Kings of England

10 Historic London Garden Squares…1. Leicester Square…

by exploringlondon

In the first of a new Wednesday series looking at historic London garden squares, we take a look at what next to Trafalgar Square, is the most famous square in the entire city – Leicester Square.

Located in the heart of the West End, Leicester Square’s history finds its origins back in the 17th history when Robert Sidney, the 2nd Earl of Leicester acquired property on the site where the square now stands. Then known as St Martin’s Field and located within the parish of St Martin’s, Sidney purchased four acres in 1630 and constructed Leicester House on land now located at the square’s northern end.

Leicester-SquareThe earl raised the ire of locals, however, when – having subsequently fenced off the land to prevent people from wandering on to his property – he enclosed what had previously been common land.

The people appealed to King Charles I who appointed three members of the Privy Council to look at the issue. Their decision? That the earl keep a section of his land open for the use of the parishioners of St Martin’s.

First known as Leicester Field, it was this land which later became known as Leicester Square. Fine homes were built around the square (its proximity to the Royal Court and centre of government made it a desirable place to live for the well-to-do and those seeking influence) with the centre enclosed with rails (it’s pictured here in 1750).

The square’s reputation also had a royal boost when, in 1717/1718, Leicester House became home to Prince George (later King George II) and his wife Princess Caroline along with their court after the prince fell out with his father King George I and was banished from St James’ Palace (this story is recounted in marvellous detail in Lucy Worsley’s terrific book, Courtiers: The Secret History of the Georgian Court).

The prince remained at the house for 10 years and was proclaimed King George II after his father’s death at its gate. Interestingly, King George II’s eldest son, Prince Frederick, also lived here for a time after he too fell out with his father (King George II). Apparently their relationship was even worse than the previous generation’s had been.

Despite its royal attractions, even at this stage the square apparently had it’s darker side with some less than savoury characters attending the hotels and livery stables that were built there. But things were to get worse as the wealthy moved out – a situation not helped when Leicester House was demolished in the 1790s.

Leicester Square became known as an entertainment venue in the 19th century (among attractions was the short-lived Royal Panopticon of Science and Art which showcased the best in science and art and Wyld’s Great Globe which contained a gigantic model of the earth) and received a new injection of life when theatres and music halls moved in, bringing the crowds back with them.

Shakespeare-StatueMeanwhile, the status of the square – and whether it could be built upon – remained a matter of debate well into the 19th century. That ended in 1874 when businessman Albert Grant bought the freehold of the land, had the garden created upon it and then donated it to the Metropolitan Board of Works as a gift to the city.

Responsibility for the management of the square now rests with the City of Westminster. The square area – which is now known for hosting film premieres as well as the tourists who inevitably gather there – was pedestrianised in the 1980s and has just undergone a redevelopment and modernisation which was unveiled last year.

Meanwhile, work to restore the 19th century Shakespeare statue and fountain in the square’s centre is about to be completed (pictured). The square also contains a statue of actor Charlie Chaplin in the square as well as busts of scientist Sir Isaac Newton, painter and first president of the royal Academy Sir Joshua Reynolds, 18th century pioneer surgeon John Hunter, and painter William Hogarth.

The tradition of the entertainment continues in the modern era through the cinemas which now stand in the square and regularly host film premieres (an interesting, if oft-repeated, film-related anecdote connected to the square is that it was in a phone booth located at the square that during the 1960s a young actor Maurice Micklewhite saw a poster for The Caine Mutiny and decided to change his name to Michael Caine).

PICTURES (top) Wikipedia and (below) City of Westminster.

What is a name?…Spitalfields…

by exploringlondon

This curiously named area in London’s east – located outside the medieval walls – is named for a priory and hospital founded here in the late 12th century.

The Priory and Hospital of Blessed Mary without Bishopsgate (more commonly known as St Mary Spital), was founded by London citizen Walter Brunus and his wife Roisia (both later said to have been buried before the chapel’s high altar), possibly along with other Londoners, in 1197 (although the priory was apparently “refounded” in 1235 when the church was moved).

An Augustinian institution, it also housed what became one of the largest hospitals in England – as well as caring for pilgrims, widows and the infirm poor, it is said to have provided care for pregnant women and the young children of those who died in childbirth – and the site of a large cemetery.

The hospital survived until the reign of King Henry VIII (although apparently barely with the church said to have been in some disrepair by this time) when it fell prey to Thomas Cromwell and his agents in the Dissolution. It was closed in 1539.

The church and most of the buildings were subsequently demolished with part of the area subsequently used as an artillery ground under the jurisdiction of the Tower of London (the area of the inner priory, meanwhile, reverted to the Crown and retained its status outside the jurisdiction of local authorities, known as the Liberty of Norton Folgate).

But the name remained in use for the suburb which had started to appear around the priory and on its former lands (Spitalfields) and in the seventeenth century a market was established here which ensured its longevity. For more on Old (and New) Spitalfields Market and the area’s later history, see our previous post here.

Major excavations were carried out at the priory cemetery between 1991 and 2007 when more than 10,500 skeletons were unearthed. More than 5,000 of these were analysed providing archaeologists with considerable insight into medieval burials. The remains of a charnel house, dating from about 1320, which was once part of the cemetery still exist in Bishop’s Square.

For more, check out Christopher Thomas’ Life and Death in London’s East End: 2000 Years at Spitalfields.

