Taken along New River Walk which follows the course of the “New River” in Islington. The New River, completed in 1613, was a man-made canal which brought water from Hertfordshire to New River Head in Clerkenwell (it now takes water to reservoirs in Stoke Newington). PICTURE: David Adams.
Thirty skeletons found in a mass burial – the latest archaeological find at Crossrail’s Liverpool Street site – are believed to have been victims of the Great Plague of 1665. Made during the excavation of the former Bedlam burial ground in order to make way for a new eastern entrance to the station, the discovery comes during the 350th anniversary year of the Great Plague. Jay Carver, the lead archaeologist for Crossrail, said the mass burial – with the bodies placed in now long gone wooden coffins – was unlike other individual burials found in the cemetery and thus “is likely a reaction to a catastrophic event”. “Only closer analysis will tell if this is a plague pit from the Great Plague of 1665 but we hope this gruesome but exciting find will tell us more about one of London’s notorious killers.” Clues which suggest that may be the case include a headstone found nearby marked “1665” and the fact that the 30 people all seem to have been buried on the same day. Museum of London Archaeology osteologists will now analyse the skeletons to find out the cause of death. Archaeologists have excavated more than 3,500 skeletons from the site since excavation of the burial ground – used between 1569 to at least 1738 – began earlier this year. It suggested 30,000 Londoners were buried there during that period. For more on the the Great Plague, see our earlier post here. PICTURE: © Crossrail Ltd.
A stroll through the green oasis of the aptly named Green Park in central London. For a look at the history of Green Park, see our earlier post here.
Damien Hirst’s seven foot tall statue Charity (2002-2003) stands in the shadow of the Gherkin as a highlight of this year’s Sculpture in the City event. Kicking off last month, the exhibition – the fifth of its kind – features 14 works by a series of internationally renowned artists. Other sculptures (pictured below) include Adam Chodzko’s 2010 work Ghost (on show at Leadenhall Market), Laura Ford’s 2012 work Day of Judgement – Cats 1 & 2 (150 Leadenhall Street), Sigalit Laudau’s 2011 work ‘O my friends, there are no friends’ (St Helen’s Square), and Kris Martin’s 2012 work Bells II (on the corner of Bishopsgate and Wormwood Street). The works can be seen until May next year. For more (including a map of locations), see www.cityoflondon.gov.uk/sculptureinthecity. PICTURES: Nick Turpin.
Eighteenth century artists William Hogarth and Joshua Reynolds gaze down from the facade of the V&A in South Kensington. The Victoria and Albert Museum was established in 1852 – capitalising on the success of the Great Exhibition the previous year – and moved to its current site in 1857. The foundation stone for the current building was laid by Queen Victoria herself in 1899 and it was to mark this occasion that the museum was renamed the Victoria and Albert Museum after the queen and late Prince Albert (although the queen really just wanted it to be the Albert Museum). For more on the V&A, see www.vam.ac.uk.
Flowers in Regent’s Park, north London. The park, which was designed by John Nash, was opened to the public in 1835. For more on the history of the park, see our earlier post here.
Remembering the 52 who were killed and the 784 injured in the bombing attacks in London on 7th July, 2005. Pictured is the Hyde Park memorial which bears testament to the names of those who died in its 52 pillars.
This year’s Serpentine Pavilion, marking the 15th anniversary of the annual summer commission by the Serpentine Galleries in Kensington Gardens, is a polygonal multi-coloured structure designed by Spanish architects selgascano. Made from a fluorine-based polymer, the pavilion has multiple entry and exit points and takes as its inspiration the site itself as well as the way in which people move through London, notably via the web-like network of the London Underground. Say selgascano: “We sought a way to allow the public to experience architecture through simple elements: structure, light, transparency, shadows, lightness, form, sensitivity, change, surprise, colour and materials. We have therefore designed a pavilion which incorporates all of these elements.” The architects say the pavilion was also designed as a tribute to the previous pavilion commissions, designed by the likes of Frank Gehry, Oscar Niemeyer and Zaha Hadid. For more, see www.serpentinegalleries.org. PICTURE: © Iwan Baan
A series of bronze sculptures inspired by the characters of William Shakespeare’s plays is appearing at the Shakespeare’s Globe Theatre on Bankside this summer. The work of Susan Bacon, the sculptures are being displayed alongside some of the clay maquettes – or “sculptural calligraphy” – Bacon created before working in bronze. She explains: “The characters start with a small sketch in clay. These maquettes are to me the beginning of an idea, the seeds that make up Shakespeare’s characters. As in the study of the spontaneous fluency in Zen Calligraphy with ink, so it can be in clay; a natural attempt to transfer these ideas and their energy into uninterrupted form. Working on images and speeches I combine in my mind many ideas and thoughts that are drawn out by the words. Only then do I execute a quick sculptural response.” The sculptures can be seen in the foyer of the Globe until 18th October (open daily, 9am to 11pm, free admission). For more, see www.shakespearesglobe.com.
