Treasures of London – Shackleton’s Crow’s Nest…

This barrel-shaped object, which can be found in the church of All Hallows by the Tower in the City of London, was used the crow’s nest on the ship Quest during Sir Ernest Shackleton’s third – and last – Antarctic voyage in the early 1920s.

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What’s in a name?….Giltspur Street

This City of London street runs north-south from the junction of Newgate Street, Holborn Viaduct and Old Bailey to West Smithfield. Its name comes from those who once travelled along it.

Looking south down Giltspur Street, with the dome of the Old Bailey visible, in 2018. PICTURE: Courtesy of Google Maps

An alternative name for the street during earlier ages was Knightrider Street which kind of gives the game away – yes, the name comes from the armoured knights who would ride along the street in their way to compete in tournaments held at Smithfield. It’s suggested that gilt spurs may have later been made here to capitalise on the passing trade.

The street is said to have been the location where King Richard II met with the leaders of the Peasant’s Revolt who had camped at Smithfield. And where, when the meeting deteriorated, the then-Lord Mayor of London William Walworth, ending up stabbing the peasant leader Wat Tyler who he later captured and had beheaded.

St Bartholomew’s Hospital can be found on the east side of the street. On the west side, at the junction with Cock Lane is located Pye Corner with its famous statue of a golden boy (said to be the place where the Great Fire of London was finally stopped).

There’s also a former watch house on the west side which features a monument to the essayist late 18th century and 19th century Charles Lamb – the monument says he attended a Bluecoat school here for seven years. The church of St Sepulchre-without-Newgate stands at the southern end with the Viaduct Tavern on the opposite side of the road.

The street did formerly give its name to the small prison known as the Giltspur Street Compter which stood here from 1791 to 1853. A prison for debtors, it stood at the street’s south end (the location is now marked with a City of London blue plaque).

This Week in London – VE Day commemorated at St Paul’s; the National Gallery redisplayed; and, Tate Modern celebrates its 25th…

VE Day commemorations continue in London this week with an Evensong service to be held outside St Paul’s Cathedral this evening. The service to commemorate the 80th anniversary of the end of the war in Europe will be held between 5pm and 6pm. Following the service will be a lamp-lighting ceremony and blessing on the cathedral’s west steps with the cathedral bells being tolled as part of a national bell-ringing at 6:30pm. A replica of a World War II Spitfire can also be seen in front of the West Steps. The service is free and unticketed – entry is via Paternoster Square. For more, see www.stpauls.co.uk/whats-on/special-evensong-to-commemorate-80th-anniversary-of-end-of-second-world-war-in-europe-ve80.

Central Hall, The National Gallery. Image and Identity: Full-Length Portraits 1550-1900. Part of ‘C C Land: The Wonder of Art’. PICTURE: © The National Gallery, London

A major redisplay of the National Gallery’s collection – created as part of its bicentenary celebrations – can be seen from Saturday. C C Land: The Wonder of Art, which coincides with the opening of the transformed Sainsbury Wing after more than two years of building works, features more than 1,000 works and traces the development of painting in the Western European tradition from the 13th to 20th centuries. Among the works displayed are the Coronation State Portraits, commissioned from the artists Peter Kuhfeld and Paul S Benney and unveiled by King Charles III and Queen Camilla this week, which will be on display until 5th June when they will be moved to the Throne Room at Buckingham Palace. There are also newly restored works including the Pollaiuolo brothers’ The Martyrdom of San Sebastian and Jan van Eyck’s Portrait of a Man (Self Portrait?) and newly acquired works such as Eva Gonzalès’ The Full-length Mirror (about 1869‒70), Sir Lawrence Alma-Tadema’s After the Audience (1879) and Nicolas Poussin’s Eucharist (about 1637‒40) – one of the greatest paintings of the Last Supper. Meanwhile, a series of rooms have been dedicated to the work of individual artists including the likes of Titian (active about 1506‒1576), Rembrandt (1606‒1669) and Monet (1840‒1926) and one part of the new display focuses on King Charles I (1600‒1649) as a collector of art and includes major loans from the Royal Collection. Finally, in a first for the gallery, Segna di Bonaventura’s Crucifix (about 1310‒15) has been suspended from the gallery’s ceiling, enabling today’s audiences to view the work in the way it would have been seen in the 14th century. Entry to the gallery is free. For more, see nationalgallery.org.uk.