Where is it?…#61…

by exploringlondon

Where-is-it--#61Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Sue and Helen – this is, of course, Marble Hill House, located in south-west London on the banks of the River Thames between Richmond and Twickenham (this picture is taken from the opposite side of the Thames). Built for Henrietta Howard, mistress of King George II when he was Prince of Wales, for the lady in her “retirement” from court, the Palladian villa is set among 66 acres of parkland. We’ll look at the house in more detail in a later post.

WHERE: Marble Hill House, Richmond Road, Twickenham (nearest Tube station is Richmond (1 mile) or train station, St Margarets (0.5 mile)); WHEN: 10am-2pm Saturday, 10am to 5pm Sunday (cafe and park are open daily); COST: £5.70 adults/£5.10 concessions/£3.40 child (5-15 years); WEBSITE: www.english-heritage.org.uk/daysout/properties/marble-hill-house/.

Lost London – Mrs Salmon’s Waxworks…

by exploringlondon

Before Madame Tussaud arrived in London, there was Mrs Salmon and her famous waxworks, one of several such establishments in London.

Prince-Henry's-RoomsFirst sited at the Sign of the Golden Ball in St Martin’s Le Grand – where it filled six rooms – in 1711, the display was relocated to the north side of Fleet Street where it remained until 1795 when it moved across the road to number 17 Fleet Street, now housing Prince Henry’s Room (pictured, room takes its name from Prince Henry, eldest son of the king, who died at the age of 18 and was apparently the inspiration for an inn which previously occupied the building called The Prince’s Arms).

The waxworks were apparently originally run by Mr Salmon – there are references to him being a “famous waxwork man” – but his wife, Mrs Salmon, continued it alone after his death in 1718 until her own death, variously said to have been in 1760 or as late as 1812. At some point after his death, Mrs Salmon is said to have remarried, to a Mr Steers.

Described in a handbill published soon after its initial move to Fleet Street, the exhibitions were said to include a scene of King Charles I upon the scaffold, another of the ill-fated Queen Boudicea, and more exotic tableaux including one showing Canaannite ladies offering their children in sacrifice to the god Moloch, another of a Turkish seraglio, and another of Margaret, Countess of Heningbergh with the 365 children she is said to have given birth to (all at once!). There was also a mechanised figure of the “famous English prophetess” Old Mother Shipton, who is said to have given a boot to visitors as they left.

While some accounts say the waxworks – which, according to the City of London website remained at the site until 1816 – were taken over by a Chancery Lane surgeon named Clarke after Mrs Salmon’s death (and by his wife after his death), it is also suggested that at some point they moved to Water Lane in east London where they were ruined by thieves.

Whatever its fate, it’s generally accepted that the famous waxworks were visited by the likes of James Boswell and artist William Hogarth. They were also mentioned by author Charles Dickens in David Copperfield. 

For more of London’s past, see Philip Davies’ Lost London 1870-1945.

Special – Five famous London funerals…

by exploringlondon

With former PM Margaret Thatcher’s funeral held in London today, we take a look at five prominent funerals in the city’s past…

• Queen Eleanor of Castile: King Edward I was lavish in his funeral for Queen Eleanor (perhaps in an effort to restore her reputation given suggestions she had been unpopular among the common people although it may well have simply been because of the king’s level of grief) and when she died at Harby, a village near Lincoln, on 28th November, 1290, he ordered her body to be transported from Lincoln Cathedral to Westminster Abbey where the funeral was held, with a series of elaborate memorial crosses to be built close to where-ever her body rested for the night. Twelve of these were built including at Westcheap in the City of London and Charing (hence Charing Cross, see our earlier post here), the latter thanks to her body “resting” overnight at the Dominican Friary at Blackfriars. Her funeral took place on 17th December, 1290, with her body placed in a grave near the high altar until her marble tomb was ready. The tomb (one of three built for the queen – the others were located at Lincoln – for her viscera – and Blackfriars – for her heart) still survives in the abbey.

St-Paul's-Cathedral• Vice Admiral Lord Nelson: Heroic in life and perhaps seen as even more so after his death, Nelson’s demise at the Battle of Trafalgar was a national tragedy. His body, preserved in brandy, was taken off the HMS Victory and transported to Greenwich where he lay in state for three days in the Painted Hall. Thousands visited before the body was again moved, taken in a barge upriver to the Admiralty where it lay for a night before the state funeral on 9th January, 1806, more than two months after his death. An escort said to comprise 10,000 soldiers, more than 100 sea captains and 32 admirals accompanied the body through the streets of the city along with seamen from the Victory to St Paul’s Cathedral (pictured)  where he was interred in a marble sarcophagus originally made for Cardinal Wolsey located directly beneath the dome. The tomb can still be seen in the crypt of St Paul’s.

• Arthur Wellesley, the Duke of Wellington: Given the last heraldic state funeral ever held in Britain, the Iron Duke’s funeral was held on 18th November, 1852, following his death on 14th September. His body, which had been brought to London from Walmer where it had laid in state by rail, lay in state a second time at Chelsea Hospital. On the morning of the funeral, the cortege set out from Horse Guards, travelling via Constitution Hill to St Paul’s. The body was conveyed in the same funeral car used to convey Nelson’s and accompanied by a guard of honour which included soldiers from every regiment in the army. Masses – reportedly more than a million-and-a-half people – lined the streets to watch funeral procession pass through the city before a service was held in St Paul’s Cathedral under the great dome and he was interred in a monumental sarcophagus alongside that Vice Admiral Lord Nelson. Like Nelson’s, it can still be seen there today.

