King Charles I

Famous Londoners – Sir Peter Lely…

by exploringlondon

One of the most famous painters of his age, Dutchman Sir Peter Lely – currently the subject of an exhibition at London’s Courtauld Gallery – rose to become the foremost portrait painter at the English Court during the latter half of the 17th century.

Born to Dutch parents on 14th September, 1618, in Westphalia (now part of Germany) where his father was serving as an infantry captain, Peter – originally named Pieter van der Faes – studied art as an apprentice in Haarlem in what is now The Netherlands. While there he is believed to have changed his name to Lely based on a heraldic lily which appeared on the gable of the house where his father was born in The Hague.

Lely appeared in London in the early 1640s and, while he initially devoted himself to the sort of narrative-style paintings inspired by classical mythology, the Bible and literature he had been working on in Haarlem but having found no great success there, soon turned his hand to portraiture.

The death of court portraitist Anthony van Dyck in 1641 had left a vacuum he stepped into the gap, soon becoming the most in-demand portrait painter at the Royal Court, his sitters including none other than King Charles I himself.

However, Lely, who was made a freeman of the Painter-Stainers Company in London in 1647, managed to straddle the political divide and after the beheading of King Charles I and the end of the English Civil War in 1651, was able to continue painting portraits of the most powerful people in the land including Oliver Cromwell – whom he painted “warts and all” as per the Lord Protector’s request – and his Cromwell’s brother Richard.

Already renowned as the best artist in the country, following the Restoration in 1660, Lely became Principal Painter of King Charles II, placed on an annual stipend as van Dyck had been before him during the reign of King Charles I.

Lely’s workshop was large and its output prolific, with his students and employees – who at one stage apparently included scientist and architect Robert Hooke – often completing his paintings after he sketched out some details, only painting the sitter’s face in any great detail.

Among his most famous works are a series of 10 portraits known as the Windsor Beauties (currently at Hampton Court Palace), a series of portraits of senior naval officers who served in the Second Anglo-Dutch War, known as the Flagmen of Lowestoft (most of the works at are the National Maritime Museum in Greenwich) and Susannah and the Elders (currently at Burghley House in Cambridgeshire) as well as some of the paintings in the current Courtauld exhibition including Nymphs by a Fountain (usually found at the Dulwich Picture Gallery) and Boy as a Shepherd (also the Dulwich Picture Gallery).

Lely was also known as an avid collector of art and is credited as being the first artist in England to do so in any serious manner – among his purchases were works which formerly formed part of King Charles I’s collection. At the time of his death, he is said to have owned more than 500 paintings, although more than half of these were works of his or his studio.

Sir Peter, who never married but had two children who survived him with a common-law wife Ursula, lived at a house in the north-east corner of Covent Garden from about 1650 until his death in 1680 (some sources have him knighted in this year, others in 1679) but also had a house at Kew and owned property outside of London including in Lincolnshire and The Hague.

He was apparently working at his easel in the studio of his Covent Garden house when he died on 30th November, 1680. He was buried at St Paul’s Church, Covent Garden. The monument to him, the work of Grinling Gibbons, was destroyed by fire in 1795.

Peter Lely: A Lyrical Vision – which focuses on some of his early non-portrait works – runs at The Courtauld Gallery until 13th January. For more on the exhibition, visit www.courtauld.ac.uk/gallery/exhibitions/2012/peter-lely/index.shtml. Running alongside the exhibition is a display of some of the drawings from Sir Peter’s own collection, Peter Lely: The Draughtsman and His Collection.

Around London – Henry Stuart at the NPG; the Lord Mayor’s Show; prehistoric Japanese pots; and, photography at the National Gallery…

