Georgian

Famous Londoners – John Nash…

by exploringlondon

Arguably the greatest architect of Regency London, John Nash’s imprint can still be seen in numerous sites around the city, from the master-planning of Regent’s Park and Regent Street to the beautiful buildings of All Soul’s Church in Langham Place and Marble Arch on the edge of Hyde Park.

Born the son of a Welsh millwright in Lambeth, London, on 18th January, 1752, Nash – who went on to work in a range of different architectural styles – trained as a draughtsman under the tutelage of architect Sir Robert Taylor and in 1777 established his own business as a builder and surveyor.

John-NashBut he certainly didn’t meet with immediate success and, following failure as a building speculator (he built properties in Bloomsbury Square and Great Russell Street but failed to make enough money from the venture – there’s a blue plaque on one of the houses, which he lived in, at 66 Great Russell Street), was declared bankrupt in 1783.

Meanwhile, his personal life was also in turmoil during these years – in 1775 he had married, Jane Kerr, the daughter of a Surrey surgeon, but separated from her in the early 1780s after various troubles including her eventually apparently having a child with a Welshman named Charles Charles, who is said to have died in prison after he was jailed for adultery.

Brought down by his misfortune, in the mid 1780s Nash moved to Carmarthen in Wales where he had family. Taking up work here, by the late 1780s he was designing prisons – the first was at Carmarthen – and worked on a number of other prominent buildings including St David’s Cathedral and various country houses.

Rising to prominence in Carmarthen society, by 1797, however, Nash was again working in London, initially in partnership with the renowned landscape architect Humphrey Repton with whom he had formed a business relationship some years earlier (although the partnership had soured over finances by 1800).

He built a substantial home at 29 Dover Street in Mayfair and in 1798, his first wife presumably dead, he married his second wife, Mary Anne Bradley, and soon started work on building a Gothic-inspired residence for them, known as East Cowes Castle, on the Isle of Wight. It was completed in 1802 but enlarged some years later.

Nash designed numerous country properties in the early 19th century, inspired by everything from castles to Italianate architecture, both in England and Ireland and soon came to the attention of the Prince Regent, the future King George IV (there was a rumour his wife was one of the prince’s discarded mistresses).

In 1806 he was officially made Deputy Surveyor General in the Office of Woods and Forests – the office which managed the Crown estate, and from 1815 on, he largely worked for the prince alone. Among the major London commissions from his royal patron were the design of Regent Street (he and his wife moved into number 14 in 1823) and the development of Regent’s Park on land formerly known as Marylebone Park and surrounding housing estates (for more on The Regent’s Park, see our earlier entry here). He also redeveloped St James’s Park.

In 1815, he was commissioned to develop the Prince Regent’s Marine Pavilion in Brighton and by 1822 had transformed the building into the spectacular Royal Pavilion which can be visited there today.

Nash was also involved in the development of The Regent’s Canal – which linked the Grand Union Canal in London’s west to the River Thames in London’s east and was completed in 1820 – and built many of the grand villas which still line it (for more on Regent’s Canal, see our earlier entry here).

Becoming an official architect to the Office of Works in 1813 (an appointment which only ended in 1832, three years before his death), Nash went on to design churches – including All Soul’s in Langham Place (he’s depicted above in a bust at the church) – as well as West End theatres including the Haymarket Theatre and the Royal Opera House (which burnt down in 1867) as well as the adjacent Royal Opera Arcade and residences including Carlton House Terrace and Clarence House (for more on this, see our earlier entry here).

Other major commissions included the redevelopment of Buckingham Palace (parts of the current building are his work but the main facade isn’t – for more on the palace history, see our earlier entry here) and the Royal Mews, and the creation of Marble Arch, originally envisaged as the main gateway to the palace (see our earlier entry here). Nash also designed a conservatory for Kew Gardens.

Nash’s close relationship with the Prince Regent (who become King George IV on 29th January, 1820), meant that when the king died in 1830, he found himself on the outer (and his reputation took many years to recover thanks to his association with the unpopular king). With no knighthood forthcoming for his efforts (unlike many of his contemporaries) and the chance of further work unlikely (his work on Buckingham Palace had been left unfinished due to concerns over rising costs), Nash retired to his house on the Isle of Wight.

He died there on 13th May, 1835, and was buried in the churchyard at St James’s Church in East Cowes. He was survived by his wife who, having settled his debts, retired to Hampstead.

For an in-depth study of Nash, try Geoffrey Tyack’s book, John Nash: Architect of the Picturesque.

London Pub Signs – Doggett’s Coat and Badge…

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Perhaps not so much a sign as a pub name, the strangely monikered Doggett’s Coat and Badge in South Bank is named after a rowing race – said to be the oldest continuous sporting event in the country – in which apprentice waterman traditionally competed for a prize consisting of waterman’s coat and badge and named after Irish-born actor and theatre manager, Thomas Doggett.

