. Unseen Enemy will tell the stories of the men and women in Afghanistan who search for, make safe and deal with the impact of the IEDs through personal interviews, images and mementoes. The exhibition has been developed with “unprecedented access” from the British Army, Royal Air Force and Royal Navy and will include a range of equipment used in detecting and disarming the devices, such as bombsuits and robots as well as medical equipment used to help those injured in explosions. The exhibition is free. For more, see www.nam.ac.uk.
• On Now: Club to Catwalk – London Fashion in the 1980s. This exhibition at the V&A explores the “creative explosion” of London fashion during the decade and features more than 85 outfits by designers including John Galliano, Vivienne Westwood and Katherine Hamnett as well as accessories by designers such as Stephen Jones and Patrick Cox. While the ground floor gallery focuses on young fashion designers who found themselves on the world stage, the upper floor focuses on club wear, grouping garments worn by ‘tribes’ such as Fetish, Goth, High Camp and the New Romantics and featuring clothes such as those worn by the likes of Boy George, Adam Ant and Leigh Bowery. The exhibition also includes a display of magazines of the time. Entry charge applies. Runs until 16th February, 2014. For more, see www.vam.ac.uk. Meanwhile, tomorrow (Friday) night the V&A will celebrate the 25th anniversary of designer Jenny Packham with a series of four free catwalk shows in its Raphael Gallery. Booking is essential. Head to the V&A website for details.
Apologies for missing our series on Great Victorian Projects yesterday. It will resume next week. In the meantime…
• Fourteen rare Victorian paintings of life in prehistoric times have gone on display at Wellington Arch near Hyde Park Corner. The watercolors – which were commissioned by MP and archaeologist Sir John Lubbock in 1869 and have never before been displayed in public together – form the centrepiece of a new English Heritage exhibition, The General, The Scientist & The Banker: The Birth of Archaeology and the Battle for the Past. The “ground-breaking” works were painted by animal illustrator Ernst Griset and were ‘informed’ by then-recent archaeological finds including stone tools and fossils. The exhibition, which also includes rare artefacts, drawings and manuscripts tells the story of archaeological pioneers who fought to bring about recognition and legal protection for Britain’s ancient monuments and looks in detail at the achievements of three men – scientist Charles Darwin, archaeologist General Pitt-Rivers and banker Sir John Lubbock. The exhibition is the first of five being held in the arch’s Quadriga Gallery to mark the centenary of the 1913 Ancient Monuments Act. Runs until 21st April. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• Get Carter or The Ipcress File? Alfie or Educating Rita? The Museum of London is asking fans to vote for their favourite Michael Caine movie ahead of the opening of their new free exhibition on the actor next month. Voting for Caine on Screen can be found by following this link and closes at 5pm on 14th March after which the top four films will be revealed. A full list of Sir Michael’s movies – and there’s more than 100 – is available on the voting form. More on the exhibition to come.
• On Now: Lichtenstein: A Retrospective. This exhibition on level two of the Tate Modern on South Bank is the first major retrospective on the Pop artist Roy Lichtenstein (1923-1997) for 20 years and brings together more than 125 of his most definitive paintings and sculptures as it reassesses his work and legacy. Key works include Look Mickey (1961), Whaam! (1963) and Drowning Girl (1963). Co-organised by The Art Institute of Chicago and Tate Modern, it runs until 27th May. Admission charge applies. For more, see www.tate.org.uk.
• On Now: In search of Classical Greece: Travel drawings of Edward Dodwell and Simone Pomardi, 1805-1806. This free exhibition at the British Museum looks at Greece through the eyes of classical late eighteenth and early nineteenth century scholar Edward Dodwell and his Italian artist Simone Pomardi and features works produced during their travels in 1805-06. Lent by the Packard Humanities Institute, the works have never been seen in public before. See them in Room 90. Runs until 28th April. For more, see www.britishmuseum.org.
• The influence of ancient Egypt on English architecture and interiors is under the spotlight in a new English Heritage exhibition inside Wellington Arch’s Quadriga Gallery at Hyde Park Corner. Egypt in England reveals that the Egyptian style, while it has been used in 18th century gardens in England, first rose to popularity after Napoleon’s invasion of Egypt in 1798, continued when the discovery of Tutankhamun’s tomb in 1922 triggered a new wave of ‘Egyptomania’ and went onto into the later 20th century where its influence can be seen on buildings like cinemas and shops. The exhibition features photographs of Egyptian-style buildings and landmarks from across England – including London sites such as the The Egyptian Avenue and Circle of Lebanon Vaults at Highgate Cemetery and The Egyptian Hall at Harrods – alongside images of the Egyptian sources which inspired them. There are also 19th century travel brochures, a number of shabtis (the small mummy-like figurines placed in tombs which were often taken home by visitors as souvenirs) and Wedgewood ceramics designed in the Egyptian style. The display also tells the story of London landmark Cleopatra’s Needle, a 3,500-year-old obelisk which sits on the north bank of the Thames (see our earlier post on it here). Admission charge applies. Runs until 13 January. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• A new exhibition of photographs taken by celebrated snapper Dorothy Bohm opens at the Museum of London tomorrow. Women in Focus will feature 33 color photographs dating from the 1990s to the present which juxtapose women who work and live in London with the ever-present images of women in advertising, artwork and shop windows. The images show women in their varied roles in society – from parents to professionals – and reflects on how they are seen in London’s public spaces. Runs until 17th February. For more, see www.museumoflondon.org.uk.
• Now On: Mario Testino: British Royal Portraits. This display at the National Portrait Gallery features eight portraits of Royal Family members taken by Mario Testino between 2003 and 2010. As well an official portrait of Prince Charles taken in 2003, others include a portrait of Prince William taken the same year for his 21st birthday, another of Prince Harry on his 21st birthday, a portrait of Prince Charles and Duchess Camilla commissioned by British Vogue in 2006 and official engagement portraits of Prince William and Duchess Catherine taken in 2010. It is the first time the portraits have all been shown together. The exhibition runs in Room 40 until 3rd February. Admission is free. For more, see www.npg.org.uk.
• Now On: A Bigger Splash: Painting after Performance. This newly opened exhibition at the Tate Modern explores the changing relationship between performance and painting, spanning the period from 1950 to today and featuring works from more than 40 artists including David Hockney, Yves Klein, Jackson Pollock and Cindy Sherman. Themes examined in the exhibition include how the painted canvas has been used as an ‘arena’ in which performance is carried out, the use of the human body as a surface and how contemporary artists are using painting to create social and theatrical spaces. Runs until 1st April. Admission charge applies. For more, see www.tate.org.uk.
A newly refurbished Wellington Arch reopened last week with a new exhibition dedicated to Stonehenge. Stonehenge: Monumental Journey, which runs until 24th June in the arch’s Quadriga Gallery, show how visitors to the monument have interacted with it over time and look at how it new works will see it reconnected with the landscape around it. Other exhibitions in the Quadriga Gallery later this year include Blackpool: The Wonderland of the World, The Ladies of Kenwood, and Egypt in England. The refurbished arch also now contains a bookshop dedicated to English Heritage publications. For more on the history of Wellington Arch, see our previous entry here.
WHERE: Aspley Way, Hyde Park Corner (nearest Tube station is Hyde Park Corner); WHEN: 10am to 5pm, Wednesday to Sunday (until 28th March, 2013); COST: £4 an adult/£2.40 a child/£3.60 concession/£21.30 family (English Heritage members free); WEBSITE: www.english-heritage.org.uk/daysout/properties/wellington-arch/