• Sir Winston Churchill: Widely regarded as one of the great wartime leaders of the 20th century, the former British Prime Minister died in his London home on 24th January, 1965, having suffered a stroke nine days earlier. His funeral (plans for which had apparently been code-named ‘Hope-Not’), was the largest state funeral in the world at the time of his death with representatives of 112 nations attending and watched on television by 25 million people in Britain alone. His body lay in state for three days (during which more than 320,000 people came to pay their respects) before on 30th January, it was taken from Westminster Hall and through the streets of London to a funeral service at St Paul’s Cathedral. After the service, a 19 gun salute was fired and the RAF staged a flyby of 16 fighter planes as the body was taken to Tower Hill and then by barge to Waterloo Station. From there it was taken by a special funeral train (named Winston Churchill) to Bladon near Churchill’s home at Blenheim Palace.

• Diana, Princess of Wales: Having died in a car crash in Paris on 31st August, 1997, her body was flown back to London and taken to St James’s Palace where it remained for five days before being transported to her former home of Kensington Palace. More than a million people crowded London’s streets on 6th September, 1997, to watch the funeral procession as it made its way from the palace to Westminster Abbey. Among those present at the funeral (which was not a state funeral) were members of the royal family as well as then Prime Minister Tony Blair, former PMs including Margaret Thatcher and foreign dignitaries and celebrities, the latter including Elton John who sang a rewritten version of Candle in the Wind. After the service, Diana’s body was taken to her family’s estate of Althorp in Northamptonshire where the “People’s Princess” was laid to rest.

Our new series will be launched next week due to this week’s events…

Treasures of London – The Barbor Jewel…

by exploringlondon

While the style of the setting means this pendant is said to date from the early 17th century, a family tradition holds that it was made for a Protestant William Barbor, variously described as a London tradesman or grocer.

The-Barbor-JewelThe story, said to have been first recorded in the early 18th century, goes that the jewel was made to commemorate Barbor’s escape from being burnt at the stake (thanks to his Protestantism) due to the accession of Queen Elizabeth I in 1558 following the death of her half-sister, Queen Mary I (‘Bloody Queen Mary’).

Barbor had been regarded as a heretic during Queen Mary’s reign and is said to have condemned to death for his faith but the death of the queen meant he no longer faced a sentence of death.

Even so, Barbor died in 1586, and while the onyx cameo of Queen Elizabeth I in the centre of the jewel dates from about 1575-85, the “pea-pod-style” setting of the jewel – which features rubies and diamonds and a cluster of pearls – has been dated to between 1615-25, during the reign of King James I, which places its creation well after Barbor’s demise.

The enameled jewel features an oak tree on the reverse side (pictured).

The Barbor Jewel is currently on display in the exhibition, Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars, at the V&A which runs until 14th July. Admission charge applies. For more, see www.vam.ac.uk.

PICTURE: Courtesy of Victoria and Albert Museum, London 

Around London – Margaret Thatcher’s funeral; telling the Jewel Tower’s story; depot open weekend; and, Designs of the Year…

by exploringlondon

• Margaret Thatcher’s funeral will be held next Wednesday at St Paul’s Cathedral from 11am with Queen Elizabeth II among those attending (the first time she has attended the funeral of a British politician since Sir Winston Churchill’s in 1965). The funeral procession of the former Prime Minister, who died on Monday aged 87, will start at the Houses of Parliament and make its way down Whitehall to Trafalgar Square before moving down the Strand, Fleet Street and Ludgate Hill to St Paul’s Cathedral. Baroness Thatcher’s coffin will carried in a hearse for the first part of the journey and will be transferred to a gun carriage drawn by six horses of the King’s Troop Royal Horse Artillery at St Clement Danes church on the Strand for the final part of the journey. There will be a gun salute at the Tower of London. Meanwhile, a Book of Condolence has opened at St Margaret’s Church, beside Westminster Abbey, this morning and will be available for people to pay their respects until 17th April, during the church’s opening hours. St Margaret’s – which stands between Westminster Abbey and the Houses of Parliament – is commonly known as the parish church of the House of Commons.

• The story of the Jewel Tower – one of the last remaining parts of the medieval Palace of Westminster – is told in a new exhibition at the historic property. Now in the care of English Heritage, the tower – located to the south of Westminster Abbey, was built in 1365 to house King Edward III’s treasury, later used as King Henry VIII”s ‘junk room’, the record office for the House of Lords, and, from 1869, served was the “testing laboratory” for the Office of Weights and Measures. The exhibition, which opened this month, is part of the English Heritage celebrations commemorating the centenary of the 1913 Ancient Monuments Act. The Jewel Tower is open daily until November. Admission charge applies. For more, see www.english-heritage.co.uk.

• See some of the earliest underground trains, a Lego version of Baker Street station and ride the Acton Miniature Railway. The London Transport Museum’s depot in Acton is holding it’s annual spring open weekend this Saturday and Sunday and in celebration of the Underground’s 150th anniversary, attractions will include the Metropolitan Steam Locomotive No. 1 and the recently restored Metropolitan Carriage 353 along with model displays, rides on the miniature railway, film screenings, talks, and workshops. Wales’ Ffestiniog Railway team – celebrating their own 150th anniversary – will also be present with the narrow gauge train, Prince. Open from 11am to 5pm both days. Admission charge applies. For more, see www.ltmuseum.co.uk.

