LondonLife – Camden Market…
Areas of London
LondonLife – City illuminations…
Famous Londoners – John Stow…
Sixteenth century historian John Stow wrote numerous chronicles of English history but is mostly remembered for his landmark survey of London, a monumental work which has lead to him being informally given the title “founding father of London history”.
Stow (sometimes written as Stowe) was born a Londoner in about 1525 in the parish of St Michael, Cornhill. He was the eldest of seven children of Thomas Stow, a tallow chandler, and his wife Elizabeth.
Nothing is known about Stow’s early education - whether he attended a grammar school or was self-taught – but he is known to have developed a deep knowledge of English history, culture and customs as well as of Latin.
He didn’t follow his father’s trade but instead became an apprentice tailor and in 1547 was named a freeman of the Merchant Taylors’ Company. He is said to have worked as a tailor in London for almost 30 years.
In 1560, he started on his best known work, A Survey of London, a detailed topographical survey of the City of London and its suburbs – it was eventually published in 1598 (a second, longer edition followed in 1603). But his first book, on the works of Geoffrey Chaucer, was published in 1561, and he went on to publish numerous editions of English chronicles.
Stow was in contact with many of the era’s leading antiquarians, including the likes of John Dee and William Camden, and he was an active member of the first Society of Antiquaries, established in about 1586.
He also attracted the patronage of some significant figures including the Archbishops of Canterbury Matthew Parker and John Whitgift and Robert Dudley, Earl of Leicester, and was well-known for his collection of manuscripts, the largest group of which is now within the Harley collection at the British Library.
Stow, whose work never made him a wealthy man and who, at times, was the subject of his acquaintances’ charity (although Barrett L Beer in an entry in the Oxford Dictionary of National Biography describes his pleas of poverty as “exaggerated”), married his wife Elizabeth sometime after 1549. They lived initially in Aldgate where his business was also based (and later moved to the Lime Street ward). The couple had three daughters, two of whom – Joan and Julyan – survived him.
Stow died on 5th April, 1605. He was buried in the church of St Andrew Undershaft and his wife commissioned a marble monument to commemorate him which depicts Stow seated at his desk. A commemorative service, organised by the Merchant Taylors Company, is still held in the church every three years during which the quill he writes with is regularly replaced in a sign of respect.
10 most popular (new) posts for 2023 – Numbers 2 and 1…
The final entries in our countdown…
Have a Merry Christmas!
Wishing you a safe and happy Christmas and New Year.
Keep an eye out for our annual countdown of the most popular posts for 2023 next week!
10 London locations related to Sir Christopher Wren – A recap…
We finish our series on Christopher Wren by providing a quick recap…
1. The Old Court House, Hampton Court Palace Green…
9. St James’s Street, Piccadilly…
We’ll start a new series in the New Year!
LondonLife – St Pancras ‘book tree’…
A Christmas tree with a difference, this year’s festive display at St Pancras International features a 12 metre high ‘book tree’ with a winding staircase and 270 shelves adorned with over 3,800 hand-painted books, including classics like Charles Dickens’ A Christmas Carol and CS Lewis’ The Lion, The Witch, and the Wardrobe. There’s also a series of nooks where passerby can ensconce themselves and listen to a five minute excerpt from an audio book. The display is the result of a collaboration with bookseller Hatchards.
A Moment in London’s history – The first Selfridges Christmas windows display…
Oxford Street department store Selfridges is known for many firsts and among them is that it was the first department store in the UK to have window displays for Christmas.
It was in 1909, having opened the store in March that year, that American Harry Gordon Selfridge, drawing on his experience in the states where Macy’s in New York had featured Christmas window displays since the 1870s, decided to illuminate the display windows at his store in a bid to allow passersby to see the goods on display.
The windows were just one of the many innovations aimed at celebrating Christmas Selfridge – who is credited with having been the first to use the line “only (x) number of shopping days till Christmas” while working at Marshall Field’s in Chicago – embraced in the store.