Tate Modern. PICTURE: Courtesy of the Tate Modern.

The Tate Modern is celebrating 25 years this weekend with four days of festivities starting from tomorrow (Friday). A number of recent additions to Tate’s collection will go on display around the building for the anniversary and some of the most iconic works from Tate Modern’s history are coming back including Louise Bourgeois’s 10 metre high bronze spider Maman which was the first work to greet visitors when Tate Modern opened in 2000. Other returning works include Mark Rothko’s Seagram murals and Dorothea Tanning’s Eine Kleine Nachtmusik while among contemporary works being highlighted over the weekend is an immersive multi-screen film installation by Nalini Malani. Two new exhibitions are also open for the anniversary weekend – A Year in Art: 2050 which explores how artists imagine possible futures, and, Gathering Ground which features international contemporary art united by a deep connection to land and community. The weekend also features live music and performances, pop-up talks and tours, and special food and drink offers. For more, see https://www.tate.org.uk/whats-on/tate-modern/birthday-weekender.

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Treasures of London – The Anglo-Saxon archway, All Hallows by the Tower…

PICTURE: JRennocks/Wikipedia (licensed under CC BY-SA 4.0)

This rounded arch in the Church of All Hallows is believed to be oldest surviving arch of the Anglo-Saxon period surviving in the City of London.

The arch can be found at the west end of the nave and dates from an earlier church on the site, possibly built as early as the 7th century (the church was later rebuilt and expanded several times, survived the Great Fire in 1666, and was then largely destroyed during the Blitz before being rebuilt and reconsecrated in 1957).

Roman tiles have been reused in the arch’s construction as well as Kentish ragstone and it doesn’t include a keystone.

The arch was fully revealed after a bombing during the Blitz in 1940 brought down a medieval wall and revealed it.

The arch has given some weight to the idea that the Anglo-Saxon church was founded not long after Erkenwald founded Barking Abbey in the 7th century (he went on to become the Bishop of London in 675).

WHERE: All Hallows by the Tower, Byward Street (nearest Tube station is Tower Hill); WHEN: 8am to 5pm Monday to Friday; 10am to 5pm Saturday and Sunday; COST: Free; WEBSITE: https://www.ahbtt.org.uk/

This Week in London – Of livery companies and pancakes; Museum of the Home celebrates East Enders; and, the ‘Hallelujah Chorus’ at the Foundling Museum…

Guildhall Yard where the annual Inter-Livery Pancake Race is held. PICTURE: David Adams

Shrove Tuesday, also known as Pancake Day, takes place this coming Tuesday and to mark the event, representatives from the City of London’s livery companies are coming in their annual Inter-Livery Pancake Race around Guildhall Yard. The event is organised by the Worshipful Company of Poulters while the Worshipful Company of Gunmakers provide the starting gun, the Worshipful Company of Clockmakers time the races and the Worshipful Company of Fruiterers provide lemons to accompany the pancakes. The starter’s gun fires at noon. Entry is free.

East Enders is celebrating its 40th anniversary and to mark the occasion, the Museum of the Home in Hoxton is featuring props and costumes from the show in its displays. EastEnders at 40: Icons of Home and Drama features props and costumes including the costumes from Syed and Amira’s wedding in 2010, Kat Slater’s leopard print coat and Frank Butcher’s spinning bow tie. Runs until 22nd June. Admission is free. For more, see www.museumofthehome.org.uk.

• The origins of the Hallelujah Chorus and its special connecting to the Foundling Hospital is the subject of a new display at the Foundling Museum in Bloomsbury. Composer George Frideric Handel first held a benefit concert at the venue in 1749 in which he premiered his Foundling Hospital Anthem. He returned the following year to perform the Messiah, which had made its debut in Dublin in 1742, and this event proved so popular it was held annually until the 1770s. The display can be seen until 29th March, 2026. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/hallelujah-display/.

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Special – Roman London’s first basilica found under an office block – here’s what it reveals about the ancient city

In an article first published on The Conversation, LACEY WALLACE of the University of Lincoln, looks at the recent discovery….