The race – which is held in July and runs over a course of four miles and seven furlongs from London Bridge to Chelsea (the starting and finishing points were originally both marked by pubs called The Swan) – was first held in 1715 when it was first organised by Doggett who financed it up until his death in 1721 after which he left instructions in its will for it to be carried on by The Fishmongers’ Company (which it still is today).

While there’s a nice story that Doggett, who managed the Drury Lane Theatre and later the Haymarket Theatre and carving out a name for himself as a ‘wit’, started the race as thanks to Thames watermen for rescuing him when he fell off a watercraft while crossing the Thames, Doggett – a committed Whig – actually started the race to commemorate the ascension of King George I – the first ruler of the House of Hanover – on 1st August, 1714, following the death of Queen Anne.

This year’s race winner was Merlin Dwan (London Rowing Club) who beat four others to finish in 24 minutes, 28 seconds.

The pub, one of the Nicholson franchise, is located in a multiple storey modern building complex and sits along the course of the race in South Bank. It features a range of bars including Thomas Doggett’s Bar and the Riverside Bar as well as a dining room and other function rooms.

For more on the pub, see www.nicholsonspubs.co.uk/doggettscoatandbadgesouthbanklondon/. For more on the race (which we’ll be mentioning, along with more on Thomas Doggett, in more detail in upcoming posts), see www.DoggettsRace.org.uk.

Where’s London’s oldest…bridge over the Thames?

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While there’s been a bridge over the River Thames near where London Bridge now stands since Roman times, the bridge which is currently there was built in the early 1970s. To find Greater London’s oldest surviving bridge across the Thames we have to head to Richmond in the city’s west.

The 300 foot long stone arch bridge, made from Portland stone, was built between 1774-77 and replaced a ferry crossing between Richmond to the east and East Twickenham to the west (this had apparently been in operation since shortly after the Norman Conquest and at the time it was discontinued consisted of two vessels – a passenger craft and a ‘horse boat’).

Designed by James Paine and Kenton Couse and built by Thomas Kerr, the bridge features five arches including a 60 foot wide central span which was big enough for larger watercraft and gave the bridge its rather humpbacked appearance. Its construction was privately funded with the £26,000 required to build the bridge partly raised via tontine schemes under which subscribers paid an agreed sum into a fund after which they each receive an annuity, the value of which increases as members of the fund die off.

Initially a toll bridge (the tolls – which were 1/2d for passengers and up to 2s 6d for coaches drawn by six horses – were ended in 1859 when the last tontine shareholder died), the bridge was widened in the late 1930s but – now a Grade I listed structure – remains essentially true to its original design.

It was the eighth bridge to be built across the the Thames in Greater London but is now the oldest still standing (among those which predated it but have been demolished are London Bridge, Westminster Bridge and Blackfriars Bridge) and has been featured in paintings by the likes of  Thomas Rowlandson, John Constable and JMW Turner.

Lost London – Princess Caroline’s bath, Greenwich Park

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A white tiled plunge bath which once belonged to Princess Caroline of Brunswick, the estranged wife of George, Prince of Wales (later King George IV), still lies in the south-west corner of Greenwich Park between the Rose Garden and Chesterfield Gate.

Princess Caroline, a cousin of the prince, married him in 1795 in an arrangement made so he could get out of debt. Theirs was never a marriage of love – the prince is said to have spread rumours that she was adulterous, had bad breath and never washed – and after Princess Caroline gave birth to a daughter, Princess Charlotte, the couple separated.

Two years later, in 1798, Princess Caroline was banished to live at Montague House near Greenwich Park while the prince dallied with his mistress Maria Fitzherbert. The princess, known for her scandalous and indiscreet behaviour during her residence at the house, used the sunken bath, which the stood inside a bathhouse partly attached to the main building.

The house was demolished in 1815 on the orders of the king (a decision apparently prompted by a fit of pique at the Queen’s lifestyle), a year after Princess Caroline left England for the Continent plagued by rumours that she’d mothered an illegitimate child (a secret commission into her behaviour cleared her of a charge of adultery but did find her behaviour to be improper).

The sunken bath, meanwhile, was filled in during the 1980s and served as a flowerbed until, in 2001, it was re-excavated by Royal Parks in a dig funded by the Friends of Greenwich Park, Greenwich Society, the Friends of Ranger’s House and donations from individuals.

WHERE: Princess Caroline’s Bath, south-west corner of Greenwich Park (nearest DLR station is Cutty Sark – other nearby stations include Greenwich, Maze Hill and Blackheath); WHEN: 6am to at least 8pm (but beware, closing times vary depending on the month); COST: Free entry; WEBSITE: www.royalparks.gov.uk/Greenwich-Park.aspx

PICTURE: © Copyright Colin Smith, www.geograph.org.uk 

Around London – Open House London; 16th century tankard at MoL Docklands; and, Spanish artists shine at the British Museum…