Christmas displays were said to almost cover an entire floor and there were mince pies for customers, a chance to visit with Santa Claus, and a gift advice service as well as men-only tours of the store to help them with buying gifts for the females in their lives.
This year’s Christmas display at Selfridges was created around the theme of ‘showtime’ and reportedly took 100 hours to put together. It features characters including Santa Claus and the elves in a workshop.
10 London locations related to Sir Christopher Wren…10. St Paul’s Cathedral…
For the final entry in our Wednesday special series, we go to see Sir Christopher Wren’s greatest work – and also his resting place, St Paul’s Cathedral.
Following his death on 25th February, 1723, Wren was buried in the crypt of St Paul’s Cathedral on 5th March.
His burial location was in the south-east corner of the crypt and a simple memorial was placed there near that of his daughter Jane and his sister Susan Holder and her husband William.
The plaque which marks the location was written by his eldest son Christopher. Inscribed in Latin, it reads: “Here in its foundations lies the architect of this church and city, Christopher Wren, who lived beyond ninety years, not for his own profit but for the public good. Reader, if you seek his monument – look around you. Died 25 Feb. 1723, age 91.”
It’s a fitting tribute to one responsible for some of London’s most famous landmarks.
Interestingly, a fragment of Wren’s coffin can be seen at the RIBA Library. It was taken from his tomb in 1851 when it was last opened to allow for his last surviving direct descendent to be placed within.
WHERE: St Paul’s Cathedral (nearest Tube stations are St Paul’s, Mansion House and Blackfriars); WHEN: 8.30am to 4.30pm Monday to Saturday; COST: £23 adults/£20.50 concessions/£10 children/£56 family (these are walk-up rates – online advanced and group rates are discounted); WEBSITE: www.stpauls.co.uk.
London Explained – Freedom of the City of London…
On 1st December this year – World AIDS Day, four leading figures from two major HIV charities – Richard Angell, chief executive of Terrence Higgins Trust, and colleagues Dominic Edwardes and Barbara Tinubu, and Mark Santos, executive director of Positive East – were awarded the Freedom of the City of London.
But what exactly does it mean to be awarded the Freedom of the City of London?
An ancient tradition of the City of London, the Freedom is believed to date back to 1237 and was originally awarded to help citizens carry out their trade. The recipient was viewed as a “free man” and not subject to a feudal lord with the right to earn money for themselves and own property.
The Freedom of the City became closely linked with London’s medieval guilds, known as livery companies, and it was through membership of such a company that an application could be made to be a freeman, a necessary step for anyone who wants to hold office in a livery company.
In 1835, the Freedom was widened to include people living or working in the City or those with a strong London connection.
The award is these days also offered to people as a way of paying tribute to their “outstanding contribution” to London or public life, or to celebrate a very significant achievement. It is also necessary to be a freeman to stand for elected office in the City.
Freedom ceremonies take place in the Chamberlain’s Court at Guildhall and are usually conducted by the Clerk of the Court or his assistant. Prospective freemen read the ‘Declaration of a Freeman’ – which, among other things they swear allegiance to the King and obedience to Lord Mayor of London – and sign the Freeman’s Declaration Book.
A parchment document, known as The Copy of the Freedom, is then presented to the recipient along with a copy of the ‘Rules for the Conduct of Life’ which date from the mid-18th century. The clerk then extends the right hand of fellowship to the recipient and greets them as “a Citizen of London”.
A fee, known as a “fine”, is charged for applications (currently it’s £170).
Other recent high-profile recipients of the Freedom of the City of London include the UK’s Chief Medical Officer, Professor Sir Chris Whitty, England football captain and former Tottenham Hotspur striker Harry Kane, Deputy Governor for Financial Stability at the Bank of England, Sir Jon Cunliffe and theatrical impresario Sir Cameron Mackintosh.