• Now On: Designs of the Year. The Design Museum has unveiled contenders for the sixth annual Designs of the Year competition and you can what they are in this exhibition. Consisting of more than 90 nominations spanning seven categories, the nominated designs include the Olympic Cauldron by Heatherwick Studio, The Shard – western Europe’s tallest building – by Renzo Piano, a non-stick ketchup bottle invented by the Varanasi Research Group at MIT, and Microsoft’s Windows phone 8. The exhibition runs until 7th July – the winners will be announced this month. Admission charge applies. For more, see www.designmuseum.org.

10 most viewed posts of 2013 (so far)..

by exploringlondon

Stay tuned – we’re launching our new Wednesday series next week. In the meantime, here’s a link to our 10 most viewed posts on Exploring London for the first quarter of this year (counting backwards from 10)…

10. LondonLife – The city illuminated…

9. Treasures of London – Admiral Lord Nelson’s coat

8. Where is it?…#58

7. LondonLife – A new crown for King Henry VIII…

6. Where is it?…#60…

5. Where’s London’s oldest…church?

4. Where’s London’s oldest…Thames tunnel?

3. Lost London – The ‘Tyburn Tree’

2. Treasures of London – The Cheapside Hoard

1. Where’s London’s oldest…department store?

LondonLife – New pelicans fly into St James’s Park from Prague…

by exploringlondon

Pelicans

Following a tradition that dates back to 1664, three new pelicans have taken up residence in St James’s Park in front of Buckingham Palace. A gift from the City of Prague in the Czech Republic (the birds were donated by Prague Zoo), one of the pelicans is named Tiffany (in honour of New York-based The Tiffany & Co Foundation – which funded transport of the birds) while the other two have yet to be named with the public invited to join in the process by voting for their favourite name for one of the birds from a shortlist published on the Royal Parks Foundation website, www.supporttheroyalparks.org (the poll closes on 16th April). Choices include Bela, Karola, Queenie and Isla. The first pelican to live in the Royal Parks was a gift to King Charles II from the Russian ambassador in 1664 and they have been there ever since. The new arrivals, join the existing ‘scoop’ of pelican residents in the park – Gargi, Vaclav and Louis. PICTURE: Courtesy of Royal Parks Foundation.

Where’s London’s oldest…Catholic church?

by exploringlondon

Hidden away to the north-west of the City of a quiet cul-de-sac, the oldest still-in-use Roman Catholic church in London (indeed, in England) is St Etheldreda’s Church in Holborn.

St-EtheldredaLocated in Ely Place, this atmospheric church – named for Etheldreda, seventh century female abbess of Ely – opened as a Roman Catholic Church in 1878, although the building in which it is lodged is much older, indeed a rare survivor from the 13th century. It was built in 1290 by John De Kirkeby, the Bishop of Ely and Treasurer of England during the reign of King Edward I, as a chapel to a residence he constructed on the site.

It and the adjoining palace remained in use by subsequent bishops and other nobles (including John of Gaunt who lived here after his own residence, Savoy Palace , was burnt down during the Peasant’s Revolt) up to and after the Reformation – the first reformer Bishop to use it was Thomas Goodrich, who built the nearby Mitre Tavern. (Worth noting is that the church also has some strong links to Shakespeare – there’s a great article on the church’s website exploring these).

In 1620, the Spanish Ambassador, the Count of Gondomar, moved into Ely Place and the chapel was used once again for Catholic masses (the residence was considered part of Spanish territory) – this was a relatively short-lived development for, thanks to deteriorating relations between England and Spain following a failed match between Prince Charles (later King Charles I) and the Infanta of Spain, the next ambassador was refused permission to live there.

Having escaped destruction in the Great Fire of London, the chapel was requisitioned by Parliament as a prison and hospital during the Civil War and subsequently fell into disuse before in 1772, the property – including the chapel – was sold to the Crown who in turn sold it to a surveyor and builder, Charles Cole.

Cole demolished the palace buildings with the exception of the chapel and had the current Ely Place built with neat rows of Georgian homes, modernising the chapel for the use of residents as an Anglican place of worship. The church attracted few worshippers, however, and in 1820 was taken over by the National Society for the Education of the Poor.

In 1873, the chapel was again to be sold and following a somewhat controversial auction was bought by the Catholic Institute of Charity (aka the Rosminians) and restored under the eye of Father William Lockhart (the Catholic Emancipation Act had been passed in 1829, allowing Catholics to have churches and say mass).

Interestingly, it was during this work that 18 bodies were discovered buried in the crypt – they had died in the ‘Fatal Vespers’ of 1623 when, during a secret meeting of Catholics at the French ambassador’s house in Blackfriars, the floor collapsed and more than 100 were killed. Not able to be buried publicly due to anti-Catholic feeling, they were buried in secret with some of them buried here.

A mass commemorated the completion of the restoration work on 23rd June, 1878, and the church has been in use as a Roman Catholic Church ever since (although years of repairs were needed following significant bomb damage in World War II). Further restoration work was carried out in the 1990s when Flemish tiles from the original cloister were discovered.