PICTURE: Pete Le May
Work continues on repurposing the former Battersea Power Station as part of the £15 billion Nine Elms project that will create a whole new precinct located on the south bank of the Thames. Photographer Ian Wylie recently captured the work in progress. He writes: “I’ve been keeping an eye on the huge redevelopment of the entire Nine Elms area, including the new American Embassy quarter and the Battersea Power Station development. Also noticing the work going on to remove, rebuild and replace the four iconic power station chimneys as seen from other London viewpoints, including this one: flic.kr/p/rpGocV. So (these) photos were simply a result of another walk around the area where so much is changing so fast and yet reminders of London’s past still remain, such as this very old street sign: flic.kr/p/tQVY9W. It’s not an area that attracts a large number of visitors but it was interesting to see a few people walking around, just as I was, obviously also intrigued by the past, present and future of this site.” For more on the project, see www.batterseapowerstation.co.uk and www.nineelmslondon.com.
The RHS Chelsea Flower Show opened in London’s west this week so we thought we’d take a look at some of the treasures on show. The show, which is in its 102nd year, has been held in the grounds of the Royal Hospital Chelsea since 1913 (except during the two World Wars) and while its claim to be Britain’s largest flower show has been lost to the RHS Hampton Court Palace Flower Show, it remains the nation’s most prestigious. The five day show runs until Saturday. From the top – Chelsea pensioners look at ‘Peter Beales Roses’ in the Great Pavilion; the Inter-flora display in the Great Pavilion; a model poses in front of the Thailand, Land of Buddhism display; and, award-winning garden sculptor David Harber hosts the Mad Hatter’s tea party. For more on the show, visit www.rhs.org.uk/shows-events/rhs-chelsea-flower-show. PICTURES: RHS/Hannah McKay and RHS.
The effects of industrialisation on Londoners and the diseases that affected them is the subject of a new ground-breaking research project being conducted by the Museum of London. Led by Jelena Bekvalac, based at the Museum of London’s Centre for Human Bioarcheology (pictured above, right), the researchers will examine the skeletal remains of more than 1,000 adult men and women from industrial-era London, 500 skeletons from the medieval metropolis and a further 500 medieval and post-medieval skeletal human remains from areas outside of London with the latter to be used for comparison purposes. In the project, made possible through a City of London Archaeological Trust grant from a bequest made by the late Rosemary Green, the museum will employ the latest clinical techniques – including direct digital radiography, CT scanning and 3D modelling – to examine the bones. “The most tangible evidence we have for the long-term consequences of the industrialisation process upon us is, quite simply, written in our bones,” says Dr Bekvalac. The project will result in the creation of an extensive new interactive digital resource that will be able to be explored online. For more, see www.museumoflondon.org.uk. PICTURE: Courtesy of Museum of London.
The fringe loom of Queen Charlotte – wife of King George III – is among the objects on display at Kew Palace this year. Historic Royal Palaces is exploring some of the untold stories of the king’s daughters who once called the palace, which was originally built in 1631 for a Flemish merchant before it was acquired by King George II, home. Under examination are the pastimes of the royal women – from drawing and painting to weaving, paper cutting and even the decoration of a ‘Baby House’ created by the princesses as a showcase of their talents. Along with Kew Palace – located inside Kew Gardens in London’s west, also opened is the nearby rustic retreat built in 1770 known as Queen Charlotte’s cottage. Inside is the “Print Room”, hung with more than 150 satirical engravings, and the “Picnic Room”, decorated paintings of trailing nasturtiums and convolvulus – the work of Princess Elizabeth, an acclaimed artist. For more, see www.hrp.org.uk/KewPalace/.