10 London locations related to Sir Christopher Wren…9. St James’s Street, Piccadilly…
As noted at the outset of this series, in his latter years Sir Christopher Wren retired to the property on Hampton Court Palace Green, a property he was granted after he was appointed Surveyor-General to King Charles II in 1669.
But he also still spent time in London and, no longer having access to Scotland Yard, he lodged at his son Christopher’s house in St James’s Street, off Piccadilly. In fact, it was in this property that Wren, having suffered a chill, died while sitting in a chair at the age of 91 on 25th February, 1723.
It’s been suggested that the house in which Wren died was on the west side of the street. There’s an apocryphal story that suggests Wren came to London to check up on his greatest work, St Paul’s Cathedral.
LondonLife – The number 15…
The number 15 runs from Blackwall Station via Poplar High Street through the City, finishing at Charing Cross Station.
This Week in London – London homes in winter; artworks commemorating people of African, Caribbean, and Asian heritage; and, final NYE tickets…
• See how Londoners lived during winters past at the Museum of the Home in Hoxton. Rooms Through Time: Winter Past centres on the museum’s ‘Rooms Through Time’ and reveals how winter has changed London homes through the last 400 years. The display – which includes rooms set out as they would have been on Millennium Eve, Christmas Eve in 1915, Twelfth Night in 1830, and during a Frost Fair in 1683 – takes a multi-sensory storytelling approach, offering new sounds, smells, sights and stories across the room sets. The display is accompanied by a series of ‘Winter Festival’ events. Runs until February next year. Entry is free. For more, see www.museumofthehome.org.uk.
• A series of artworks commemorating people of African, Caribbean, and Asian heritage from London’s past opens at the London Metropolitan Archives in Clerkenwell on Monday. Art at the Archive: Reimagining Unforgotten Lives sees three artists creating works after taking as their inspiration a range of people featured in LMA’s Unforgotten Lives exhibition. The works include Annie-Marie Akussah’s three-dimensional artwork depicting landscapes Black abolitionist Quobna Ottobah Cugoano would have seen in Ghana as well as London’s West and East India Docks, Elyssa Rider’s oil portraits of Ann Duck, a young woman living in London from 1717 to 1744 whose criminal past is preserved in the court records of the Old Bailey and Tara Jerome-Bernabé’s woven painting which reimagines the lives and images of young Black servants who were enslaved and forced to work in aristocratic households. Runs until 27th March. Admission is free. For more, see head here.
• The final tickets to see London’s New Year’s Eve fireworks celebrations on the banks of the River Thames go on sale on Friday. Just over 20,000 tickets will go on sale at noon, taking to 100,000 the total number of tickets sold. Tickets, which cost £20 each, must be bought in advance from the only authorised outlet, AXS. Only ticket holders will be able to watch the fireworks in person. Those without a ticket are encouraged to watch the display live on BBC One or via BBC iPlayer alongside millions of viewers or to celebrate the new year at the capital’s fantastic range of bars, restaurants, pubs and clubs. Tickets can be bought online at AXS.com. For more, see www.london.gov.uk/nye.
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10 London locations related to Sir Christopher Wren…8. The Bankside Plaque…
Sir Christopher Wren’s name is one which pops up in association with buildings all over London – some authentically so, others less so.
One of the more talked about locations where it can be physically seen is on a plaque attached to the front of a house overlooking the Thames at 49 Bankside, on the corner with Cardinal Cap Alley.
The plaque, written in a flowery script, claims that “Here lived Sir Christopher Wren during the building of St Pauls Cathedral” before going on to state that the property was also where in 1502, Catherine of Aragon, “took shelter” on first arriving in London before her marriage to King Henry VIII.
But author and historian Gillian Tyndall debunks the claim in her 2006 book The House by the Thames and the People who Lived There.
Tyndall explains that the property apparently dates from 1710 – St Paul’s was officially declared complete in 1711, leaving little cross-over (and certainly ruling out any residence by Queen Catherine who actually landed in Plymouth). She says that while it’s true the present house stands in the footprint of an older one, the house where Wren may have actually lodged during the 1670s is located further west along Bankside.
