
• Kew Garden’s iconic orchid festival returns this Saturday with a Peruvian twist. The gardens’ 29th orchid festival explores some of the 3,000 species of orchids found in Peru’s varied landscapes. Inside the Princess of Wales Conservatory will be a floral recreation of the scenery of Peru including a cornucopia sitting on a grass island in the central pond which was inspired by Lake Titicaca and, in a smaller pond, floral parihuanas (flamingoes) stand proud in front of the iconic Machu Picchu. The display also includes the world’s largest bromeliad – Puya raimondii (commonly known as the Queen of the Andes) – which will be shown alongside floral sculptures inspired by the plant. The country’s diverse wildlife, meanwhile, is celebrated with an orchid aviary that brings to life the diverse bird populations of Peru, and visitors are welcomed by an alpaca bedecked in orchids. Visitors can also wander under a starry night sky adorned with dazzling allium flower heads, which will be recycled from Kew’s outdoor garden displays. There is also large-scale photography taken by celebrated Peruvian photographer Mariano Vivanco and new artworks created for the exhibition of Lima-born artist Gisella Stapleton. Runs until 2nd March. Admission charge applies (advance booking required). For more, see www.kew.org.
• The diversity of 20th century Brazilian art is being celebrated in a new exhibition which opened at the Royal Academy this week. Brasil! Brasil! The Birth of Modernism features more than 130 works by 10 important Brazilian artists and spans the period from the 1910s to the 1970s. The artists include pioneers of Brazilian modernism such as Anita Malfatti, Vicente do Rego Monteiro, Jewish Lithuanian emigré Lasar Segall, Candido Portinari and Tarsilo do Amaral as well as self-taught artists such as Alfredo Volpu, Djaniro da Motta e Silva, Rupert Valentim, Geraldo de Barros, and the artist and architect Flávio de Carvalho. The exhibition also features a section dedicated to the historic Exhibition of Modern Brazilian Paintings, which took place at the Royal Academy in 1944 and was the first exhibition of modern Brazilian art in the UK. Runs until 21st April. Admission charge applies. For more, see www.royalacademy.org.uk.
• A “legacy stone” commemorating the former residence of musician and former lead singer of The Clash, Joe Strummer, has been unveiled in North Paddington. The stone was installed in the newly refurbished Maida Hill Market on the corner of Walterton Road, a location where Strummer, who died in 2002, squatted during the 1970s ( in fact, his address of 101 Walterton Road inspired the name for the band the 101ers). The stone is inscribed with lyrics sung by Strummer in the song Clampdown from The Clash’s 1979 album London Calling including “the future is unwritten” and “No man born with a living soul can be working for the clampdown”. The stone was installed as part of Westminster City Council project to revitalise the market and Market Hill Area.
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