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• The first ever exhibition focusing on Henry Stuart, older brother of King Charles I, has opened at the National Portrait Gallery. The Lost Prince: The Life and Death of Henry Stuart features more than 80 exhibits including paintings, miniatures, manuscripts, books and armour gathered from museums and personal collections around the UK and abroad – with some of the objects being displayed in public for the first time. Opened on 18th October – the 400th anniversary of the Prince’s death, among the paintings displayed in the exhibition are works by Holbein, Nicholas Hilliard and Isaac Oliver as well as Robert Peake as well as masque designs by Inigo Jones and poetry  by Ben Jonson. Henry, Prince of Wales, was the eldest son of King James I and Queen Anne of Denmark, and died at the age of 18 of typhoid fever. As well as looking at his short life, the exhibition covers the extraordinary reaction to his premature death (and the end of hope that King Henry IX would sit next upon the throne). The exhibition runs until 13th January. An admission fee applies. For more, see www.npg.org.uk. PICTURE:  Henry, Prince of Wales by Isaac Oliver, c. 1610-12; Copyright: The Royal Collection Photo: Supplied by Royal Collection Trust / © HM Queen Elizabeth II 2012

• The Lord Mayor’s Show – the largest unrehearsed procession in the world – will be held on 10th November. This year’s procession – celebrating the election of the 685th Lord Mayor of London, Alderman Roger Gifford – will feature more than 6,500 people winding their way through the City of London in a three-and-a-half mile-long display including 22 marching bands, 125 horses, 18 vintage cars, 21 carriages, an original American stagecoach, a Sherman tank, a steamroller and a Japanese Taiko drum band. While there will be no fireworks after this year’s parade, following the success of last year’s trial there will be an early morning flotilla with the Lord Mayor conveyed in the barge QRB Gloriana from Vauxhall up the Thames to HMS President, just below St Katharine Docks, from where he will make his way to the Mansion House to join the procession as it heads first to St Paul’s and then on to the Royal Courts of Justice before returning (via a different route). There are no grand stand seats left but plenty of places you can watch it for free (for a chance to win free Grandstand tickets, head to the Lord Mayor’s Show Facebook page and ‘like’ it). We’ll be talking about this more next week, but in the meantime, for maps and details of a new smart phone app, head to www.lordmayorsshow.org.

• Two prehistoric Japanese pots have gone on display at the British Museum. Loaned from the Nagaoka Municipal Science Museum, the pots date from the Middle Jomon period (3,500-2,500 BCE) and consist of a ‘flame’ and a ‘crown’ pot which were excavated in Nagaoka city. The pots form part of the Asahi Shimbun Displays in room 3 and will be there until 20th January. Meanwhile, continuing the Asian theme, an exhibition of more than 100 contemporary carved Chinese seals by artist Li Lanqing is on display in room 33 until 15th January. Admission to both is free. For more, see www.britishmuseum.org.

• On Now: Seduced by Art: Photography Past and Present. The National Gallery’s first major exhibition of photography, the display looks at the relationship between historical paintings and photography, both its early days in the mid-19th century and the work of contemporary photographers – in particular how photographers have used the traditions of fine art to “explore and justify” their own works. Almost 90 photographs are displayed alongside a select group of paintings for the show. Admission is free. Runs until 20th January in the Sainsbury Wing. For more, see www.nationalgallery.org.uk.

What’s in a Name?…Trafalgar Square

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It wasn’t until some time after Admiral Lord Nelson’s victory over the French fleet in the Battle of Trafalgar off the coast of Spain on 21st October, 1805, that the large public space in Westminster we now know as Trafalgar Square took its name.

Prior to the development of the square, much of the area it covers was occupied the King’s Mews – stables linked to the Palace of Whitehall – and was simply seen as part of the district known as Charing Cross (named for the memorial cross which stood close to where the equestrian statue of King Charles I now stands – for more on this, see our earlier post and follow the links).

Following the relocation of the Mews in the early 19th century, plans were drawn up by architect-of-the-age John Nash to redevelop the area while the square itself, completed in 1845, was designed by Sir Charles Barry (best known for his work on the Houses of Parliament).

The final design incorporated a statue of Admiral Lord Nelson atop a column, known as ‘Nelson’s Column’, in the centre – apparently against Barry’s wishes (see our earlier post for more on Nelson’s Column).

Originally designed with an upper terrace and a lower piazza linked by stairs at the eastern and western end of the terrace, the square contains two fountains on either side of the column – the current fountains were designed by Sir Edwin Lutyens in 1937-9 and replaced earlier ones.

It was originally suggested that the square be named King William IV Square but it was apparently architect George Ledwell Taylor who provided the alternative of Trafalgar Square in honor of Nelson’s great battle.