London Remembers notes that this property was apparently marked with an 18th century plaque commemorating Wren. But when that house was demolished in 1906, the plaque was saved and subsequently attached to a power station’s outer wall. When that was redeveloped in the post-war period, the plaque disappeared.
It was apparently that plaque which inspired the creation of the current plaque which was created by Major Malcolm Munthe, who acquired the property in 1945, and subsequently had the plaque made for the home’s exterior.
So it seems the plaque, despite what it says, does not commemorate a Wren residence (although perhaps it may commemorate the residence of Wren in the area). And, it’s been suggested, that while the plaque may not actually have marked a Wren home, its presence may have been enough to protect the building it adorns from threatened redevelopment in the mid-20th century.
What’s in a name?…Poplar…
Though they no longer in evidence, this Thames-side East London district takes its name from the Black Poplar trees which were once abundant in the area.
The area was apparently fertile ground for the poplars thanks to the proximity of the Lea and Thames Rivers which created the moist soil the tree needs. There was still a poplar tree in the area until the mid-1980s.
The name goes back to the 14th century but Poplar wasn’t an independent parish until the 19th century (before which it was a hamlet of Stepney). Poplar is now part of the Borough of Tower Hamlets.
The medieval village of Poplar was centred on Poplar High Street and the East India Company, which built ships in Blackwall Yard, established a chapel and almshouses in Poplar.
The area expanded rapidly in the early 19th century thanks to the maritime industries that grew up here but by late that century this had diversified into other manufacturing and transport-related industries.
The area has long had a maritime association with ship fitting taking place in the area from the 15th century. Poplar was impacted by bombings during World War I and then devastated during the Blitz with about half the houses in the area damaged and the population dropping significantly as a result.
Landmark buildings include the old Poplar Town Hall, now a hotel, the Grade II*-listed St Matthias Old Church (originally the chapel built by the East India Company in 1654 and now a community centre), the Grade II-listed All Saints Church, dating from 1821-23, and the Museum of London Docklands at West India Quay.
The area also features considerable post-war housing including the Brutalist-style 26 storey Balfron Tower. In more recent years, with the development of the Docklands and the linking of the area to the city by the Docklands Light Railway, the area has continued to undergo regeneration.
This Week in London – Impressionists on paper; Vanessa Bell and Duncan Grant honoured with a Blue Plaque; new Burnham Beeches history app; and, young artists celebrated on London billboards…
• A new exhibition exploring how Impressionist and Post-Impressionist artists in late 19th-century France radically transformed the status of works on paper opens at the Royal Academy on Friday. Impressionists on Paper: Degas to Toulouse-Lautrec features around 80 works on paper by artists including Mary Cassatt, Paul Cézanne, Edgar Degas, Paul Gauguin, Eva Gonzalès, Claude Monet, Berthe Morisot, Odilon Redon, Pierre-Auguste Renoir, Georges Seurat, Henri de Toulouse-Lautrec and Vincent van Gogh. Among the highlights are Degas’ Woman at a Window (1870-71), van Gogh’s The Fortifications of Paris with Houses (1887), Monet’s Cliffs at Etretat: The Needle Rock and Porte d’Aval (c1885) and Toulouse-Lautrec’s images of the urban underworld of Montmartre. The display can be seen in The Gabrielle Jungels-Winkler Galleries until 10th March. Admission charges apply. For more, see royalacademy.org.uk.
• English Heritage have unveiled their final Blue Plaque for 2023 and it celebrates two of the most influential painters of the early-to-mid 20th century, Vanessa Bell and Duncan Grant. The plaque was unveiled at number 46 Gordon Square in Bloomsbury, from where the Bloomsbury Group – of which Bell and Grant were leading members – drew its name. Bell first lived at number 46 with her siblings, including Virginia Stephen (later Woolf), and, in 1914, Grant moved in with Vanessa and her husband, Clive Bell. Paintings the pair made at number 46 include Grant’s Interior at Gordon Square (c1915) and Bell’s Apples: 46 Gordon Square (c1909-10), a still-recognisable view from the drawing-room balcony to the square. For more on the English Heritage Blue Plaques scheme, head to www.english-heritage.org.uk/visit/blue-plaques/.
