• The Museum of London is celebrating its final 100 days at London Wall on Friday with free ice creams and “goody bags” for visitors. The museum will be giving away 500 Lewis of London ice creams from 11:30am, while visitors will also enjoy a performance by Grand Union Orchestra at midday. The first 100 visitors through the doors will also receive a gift bag featuring Museum of London memorabilia, including a Museum of London guidebook, a pack of playing cards displaying iconic images from the museum’s collections, a greeting card featuring a print by artist Willkay, and a special gift of either a tea towel, a Vauxhall Pleasure Gardens mug, a sketch notebook, an A3 print of London or a soft toy. Meanwhile, from Friday, digital screens will display a countdown clock to mark the days left before the London Wall site closes to the public on 4th December, in preparation for the museum’s move to a new home at West Smithfield. Friday’s event is part of a six-month long programme of activities leading up to the closure of the site. For more, see www.museumoflondon.org.uk.
• Thetabla – twin hand drums – used by legendary Indian musician Ustad Alla Rakha during his European tours of the early 1980s is going on display at the British Museum in a world first. Ustad Alla Rakha was one of the most important and respected tabla players of his generation, working with the All India Radio in the 1930s, composing music for the film industry in the 40s, and regularly playing with world-renowned sitar player Ravi Shankar. The tabla will be on display in the Hotung Gallery until early 2023 after which they will go on loan to the Manchester Museum South Asia Gallery. For more, see www.britishmuseum.org.
• Now on: Lucian Freud: The Painter and His Family. The first exhibition of Lucian Freud’s work at the Freud Museum, the home of his grandfather, Sigmund Freud, and aunt, Anna Freud, this display explores Lucian Freud’s childhood, family and friends and celebrates some lesser known aspects of his life including his love of reading and lifelong fascination with horses as well as his relationships with the former occupants of the building. Alongside paintings and drawings, the exhibition includes illustrated childhood letters, books Freud owned and book covers he designed. His sole surviving sculpture, Three-legged Horse (1937) and early painting, Palm Tree (1944), is also being displayed. The display is being accompanied by a programme of events. For more, see www.freud.org.uk.
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• On Saturday, the Tate Modern’s Turbine Hall on South Bank will host an “audio-visual feast” of music, performances, art installations and activities. The free Turbine Festival will feature everything from an alternative hair salon and a London bus built on the day by artist John Costi to a pop-up juice bar where you can make your own drinks and a record shop where you can design your own vinyl record sleeve. The day will also feature performances by Grime/HipHop/AfroPop artist Afrikan Boy, Felix’s Machines – who will transform live music and sound into a 3D visual show, and poet Jacob Sam-La Rose, as well as a programme of “bite-sized” films running in collaboration with the London Short Film Festival, and a series of interactive workshops covering everything from beatboxing to crafting. Visitors to the festival, sponsored by Hyundai, are also encouraged to contribute to a special project by My Culture Museum by submitting photographs or bringing objects to be archived and curated. Runs from 12.30pm to 9.30pm. For more, see www.tate.org.uk.
• Three paintings previously attributed to later followers of 16th century Venetian artist Titian but subsequently found to be by the artist himself and his studio have gone on display together for the first time at Apsley House. The three paintings – which include Titian’s Mistress (c1560), A Young Woman Holding Rose Garlands (c1550) and Danae (c1553) – were all in poor condition before conservation and cleaning by experts from English Heritage, the Museo del Prado in Madrid and the Hamilton Kerr Institute revealed their true quality (and Titian’s signature on two of the paintings). All three works were held in the Spanish Royal Collection and among 160 that Joseph Bonaparte, brother of Napoleon and King of Spain, tried to take out of the country following his defeat by the Duke of Wellington at the Battle of Vittoria in 1813. Wellington was subsequently given the paintings by a grateful King Ferdinand VII. The Titian at Apsley House exhibition, which opened earlier this month, runs at the Duke of Wellington’s home at Hyde Park Corner until 31st October. Admission charges apply. For more, see www.english-heritage.org.uk/visit/places/wellington-arch/.
• On Now: Festival of the Unconscious. This festival at Sigmund Freud’s former London home and now home to The Freud Museum sees artists, designers, writers and performers taking another look at Freud’s seminar 1915 paper, The Unconscious. Features of the festival, which runs until 4th October, include specially commissioned films by animators from Kingston University running throughout the house, sound and video installations by London-based art project Disinformation in the dining room and an installation from stage designers at the Royal Central School of Speech and Drama in Freud’s study. There’s also a display by Julian Rothenstein, co-author of Psychobox, and a chance to recline and “free-associate” on a psycho-analytic couch in Freud’s bedroom. An extensive programme of events accompanies the displays. Admission charges apply. For more, see www.freud.org.uk.
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This group of antiquities sits upon the desk of Sigmund Freud – the “founding father” of psychoanalysis – at what was his home in Hampstead.
It’s part of an extensive collection of around 2,000 items which is on display at house – now the Freud Museum – located at 20 Maresfield Gardens.
The antiquities – which include Egyptian, Greek, Roman, and Oriental artefacts fill a series of cabinets and sit on almost every available surface in Freud’s study including the desk upon which Freud typically wrote until the early hours of the morning.
Collected by Freud from the 1890s onward, they include everything from a bronze statuette of the Greek goddess Athena (dating from the 1st or 2nd century AD – it’s mentioned in one of his manuscripts and, one of Freud’s favorite objects, was one of only three items he chose to have smuggled out of Vienna when his entire collection was threatened in 1938), a small bronze head of the Egyptian God Osiris believed to date from between 1075-716 BC, and a silver Roman ring featuring a blue glass intaglio depicting a pastoral scene which dates from between the 1st century BC and the 1st century AD (it was given as a gift from Freud to German psychoanalyst Ernst Simmel in 1928).
The museum has launched a conservation fund to repair and conserve the most fragile of the items and is aiming to raise £40,000 for the work. It follows a successful campaign earlier this year to raise funds for the conservation of Freud’s famous couch, brought from his former home in Vienna (seen in the background of this image).
Freud and his family lived at the home after escaping from Austria following the country’s annexation by Nazi Germany in 1938. It remained the family home until the death of Freud’s daughter, Anna, in 1982. The museum opened to the public in 1986.
PICTURE: Courtesy of the Freud Museum.
WHERE: Freud Museum, 20 Maresfield Gardens, Hampstead (nearest Tube stations are Finchley Road and Swiss Cottage); WHEN: Noon to 5pm, Wednesday to Sunday; COST: £6 adults; £4.50 seniors; £3 concessions (including children 12-16); children under 12 free; WEBSITE: www.freud.org.uk.