Bordered by significant landmarks including the National Gallery to the north, the church of St Martin’s-in-the-Fields to the north-east, South Africa House to the east and Canada House to the west, the square stands at the confluence of a number of major roadways including Whitehall, Strand, Charing Cross Road and The Mall.

Aside from the aforementioned statue of King Charles I, monuments within the square include Nelson’s Column along with plinths set in the four corners of the square. These bear statues of King George IV, Victorian military figures General Sir Charles James Napier and Major-General Sir Henry Havelock while the fourth plinth, located in the north-west corner, was originally intended to bear an equestrian statue of King William IV.

Instead, it was left empty for many years before the advent of the Fourth Plinth project under which a variety of contemporary artworks – most recently a massive sculpture of a boy astride a rocking horse – have occupied the space (you can see a picture of the current work in our earlier post here).

The square, once known as the home of thousands of pigeons before these were banished midway through last decade to allow greater public use of the space, also features the busts of three admirals – John Jellicoe, David Beatty and Andrew Cunningham, located against the north wall under the terrace.

There are also two statues on a lawn in front of the National Gallery – these are of US President George Washington and King James II. Curiously, the square also features a small pillar box in the south-east corner, referred to by some as the smallest police station in London.

A renovation project in 2003 pedestrianised the roadway along the north side of the square and installed a central stairway between the the upper and lower levels along with lifts, public toilets and a cafe.

For some more on the history of Trafalgar Square, see Jean Hood’s Trafalgar Square: A Visual History of London’s Landmark Through Time.

Around London – Richmond’s upsized Olympic rings; cart marking; ‘Sam’ Mussabini honored; and, Tudor twins at the NPG…

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• The largest official Olympic Rings were unveiled at Richmond Park National Nature Reserve in London’s south-west this week, having been mown into the grass by the Royal Parks’ shire horses. The rings, which lie on Heathrow’s flight path and are 300 metres wide and more than 135 metres tall, will welcome athletes as they fly in to compete in the Games which kick off later this month. It took six shire horses to create the giant rings – which represent five continents – but they’ll be maintained by just two – Jim and Murdoch. Horses have worked in Richmond Park since as far back 1637 when King Charles I had the park enclosed as a royal hunting ground. Eleven Olympic events will be held on Royal Parks during the Games including road race cycling in Richmond Park. For more on Richmond Park, see www.royalparks.org.uk/parks/richmond-park. PICTURE: LOCOG.

• Almost 50 vehicles, ranging from handcarts to horse drawn carriages, steam powered vehicles to a new London bus, took part in the Worshipful Company of Carmen’s traditional ‘Cart Marking’ procession through the City of London yesterday. The ‘trade’ of carmen dates back to the 13th century when City authorities passed a bye-law controlling carters. At the ceremony, the carmen bring a variety of vehicles which are branded by placing a red hot iron on a wooden plate, with the year letter and the car number, in the continuation of an ancient tradition. The Worshipful Company of Carmen is said to be the oldest transportation organisation in the world. For more on the livery company, see www.thecarmen.co.uk.

• The late athletics coach Scipio Africanus “Sam” Mussabini (1867-1927) was honored this week with the unveiling of an English Heritage Blue Plaque at his former home in Herne Hill in London’s south. Mussabini, whose role in helping 100 metre sprinter Harold Abrahams win gold at the 1924 Olympics was depicted in the film Chariots of Fire (he was played by Ian Holm),  lived at the house at 84 Burbage Road from 1911 to about 1916. It backs onto the Herne Hill Stadium where he worked as a cycling and athletics coach from the 1890s, a period during which he trained several medal-winning Olympic athletes. All up, Mussabini’s runners won a total of 11 Olympic medals including five golds, between 1908 and 1928. For more, see www.english-heritage.org.uk.

On Now: Double Take: Versions and Copies of Tudor Portraits. This display at the National Portrait Gallery features five pairs of nearly identical Tudor portraits and explores how and why they were made. Among the portraits from the gallery’s collection on display are those of King Henry VIII, his wife Anne Boleyn, Archbishop William Warham, the merchant Thomas Gresham and Lord Treasurer Thomas Sackville – all of which are paired with paintings on loan from other collections. Admission is free. Runs until 9th September. For more information on the Making Art in Tudor Britain research project – of which this is a part – see www.npg.org.uk/research/programmes/making-art-in-tudor-britain.