PICTURE: Historic Royal Palaces
Daffodils blooming outside the Royal Hospital Chelsea.
The final in our series on Winston Churchill will be published a day late this week on Thursday and This Week in London will be published on Friday.
The Museum of London has opened two new display spaces which feature new archaeological discoveries, reveal the relevance of the museum’s collection to current events in London and showcase objects not usually on display. Opened last week, Looking for Londoners currently features objects uncovered during recent excavations to improve the Baitul Aziz Mosque at Dickens Square in Southwark, including the skull of an 18th century longhorn cow, pots used in burying Roman remains, and as child’s cup dating from the mid-19th century believed to have belonged to Richard Greenfield, born in 1847 as the fourth child of grocer Samuel Greenfield and his wife Mary Ann (pictured). Show Space’s current display, meanwhile, is themed on the idea of ‘spring’ and Londoners attempts to bring nature into the capital with objects including a ‘spring’ fancy dress outfit worn in the late 1890s to a ball in the Portsmans Rooms in Baker Street, cupcake coloured porcelain figurines featuring various embodiments of spring and a ‘mystery gnome’. Access to the new permanent galleries is free. For more, see www.museumoflondon.org.uk. PICTURE: © Museum of London
The moon rises over Westminster. The steeple belongs to the Church of St Stephen with St John, located in Rochester Row.
It’s #MuseumWeek on Twitter and museums all over London are among the more than 2,000 institutions worldwide already tweeting away. Among those, large and small, taking part in London are the @hornimanmuseum, @ExploreWellcome, @JewishMuseumLDN, @BFHouse, @HRP_Palaces, @NMMGreenwich, and @drjohnsonshouse (pictured). Each day of the week they’ll be tweeting on a different theme until Sunday (today’s is #souvenirsMW). For the full stream, head to @MuseumWeek.
Marking the boundary of the City of London on Victoria Embankment is this large statue of a dragon holding a shield bearing the City’s coat-of-arms. One of a pair, these two statues were originally mounted above the entrance to the Coal Exchange in Lower Thames Street and were moved here in 1963 following the building’s demolition. They’re just two of numerous dragons which guard the City’s outer edges.
The remains of an astrologer believed to have been stoned to death by an angry mob, a former Lord Mayor of London and a member of Civil War era dissenting group, the Levellers, who was executed by firing squad may be among those exhumed from the former Bedlam burial ground in Liverpool Street in the City of London in a new archaeological excavation.
A research project carried out ahead of the planned excavation of the new eastern entrance of the Liverpool Street Crossrail Station has unearthed the names and backgrounds of more than 5,000 of the 20,000 Londoners who were buried on the site in the 16th and 17th centuries.
They include Dr John Lamb, an astrologer and advisor to the Duke of Buckingham, who a mob apparently stoned to death outside a theatre in 1628 after allegations against him of rape and black magic, Sir Ambrose Nicholas, Lord Mayor of London in 1575, as well as victims of riots by ‘Fanatiques’ (as noted in the diaries of Samuel Pepys in January, 1661) and, according to a report in The Independent, Robert Lockyer, a member of the Leveller movement who was executed by firing squad in 1649 during the English Civil War.
Some 3,000 skeletons will be disinterred in the excavation along with, it is expected, Roman and medieval artefacts. The dig will start next month and will be carried out by MOLA (Museum of London Archaeology). The skeletons will be analysed before they are reburied in consecrated ground.
The research into the backgrounds of more than 5,000 of those buried on the site – which was established in 1569 to help alleviate overcrowding caused by outbreaks of plague and other epidemics – has been carried out by 16 volunteers with the results compiled into a new online database – the Bedlam Burial Ground Register. Plague was the most common form of death followed by infant mortality and consumption.
“This research is a window into one of the most turbulent periods of London’s past,” said lead archaeologist Jay Carver. “These people lived through civil wars, the Restoration, Shakespeare’s plays, the birth of modern industry, plague and the Great Fire.”
Crossrail workers recently discovered the gravestone of Mary Godfree who died in September, 1665, as a result of the ‘Great Plague’ which reached its peak that year.
PICTURES: Courtesy of Crossrail.
We’re running a bit behind this week, so the next instalment in our Churchill series won’t appear until later this week.
Detail of the stonework on the facade of Somerset House, on the north bank of the Thames. For more on Somerset House, see our earlier post here.
Exploring London 