These days the church – which features a relic of St Etheldreda contained in a bejewelled cask sitting by the altar – is a quiet oasis in the midst of the bustling city – a great place to take some time out in the midst of a busy day. Also of note is the east window – the work of Joseph Edward Nuttgens, it was completed in 1952 and, like all the other windows, replaced a Victorian window destroyed in the Blitz (look for the image of St Etheldreda) – and the  west window – the work of Charles Blakeman, it is apparently the largest stained glass window in London and depicts a series of English Catholic martyrs.

WHERE: St Etheldreda’s Church, Ely Place (nearest Tube stations are Chancery Lane and Farringdon); WHEN: 8am to 5pm Monday to Saturday; 8am-12.30pm Sunday; COST: Free; WEBSITE: www.stetheldreda.com.

Around London – Bedchamber secrets at Hampton Court; Roman remains at the British Museum; Easter chocolate at Kew Gardens; Harry Beck’s blue plaque; and, Underground art…

by exploringlondon

Happy Easter! We’re taking a break over the Easter weekend…Our next update will be on Tuesday, 2nd April.

Mary-of-Modena's-bed• A new exhibition exploring the secrets of the bedchambers of the Stuart and Hanoverian courts of the 17th and 18th centuries opened at Hampton Court Palace this week. At the heart of Secrets of the Royal Bedchamber are six royal beds which tell the story of why the bedchamber became the most important part of the palace and detail some of the events that took place there before an audience of courtiers, politicians and family members – from births and deaths to the consummation of marriages and the discussion of important affairs of state. It tells of why courtiers would fight for positions such as the ‘groom of the stool’ or ‘necessary woman’ and how beds which could cost the same as a London townhouse were sometimes never slept in. Among the beds on display is the ‘Warming Pan Bed’ (pictured), the State Bed of King James II’s queen, Mary of Modena, and scene of the royal birth that ultimately led to the end of the Stuart line, and the ‘Travelling Bed’ of King George II which travelled as far afield as Hanover and the battlefields of Europe. The exhibition also gives rare access into the Prince of Wales’ Apartments, designed by 17th and 18th architect Sir John Vanbrugh, and now open for the first time in 20 years.  Admission charge applies. Runs until 3rd November. For more, see www.hrp.org.uk. PICTURE: HRP

• The Roman cities of Pompeii and Herculaneum are the subject of a major exhibition opening at the British Museum today. Life and death in Pompeii and Herculaneum brings together more than 250 objects from the two cities which were buried in just 24 hours during the eruption of Mount Vesuvius in 79 AD. The objects include celebrated finds and recent discoveries, many of which have never before been seen outside Italy, and help explore what daily life was like for the inhabitants. Artefacts include a beautiful wall painting from Pompeii showing baker Terentius Neo and his wife, wooden furnishings including a linen chest, inlaid stool, and even a baby’s crib from Herculaneum, and casts of victims including a family of four and a dog who died at Pompeii. Runs until 29th September. Admission charge applies. For more, see www.britishmuseum.org.

• Find out more about the history of chocolate at Kew Gardens this Easter, from the ritualistic use of cacao in ancient Mayan and Aztec cultures to the arrival of chocolate in 17th century London, where it was a luxury item for high society to indulge in at newly fashionable chocolate houses. Running from tomorrow until 14th April, there will be a range of workshops taking place at the gardens around the chocolate theme along with a traditional Easter Egg Hunt on Easter Sunday (31st March). The garden’s cocoa tree can be found in the Princess of Wales Conservatory. Admission charge applies. See www.kew.org.

• Harry Beck, designer of the innovative first diagrammatic Tube map, has been honoured by an English Heritage blue plaque – inscribed in the Underground’s new Johnston typeface – at his birthplace in Leyton in London’s east. Beck, who was born in a small terraced house at 14 Wesley Road in 1902, was working with London Transport as a draughtsman in the London Underground Serial Engineer’s Office, when, in 1931, he produced his first design for a diagrammatic map. He continued to update the map with new stations and lines even after leaving London Transport with the last version of his map published in 1960. Beck died in 1974. Meanwhile, a blue plaque commemorating railway engineer Sir Nigel Gresley (1876-1941) has been returned to King’s Cross station following the completion of building work. It can be found on platform 8. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

• On Now: The Underground. A commission from Art on the Underground, this exhibition of artist Mark Wallinger’s work at the Anthony Reynolds Gallery (60 Great Marlborough Street) features some examples of 270 labyrinth designs – one representing each of the Underground stations – which are being installed at the Tube stations themselves. Among those stations represented at this showing are Westminster, St James’s Park, Oxford Circus, Victoria, Embankment, Green Park, King’s Cross St Pancras, Baker Street and Tottenham Court Road. While labyrinths are already in place at these locations, the remainder of Wallinger’s labyrinth designs will be appearing at Tube stations over the coming months. Runs until 27th April. For more, see www.anthonyreynolds.com.

Where is it?…#60…

by exploringlondon

Where-is-it--#60
Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Jameson, this is indeed located in St James’s Square. Called – rather aptly – Stag, the sculpture dates from 2001 and is the work of Marcus Cornish. The larger-than-life bronze sculpture is located in the south-west corner of the West End square. For more on the work of Mr Cornish, see www.marcuscornish.com. Other statues in the square include an equestrian statue of King William III, the work of John Bacon Senior and Junior, which was installed in 1808.