Celebrating the Diamond Jubilee with 10 royal London locations – 9. Royal chapels…

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Palaces aside, the Queen also owns a series of chapels – the Chapels Royal – in London which, although not as grand as Westminster Abbey, have each played an important role in the history of the monarchy. 

The term Chapel Royal originally referred to a group of priests and singers dedicated to serving the Sovereign’s personal spiritual needs and as such would follow the monarch around the country. It was in Stuart times that they became more settled establishments with the two main Chapels Royal – the Chapel Royal and the Queen’s Chapel – located in St James’s Palace.

• The Chapel Royal, St James’s Palace. Constructed by King Henry VIII, the chapel was decorated by Hans Holbein the Younger in honor of the king’s (short) marriage to Anne of Cleves. Queen Mary I’s heart is said to be buried beneath the choir stalls and it was here that Queen Elizabeth I apparently prayed waiting for news of the progress of the Spanish Armada. King Charles I took the Sacrament of Holy Communion here before his execution in 1649 and the chapel was where Queen Victoria married Prince Albert (her marriage certificate still hangs on the wall). In more recent times, the coffin of Diana, Princess of Wales, was placed before the altar so family and friends could pay their respects before her 1997 funeral. Among the composers and organists associated with the chapel are Thomas Tallis, William Byrd, Henry Purcell and George Frideric Handel. The chapel is not open to the public except for services.

• The Queen’s Chapel, St James’ Palace (pictured right). Now located outside the palace walls, this chapel was built by King James I for the Catholic Henrietta Maria, the bride of his son, then Prince Charles (later King Charles I). Designed by Inigo Jones, Grinling Gibbons and Sir Christopher Wren were also involved in its creation. The chapel was used by Henrietta Maria until the Civil War and later became the home of the Danish Church in London. The chapel is not open to the public except for services.For more on this chapel or the Chapel Royal at St James’s Palace, follow this link.

• The Queen’s Chapel of the Savoy. Built in the Middle Ages to serve the now long gone Savoy Palace, London home of Count Peter of Savoy (uncle to King Henry III’s wife, Eleanor of Provence, the original building was destroyed in the Peasant’s Revolt of 1381. The current building, located in Savoy Hill, off the Strand, was built on the orders of King Henry VII in the late 15th and early 16th century to serve the hospital he founded on the site of the palace. The chapel since served many other congregations – including a German Lutheran congregation – but remains royal property via the Duchy of Lancaster, which is held in trust for the Sovereign and used to provide an income for the British monarch. It is officially the Chapel of the Royal Victorian Order. For more, see www.duchyoflancaster.co.uk/duties-of-the-duchy/the-queens-chapel-of-the-savoy/.

• Chapel Royal, Hampton Court Palace (pictured right). There has been a chapel here since the Knights Hospitallers occupied the site in the 13th century but it was Cardinal Wolsey who built the chapel to its present dimensions after acquiring the property in 1518. The current building, however, dates from the later ownership of King Henry VIII – Wolsey surrendered the property to him when he fell from favour – and further works in the eighteenth and nineteenth centuries. Many subsequent monarchs have worshipped here. The chapel, with its stunning ceiling, is open to the public when visiting Hampton Court Palace. For more, see www.chapelroyal.org. PICTURE: Historic Royal Palaces/newsteam.co.uk

• The Chapel Royal of St Peter ad Vincula, Tower of London. Originally a parish church, this was incorporated into the walls of the Tower in the reign of King Henry III. It was subsequently rebuilt at least twice – in the reign of King Edward I and King Henry VIII – and is home to the graves of important personages executed at the Tower including Henry VIII’s one-time wives, Anne Boleyn and Catherine Howard as well as Jane Grey, the nine day queen, and Sir Thomas More and Bishop John Fisher. The chapel can be accessed during a Yeoman Warder’s tour of the Tower of London. For more, including details of an appeal for its restoration, see www.hrp.org.uk/TowerOfLondon/stories/thechapelproject.

