This Week in London – Celebrating Rembrandt’s relationship with light; Paul Gauguin’s portraits; and, sacred Japanese images…

Rembrandt’s mastery of light is the subject of a new exhibition opening at the Dulwich Picture Gallery on Friday to mark 350 years since the Dutch artist’s death. Rembrandt’s Light includes 35 of his greatest paintings, etchings and drawings including international loans The Pilgrims at Emmaus (1648) and – shown for the first time in the UK – Philemon and Baucis, (1658), Tobit and Anna with the Kid (1645) and The Dream of Joseph (1645). The works have been arranged thematically and show how he used light and shadow for dramatic effect, focusing on his work during the middle period of his career – 1639-1658 – while he was living in his “dream house” on Breestraat in Amsterdam where the large windows provided ideal access to light. The display will employ a new LED Bluetooth lighting system installed at the gallery while cinematographer Peter Suschitzky, famed for his work on Star Wars: The Empire Strikes Back; The Rocky Horror Picture Show and Mars Attacks!, has worked with the curators to create what the gallery promises will be an “atmospheric visitor experience”. Admission charge applies. Runs to 2nd February. PICTURE: Rembrandt van Reign, Philemon and Baucis (1658), oil on panel transferred to panel, National Gallery of Art, Washington.

The first ever exhibition devoted to the portraits of Paul Gauguin opens at the National Gallery on Monday. The Credit Suisse Exhibition: Gauguin Portraits shows how the French artist, who was famed for his paintings of French Polynesia, revolutionised the portrait to express himself and his ideas about art. It features more than 50 works including paintings, sculptures, prints, and drawings – many of which have rarely been seen together. They include Madame Mette Gauguin in Evening Dress (1884), Young Breton Girl (1889), Tehura (Teha’amana) (1891-93), Young Christian Girl (1894), Père Paillard (1902) and the last self-portrait he ever completed, made in 1903, probably shortly before the end of his life at the age of 55. Runs until 26th January in the Sainsbury Wing. Admission charge applies. For more, see www.nationalgallery.org.uk.

Fifteen Buddhist and Shinto sacred images from the Nara Prefecture have gone on show at the British Museum. The works, which include five Japanese National Treasures, date from between 600 and 1300 AD and are displayed with related important Japanese and Chinese paintings from the museum’s collection. The objects include a gilt bronze sculpture, Bodhisattva of Compassion, a gilt-bronze libation dish featuring the birth of the Buddha and a pair of imposing wooden sculptures, Heavenly Kings, all of which date from the 700s. Nara: sacred images from early Japan can be seen in Room 3 (the Asahi Shimbun Displays) and the Mitsubishi Corporation Japanese Galleries (Room 93). Runs until 24th November. For more, see www.britishmuseum.org.

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This Week in London – Anti-war movement history at IWM; National Gallery’s new space; and a VR spaceflight at the Science Museum…

We pause briefly at the start of this week’s coverage to remember those killed and injured in yesterday’s terror attack outside the Houses of Parliament in Westminster as well as pay tribute to the emergency services and passersby who responded to aid the wounded.

The UK’s first major exhibition dedicated to the evolution of the anti-war movement has opened at the Imperial War Museum this week. People Power: Fighting for Peace features such rare items as a hand-written poem by Siegfried Sassoon, artist Gerald Holtom’s original sketches for the iconic ‘peace symbol’, artworks depicting the destructive nature of World War I like Paul Nash’s Wire (1918) and CRW Nevinson’s Paths of Glory (1917), a handwritten letter by Winnie the Pooh author AA Milne outlining his struggle to reconcile pacifism with the rise of Hitler, and Peter Kennard and Cat Philip’s iconic photomontage Photo Op (2007) which depicts former PM Tony Blair taking a selfie against the backdrop of an explosion. More than 300 items are displayed in the exhibition including paintings, literature, posters, banners, badges and music, dating from World War I to the present. Admission charge applies. Runs until 28th August. For more, see www.iwm.org.uk/exhibitions/iwm-london/fighting-for-peace. PICTURE: David Gentleman, Stop the War – No More Lies/© David Gentleman, reproduced with the kind permission of the Stop the War Coalition.

