London paused on. Monday to mark the 20th anniversary of the terror attacks which took place on the 7th July, 2005.
Fifty-two people died in the attacks and hundreds were injured when three suicide bombers struck at 8.50am in the vicinity of Aldgate, Edgware Road and Russell Square Tube stations. A fourth device exploded at 9.47am on a bus that had been diverted via Tavistock Square.
On Monday, the names of all those killed in London’s 7/7 bombings were read out at the National Memorial Service at St Paul’s Cathedral. In Hyde Park, Prime Minister Sir Keir Starmer and Mayor of London Sir Sadiq Khan laid wreaths at the 7/7 Memorial, marking the time when the first bomb exploded.
Prime Minister Keir Starmer and Mayor of London Sadiq Khan lay wreaths at the 7/7 memorial in Hyde Park. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY-NC-ND 4.0)
Commemorative events were also held at the sites where the bombings occurred.
In a message to mark the anniversary, King Charles III said his “heartfelt thoughts and special prayers remain with all those whose lives were forever changed on that terrible Summer’s day”.
“We remember with profound sadness the 52 innocent people who were killed in senseless acts of evil – and the enduring grief of their loved ones. We recall, too, the hundreds more who carry physical and psychological scars, and pray that their suffering may ease as the years pass.”
The King also called on people to “remember the countless stories of extraordinary courage and compassion that emerged from the darkness of that day”.
“The selfless bravery of our emergency services, transport workers, and fellow citizens who rushed towards danger to help strangers reminds us of the very best of humanity in the face of the very worst.”
Prime Minister Keir Starmer and Mayor of London Sadiq Khan lay wreaths at the 7/7 memorial in Hyde Park. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY-NC-ND 4.0)
It’s one of the most iconic London traditions – the ceremonial changing of the guard outside Buckingham Palace.
Elite guards have served the monarch since the reign of King Henry VII – he made the Royal Body Guard a permanent institution – and Guards Regiments, among the oldest units in the British Army, were first raised in 1656 to protect King Charles II who was then living in exile in Bruges in modern Belgium.
The Changing of the Guard ceremony originally took place at the (now long-gone) Palace of Whitehall. But when the court moved to St James’s Palace in 1698, the ceremony went with them. And then, when Queen Victoria moved to Buckingham Palace in 1837, a detachment of guards was sent to guard the palace (with the Queen’s Guard also still guarding St James’s, a situation which continues today).
The main ceremonial Changing of the Guard today takes place at Buckingham Palace. It involves the Old Guard (those currently on duty, including the detachment from St James’s Palace) forming up in front of the palace and being relieved by the New Guard which has marched from Wellington Barracks, off Birdcage Walk, with a band which plays New Guard’s Regimental Slow March as it advances towards the Old Guard.
Both the Old and New Guard carry regimental flags, known as “Colours”. The guard duties are traditionally served by one of the five regiments of foot guards (part of the Household Division) which include the Welsh Guards, Grenadier Guards, Coldstream Guards, Scots Guards, Irish Guards.
But regiments from Commonwealth nations and those from the Royal Navy or Royal Air Force also perform the duty from time to time.
The Changing of the Guard currently takes place on Monday, Wednesday and Friday from 11am. The ceremony lasts about 45 minutes.
On days when the ceremony isn’t performed, the guard is still inspected by the Captain at 3pm except on Sunday when the flag (Colour) is incorporated into the ceremony, then known as the Sunday Parade, which takes place at 11am.
Usually Treasures of London focuses on an object held in a museum or gallery or an outdoor feature such as sculpture or memorial but in honour of its 200th birthday this year, today we’re taking a look at the Royal Mews at Buckingham Palace.
Here are some facts about the Mews which you may not know…
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More than 1,000 soldiers and 200 horses from the Household Division took part in the King’s Birthday Parade, also known as Trooping the Colour, on Saturday.
Weeks after the start of the Blitz, on 13th October, 1940, a bomb struck a residential housing block and the air raid shelter located in Stoke Newington.
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Located in one of the oldest parts of the city’s iconic fortress, the medieval palace has undergone a revamp with a restoration of the sumptuous and extravagant decorative scheme that was in place in the 13th century.
The medieval palace is found within the St Thomas’s Tower, the Wakefield Tower and the Lanthorn Tower on the southern side of the Tower and was built on the orders of successive monarchs, King Henry III and his son King Edward I. They were used as a domestic and diplomatic space periodically by the kings and their queens, Eleanor of Provence and Eleanor of Castile.
The medieval palace today includes a recreation of Edward I’s vibrant bedchamber in the St Thomas’s Tower (which once directly fronted the River Thames and sits above the water gate later known as Traitor’s Gate) and an exploration of the influence Eleanor of Castile had on the decoration.
The Wakefield Tower, meanwhile, was built by King Henry III as royal lodgings between 1220 and 1240. It originally sat at the river’s edge and could be accessed from the river by private stairs.
Believed to have been used as an audience chamber, it contains a recreation of a throne and canopy based on 13th century examples which are decorated with a Plantagenet lion – the symbol of the royal family. The vaulted ceiling is 19th century.