Archaeologists from the Museum of London have discovered a well-preserved part of the ancient city of London’s first Roman basilica underneath the basement of an office block. The basilica was constructed for use as a public building in the 70s or early 80s AD.

A section of the wall from the Roman basilica. PICTURE: MOLA

In a Roman town, a basilica was a multi-functional civic building. Often paid for by leading local inhabitants, it provided a large indoor space for public gatherings. These ranged from political speeches to judicial proceedings.

Along with the connected forum – an arrangement of buildings that surrounded an open courtyard space – the building formed the centre of administrative and civic life in the ancient Roman city of Londinium.

Other walls of London’s basilica and forum have been known by archaeologists since the early 1880s. But they were only recognised as remains of the social and civic centre of Londinium in 1923.

The story until now

Peter Marsden, the author of The Roman Forum Site in London (1987), compiled disconnected evidence for the different phases of London’s forum basilica complex.

Referring to the current area of excavations (on Gracechurch Street), he noted that: “More than half of the archaeological deposits still remain, and should be carefully excavated when the opportunity arises, since only then will the history of the site be elucidated.”

Occasional opportunities have arisen to reveal small parts of the forum basilica. For example, during construction of a shaft to install a lift at 85 Gracechurch Street, some important remains from the first century were found. But the excavated area was too small to contribute greatly to our knowledge.

In contrast, the recent work is part of a major redevelopment. It has opened targeted excavation areas where walls of the basilica were expected to be found, exposing substantial parts of the building.

Archaeologists have found one-metre-wide foundations and walls of the interior, some of which probably extend for more than 10 metres in length. The walls are constructed of flint, tile and Kentish ragstone (a type of limestone quarried in Kent), and some stand at four metres high.

What was the basilica for?

Londinium was constructed on an unoccupied site beginning in about AD47 or 48. It began to gain the trappings of a Roman-style town, including a basilica building, in the lead-up to its destruction in the Boudican Revolt in AD60 or 61.

The city did not have a monumental forum and basilica complex until later, however, when a major programme of public and private construction was undertaken in the Flavian period (AD69–96).

London’s Flavian basilica took the plan of a long rectangle (44m x 22.7m) divided into three aisles. There is good evidence from the deeper central aisle (nave) wall foundations that the nave roof was raised to two storeys, to allow for windows to provide internal light.

A reconstruction drawing of the first London forum. PICTURE: PeterMarsden/MOLA

Shallow foundations crossing the nave are evidence of a raised dais or platform at the eastern end. The speaker or judge would sit there, elevated above the crowds, increasing both his visibility and status. This platform, or “tribunal”, is the area that has recently been revealed.

The basilica would have risen above the north side of the buildings that formed the forum courtyard. It would have dominated the high ground of this monumental space at the highly visible crossroads leading straight up from the Roman Thames bridge.

It would have been the largest building in the area and firmly announced that the people of Londinium were constructing a high-status Roman city.

Rebuilding following the British Queen Boudica’s revolt had been swift. The post-Revolt fort that was built only 100 metres or so down the street had likely been decommissioned and the people were ready to embark on a new phase and a major expansion of the urban centre.

The designs of late first century forum basilica complexes varied across the provinces. But generally they combined religious, civic, judicial and mercantile space.

An artist’s impression of the proposed exhibition space that will showcase the newly discovered walls. PICTURE: Woods Bagot/MOLA

In places like Pompeii, the forum had developed over time. But, when the town was buried by the ash of Vesuvius in AD79 (approximately the same time the forum basilica of London was built), the focus of the elongated monumental space was the Temple of Jupiter, symbol of the Roman state.

Although a classical temple was constructed to the west of the exterior of Londinium’s Flavian forum, it was clearly separate. No forum in Britannia was dominated by a temple, setting the core of urban space in this province apart from most examples in the rest of the empire.

The Flavian forum basilica at Londinium is one of the earliest examples to demonstrate this characteristic, along with that at Verulamium (St Albans). There, an inscription links the circa AD79–81 construction to the governor Agricola, who is well known among historians from the celebratory biography written by his son-in-law, Tacitus.

The Flavian basilica and forum only stood for about 20 or 30 years, however. With increased prosperity in the early second century, they were demolished and replaced by a new structure which was five times larger, leaving the remains of the first basilica underneath the surface of the later courtyard space.