• The history of Burnham Beeches has been brought to life with a new augmented reality app. The app allows users to superimpose periods of Burnham Beeches’ history – from the Iron Age, Middle Ages and World War II – over what they see when visiting the site and incorporates sounds from selected era as well. It can be accessed via a QR code which is being published on signs at Burnham Beeches. Burnham Beeches, located near the village of Burnham in Buckinghamshire, was acquired by the City of London in 1880 when the area was threatened by development and is managed as a free open space. For more, head here.
• The work of 30 young artists celebrating African community and culture is being showcased on billboards across the city in conjunction with Tate Modern’s current exhibition, A World in Common. The photographs have been selected following a call from the Tate Collective for 16-to-25-year-olds to submit images responding to the exhibition. More than 100 entries were submitted by young people based across the UK and beyond and Londoners will be able to view the 30 shortlisted works on billboards in Haringey, Lambeth, Southwark and Tower Hamlets over the next two weeks.
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Where’s London’s oldest… (continuously cultivated) garden?
Not to be confused with London’s oldest botanic garden (The Chelsea Physic Garden), the College Garden at Westminster Abbey is believed to be the oldest garden in England under continuous cultivation.
In monastic times, the garden, as well as providing eye-pleasing flower displays, was used to grow vegetables and medicinal herbs for the abbey’s resident monks and it also included an orchard, as well as fishponds and beehives. The first herbarium dates from at least 1306 although the infirmary garden was originally established in the 11th century..
The garden was under the overall supervision of the abbey’s Infirmer – responsible for caring for the sick or infirm – and was tended to by a head gardener and two under-gardeners (all of whom were monks).
The oldest surviving feature of the garden today is a high stone wall which dates from 1376. Today the garden features London plane trees planted in the 1850s and a broad expanse of lawn.
There is also a small rose garden which marks Queen Elizabeth II’s accession to the throne and a herb garden planted to commemorate the lives of the monks and the founding of the Westminster School.
A 1993 bronze sculpture depicting the Crucifixion of Jesus Christ, by Enzo Plazzotta, sits out the south end of the garden. A single jet fountain was added in 2002.
The west side of the garden is bordered by the 18th century dormitory for the Westminster School. Two late Victorian houses, originally used for clergy, stand at the north end.
The garden is accessed from the south-east corner of the abbey cloister.
This Week in London – Hans Holbein at The Queen’s Gallery; ‘Crown and Coronation’ at the Tower; Christmas at Kew; and, Charles Dickens’ friendship with Wilkie Collins explored…
Anne Boleyn (1532)/Royal Collection Trust / © His Majesty King Charles III 2023.
• The largest exhibition of the work of Tudor-era artist Hans Holbein the Younger has opened at The Queen’s Gallery, Buckingham Palace. Holbein at the Tudor Court features more than 50 works by Holbein including intimate portrait drawings of the royal family and the Tudor nobility including one of few surviving drawings of Anne Boleyn made during her lifetime, drawings of Jane Seymour and Sir Thomas More, and an unfinished portrait of King Henry VIII’s son Prince Edward. Other portraits include that of Derich Born, a 23-year-old Steelyard merchant, and one of Richard Southwell, a convicted murderer who was one of King Henry VIII’s closest advisors. The exhibition also features objects including a Brussels tapestry, jewel-like miniatures and Henry VIII’s magnificent armour, usually on show at Windsor and in London for the first time in a decade. Runs until 14th April. Admission charge applies. For more, see www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace
• The magnificence of coronations and the Crown Jewels will be on show at the Tower of London from tomorrow night in a new light and sound show. Crown and Coronation – which has been created by Historic Royal Palaces in partnership with Luxmuralis as part of an artistic collaboration between artist Peter Walker and composer David Harper – brings the “spectacle, significance and shared experience” of coronations to life and demonstrates the pivotal role of the Crown Jewels in the ceremony as it takes visitors on a journey through the past 1,000 years. Images of the jewels will be projected on the White Tower in the show with visitors then able to view the actual jewels themselves in a special after hours opening. But you’ll have to be quick – the show can only be seen for nine days, ending on 25th November before it embarks on a two year UK-wide tour. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/.