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• It’s Open House London weekend and that means your chance to enter scores of buildings not normally open to the public. More than 750 buildings are taking part in this, the 20th year the weekend has been held and there’s also an extensive program of free talks, walks and specialist tours. Among the buildings open this year are the iconic Gherkin building in the City (formally known as 30 St Mary Axe, pictured), Heron Tower in Bishopsgate, numerous livery company halls including that of the Apothecaries, Fishmongers and Carpenters, government buildings including Marlborough House, Westminster Hall, and the Foreign Office and numerous historic residences from the Mansion House, home of the Lord Mayor of London to Osterley Park House in west London. Among the events on offer is a moonlit hike through London tomorrow night to raise money for Maggie’s Cancer Caring Centres and rides on the new Emirates Airline cable car as well as boat tours to the Thames Barriers. If you didn’t order a guide, you can see the program online at the Open House London website – www.londonopenhouse.org. PICTURE: (c) Grant Smith/VIEW Pictures

• A 16th century wooden tankard, found by a mudlark on the Thames foreshore near Ratcliff in London’s east, has briefly gone on display at the Museum of London Docklands. The large vessel, capable of holding three pints, has the initials RH inscribed on the base. It’s unknown for what purpose it was used, perhaps serving as a decanter rather than for individual use and may have been used on a ship. The vessel will be on display at the museum only until 27th September. For more, see www.museumoflondon.org.uk.

• On Now: Renaissance to Goya: Prints and drawings from Spain. Opening at the British Museum today is this new exhibition featuring important prints and drawings by Spanish and other European artists working in Spain and spanning a period from the mid 16th century through to the 19th century. While all the works are drawn from the museum’s collection, many have never been on display before. The artists represented include Diego Velazquez, Alonso Cano, Bartolome Murillo, Francisco Zubaran and Jusepe de Ribera as well as Francisco de Goya. Held in room 90. Admission is free. Runs until 6th January. For more, see www.britishmuseum.org.

Treasures of London – The Royal Kitchens, Kew…

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Given this week’s release of English Heritage’s The London List 2011 – which lists all properties given a new or upgraded heritage listing last year, we thought it was only appropriate to look at one of the properties listed, in this case the Royal Kitchens in Kew Gardens.

Upgraded to a Grade I listing in 2011, the kitchens were opened to the public for the first time in May this year following a £1 million restoration. The origins of the kitchens go back to the 1730s when they were built to the designs of William Kent to serve the White House, the grand mansion of Frederick, Prince of Wales (eldest son and heir of King George II).

While the White House was demolished in 1802, the Georgian kitchens – built in a separate building to mitigate the risk of fire – were kept to serve the nearby premises of Kew Palace (formerly known as the “Dutch House”, it had been originally built in 1631 for a Flemish merchant).

But after the death of Queen Charlotte (wife of King George III) in 1818, members of the Royal family only stayed occasionally and so the kitchen fell into disuse. While the upper floors were given over to accommodation, the lower floor remained untouched, allowing it to survive in a considerable degree of intactness.

The kitchens centre on the double storey ‘Great Kitchen’ featuring three charcoal stoves as well as a rare cooking range with “smoke jack” and fan. Other rooms include a scullery, a bakery, larders and stores for silver and spices while among the surviving furnishings is a preparation table or dresser, cupboards, shelves and baking ovens. Upstairs, the office of the clerk who oversaw the feeding of the Royal Household has been restored.

Historic Royal Palaces, who look after the kitchens, have installed a new permanent exhibition at the site which focuses life on the 6th February, 1789, the date when King George III, having suffered his first bout of ‘madness’ (believed to be porphyria), was given back his knife and fork. William Wybrow was the Master Cook at this time and William Gorton the Clerk of the Kitchen.

WHERE: The Royal Kitchens, Kew Gardens, Kew (nearest Tube Station is Kew Gardens); WHEN: 11am to 5pm daily until 30th September, then Thursday to Sunday until 28th October, then daily again until 4th November; COST: Kew Gardens tickets must be purchased – £16 adults/£14 concessions/children under 16 free – and then tickets to Kew Palace – £6 adults/£4.50 concessions/children under 16 free (or free with annual Historic Royal Palaces membership); WEBSITE: www.hrp.org.uk/kewpalace/stories/palacehighlights/royalkewkitchens.

PICTURE: Forster/HRP

For more on Kew Palace, check out Kew Palace: The Official Illustrated History.

Where is it? #36…

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The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Of course, as Parktown, Carol Stanley and Alma Lewis all pointed out, this is one of the lanterns outside of Mansion House, home of the Lord Mayor of London (the giveaway was the coat-of-arms of the City of London on the lamp stand).

The Mansion House, designed in the Palladian style by George Dance the Elder, was specifically built for the Lord Mayor of London in the mid 1700s and features accommodation for the Lord Mayor and Lady Mayoress as well as grand state rooms for entertaining including the Old Ballroom and the Great Egyptian Hall.

We’ll be looking in more detail at the history of the Mansion House in a future post.

For more on touring the house, see www.cityoflondon.gov.uk/Corporation/LGNL_Services/Leisure_and_culture/Local_history_and_heritage/Buildings_within_the_City/Mansion_house/Tours_of_Mansion_House.htm.