• The first new gallery space to open at The National Gallery in 26 years was launched this week. Gallery B, designed by architects Purcell, features some 200 square metres of display space and features nine works by Rubens and 11 by Rembrandt. There are also drawings by contemporary painter Frank Auerbach, inspired by Rembrandt and Rubens works, in the Gallery B lobby and espresso bar. The launch also marks the daily opening of Gallery A which has hitherto only be opened on selected days. Entry is free. For more, see www.nationalgallery.org.uk.

A virtual reality experience which enables people to experience what it feels like to sit inside the Russian Soyuz TMA-19M spacecraft used by Tim Peake – the UK’s first European Space Agency astronaut – in a mission to and from the International Space Station opens at the Science Museum tomorrow. The South Kensington museum acquired the spacecraft in December last year and, from Friday, visitors will be able to take part in Space Descent VR with Tim Peake – a 360 degree state-of-the-art virtual reality experience which allows visitors to experience what it is like in the Soyuz’s 1.5 tonne descent module during its dangerous 400 kilometre high speed journey back to Earth during which it has to slow from a speed in orbit of 25,000 kph. The experience was created by Alchemy VR and made possible with the support of Samsung, Tim Peake and the ESA. For more information and tickets, see sciencemuseum.org.uk/VR.

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This Week in London – Sherlock Holmes at the MoL; Rembrandt’s latter years; and, William Morris’ legacy..

Sherlock-15Sherlock Holmes and his relationship to London, the city in which he lived, is the focus of a new exhibition which opens at the Museum of London from Friday. Sherlock Holmes: The Man Who Never Lived and Will Never Die, the first major temporary exhibition on Sir Arthur Conan Doyle’s famous character to be held in London in more than 60 years, will look at his literary origins and his relationship with late 19th century London, through to his portrayal in popular culture including through stage and screen performances starring everyone from Peter Cushing to Jeremy Brett and Robert Downey, Jr. Highlights of the exhibition include Conan Doyle’s notebook containing the first ever lines of a Sherlock Holmes story and notes in which he experimented with names for his to leading characters (later Holmes and Dr John Watson), a rare oil on canvas painting of Conan Doyle painted by Sidney Paget in 1897 which has never before been on public display in London, the original manuscript of 1903’s The Adventure of the Empty House, the Belstaff coat and the Derek Rose camel dressing gown worn by Benedict Cumberbatch from the BBC series and original pages from Edgar Allan Poe’s 1841 hand-written manuscript of The Murders in the Rue Morgue (Poe was an important influence on Conan Doyle’s writings). The exhibition will also include paintings, drawings, illustrations and photographs of Victorian London along with a vast collection of objects from the period. Runs until 27th April. Admission charge applies. For more, see www.museumoflondon.org.uk/sherlock. PICTURE: Two editions of A Study in Scarlet in which Conan Doyle introduced Holmes and Watson, Beeton’s Christmas Annual 1887.

The first ever in-depth exploration of Rembrandt’s final years of painting opened at the National Gallery off Trafalgar Square yesterday. Rembrandt: The Late Works features about 40 paintings, 20 drawings and 30 prints with key works including moving The ‘Jewish Bride’ (from Rijksmuseum in Amsterdam), An Old Woman Reading (The Buccleuch Collection in Scotland), Bathsheba with King David’s Letter (Musee du Louvre in Paris) and Lucretia (National Gallery of Art in Washington, DC) as well as the last minute loan of The Conspiracy of the Batavians under Claudius Civilis (from the Royal Academy of Fine Arts in Sweden). The exhibition provides new insights into some of the artist’s most famous works including The Sampling Officials of the Amsterdam Drapers (aka The Syndics), and brings together a number of self-portraits usually seen in different galleries. The exhibition runs in the Sainsbury Wing until 18th January. Admission charge applies. For more, see www.nationalgallery.org.uk.

The first exhibition devoted to Pre-Raphelite William Morris and his influence on 20th century life opens at the National Portrait Gallery off Trafalgar Square today. Anarchy & Beauty: William Morris and His Legacy, 1860-1960 explores the ‘art for the people’ movement which Morris and the artists of the Pre-Raphelite Brotherhood initiated, reveals the work of Arts and Crafts practitioners inspired by Morris, and shows how Morris’ “radical ideals” influenced the Garden City movement and post-war designers like Terence Conran. Highlights include Morris’ handwritten Socialist Diary, his gold-tooled hardbound copy of Karl Marx’s Le Capital and Burne-Jones’ handpainted Prioresses Tale wardrobe. Admission charge applies. The exhibition runs until 11th January. For more, see www.npg.org.uk.