• Christmas returned to Kew this week with the launch of it’s new festive light trail featuring seven new installations. Highlights of this year’s trail include three metre tall illuminated flowers, cascading lights suspended from the tree canopy, one of the longest light tunnels to ever feature in Kew’s Christmas celebrations and the Hive – which recreates life inside a beehive – as well as the iconic Palm House light show, the twinkling tunnel of light inspired by arched church windows known as the ‘Christmas Cathedral’, and a ‘Fire Garden’ at the Temperate House. There’s also festive treats to sample and visitors can experience a traditional Christmas dinner at The Botanical Brasserie. Admission charges applies. Runs until 7th January (advance bookings only). For more, see www.kew.org/christmas.
• Charles Dickens’ friendship and collaboration with writer Wilkie Collins is explored in a new exhibition at The Charles Dickens Museum in Bloomsbury. Dickens met Collins, who would become one of his most significant friends, in 1851 as they performed together in a play at the house of John Forster and their personal and professional relationship lasted more than 15 years. The display features works produced as a result of the friendship – everything from articles in Dickens’s Household Words through to novellas and plays such as The Lazy Tour of Two Idle Apprentices and The Frozen Deep – and features original letters, historic objects, and interactive displays focusing on everything from the pair’s moustache-growing contests and cruising international entertainment districts to co-writing side by side, discussing writer’s block and plot devices. Admission is included with general admission. Runs until 25th February. For more, see https://dickensmuseum.com.
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10 London locations related to Sir Christopher Wren…7. St Stephen Walbrook…
While this series is more focused on Sir Christopher Wren’s life rather than the many works he left behind, we’ve included the remarkable church of St Stephen Walbrook for a couple of reasons.
The first is that it is generally seen as being one of the more important church designs he created, particularly with regard to his later design of St Paul’s Cathedral, of which the St Stephen Walbrook dome is said to be a prototype.
The second is it’s claimed St Stephen Walbrook had a rather personal connection in that Wren lived at number 15 Walbrook during the period the church was being built, making it his parish church.
But the church was built between 1672 and 1679 and we know that from 1669 onwards – when Wren was appointed Surveyor-General of the King’s Works by King Charles II – Wren had a substantial home and office at Scotland Yard which was a perk of the office. Prior to that, he was largely based in Oxford and had rooms within Gresham College.
We’ve been unable to find any detailed reference to Wren living at 15 Walbrook either online or in the biographies we’ve read (we’ll keep searching).
But, his residency in Walbrook aside, it’s clear that St Stephen Walbrook – which has been described as the “pride of English architecture” – was a special church for Wren.
Designed to a rectangular form by Wren (and it’s certain this design was that of Wren himself), the church features a dome located toward the east end supported by eight Corinthian columns with the interior light by sizeable windows at the east end. A tower stands at the west end. The altar, a modern design by Henry Moore, sits under the centre of the dome.
As an interesting final note, it is recorded that Wren attended a dinner hosted by the church wardens – along with collaborator Robert Hooke – at the Swan Tavern in Old Fish Street on 4th March, 1673, as work for the church was underway.
WHERE: St Stephen Walbrook, 39 Walbrook (nearest tube stations are Bank and Cannon Street); WHEN: Opening times vary – check website details; COST: Free; WEBSITE: www.ststephenwalbrook.net.
LondonLife – London remembers…
Exploring London 