Museum of London Archaeology will now analyse and publish the results of its find, applying modern methods to advance our understanding of the development of the first forum basilica. We can expect refined dating evidence and an improved understanding of the architecture from the post-excavation analyses. An exhibition space to make the remains visible for the public is also planned.

The Conversation

Lacey Wallace is a senior lecturer in Roman history & material culture at the University of Lincoln. This article is republished from The Conversation under a Creative Commons license. Read the original article.

This Week in London – ‘Making Egypt’ at the Young V&A; new memorial to humanitarian aid workers; and, Science Museum’s ‘Exploring Space’ gallery to close soon…

Wooden Funerary Boat approx. 3000 years old. PICTURE: Courtesy of Chiddingstone Castle

A new exhibition exploring how stories and images from ancient Egypt continue to influence art, design and popular culture today opens at the Young V&A in Bethnal Green on Saturday. Making Egypt is divided into three sections – Storytelling, Communicating and Making – and features more than 200 objects which, as well as ancient artifacts, include contemporary responses from jewellery and fashion designers, graphic novelists and ceramic artists throughout. Highlights include everything from a 4000-year-old small wooden painted model funerary boat and an amulet of Taweret, goddess of childbirth and fertility, dating from between 664 BC to 332 BC to a rare carved wooden scribe’s palette which was used to hold ink and brushes, and Egyptian faience shabtis dating from between 380 BC to 343 BC which represent just a handful of more than 300 small funerary figures discovered in the tomb of Djedhor. Runs until 2nd November. Admission charge applies. For more, see vam.ac.uk/young.

A new plaque commemorating humanitarian aid workers has been unveiled in the crypt of St Paul’s Cathedral. Located near the memorial to Florence Nightingale, the plaque “celebrates the bravery of those who dedicate their lives to helping others and remembers those who have been murdered or injured while delivering humanitarian assistance”. Hand-carved by stonemason Martin Gwilliams, the plaque reads: “In celebration of Humanitarian Aid Workers. Helping those in need whoever and wherever they are. And in remembrance of those who have died in the pursuit of their calling.” The plaque is the first in the UK in a public space to honour humanitarian aid workers and their work in conflict zones and disaster-stricken areas around the world. For more, see www.stpauls.co.uk.

After almost 40 years, the Science Museum’s ‘Exploring Space’ gallery at the South Kensington institution will partially close on 22nd April and fully close in early June as part of preparations for the museum’s new ‘Space’ gallery. Key objects on display include the Soyuz spacecraft that carried astronaut Tim Peake back to Earth, the spacesuit worn by Helen Sharman, the first Briton in space, during a 1991 spaceflight and a three-billion-year-old piece of the Moon. Other items include a British Black Arrow rocket and a United States Scout rocket suspended from the gallery’s ceiling, a RL10 rocket engine and a J-2 rocket engine which powered the Apollo astronauts to the Moon. For more, see www.sciencemuseum.org.uk

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10 London mysteries – 8. The Ceremony of the Rendering of the Quit Rents…

Every year an ancient ceremony takes place in the City of London which, thanks to the passing of time, has become somewhat shrouded in mystery.

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LondonLife – Never forget…

10 Downing Street is lit to mark Holocaust Memorial Day on 27th January. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY 2.0)
Prime Minister Keir Starmer speaks as he attends a Holocaust Memorial Day event at the Guildhall . PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY 2.0)
Prime Minister Keir Starmer poses for a photo with the Prince and Princes of Wales and survivors of the Holocaust as they attend a Holocaust Memorial Day event at the Guildhall. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY 2.0)

LondonLife – Christmas fog…

Taken near Tower Bridge. PICTURE: Yao Hu/Unsplash

LondonLife – London, wrapped for Christmas …

Christmas bells in Covent Garden. PICTURE: Paul Arps (licensed under CC BY 2.0)
Carolling in Trafalgar Square. PICTURE: steve_w (licensed under CC BY-NC-ND 2.0)
Lights in Regent Street Saint James’s. PICTURE: JuliaC2006 (licensed under CC BY 2.0)
Cutty Sark Christmas tree. PICTURE: sarflondondunc (licensed under CC BY-NC-ND 2.0)
Leadenhall Market. PICTURE: Artem Manchenkov/Unsplash

Cartier with a cosmic display in New Bond Street. PICTURE: JuliaC2006 (licensed under CC BY 2.0)

LondonLife – Christmas intersection…

PICTURE: Samuel Regan-Asante/Unsplash

Looking toward the Royal Exchange in the City of London.

