South Kensington

Around London – Harry Hammond at the V&A; a cabaret star’s blue plaque; and Kerouac at the British Library…

by exploringlondon

• A new exhibition of the works of renowned music photographer Harry Hammond opens at the V&A this Saturday. Halfway to Paradise: The Birth of British Rock features more than 60 portraits, behind the scenes and performance shots showing stars including Roy Orbison, Ella Fitzgerald, Cliff Richard and Shirley Bassey. Hammond’s pictures, which are all drawn from the V&A collection, chronicle the jazz and big band musicians of the 1950s like Frank Sinatra and Billie Holiday, visits from American rock ‘n roll stars such as Little Richard and Gene Vincent and early British rock groups – such as the Animals and the Beatles (pictured with Dougie Millings) – of the 1960s. There will also be behind the scenes shots of some of the early days of music television in the 1950s and the exhibition will be accompanied by a soundtrack by the artists depicted. Born in the East End, Hammond was a society portrait photographer before serving as a reconnaissance photographer with the RAF in World War II. It was on his return to London after the war that he started photographing people working in the music business, later becoming one of the primary photographers for the New Musical Express (NME) magazine. Runs until 3rd March next year. Admission is free. For more, see www.vam.ac.uk. PICTURE: V&A Images.

• Still on a musical theme and 1930s cabaret star Leslie Hutchinson (1900 – 1969) has been honored with an English Heritage Blue Plaque at his former home in Chalk Farm. The singer and pianist, better known to many as simply ‘Hutch’, lived at 31 Steele’s Road between 1929 and 1967. The Grenada-born performer lived in New York and Paris before coming to London where he became one of the most popular cabaret performers of the 1930s – one of his signatures was apparently to arrive at nightclubs dressed like an aristocrat with a white piano strapped to his chauffeur-driven car (this was despite the racial prejudice he faced which saw him being asked to enter by the servant’s quarters when performing at some of Mayfair’s grandest homes). Hutch lived at the Steele’s Road property for almost all the years he lived in London, only leaving two years before his death in 1969. The plaque was unveiled by his daughter, Gabrielle Markes, who only discovered her parentage in middle age and who subsequently proposed that the plaque be placed on the house. For more, see www.english-heritage.org.uk.

• On Now: On the Road: Jack Kerouac’s Manuscript Scroll. This new exhibition at the British Library centres on Kerouac’s 120-foot-long manuscript scroll of On the Road and explores the development of the novel which, written over a period of three weeks in April 1951 using rolls of taped together architect’s paper, came to define the Beat Generation. The exhibition, which relaunches the Library’s Folio Society Gallery, will show the first 50 feet of the scroll in a specially-designed case. Other exhibits include first editions of other Beat classics such as The Naked Lunch and sound recordings featuring the likes of Kerouac, Allen Ginsberg and William S. Burroughs. Runs until 27th December. Admission is free. For more, see www.bl.uk.

Treasures of London – The Becket Casket…

by exploringlondon

This stunning early medieval casket, dating from around 1180-1190, commemorates one of the most infamous events of the Angevin era – the death of Thomas Becket, Archbishop of Canterbury, who was murdered in Canterbury Cathedral on 29th December, 1170, by four knights of King Henry II.

The murder – for which the king undertook public penance (although whether he ordered the death of Becket, his former chancellor and friend, remains a matter of some dispute) – provoked outrage across Europe and pilgrims soon started flocking to Becket’s tomb.

So much so that the Archbishop was canonised in 1173 and in 1220 a richly decorated shrine was created to house Becket’s remains and serve as a focal point for pilgrims (a pilgrimage to Becket’s shrine is at the heart of Geoffrey Chaucer’s A Canterbury Tale). The shrine was eventually destroyed in 1538 on the orders of King Henry VIII during the Dissolution of the Monasteries.

The beautiful Becket Casket, made of Limoges enamel, depicts, among other things, Becket’s murder, subsequent burial and the ascension of his soul to heaven. On the rear are four long-haired figures who may represent saints or the Cardinal Virtues of Prudence, Justice, Fortitude and Temperance.

