Damien Hirst’s seven foot tall statue Charity (2002-2003) stands in the shadow of the Gherkin as a highlight of this year’s Sculpture in the City event. Kicking off last month, the exhibition – the fifth of its kind – features 14 works by a series of internationally renowned artists. Other sculptures (pictured below) include Adam Chodzko’s 2010 work Ghost (on show at Leadenhall Market), Laura Ford’s 2012 work Day of Judgement – Cats 1 & 2 (150 Leadenhall Street), Sigalit Laudau’s 2011 work ‘O my friends, there are no friends’ (St Helen’s Square), and Kris Martin’s 2012 work Bells II (on the corner of Bishopsgate and Wormwood Street). The works can be seen until May next year. For more (including a map of locations), see www.cityoflondon.gov.uk/sculptureinthecity. PICTURES: Nick Turpin.
This church in the shadow of 30 St Mary Axe (aka The Gherkin) is all that remains of a Benedictine nunnery that was founded here during the reign of King John in 1210.
Established by one “William, son of William the goldsmith” after he was granted the right by the Dean and Chapter of St Paul’s Cathedral, the priory was built to the north of a previously existing church with a new church for the nuns to use built right alongside the existing structure (thus accounting for the rarely seen side-by-side naves of the current building).
While the new church was built longer than the existing church, the latter was then lengthened to give them both the same length. A line of arches and a screen separated the nun’s choir and the parish church.
The church which stands today has been much altered over the centuries and what we now see there largely dates from the 14th and 15th centuries (although the bell turret which sits over the west front is an 18th century addition).
One of the priory’s claims to fame in medieval times was that it apparently was once home to a piece of the True Cross, presented by King Edward I in 1285.
The nunnery was dissolved in 1538 during the Great Dissolution of King Henry VIII and the buildings, excepting the church, sold off to the Leathersellers’ Company (all were eventually demolished by the 18th century). The screen separating the nun’s choir and the parish church, meanwhile, was removed, leaving the main body of the church as it can be seen today.
The now Grade I-listed church, which was William Shakespeare’s parish church when he lived in the area in the 1590s, survived both the Great Fire of London and the Blitz but was severely damaged by two IRA bombs in the early 1990s leading to some major – and controversial – works under the direction of architect Quinlan Terry.
Inside the church today is a somewhat spectacular collection of pre-Great Fire monuments including the 1579 tomb of Sir Thomas Gresham, founder of the Royal Exchange, the 1636 tomb of judge, MP and Chancellor of the Exchequer, Sir Julius Caesar Adelmare, and the 1476 tomb of merchant, diplomat, City of London alderman and MP, Sir John Crosby.
It was also once the site of the grave of 17th century scientist Sir Robert Hooke but these were apparently removed from the church crypt in the 19th century when repairs to the floor of the nave were being made and placed in an unmarked common grave. Their location apparently remains unknown.
WHERE: St Helen’s Bishopsgate, Great St Helens (nearest Tube stations are Aldgate, Bank and Liverpool Street); WHEN: 9.30am to 12.30pm weekdays daily (also usually open Monday, Wednesday and Friday afternoons but visitors are advised to telephone first); COST: Free; WEBSITE: www.st-helens.org.uk.
The remains of the teenaged girl – believed to have been aged between 13 and 17 years – were found in 1995 when the conically-shaped skyscraper at 30 St Mary Axe, fondly known as the Gherkin (and then formally known as the Swiss Re Tower), was being constructed.
The girl, whose skeleton was unearthed where the foundations now stand, was buried sometime between 350 and 400 AD in what appeared to be an isolated grave which would have lain just outside the edge of early Roman Londinium.
The body lay with the girl’s head to the south and the arms folded across. Pottery was found associated with the body which provided dating information.
After being exhumed, the skeleton was housed at the Museum of London for some 12 years before in 2007 it was reburied near the new building. The burial featured a ceremony at nearby St Botolph-without-Aldgate followed by a procession to the gravesite where a dedication took place which included “music and libations”. Among those who attended was the Lady Mayoress of the City of London.
There’s an inscription in honour of the girl on a stone feature outside the building in both Latin and English while a stone set in the pavement decorated with laurel leaves marks the (re)burial spot.
Other recent Roman remains found in London include the skeleton of a young Roman woman, believed to date from the 4th century, which was found still inside its sarcophagus at a site in Spitalfields and a series of two dozen Roman-era skulls which, likely to date from the first century A, were found during excavations for the Crossrail project in 2013. It has been suggested they may have been Britons executed for their role in the famed Queen Boudicca’s rebellion against the Romans in 61 AD.