The third of the towers – the Lanthorn Tower – was built as lodgings for King Henry III’s Queen but is now a 19th century reconstruction after the original tower was gutted by fire.
It contains a display and among the new objects is a stone, on loan from the Jewish Museum London, which came from a Jewish mikveh or ritual bath, dating to about 1200 and discovered in London in 2001 within the home of the medieval Crespin family. It’s part of a new effort to explore the story of London’s medieval Jewish community, the taxation of which helped to pay for the construction of St Thomas’s Tower in the 1270s.
Other new objects on show in the Lanthorn Tower include a 13th century seal matrix from a 13th century Italian knight and a gold and enamel 13th century pyx – a small round container used to hold communion wafers made in the French city of Limoges (both on loan from the British Museum) as well as a child’s toy knight made of lead that dates from c1300, lent by London Museum and a perfectly preserved wicker fish trap which was excavated from the Tower moat, containing bones likely dating from the 15th or 16th century and illustrating the moat’s role as a fishery.
A replica of King Edward I’s seal matrix in the Medieval Palace exhibition, accompanied by a description in braille. This item is intended to be touched by visitors, to help them understand what the seal matrix might have looked and felt like in three dimensions. PICTURE: Michael Bowles (www.michael-bowles.com)
Among other stories now told in the display is that of less well-known Tower residents such as King Edward I’s laundress Matilda de Wautham, and John de Navesby the keeper of the white bear which was held in the menagerie at the Tower.
WHERE: The Medieval Palace, The Tower of London (nearest Tube Station is Tower Hill); WHEN: 9am to 5:30pm daily (last entry 3:30pm); COST: £35.80 adults; £28.50 concession; £17.90 children (free for Historic Royal Palaces members and £1 tickets are available for those in receipt of certain means-tested financial benefits); WEBSITE: www.hrp.org.uk/tower-of-london/
This north London thoroughfare, which runs north-east from Southampton Row through Holborn to Gray’s Inn Road is named for the destination it once led to – a country house in Hertfordshire known as Theobolds which once belonged to King James I.
View down Theobolds Road at its northern end. PICTURE: Courtesy of Google Maps
The house, which has been rebuilt many times and is now a conference centre, was actually where King James I died. Prior to his residency, it was home to Queen Elizabeth I’s advisor, William Cecil, Lord Burghley, and then his son, Robert Cecil, the first Earl of Salisbury.
The road, which the modern Theobolds Road forms part of, was apparently also known as the King’s Way due to its royal traveller – this royal connection is still retained in the nearby roadway known as Kingsway.
Among the famous residents of Theobolds Road was Prime Minister Benjamin Disraeli who was born at number 22 in 1804 (and is now commemorated with an English Heritage Blue Plaque, although this one is actually brown).
It’s that time of year again and the flowers are blooming at the annual RHS Chelsea Flower Show which started today and runs until Saturday. Here’s some images from this year’s event…
RHS Letters. Designed by Acacia Creative Studio at the RHS Chelsea Flower Show 2025. PICTURE: RHS/Tim SandallKing Charles III visits the Chelsea Flower Show 2025. PICTURE: RHS/Ollie DixonThe ‘Cha No Niwa – Japanese Tea Garden’, designed by Kazuyuki Ishihara which won the RHS Chelsea Garden of the Year. PICTURE: RHS/Neil HepworthQueen Camilla meets Chelsea Pensioners at The London Square Chelsea Pensioners Garden. PICTURE: RHS/Ollie DixonThe ‘Boodles Raindance Garden’, designed by Dr Catherine MacDonald. PICTURE: RHS/Neil Hepworth‘The Chelsea Punk’, created by Chelsea in Bloom at the RHS Chelsea Flower Show 2025. PICTURE: RHS/Neil HepworthThe ‘British Red Cross ‘Here for Humanity’ Garden’, designed by John Warland and Tom Bannister. PICTURE: RHS/Sarah Cuttle
• VE Day commemorations continue in London this week with an Evensong service to be held outside St Paul’s Cathedral this evening. The service to commemorate the 80th anniversary of the end of the war in Europe will be held between 5pm and 6pm. Following the service will be a lamp-lighting ceremony and blessing on the cathedral’s west steps with the cathedral bells being tolled as part of a national bell-ringing at 6:30pm. A replica of a World War II Spitfire can also be seen in front of the West Steps. The service is free and unticketed – entry is via Paternoster Square. For more, see www.stpauls.co.uk/whats-on/special-evensong-to-commemorate-80th-anniversary-of-end-of-second-world-war-in-europe-ve80.