Around London – John Snow’s legacy; a spotlight on the music hall; Alice Kettle at the Queen’s House; and, Sydney Lee at the RA…

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• A new exhibition on the work and legacy of John Snow – who traced the source of a deadly cholera outbreak in the 1850s to a Soho water pump – opened at the London School of Hygiene and Tropical Medicine this week. Cartographies of Life & Death – John Snow and Disease Mapping – part of a series of events planned for the bicentenary of Snow’s birth – features both historical treasures, such as disease maps from the school’s archives, and new artworks inspired by science with the entire display presented as a disease mapping ‘detective trail’. There will be a pop-up water bar and street lectures and performances. Snow (1813-1858) is considered the founder of modern epidemiology, the study of patterns and causes of health and disease in populations. His work remain influential even today. Admission is free. The exhibition runs until 17th April at the school in Keppel Street. For more, see www.johnsnow.org.uk.

• A new installation at the V&A opening on Saturday will explore the rise – and fall – of the music hall. Music Hall: Sickert and the Three Graces picks up on artist Walter Sickert’s obsession with the New Bedford Music Hall in Camden Town and features film, music and objects presented in a ‘theatrical narrative’ which focuses on the world of the Edwardian Music Hall. Highlights include filmed extracts of Tanika Gupta’s specially produced play The Boy I Love (directed by Katie Mitchell) which takes its name from George Ware’s celebrated music hall song The Boy I Love is Up in the Gallery. Admission is free. The exhibition, which is in the Theatre and Performance Galleries of the V&A, runs until 5th January next year. For more see www.vam.ac.uk.

• Three specially commissioned artworks by British textile artist Alice Kettle will be unveiled today at the Queen’s House in Greenwich. The Garden of England – Royal Museums Greenwich’s first contemporary arts program – features Flower Helix (hanging in the Tulip Stairs), Flower Bed (a “textile garden” found in the North West Parlour), and Queen Henrietta Maria (a stitched portrait of the wife of King Charles I also found in the North West Parlour). The display is accompanied by a program of events – for more on them, see www.rmg.co.uk. Entry is free – the exhibition is on show until 18th August.

• On Now – From the Shadows: The Prints of Sydney Lee RA. This exhibition at the Royal Academy represents a reappraisal of the work of painter-printmaker Sydney Lee (1866-1949) and features more than 50 prints and two major paintings. Lee studied in Manchester and Paris before coming to London where he lived in a house and studio in Holland Park Road in Kensington. He was elected a Royal Academician in 1930 and served as Treasurer from 1932-1940. The first exhibition devoted to his art since 1945, the event coincides with the publication of the first book on Lee written by its curator Professor Robert Meyrick, head of the School of Art at Aberystwyth University. Runs until 26th May. Admission charge applies. For more, see www.royalacademy.org.uk.

Where’s London’s Oldest…wine bar?

by exploringlondon

The honour of being London’s oldest winebar goes to Gordon’s Wine Bar at 47 Villiers Street in the West End (just up from Embankment Tube Station or down from Charing Cross Station, whichever you prefer).

Gordon's-Wine-BarThe venerable establishment – still a favoured place to stop for a drink for many Londoners – opened its doors in the 1890s and still conveys a powerful sense of old world charm with the decor pretty much unchanged (there’s been no fancy makeover here) and the wine still served from wooden casks behind the bar.

The site on which the bar is located was once occupied by York House (home to, among others during its centuries of life, Robert Devereaux – 2nd Earl of Essex and favourite of Queen Elizabeth I and Sir Francis Bacon – Lord Chancellor during the reign of King James I) and then, later on, by a large house lived in by diarist Samuel Pepys in the late 1600s before, thanks to its position close to the river, a building was built upon it in the 1790s which served as a warehouse.

The usefulness of the warehouse came to an end when Victoria Embankment was built and the river pushed back and the building was subsequently used for accommodation. Writer Rudyard Kipling was among tenants who lived here (from 1889-1891 during which wrote The Light that Failed – in fact, the building was renamed after him, Kipling House, in 1950.

It was Angus Gordon, a “free vintner” meaning he didn’t have to apply for a licence thanks to the largesse of King Edward III in 1364, who established the premises in the vaults here in the 1890s (interestingly the current owners are also Gordons, but not related). Among the other uses of the building, of which Gordon’s only occupies a part, was apparently as a brothel in the 1920s.

For more on Gordon’s head to www.gordonswinebar.com.

Lost London – The Cockpit at Whitehall…

by exploringlondon

Once part of the Palace of Whitehall, the Cockpit (also referred to as Cockpit-in-Court or the Royal Cockpit) was initially built as a pit in which to watch cockfighting as part of renovations carried out by King Henry VIII after he “acquired” Cardinal Wolsey’s former property of York Place and before transforming it into a royal palace.

It was one of a number of entertainment related buildings constructed by the king in the new palace precinct – others included a real tennis court, bowling alley and a tiltyard.

By Jacobean times, the use of the octagonal-shaped cockpit – located between today’s Downing Street and Horse Guards Parade – had changed into that of a private royal theatre and in 1629 Inigo Jones was given the task of redesigning it to accommodate King Charles I’s elaborate court masques (Jones had previously redesigned the Cockpit Theatre in Drury Lane).

Following the Restoration in 1660, the Cockpit again returned to its use as a theatre and King Charles II had new dressing rooms added and the decor given an overhaul (the ever-present diarist Samuel Pepys was among those who attended theatrical presentations during this period and Ben Jonson among those whose work was presented here).