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This Week in London – Rare chance to see four Magna Cartas together; Covent Garden films; Raymond Chandler’s childhood home recalled; and Rembrandt at Kenwood…

Magna-Carta• The only four surviving copies of the original Magna Carta from 1215 will go on display together for the first time ever  at the British Library in King’s Cross next February – and you have a chance to be among the 1,215 people to see them. In an event to mark the 800th year of the creation of the document, the library – which holds two copies of the document – along with Lincoln Cathedral and Salisbury Cathedral – each of which holds one copy – are holding a ballot with winners able to attend an event in which they’ll have the unique opportunity to see the documents side-by-side as well as be treated to a special introduction on its history and legacy by historian and TV presenter Dan Jones. The ballot to see the documents is open until 31st October with winners drawn at random. It’s free to enter – head to www.bl.uk/magna-carta to do so. The four documents will subsequently feature separately in displays at each of the three institutions. One not to miss! PICTURE: Salisbury Cathedral’s Magna Carta/Ash Mills.

The Silent Swoon Free Film Festival kicks off in St Martin’s Courtyard, Covent Garden, next week. The courtyard will be transformed into an open air movie theatre showing a different movie each night – The Talented Mr Ripley on 14th October, Crazy, Stupid, Love on 15th October and Rebel without a Cause on 16th October. Most of the free tickets will be allocated through an online draw but a small number will be allocated each night on a first come, first serve basis. For those with tickets, a range of freebies will be available on the night (including popcorn!). For more information, head to www.stmartinscourtyard.co.uk/silent-swoon-cinema-festival.

Crime writer and film noir pioneer Raymond Chandler has been remembered with the placement of an English Heritage blue plaque outside his childhood home in Upper Norwood, south east London. Chandler, who received global acclaim for his Philip Marlowe novels and his work on movies like The Blue Dahlia, lived at the home from 1901 after emigrating from the US with his mother, aunt and grandmother at the age of 12. He remained at the double-fronted red brick villa until 1908 – the same year he published his first poem, The Unknown Love. In his early Twenties, Chandler worked as a freelance reporter for London newspapers but, disillusioned with writing, returned to the US in 1912. He spent the next decade working for an oil company before the loss of his job in 1932 pushed him to restart writing. He first novel was published in 1939, and he went on to write further books and movie screenplays to ongoing renown. For more on the blue plaques scheme, see www.english-heritage.org.uk/discover/blue-plaques/.

Two early works of Rembrandt have gone on display at Kenwood House this month. Anna and the Blind Tobit and Jeremiah Lamenting the Destruction of Jerusalem, both of which date from around 1630, will be seen in the Hampstead landmark until May next year. The two paintings replace Rembrandt’s Portrait of the artist which usually hangs in Kenwood and is on show at the National Gallery and Rijksmuseum in Amsterdam (from where the two paintings now at Kenwood have come). For more, see www.english-heritage.org.uk/kenwood. An exhibition of Rembrandt’s works opens at the National Gallery next week – more details then!

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This Week In London – Kenwood House reopens; robot safari at the Science Museum; Kew Gardens illuminates for Christmas; Vivien Leigh at the NPG; and more…

Kenwood House in north London is being reopened to the public today following a £5.95 million restoration project which has seen the library returned to what Scottish architect Robert Adam had intended it to be. The project, which saw the Hampstead property closed since March last year, has also seen the restoration of three other Robert Adam-designed rooms – the entrance hall, Great Stairs and antechamber or entrance to the library – as well as the redecoration of four rooms in 18th century style, repainting of the exterior and the repair of the home’s roof – a job aimed at protecting the rooms and its stellar

Kenwood-House-Librarycollection of artworks by the likes of Rembrandt and Vermeer. English Heritage has also endeavoured to make the property more homely, replacing ticket desks and rope barriers with an open fire, warm rugs and leather couches on which visitors can relax. The library (pictured) was built and decorated to Adam’s designs between 1767 and 1770 as part of a wider remodelling of the villa for its owner Lord Chief Justice William Murray, 1st Earl of Mansfield. Redecorated many times since, it was restored in the 1960s but this redecoration was later found to be inaccurate. The Caring for Kenwood restoration project, which has also seen restoration of the Kenwood Dairy, was funded by a £3.89 million grant from the Heritage Lottery Fund as well as support from the Wolfson Foundation and other donors. To coincide with the reopening, a new app exploring Kenwood House has been released which can be downloaded for free from the iTunes store. For more, see www.english-heritage.org.uk/daysout/properties/kenwood/. PICTURE: English Heritage/Patricia Payne.