• Chapel Royal of St John the Evangelist, Tower of London. Located within the White Tower, this beautiful chapel – arguably the oldest church in London – dates back to the construction of the tower by King William the Conqueror the late 11th century and remains one of the best preserved examples of Anglo-Norman architecture in England. King Henry III added stained glass windows but for much of its later history the chapel was used for records storage. Tradition records that King Henry VII’s wife, Elizabeth of York, was laid in state here following her death in childbirth and that it was here Queen Mary was betrothed by proxy to Philip of Spain. This can be visited as part of a visit to the Tower of London. For more, see www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/ChapelofStJohns

For more on churches in London, check out Stephen Millar’s London’s City Churches
and Stephen Humphrey’s London’s Churches and Cathedrals: A Guide to London’s Most Historic Churches and Cathedrals, Leigh Hatt’s London’s 100 Best Churches: An Illustrated Guide or the Pevsner Architectural Guide London: City Churches.

Around London – Leicester Square reopens; RA and MOL exhibitions mark Diamond Jubilee; ‘Jed’ retires; and, the history of horses at the British Museums…

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• Leicester Square officially reopened last night following a £15.3 million transformation which has seen every paving stone replaced, new plants, and 40 new water jets placed around the Grade II listed fountain and statue of William Shakespeare. The 17 month makeover also included new lighting, new seating and a refurb of the underground toilets. The square – which owes its name to Robert Sidney, the 2nd Earl of Leicester, who purchased this land in 1630 and, after building himself a mansion, kept aside part of the land for public use – now welcomes as many as 250,000 tourists a day and is known as one of the world’s premiere sites for the release of new films.

• The Royal Academy of Arts is marking the Queen’s Diamond Jubilee with a new exhibition opening tomorrow which features a selection of paintings by Royal Academicians elected during the early part of the Queen’s reign. The Queen’s Artists will include works by Jean Cooke, Frederick Gore and Ruskin Spear and will be displayed in the Reynolds and Council Rooms. Meanwhile The Saloon will house a collection of sculptures, paintings and drawings prepared by Royal Academicians for British coins and royal seals on loan from the Royal Mint Museum. The collection includes portraits of the Queen by Edward Bawden and Sir Charles Wheeler which have never before been shown in public, and Sir Anthony Caro’s new coin design of the London 2012 Olympic Games. Over in the Tennant Gallery, The King’s Artist’s George III’s Academy, will look at the king’s role in the foundation of the academy in 1768 and his influence in selecting the first artists. Highlights include portraits of King George III (pictured) and Queen Charlotte painted by the academy’s first president, Sir Joshua Reynolds. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Copyright Royal Academy of Arts, London/John Hammond.

• A new exhibition focusing on Londoners and their treasured souvenirs commemorating Queen Elizabeth II opens tomorrow at the Museum of London. At Home with the Queen features 12 photographic portraits of Londoners at home with their mementos as well as a selection of royal commemorative objects from the museum’s collection. The latter include trinkets produced for Queen Victoria’s Diamond Jubilee in 1897, official Coronation Day street decorations, Silver Jubilee paper tableware and souvenirs relating to the current Diamond Jubilee. Runs until 28th October. Admission is free. For more (including a series of events running on conjunction with the exhibition), see www.museumoflondon.org.uk.

• The Royal Parks’ Shire horse, Jed, retired last week after a decade of service working in Richmond Park. The Queen presented a commemorative retirement rosette to Jed who was born in 1993 and joined the Royal Parks from Bass Brewery in Burton upon Trent almost 10 years ago. Horses have been used in Richmond Park since it was enclosed by King Charles I in 1637. The horses took a break in 1954 but the Shires were reintroduced in 1993 as a way to sustainably manage the parkland. For more on Richmond Park, see www.royalparks.org.uk/parks/richmond-park.