10 London mysteries – 2. Who was Jimmy Garlick?

This week we look at a mysterious mummified figure who was “discovered” in the vaults beneath the floor of St James Garlickhythe in the 1850s.

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10 London mysteries – 1. The murder of Robert Pakington…

London’s rich layers of history has left its fair share of mysteries and in this series we’re going to take a look at 10, some well-known and others, such as this first one, less so…

First up, it’s a 500-year-old murder mystery. The victim was Robert Pakington, an MP and prominent member of the Worshipful Company of Mercers, who is often said to be the first victim to be murdered with a handgun.

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This Week in London – Lord Mayor’s Show; ‘Poppy Fields at the Tower’; and, ‘The Great Mughals’ at the V&A…

The Lord Mayor’s Show – featuring the 696th Lord Mayor of London, Alastair King – will be held this Saturday. The three-mile long procession – in which the Lord Mayor will ride in the Gold State Coach – features some 7,000 people, 250 horses, and 150 floats. It will set off from Mansion House at 11am and travel down Poultry and Cheapside to St Paul’s Cathedral before moving on down Ludgate Hill and Fleet Street to the Royal Courts of Justice. The return journey will set off again at 1:10pm from Temple Place and travel via Queen Victoria Street back to Mansion House where he will take the salute from the Pikemen and Musketeers at 2:40pm. For more information, including where to watch the show, head to https://lordmayorsshow.london.

 Poppy Field at the Tower. PICTURE: © Luxmuralis / Historic Royal Palaces.

An immersive sound and light show commemorating World War I and II opens at the Tower of London tomorrow ahead of Armistice Day and Remembrance Sunday. Historic Royal Palaces has partnered with Luxmuralis to present Poppy Fields at the Tower with visitors invited to go inside the Tower where – recalling the 2014 display Bloodswept Lands and Seas of Red in the Tower of London moat to mark the centenary of World War I – the walls will not only be illuminated with tumbling poppies but also historic photographs, documents and plans. The display is being accompanied by music composed by David Harper, and poetry recordings. Visitors will also be granted special access to see the Crown Jewels after-hours to learn more about their removal from the Tower during both World Wars. Runs until 16th November and should be pre-booked. Admission charges apply. For more, see https://www.hrp.org.uk/tower-of-london/whats-on/poppy-fields-at-the-tower/.

Akbar handing the imperial crown to Shah Jahan in the presence of Jahangir, Bichitr. Dated regnal year 3 (18th January 1630–7 January 1631), the borders c1630–1640. Opaque watercolour and gold on paper. Folio
from the Minto Album. © CC BY – 4.0. Chester Beatty, Dublin

An exhibition celebrating the golden age of the Mughal Court opens at the V&A in South Kensington on Saturday. The Great Mughals: Art, Architecture and Opulence examines the “creative output and internationalist culture” of Mughal Hindustan during the age of its greatest emperors, a period spanning c1560 to 1660. More than 200 objects are on display arranged in three sections corresponding to the reigns of the Emperor Akbar (1556-1605), Jahangir (1605 to 1627) and Shah Jahan (1628 to 1658). The objects include paintings, illustrated manuscripts, vessels made from mother of pearl, rock crystal, jade and precious metals. Highlights include four folios from the Book of Hamza, commissioned by Akbar in 1570, and the Ames carpet which was made in the imperial workshops between c1590 and 1600 and is on display for the first time in the UK. There’s also a unique wine cup made from white nephrite jade in the shape of a ram’s head for Shah Jahan in 1657, two paintings depicting a North American Turkey Cock and an African zebra created by Jahangir’s artists, and a gold dagger and scabbard set with over 2,000 rubies, emeralds and diamonds. Runs in Galleries 38 and 39 until 5th May. Admission charge applies. For more, see www.vam.ac.uk.