One of more than 40 examples still in existence (the British Museum also has one), it was probably made for an important religious house and may have been used to contain relics of the dead saint.

It can now be found in the collection of the V&A’s Medieval and Renaissance Gallery at the museum’s premises in South Kensington.

WHERE: Room 8 (case 20), Victoria & Albert Museum, Cromwell Road, South Kensington (nearest Tube Stations are South Kensington and Knightsbridge). WHEN: 10am to 5.45pm daily (Fridays until 10pm – select galleries after 6pm); COST: Free; WEBSITE: www.vam.ac.uk.

For more on Thomas Becket, see John Guy’s book Thomas Becket: Warrior, Priest, Rebel, Victim: A 900-Year-Old Story Retold.

PICTURE: V&A images

LondonLife – A snapshot in time at the soon-to-be Design Museum…

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A selection of objects chosen by leading designers and architects including Sir Terence Conran, Sir Paul Smith, Zaha Hadid, and Norman Foster were buried within the foundations of the soon-to-be Design Museum in Kensington High Street earlier this month. The objects, which included everything from a miniature model of an 1949 Wish Bone Chair to an iPhone, a Cylinder Line Coffee Pot, a tin of anchovies and Tube maps, were placed within a time capsule which was buried as part of a ground-breaking ceremony for the new museum. Designed by John Pawson, the new Design Museum will be based within the converted interior of the former Commonwealth Institute Building. Expected to open in 2015, it will have three times as much space as the existing premises in Shad Thames, south east London. For more, see http://designmuseum.org.

PICTURE: Dominic French.

LondonLife – The BBC Proms

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Last weekend the Last Night of the Proms was held at Royal Albert Hall, the culmination of the summer music season’s 117th year.

The origins of the Proms go back to 10th August, 1895, when Robert Newman, manager of the concert venue Queen’s Hall in Langham Place, London, decided to offer a popular program of music in a less formal “promenade arrangement” which would be accessible to the masses and would ultimately lead them to a greater appreciation of classical music.

He offered conductor Henry Wood the opportunity to conduct the first Proms season, known as ‘Mr Robert Newman’s Promenade Concerts’. Early on, Wood and Newman established the tradition of having a Wagner Night on Mondays and a Beethoven Night on Fridays and Wood used the platform of the Proms to promote up-and-coming performers.

In 1927 the BBC took over the management of the Proms, now formally known as the BBC Proms, and has continued in that role ever since bar an interruption during World War II. It was during World War II, incidentally, that the event moved to the magnificent Royal Albert Hall in South Kensington (the magnificent interior of which can be seen above), after Queen’s Hall was gutted following a bombing raid on 10th May, 1941.

The eight-week Proms program has since continued to widen with the introduction of complete opera performances in the 1960s, concerts by foreign ensembles and other music styles including jazz, Gospel and that specifically targeted at children.

Now including more than 70 main concerts, the music festival – for which standing tickets can still be bought continuing the tradition of ‘promenading’ – also continues to also be a showcase for new works. For more on the Proms, see www.bbc.co.uk/proms, and for more on the venue, see www.royalalberthall.com.

PICTURE: Courtesy of BBC, Chris Christodoulou

LondonLife – Remembering the 2004 Indian Ocean tsunami…

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Prince Charles and the Duchess of Cornwall were among those to pay their respects at a new memorial remembering those 155 Britons who were among the 225,000 people died in the 2004 Indian Ocean tsunami last week. The 115 tonne memorial, located in gardens at the Natural History Museum in South Kensington, was designed by architecture studio Carmody Groarke. It is sculpted from granite quarried from France and was funded by a £550,000 grant from the Department for Culture, Media and Sport. Carmody Groarke was also involved in the design of the 7 July Memorial which, located in Hyde Park, commemorates the 52 people killed in the suicide bombings which took place in London in 2005. It was unveiled by Prince Charles in 2009.