• On Now: The horse: from Arabia to Royal Ascot. This major free exhibition at the British Museum is part of the august institution’s Diamond Jubilee celebrations and traces the history of the horse from domestication around 3,500 BC through to present day, with a particular focus on Britain’s equestrian tradition, from the introduction of the Arabian breed in the 18th century to events like Royal Ascot. Highlights include one of the earliest known depictions of horse and rider – a terracotta mould found in Mesopotamia dating from around 2000 to 1800 BC, a cylinder seal of Darius dating from 522 to 486 BC depicting the king hunting lions in a chariot, a 14th century Furusiyya manuscript, an Arabian manual of horsemanship, and the 19th century Abbas Pasha manuscript, the primary source of information about the lineage of purebred Arabian horses acquired by Abbas Pasha (mid-nineteenth century viceroy of Egypt). The exhibition is being held in Room 35. Runs until 30th September. For more, see www.britishmuseum.org.

Daytripper – Windsor Castle…

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Given we’re marking the Queen’s Diamond Jubilee with a look at sites of significance to her story located in London, it’s perhaps only fitting that we take a look at the nearest royal residence outside the city.

Windsor, located as close as half an hour by train from London’s Paddington station (or around 50 minutes to an hour from Waterloo), boasts plenty to see including the historic town centre, nearby Eton, great river and country walks and, of course, Legoland. But today our attention will remain on Windsor Castle, the oldest and largest inhabited castle in the world.

There has been a fortress on this site since shortly after the Norman invasion when in about 1080 King William the Conqueror ordered it constructed on a ridge above the river bank as part of a series of defensive fortifications around London. The earth and timber Norman castle was gradually added to over the years – King Henry I (reigned 1100-1135), the first king to live here, added domestic quarters while King Henry II (reigned 1154-1189) built substantial royal apartments transforming the castle into a palace and began replacing the outer timber walls with stone fortifications as well as rebuilding the Norman Keep as the Round Tower (parts of which still date from this period). King Henry III (reigned 1216-1272) built upon and expanded his work.

But it was in the reign of King Edward III (1307-1327) that the castle was expanded enormously. This included the reconstruction of the lower ward including the rebuilding of the chapel, naming it St George’s (although the current chapel dates from the reign of King Edward IV – 1461-1470), and the reconstruction of the upper ward complete with apartments for him and his wife, Queen Phillipa, arranged around courtyards (although some of the work wasn’t completed until the reign of his successor, King Richard II – 1377-1399). It was also during King Edward III’s reign that the castle became the base for the Order of the Garter (which he created in 1348), a role it still fulfills.

Other works were ordered by successive Tudor monarchs including King Henry VIII, Queen Elizabeth I, and Queen Mary I. Parliamentary forces seized the castle during the Civil War (Oliver Cromwell did use it as his headquarters for a time) and Royalists were imprisoned here (King Charles I was in fact buried in a vault beneath St George’s Chapel after his execution having been previously imprisoned here).

The next major additions came in the reign of King Charles II (1660-1685) when the Upper Ward and State Apartments were reconstructed in baroque splendor, the latter complete with splendid murals ceiling paintings by Italian artist Antonio Verro (the murals were later destroyed but some of the ceiling paintings survive).

From the time of King William III (1689-1702), monarchs began spending more time at Hampton Court Palace but the focus returned to Windsor with King George III. He ordered a range of improvements and updates including modernising Frogmore House in the Home Park for his wife Queen Caroline (the property was subsequently used by various royals but no-one currently lives there), but many of these were stopped prematurely due to his illness. His son, King George IV, picked up where his father left off.

In the reign of Queen Victoria, Windsor became the royal family’s principal residence and was visited by heads of state including King Louis Philippe in 1844 and Emperor Napoleon III in 1855. The Queen’s husband, Prince Albert, died here on 14th December, 1861.

King Edward VII (1901-1910) and King George V (1910-1936) both had a hand in redecorating the palace and the Queen’s father, King George VI (1936-1952), was living in the Royal Lodge in Windsor Great Park when he succeeded to the throne.

In more recent times, the castle was the home to the Queen, then Princess Elizabeth and her sister Princess Margaret, for much of World War II. The castle suffered its greatest setback in recent times in 1992 when a serious fire broke out in the Queen’s Private Chapel which destroyed several rooms including the ceiling of St George’s Hall which dated from the reign of King George IV. Restoration works took five years to complete.

Today the Queen spends many private weekends at the castle while the court is officially in residence here for a month over the Easter period and during Ascot Week in June – it’s at this time that the Garter Day celebrations take place with the installation of new knights.