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LondonLife – John Keats at Moorgate…

The new sculpture of John Keats with Lord Mayor of the City of London, Michael Mainelli.. PICTURE: Courtesy of the City of London Corporation.

A new sculpture of Romantic poet John Keats has been unveiled near his birthplace in Moorgate to mark the 229th anniversary of his birth.

The work of British artist Martin Jennings, the sculpture is a bronze cast of an enlarged life mask of Keats which was made when he was 21 (he died just four years later of consumption in 1821).

A plaster cast of the life mask is owned by Keats House, in Hampstead, and it was scanned and digitally enlarged as the basis for the sculpture which is mounted on a stone plinth. The plinth in turn is set in a circular slate base inscribed with some words from the Keat’s Ode on Idolence.

The new statue, which was unveiled last Thursday, was funded by former City of London Corporation Alderman, Bob Hall, who has donated it to the City of London Corporation. Hall has previously funded a statue of poet John Donne – the work of Nigel Boonham – which sits outside St Paul’s Cathedral.

Keats was son of an ostler at an inn and livery stable called The Swan and Hoop, which stood not far from the modern-day Moorgate station.

LondonLife – City lights…

PICTURE: Vitalijs Barilo/Unsplash

This Week in London – Dick Whittington explored at the Guildhall Library; Francis Bacon’s portraits; and, the 60th Photographer of the Year competition…

PICTURE: Courtesy of the City of London Corporation

A new exhibition exploring the life of one of the City of London’s most famous Lord Mayors has opened at the City of London’s Guildhall Library. Marking the library’s 600th anniversary, Whittington, the Man, the Myth and the Cat uses chapbooks (small printed booklets used for street literature in early modern Europe), children’s books, and works relating to pantomimes, to investigate Whittington’s story (including the question of whether or not he owned a cat). The exhibition details Whittington’s “rags to riches” tale and the many myths that later grew up around him, revealing information about his many loans to to kings (Richard II, Henry IV and Henry V), how he was three times Lord Mayor of London (1397, 1406 and 1419) and how he paid for the building of public lavatories at St Martin Vintry and a refuge for unmarried mothers at St Thomas’ Hospital as well as the rebuilding of Newgate Prison, and the establishment of the first library at Guildhall. Addressing the myth of the Whittington’s cat, it explains how it may have come about as a result of a play on words – ‘cat’ (or cattes) being a word used to describe a fleet of boats used for importing and exporting which was a mistranslation of the French word, ‘achat’, for trade. The exhibition, which runs until April next year, is free to visit. For more, see www.cityoflondon.gov.uk/services/libraries/guildhall-library.

The first exhibition in almost 20 years to focus on Francis Bacon’s portraits opened at the National Portrait Gallery, off Trafalgar Square, this week. Francis Bacon: Human Presence charts the artist’s career through 50 of his works arranged in five sections – ‘Portraits Emerge’, ‘Beyond Appearance’, ‘Painting from the Masters’, ‘Self Portraits’, and ‘Friends and Lovers’. Works on show include self-portraits as well as Head VI (1949), Study for a Pope I (1961), Three Studies for a Portrait of Isabel Rawsthorne (1965) and Portrait of a Man Walking Down Steps (1972). The exhibition also includes photographic portraits and film of Bacon by some of the century’s leading photographers, including Cecil Beaton, Arnold Newman, and Bill Brandt. Can be seen until 19th January. Admission charge applies. For more, see www.npg.org.uk.

‘The Swarm of Life’ by Shane Gross, Canada, winner of the 60th Wildlife Photographer of the Year competition.

A Canadian marine conservation photojournalist, Shane Gross, has won this year’s Wildlife Photographer of the Year competition for an image capturing the magical underwater world of western toad tadpoles. The Swarm of Life is among 100 prize-winning images which are going on show at the Natural History Museum in South Kensington from tomorrow as it celebrates the 60th year of its Photographer of the Year competition. This year’s contest attracted a record-breaking 59,228 entries from 117 countries and territories. Among the other images on display are German Alexis Tinker-Tsavalas’ Life Under Dead Wood  depicting the fruiting bodies of slime mould with a tiny springtail (Tinker-Tsavalas won Young Wildlife Photographer of the Year). Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London. The exhibition runs until 29th June. Admission charge applies. For more, see www.nhm.ac.uk/wpy.