Head out on a “robot safari” this weekend with a special free event at Science Museum in South Kensington. Robot SafariEU, part of Eurobotics week, features 13 biometric robots from across Europe including an underwater turtle robot, a shoal of luminous fish robots, a robotic cheetah cub and Pleurobot, a robotic salamander. Roboticists from across Europe will be on hand to help visitors interact with the bots. Suitable for all ages, the event kicked off on Wednesday night and runs again on the weekend. Admission is free but timed tickets are required. For more, see www.sciencemuseum.org.uk/RobotSafari.

A memorial to author, scholar and apologist CS Lewis was dedicated at Westminster Abbey last Friday – the 50th anniversary of his death. Conducting the service, the Dean of Westminster, the Very Reverend Dr John Hall, said Lewis was “one of the most significant Christian apologists of the 20th century” and the author of stories that had “inspired the imagination and faith of countless readers and film-goers”. Douglas Gresham, younger stepson of Lewis, read from the author’s book, The Last Battle, at the service. The memorial is located in Poet’s Corner in the abbey’s south transept. For more see www.westminster-abbey.org.

A Blue Plaque commemorating Al Bowlly – described as “Europe’s most popular crooner and famous radio and record star” – will be unveiled at his home in Charing Cross Road this week. Bowlly, who lived between 1899 and 1941, was the voice beyond songs like Goodnight Sweetheart and The Very Thought Of You. The English Heritage Blue Plaque will be unveiled at Charing Cross Mansions, 26 Charing Cross Road – his home during the pinnacle of his career. For more, see www.english-heritage.co.uk/discover/blue-plaques/.

Kew Gardens has opened its gates after dark for the first time with a “captivating show of lights, sound and landscape” this festive season. A mile long illuminated trail, created in partnership with entertainment promoter Raymond Gubbay, will take visitors’ through the garden’s unique tree collections, kicking off at Victoria Gate where a Christmas village (and Santa’s Woodland Grotto) is located. The gardens will be open every Thursday to Sunday until 23rd December and then be open every night from 26th December to 4th January from 4.45pm to 10pm. Admission charge applies. For more, see www.kew.org/Christmas.

VivienLeighActress Vivien Leigh is the star of a new exhibition opening on Saturday at the National Portrait Gallery. Starring Vivien Leigh: A Centenary Celebration tells her story with a focus on her Academy Award-winning role in 1939’s Gone With The Wind. The display features more than 50 portraits of Leigh by the likes of Cecil Beaton, Angus McBean and Madame Yevonde – many of which have never been exhibited in the gallery before – and a selection of memorabilia including magazine covers, vintage film stills and press books. Among the photos will be a newly acquired image of Leigh and her husband, Laurence Olivier, taken by British photojournalist Larry Burrows at a garden party in 1949 (pictured), along with two rarely seen portraits of Leigh – one taken on the set of The School for Scandal by Vivienne in 1949 and the other by Paul Tanqueray in 1942. The exhibition will be held in Room 33 and runs until 20th July. Admission is free. For more, see www.npg.org.uk. PICTURE:  Copyright – Larry Burrows Collection 2013.

Around London – Tate acquires photographic collection; new additions to Army museum; Picasso at the British Museum; and, Zoffany at the Royal Academy…

• A major collection of photographs of London, including works by Henri Cartier-Bresson, Robert Frank and Irving Penn, has been promised to the Tate Gallery. The collection, which will more than double the Tate’s photographic holdings, was assembled by Eric and Louise Franck over a 20 year period. It comprises around 1,400 photographs taken by 120 photographers between the 1880s and 2000s and is a record of the lives of people living in London. Highlights include Henri Cartier-Bresson’s work, Waiting in Trafalgar Square for the Coronation Parade of King George VI (1937), Bruce Davidson’s Girl with Kitten (1962), Elliot Erwitt’s Bus Stop, London (1962), Robert Frank’s London (Child Running from Hearse) (1951) and Irving Penn’s Charwomen, London (1950). More than two-thirds of the collection is being donated to the Tate Gallery, carrying an estimated value of more than £1 million, while the remaining works will be purchased. A selection from the collection will be exhibited in Another London, opening at the Tate Britain on 27th July. For more, see www.tate.org.uk.