The theatre building is believed to have been demolished around 1675 and the site subsequently used to house government officials including those of the Foreign Office (see our earlier post here) and Privy Council.

In the 1730s, William Kent designed the building (which although since expanded and modified) now stands on the site and is currently the home of the Cabinet Office.

While the Cockpit is long gone, its name lives on in ‘Cockpit Passage’ – a gallery inside the Cabinet Office from where one could once watch tennis being played.

Around London – Royal Court treasures at V&A; Sir Michael Caine celebrated; a tunic with a past; and, George Catlin’s American Indian portraits…

by exploringlondon

Water_pot• A new exhibition opens at the V&A in South Kensington this Saturday which charts the development of cultural trade and diplomacy between Britain and Russia from the founding of the Muscovy Company in 1555 until the end of King Charles II’s reign in 1685. Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars reveals the “majesty and pageantry” of the royal courts of both countries – from that of King Henry VIII to King Charles II in Britain and from that of Ivan the Terrible (Ivan IV) to the early Romanovs in Russia. The display features more than 150 objects including heraldry and processional armour,  furnishings, clothing, jewellery and portraiture including paintings and miniatures painted by court artists. Highlights include a rarely viewed portrait of Queen Elizabeth I, the Barbor Jewel – a pendant set with an onyx cameo of the queen; a hand-colored map of ‘Muscovy’ dating from 1570, and literature including Shakespeare’s First Folio as well as a showcase of British and French silver given to the Tsars by British merchants and kept in the Kremlin. The 20 pieces include the Dolphin Basin, made by Christiaen van Vianen – said to be a favoured silversmith of King Charles I and II – in 1635. The exhibition marks the 400th anniversary of the Romanov dynasty. Admission charge applies. Runs from Saturday, 9th March, until 14th July. For more, see www.vam.ac.uk. PICTURE: Water pot (1604-05), Historic collectino of the Armoury, © The Moscow Kremlin Museums.

• The life and work of Sir Michael Caine – who turns 80 this month – is the focus of a new free exhibition at the Museum of London. Michael Caine, which opens tomorrow, features photographs including some never exhibited before as well as iconic portraits by the likes of David Bailey and Terry O’Neill as well as a selection of audio and film clips from movies such as Alfie, The Italian Job, Get Carter, Hannah and Her Sisters and Educating Rita. The exhibition follows Sir Michael’s life from “Cockney rebel, through to Hollywood legend and inspirational Londoner” and looks at how the city influenced his life and career. Runs until 14th July. To coincide with the exhibition, the Museum of London Docklands is running Caine on Screen, a selection of free films which can been voted for by the public (see our earlier post here). The schedule of films will be announced after 14th March. For voting details and more information, see www.museumoflondon.org.uk.

• A bullet-pierced military tunic worn during the Indian Mutiny in the mid 19th century has been donated to the National Army Museum in Chelsea. The tunic, worn by Lieutenant Campbell Clark, of the 2nd Bengal European Fusiliers, at Cawnpore in 1857. The lieutenant was ambushed by rebels Indian infantry and shot at point-blank range. Despite being grievously wounded (the musket ball had passed through his stomach and remained in the wound), he survived the injury and the military hospital he was taken to and went on to have a long career, rising to the rank of colonel. He died in 1896 in Sussex. The tunic was donated to the museum by Clark’s great-great-nephew, John Gordon Clark. For more, see www.nam.ac.uk.

• On Now: George Catlin: American Indian Portraits. Opening today, this exhibition at the National Portrait Gallery is the first major exhibition of the American artist’s works to be held in Europe since the 1840s and has been designed to demonstrate to the viewer how Catlin constructed a particular view of Native Americans in the minds of his audiences. Catlin made five trips into the western United States in the 1830s before the Native American peoples had been subsumed into the United States and, inspired by those trips, went on to create an Indian Gallery which featured 500 portraits, pictures and indigenous artefacts. He subsequently toured with the gallery in both the US and Europe. The exhibition is organised in collaboration with the Smithsonian American Art Museum in Washington. Runs until 23rd June. Admission charge applies. For more, see www.npg.org.uk.

10 of London’s greatest Victorian projects – 7. Foreign and Commonwealth Office, Whitehall…

by exploringlondon

We’ve previously mentioned the home of the British Government – the Houses of Parliament – in this series but this week we’re looking at another government building – a gem of 19th century architecture.

FCOIn existence since 1782, the Foreign Office had originally been housed in two houses in St James and then, as the department grew, to properties in Whitehall – first in The Cockpit (this building has an interesting history we’ll look at in a later post) and then in Downing Street. Initially lodged in what had been Lord Sheffield’s house in Downing Street, the department soon spilled over into neighbouring properties.

The deteriorating quality of these abodes, however, was such that there were fears for their collapse and plans to build a new Foreign Office were mooted. But it wasn’t until the 1850s that it was decided the government announced plans for a competition to design new Foreign and War Offices on Downing Street. There was something of a heated debate over the style of the building between those favouring classical and those favouring gothic architecture but in 1858 George Gilbert Scott (knighted in 1872) was finally appointed as architect.

While Scott apparently originally favoured a building in the gothic style, this was opposed by then Prime Minister Lord Palmerston whose preferences for a classical building eventually won the day.