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Where’s London’s oldest…bollard?

PICTURE: GrindtXX (licensed under CC BY-SA 4.0)

London is filled with bollards designed to prevent vehicles, old and new, from travelling where they shouldn’t. And, of course, there’s much debate over which is the oldest.

The oldest may well be a rather rusty looking one in the courtyard outside the Church of St Helen’s Bishopsgate.

In what was a practice replicated elsewhere in the City around the time, it’s apparently made out of the French naval cannon dating from the 18th century.

The cannon’s muzzle end has been embedded into the pavement with the non-loading end sticking up.

Legend says that another cannon bollard, located just outside the Globe Theatre on South Bank, comes from French ships captured at the Battle of Trafalgar. While it is indeed said to be a cannon, many have cast doubt on its origins as coming from Trafalgar.

Correction: We’ve correct the story to say it was the non-loading end sticking up.

This Week in London – Silk Road treasures; a new Lord Mayor of London; and, reassessing the UK’s early Emo scene…

Dunhuang Star Chart 649 – 700 CE – Or.8210/S.3326 © British Library Board

The world’s earliest complete printed book with a date, the earliest known manuscript atlas of the night sky and the earliest surviving historical document in Tibetan are among treasures on show in a new exhibition at the British Library. A Silk Road Oasis: Life in Ancient Dunhuang features more than 50 manuscripts, printed documents and pictorial works including many which were sealed in the so-called ‘Library Cave’ in the Buddhist Mogao cave complex near the oasis town of Dunhuang in Gansu province, China, for almost 900 years before they were rediscovered in 1900. Highlights in the display include the Diamond Sutra (868 AD) – the world’s earliest complete printed book with a date, the Dunhuang star chart (649-700) – the earliest known manuscript atlas of the night sky (pictured), and the Old Tibetan Annals (641-761) – the earliest surviving historical document in Tibetan. On public display for the first time is a rubbing of the Stele of Sulaiman – a carved stone slab that was erected in the caves in 1348, a copy of the Diamond Sutra written in the scribe’s own blood (considered by Buddhists to be an act of powerful sincerity), and one of the most important and complete manuscripts among the Old Uyghur Manichaean texts, the Xuastuanift. There is also a 9th century manuscript fragment about the prophet Zoroaster or Zarathustra (believed to be nearly 400 years older than any other surviving Zoroastrian scripture) and the longest surviving manuscript text in the Old Turkic script, a Turkic omen text known as the Irk Bitig or Book of Omens (930 or 942). The exhibition, which explores Silk Road interactions through a case of characters including a scribe, merchant and Buddhist nun, runs until 23rd February and is accompanied by a programme of events. Admission charge applies. For more, see https://silkroad.seetickets.com/timeslots/filter/a-silk-road-oasis-life-in-ancient-dunhuang

Alderman Alastair King has been elected the 696th Lord Mayor of London. King, who succeeds Lord Mayor Professor Michael Mainelli, takes office on 8th November for a one year term with the annual Lord Mayor’s Show, which takes place the following day, his first public event. “It is a tremendous honour to be elected as the 696th Lord Mayor of the City of London,” the Lord Mayor-elect, whose role will see him serving as a global ambassador for the UK financial and professional services industry, said. “London remains the world’s leading financial centre, but global competition is fierce. We have the expertise and talent to thrive, yet we must do more to unlock growth, equip people to innovate, and harness the remarkable dynamic diversity that makes the City exceptional.”

An “unfiltered” look at the early Emo scene in the UK is the subject of a new exhibition at the Barbican Music Library. I’m Not Okay (An Emo Retrospective), a collaboration between the library and the Museum of Youth Culture (MOYC), features personal photos taken on early digital and phone cameras and focuses on the first-generation Emo scene (2004-2009), a time when bands such as My Chemical Romance, Fall Out Boy, and Finch were “hugely influential”.  Jamie Brett, creative director at the MOYC said the Emo scene “resonated deeply with teens who wanted to express their angst, doubts, insecurity, and sense of feeling and being different, and channelled their collective melancholy into a transatlantic subculture”. The exhibition, which is free to enter, can be seen until 15th January. For more, see www.cityoflondon.gov.uk/services/libraries/barbican-music-library.

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