• It’s finally here. Open House London kicks off on Friday and with more than 800 buildings opening their doors, the only difficulty you’ll have this weekend will be choosing what you end up doing! This year’s theme is ‘celebrating architecture, people and place’ and among the highlights will be the opening of landmark structures like Battersea Power Station, Tower 42 (pictured), and the Gherkin (30 St Mary Axe) as well as 100 private homes, architects’ homes and “ground-breaking” housing developments and everything from the Shri Swaminarayan Temple in Brent to Horse Guards in Whitehall (certain buildings, like 10 Downing Street and The View from the Shard, are only open to people who won tickets in an earlier ballot). This year’s festivities also include a moonlit “culture crawl” through London on Friday night. If you haven’t ordered a hardcopy programme, you can check the listings online at www.openhouselondon.org. There’s also an Open House iPhone app available from the appstore.
• A series of works by Yinka Shonibare – including some never before seen in the UK – went on display at Greenwich yesterday, thanks to Royal Museums Greenwich. The works, which explore notions of “Britishness, trade and empire, commemoration and national identity”, can be found inside and around buildings including the Queen’s House, National Maritime Museum and Royal Observatory and include Fake Death Pictures – a series of five vision of the death of naval hero Vice-Admiral Lord Nelson, Wind Sculpture – a gravity-defying object located on the Queen’s House lawn, Cheeky Little Astronomer – a specially commissioned sculpture located in the Flamsteed House at the Royal Observatory, and Nelson’s Ship in a Bottle – last seen on Trafalgar Square’s Fourth Plinth. Yinka Shonibare MBE at Greenwich, which is supported by a range of talks, debates and tours, runs until 23rd February. For more, see www.rmg.co.uk.
• Bankside will be transformed this weekend as artists will be transforming disused hoardings and derelict buildings with original artworks as part of the Merge Festival. The work’s include Candy Chang’s Before I Die, Alex Chinnick’s Miner on the Moon, and Marcus Lyall and Mark Logue’s House of Pain. Until 20th October. For more on the festival celebrating Bankside, see www.mergefestival.co.uk.
• On Now: Michael Peto Photographs: Mandela to McCartney. This new exhibition at the National Portrait Gallery just off Trafalgar Square features a previously unexhibited photo of Elizabeth Taylor and Richard Burton, taken at the beginning of their love affair. It’s one of 10 portraits taken by the late Hungarian-born photographer Michael Peto in London during the 1950s and 1960s – others feature Samuel Beckett, Jennie Lee, Paul McCartney and Ian McKellen. Admission is free. For more, see www.npg.org.uk.
• It’s Open House London weekend and that means your chance to enter scores of buildings not normally open to the public. More than 750 buildings are taking part in this, the 20th year the weekend has been held and there’s also an extensive program of free talks, walks and specialist tours. Among the buildings open this year are the iconic Gherkin building in the City (formally known as 30 St Mary Axe, pictured), Heron Tower in Bishopsgate, numerous livery company halls including that of the Apothecaries, Fishmongers and Carpenters, government buildings including Marlborough House, Westminster Hall, and the Foreign Office and numerous historic residences from the Mansion House, home of the Lord Mayor of London to Osterley Park House in west London. Among the events on offer is a moonlit hike through London tomorrow night to raise money for Maggie’s Cancer Caring Centres and rides on the new Emirates Airline cable car as well as boat tours to the Thames Barriers. If you didn’t order a guide, you can see the program online at the Open House London website – www.londonopenhouse.org. PICTURE: (c) Grant Smith/VIEW Pictures
• A 16th century wooden tankard, found by a mudlark on the Thames foreshore near Ratcliff in London’s east, has briefly gone on display at the Museum of London Docklands. The large vessel, capable of holding three pints, has the initials RH inscribed on the base. It’s unknown for what purpose it was used, perhaps serving as a decanter rather than for individual use and may have been used on a ship. The vessel will be on display at the museum only until 27th September. For more, see www.museumoflondon.org.uk.
• On Now: Renaissance to Goya: Prints and drawings from Spain. Opening at the British Museum today is this new exhibition featuring important prints and drawings by Spanish and other European artists working in Spain and spanning a period from the mid 16th century through to the 19th century. While all the works are drawn from the museum’s collection, many have never been on display before. The artists represented include Diego Velazquez, Alonso Cano, Bartolome Murillo, Francisco Zubaran and Jusepe de Ribera as well as Francisco de Goya. Held in room 90. Admission is free. Runs until 6th January. For more, see www.britishmuseum.org.