Work on the new building began in the early 1860s and it eventually opened in July, 1868. While the War Office was never constructed, other departments were located in adjoining premises within the same block. These included the India Office – while Scott oversaw the exterior design, the interior was designed by Matthew Digby Wyatt, surveyor of the former East India Company and subsequently Architect to the Council of India. It opened in November 1867 but was taken over by the Foreign Office in 1947 following India’s independence – and the Colonial and Home offices – designed by Scott, these were completed by 1875.

Plans to build a new Foreign Office were mooted in the mid-20th century and there was talk of demolishing the existing building but after a public debate, Scott’s building was protected after being given Grade I listed building status.

In 1968, the Foreign and Commonwealth Office merged (the latter had only been created two years before) and the Home Office moved out of its premises, meaning that the Foreign and Commonwealth Office now occupied all four original departmental premises. A modernisation program subsequently took place and there was also a significant restoration program which was completed by January 1997.

Stand out rooms in the complex include the grand Locarno Suite – three interlinked rooms designed by Scott to host dinners, receptions and conferences which gained its current moniker in 1925 when  the Locarno Treaties were signed here; as well as the India Office Council Chamber – designed by Wyatt, it features a great marble chimney taken from the former Director’s Court Room in East India House located in Leadenhall Street in the City; and, Wyatt’s spectacular Durbar Court which features a glazed cast-iron roof added in 1868 (the name dates from 1902 when some of coronation celebrations of King Edward VII were held here). The many grand staircases in the building – including the beautiful Muses Stair with its octagonal lantern – are also worth noting.

While the buildings, which are officially entered off King Charles Street, are not usually open to the public, they have been opened for the past few years during London’s Open House weekend. There is an audio tour available which details much of the fine artwork in the building.

Treasures of London – K2 telephone kiosk at the Design Museum…

by exploringlondon

This version of the iconic British ‘institution’ – the red phone box – was designed by architect Sir Giles Gilbert Scott in 1924 (you may know him as the designer of the Battersea Power Station).

K2-KioskFormally known as the K2 telephone kiosk, Scott’s design was selected after a competition organised by the Royal Fine Art Commission (there’s a wooden prototype of Scott’s K2 located under the entrance to the Royal Academy of Arts in Piccadilly – the location where it was originally positioned).

The design featured a classical-looking dome (said to have been influenced by the work of architect Sir John Soane) which featured the royal crest of King George V (done in perforation, so it also provided ventilation). The phone box was made in cast iron and painted red (Scott had apparently suggested silver). From 1926 onwards, around 1,700 of the K2s – which weighed more than a ton – were deployed around London (very few were ever erected outside the city).

The surviving K2s – there are said to be slightly more than 200 – are now listed buildings.

The telephone box is a part of the Design Museum’s permanent collection which is currently held in two locations but from 2015 will be housed in a new purpose-built museum in High Street Kensington.

The box, which will be displayed on the museum’s top floor which will be dedicated to the display of 20th century artefacts, is currently featured in a special exhibition, Design Museum Collection: Extraordinary Stories About Ordinary Things, which runs at the museum’s current premises until January, 2015.

To further explore the Design Museum’s collection, you can download a free Design Museum Collection App for iPad app via iTunes.

WHERE: Design Museum, 28 Shad Thames (nearest Tube stations are London Bridge and Tower Bridge); WHEN: 10am to 5.45pm daily (last admission 5.15pm); COST: £11.85 adults/£10.70 concessions/£7.50 students (children under 12 are free); WEBSITE: www.designmuseum.org

LondonLife – ‘Hans of Antwerp’ at The Queen’s Gallery…

by exploringlondon

Hans-of-AntwerpRecently conserved, Hans Holbein the Younger’s portrait Hans of Antwerp is one of 27 works by the painter on display in the exhibition, The Northern Renaissance: Durer to Holbein, at The Queen’s Gallery, Buckingham Palace. The portrait was first recorded in the Royal Collection in 1639 when it was said to have been hung in King Charles I’s Chair Room at Whitehall (it was painted in the 1530s by Holbein, best known as King’s Painter to King Henry VIII). While it has been previously thought the sitter was a goldsmith (a close friend of Holbein and witness to his will in 1543), Royal Collection Trust conservators have now definitively ruled it to be that of a merchant, possibly a German of the Hanseatic League based at the London Steelyard. You’ll have to be quick to see the exhibition – it winds up on 14th April. Admission charge applies. For more, see www.royalcollection.co.uk.

PICTURE: Royal Collection Trust/ © 2012, Her Majesty Queen Elizabeth II.

Lost London – The King’s Wardrobe…

by exploringlondon

In the medieval period, the royal wardrobe – that is, the splendid robes and other clothes worn on state occasions – were kept at a range of different locations including the Tower of London and Westminster Abbey. In the 1360s, however, it moved to a more permanent location in what had been a house near Blackfriars priory.

King's-WardrobeSold to King Edward III by the executors of the will of Sir John Beauchamp, the house served as the key storage site for  royal clothes including not only those of the monarch but various people attached to the court such as the royal family, king’s ministers and Knights of the Garter.

The building, which was considerably extended over the years to include everything from a great hall and chapel to stables, was destroyed in the Great Fire of 1666 and the wardrobe was moved to another building in Buckingham Street although by this stage its importance had declined considerably (the last Master of the Wardrobe held office in the late 18th century).

Its name lived on in that of the church St Andrew-by-the Wardrobe and that of the well-hidden and intimate Wardrobe Place (it’s located between St Andrew’s Hill and Addle Hill). There is a blue plaque which marks the site of the former building (pictured above).