• An Afghan schoolbook which uses bullets and Kalashnikovs as counting tools, Operational Service Medals and charm bracelets have been added to the National Army Museum’s Conflicts of Interest gallery. The gallery explores over 40 conflicts in which the British Army has been involved including that in Afghanistan. The illustrated childrens’ textbook dates from the time of the Soviet War in Afghanistan in the 1980s and was found by Captain Daniel Hinxman in 2007. Other artefacts added to the gallery include an Operational Service Medal for Afghanistan awarded to Sapper Dewi Allen for service in 2009-10, a memorial writsband produced by the family of Corporal David Barnsdale after he was killed in an IED attack in 2010 and a ‘lucky charm’ bracelet made by an Afghan for Lance Corporal Jose Cravalho De Matos. For more, see www.nam.ac.uk.

• On Now: Picasso Prints: The Vollard Suite. The British Museum is hosting this exhibition featuring Pablo Picasso’s most celebrated series of etchings, The Vollard Suite – the first time a complete set of the etchings has been shown in a British public institution. The suite consists of 100 etchings produced between 1930 and 1937, at a time when Picasso was involved in an affair with his nurse and muse Marie-Therese Walter. The predominant them of the suite is that of the sculptors studio – the artist was at this stage making sculpture at his new home outside Paris. The etchings, which have no titles and were not assigned an order, will be displayed alongside examples of the type of classical sculpture and objects which inspired the artist as well as Rembrandt etchings, Goya prints and Ingres drawings which also influenced Picasso’s works. The exhibition is being held in Room 90 and runs until 2nd September. Entry is free. For more, see www.britishmuseum.org.

• On Now: Johan Zoffany RA: Society Observed. This exhibition at the Royal Academy of Arts re-evalutes the life and career of the Frankfurt-born artist Zoffany, who moved to London in 1760 where he created portraits and subject pictures which attracted the patronage of the likes of actor David Garrick and courtiers of King George III. The exhibition, arranged into eight sections, features more than 60 oil paintings and a selection of drawings and prints taken from British and international collections, both public and private, with many of the items never before exhibited. Runs until 10th June. Admission charge applies. For more, see www.royalacademy.org.uk.

Around London – West End’s VIP day; National Curry Week; Kenwood House to close for repairs; and Horatio’s handwriting…

• Oxford Street and Regent Street in London’s West End will be closed to cars and buses this Saturday (27th November) as part of the sixth annual West End VIP Day. The day, which is sponsored by American Express,  will also bring singers, entertainers and celebrities hit the streets as they fundraise for the Starlight Children’s Foundation. Other entertainment will include a seven foot climbing wall on Regent Street, giant TV screens, fair ground style rides and the chance to climb inside a lifesize snow globe. Runs from 9am to 10pm. For more information, see www.westendlondon.com/vip.

• This week was National Curry Week, so to celebrate, we thought we’d tell you about London’s oldest curryhouse (in fact it’s said to be the oldest in the UK). Veeraswamy was founded in 1926 at its current location of 99 Regent Street (entry via Swallow Street) by, according to the restaurant’s website, “the great grandson of an English General, and an Indian princess”. Customers are said to have included Indira Gandhi, Charlie Chaplin, King Hussein of Jordan and Marlon Brando. See www.nationaleatingoutweek.com or www.veeraswamy.com.

Kenwood House in Hampstead, north London, is set to undergo major repair and conservation works meaning the house will be closed to the public from early summer 2012 for just over a year. The grounds will remain open. The current house was designed by Robert Adam and built over the period of 1762 to 1779 for William Murray, 1st Earl of Mansfield and the Lord Chief Justice. It now houses a collection of paintings bequeathed to the nation in 1927 by Edward Cecil Guinness, 1st Earl of Iveagh, which includes works by Rembrandt, Vermeer, Gainsborough and Turner. For more information, see www.english-heritage.org.uk/daysout/properties/kenwood-house/.

On now: Compare Horatio Nelson’s handwriting before and after he lost his right arm in battle at a special showing of two of his letters at the Wellcome Collection tomorrow night (26th November). The letters are part of Hands: Amazing Appendages, a one night only show. There will also be the chance to try out some nail art, try out some surgeon’s tools and hear talks and see performances. Admission is free (but some talks and performances will be tickets – tickets available on the night only from 7pm). See www.wellcomecollection.org/whats-on/events/hands.aspx.