The Queen also hosts State Visits here with banquets held in St George’s Hall as well as what are known as a ‘sleep and dine’ in which high profile figures are invited to dinner with the Queen before being shown a special display of items from the Royal Library and then spending the night. The Royal Standard flies from the Round Tower when the Queen is in residence.

As well as touring the State Apartments, the Gallery, Queen Mary’s Dolls’ House (completed in the 1920s for Queen Mary, wife of King George V), and St George’s Chapel, visitors to the castle can experience the Changing of the Guard at 11am every day but Sundays between May and early August (and every second day after that).

WHERE: Windsor (a short walk from either Windsor Central Station or Windsor & Eton Riverside Station); WHEN: 9.45am to 5.15pm until 27th July (times vary after this date – check the website); COST: £17 an adult/£10.20 a child (under 17s – under fives free)/£15.50 concession/£44.75 family (price includes an audio tour); WEBSITE: www.royalcollection.org.uk/visit/windsorcastle.

Around London – ‘Wild London’; National Trust photography contest; JK Rowling gets Freedom; and, Royal Devotion at Lambeth…

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• Celebrate the Diamond Jubilee next Tuesday in Richmond Park as it hosts ‘Wild London’, the borough’s “first festival aimed at celebrating London’s woodlands, parks and gardens”. The event, which is being put on by Richmond Council and Royal Parks, will mark the Queen’s first visit to the borough in 23 years. It will showcase the conservational, recreational and inspirational role that parks and gardens play in London and will include hands-on exhibits, demonstrations, displays and performances. The event will be the first in a series celebrating the Diamond Jubilee held in Royal Parks. For more information, see www.richmond.gov.uk/home/leisure_and_culture/diamond_jubilee.htm

• The National Trust has launched a new photography competition aimed at celebrating green spaces and the life of the Trust founder Octavia Hill. The competition, called Your Space, is running in conjunction with National Trust Magazine and is open for entries until August. The competition was launched by internationally acclaimed photographers – Mary McCartney, Joe Cornish, Arnhel de Serra and Charlie Waite – with a new collection of pictures at National Trust places. One of the three Trust founder, Octavia Hill was a leading environmental campaigner in the Victorian Age and campaigned to save places in and around London like Parliament Hill. Entries in the competition, which aims to capture images of everyday green spaces, could include pictures from the local park or countryside. For details on how to enter, follow this link…

• The author of the Harry Potter books, JK Rowling, received the Freedom of the City of London this week. The books have sold an estimated 450 million copies worldwide and have been made into films. The Freedom ceremony took place at Mansion House, the official residence of the Lord Mayor of London. Speaking before the ceremony on Tuesday, Rowling was quoted as saying that both her parents were Londoners. “They met on a train departing from King’s Cross Station in 1964, and while neither of them ever lived in London again, both their daughters headed straight for the capital the moment that they were independent.  To me, London is packed with personal memories, but it has never lost the aura of excitement and mystery that it had during trips to see family as a child. I am prouder than I can say to be given the Freedom of the City, which, on top of all the known benefits (and few people realize this), entitles me to a free pint in The Leaky Cauldron and a ten Galleon voucher to spend in Diagon Alley.” For more, see www.cityoflondon.gov.uk.

• On Now: Royal Devotion. This exhibition in the Great Hall of Lambeth Palace is being held to mark both the Diamond Jubilee of Queen Elizabeth II and the 350th anniversary of the revised Book of Common Prayer. The display charts the relationship between Crown and Church and its embodiment in the history of the Book of Common Prayer, one of the most important books in the English language. As well as the 1662 revision of the Book of Common Prayer, highlights include a 1549 printing of the Book of Common Prayer, medieval illuminated manuscripts, including the Book of Hours of King Richard III, Queen Elizabeth I’s personal prayer book and a copy of the book of private devotions compiled for Queen Elizabeth II in preparation for her coronation, the Book of Common Prayer used at the wedding of Queen Victoria, and King Charles I’s own handwritten revision of State Prayers. Admission fee applies. Runs until 14th July. For more, see www.lambethpalacelibrary.org/