• A major redisplay of the National Gallery’s collection – created as part of its bicentenary celebrations – can be seen from Saturday. C C Land: The Wonder of Art, which coincides with the opening of the transformed Sainsbury Wing after more than two years of building works, features more than 1,000 works and traces the development of painting in the Western European tradition from the 13th to 20th centuries. Among the works displayed are the Coronation State Portraits, commissioned from the artists Peter Kuhfeld and Paul S Benney and unveiled by King Charles III and Queen Camilla this week, which will be on display until 5th June when they will be moved to the Throne Room at Buckingham Palace. There are also newly restored works including the Pollaiuolo brothers’ The Martyrdom of San Sebastian and Jan van Eyck’s Portrait of a Man (Self Portrait?) and newly acquired works such as Eva Gonzalès’ The Full-length Mirror (about 1869‒70), Sir Lawrence Alma-Tadema’s After the Audience (1879) and Nicolas Poussin’s Eucharist (about 1637‒40) – one of the greatest paintings of the Last Supper. Meanwhile, a series of rooms have been dedicated to the work of individual artists including the likes of Titian (active about 1506‒1576), Rembrandt (1606‒1669) and Monet (1840‒1926) and one part of the new display focuses on King Charles I (1600‒1649) as a collector of art and includes major loans from the Royal Collection. Finally, in a first for the gallery, Segna di Bonaventura’s Crucifix (about 1310‒15) has been suspended from the gallery’s ceiling, enabling today’s audiences to view the work in the way it would have been seen in the 14th century. Entry to the gallery is free. For more, see nationalgallery.org.uk.
Tate Modern. PICTURE: Courtesy of the Tate Modern.
• The Tate Modern is celebrating 25 years this weekend with four days of festivities starting from tomorrow (Friday). A number of recent additions to Tate’s collection will go on display around the building for the anniversary and some of the most iconic works from Tate Modern’s history are coming back including Louise Bourgeois’s 10 metre high bronze spider Maman which was the first work to greet visitors when Tate Modern opened in 2000. Other returning works include Mark Rothko’s Seagram murals and Dorothea Tanning’s Eine Kleine Nachtmusik while among contemporary works being highlighted over the weekend is an immersive multi-screen film installation by Nalini Malani. Two new exhibitions are also open for the anniversary weekend – A Year in Art: 2050 whichexplores how artists imagine possible futures, and, Gathering Ground which features international contemporary art united by a deep connection to land and community. The weekend also features live music and performances, pop-up talks and tours, and special food and drink offers. For more, see https://www.tate.org.uk/whats-on/tate-modern/birthday-weekender.
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London commenced four days of national commemorations for the 80th anniversary of the end of World War II in Europe – known as Victory in Europe (VE) Day– on Monday.
A military processions of about 1000 members of the Royal Navy, British Army and Royal Air Force made its way from Parliament Gardens along Whitehall before turning through Admiralty Arch and down the Mall to Buckingham Palace. Some 23 aircraft were involved in a flypast.
Tea parties were also held across the country to mark the event, including at Buckingham Palace and 10 Downing Street.
The restaurant was opened by Edward Palmer, the great-grandson of General William Palmer, who was secretary to Warren Hastings, the first Governor General of India and the Moghul Princess Faisan Nissa Begum.
It’s name is said to have come from his mother’s family and Palmer is said to have been greatly influenced by the princess in the creation of the menu.
The restaurant – located in Victory House and entered from Swallow Street – was taken over by the MP William Steward in 1934. He sold it in 1967 and the restaurant later passed through several hands.
The current owners – Namita Panjabi & Ranjit Mathrani of MW Eat – bought it in 1996. They have since modernised the menu and interiors.
Over the years, the restaurant has attracted a star-studded clientele which included royalty including Edward, Prince of Wales (later King Edward VIII), King Abdullah of Jordan, and the Maharajah of Cooch-Behar as well as Winston Churchill, actor Marlon Brando and Princess Anne.
In 2016, the restaurant was awarded a Michelin star.
The restaurant, which is located on the Crown Estate, is currently collecting signatures for a petition asking King Charles III to intercede with the Crown Commissioners, asking them to renew its lease after the commissioner served a notice to vacate. The matter is currently before the courts.
Attributed to R. & S. Garrard, ‘Love Trophy’ Collar, 1901
Charles Baugniet, ‘After the Ball’: a Lady in a Ballgown Asleep on a Sofa, c1860–67
• The glamour and opulence of the Edwardian era – and the two royal couples that exemplified it – is the subject of a new exhibition opening at The King’s Gallery at Buckingham Palace tomorrow.The Edwardians: Age of Elegance takes an in-depth look at the lives of King Edward VII and Queen Alexandra, and King George V and Queen Mary, exploring not only their family interactions but their glittering social circles, travel adventures and, of course, the royal events they attended. More than 300 items are on display in the exhibition – almost half on show for the first time – with highlights including Queen Mary’s ‘Love Trophy’ Collar necklace which is on display for the first time, a Cartier crystal pencil case set with diamonds and rubies, and, a blue enamel Fabergé cigarette case featuring a diamond-encrusted snake biting its own tail which was given to King Edward VII in 1908 by his favourite mistress as a symbol of eternal love. There’s also a never-before-seen photograph of Edward wearing fancy-dress as a knight of the Order of Malta as he attended a ball celebrating Queen Victoria’s 1897 Diamond Jubilee, a previously unseen study of Sleeping Beauty by the Pre-Raphaelite artist Sir Edward Burne-Jones, and, Charles Baugniet’s After the Ball which is on show for the first time in more than a century. Runs until 23rd November. Admission charge applies. For more, see www.rct.uk.
• More than 100,000 tulip bulbs are springing to life at Hampton Court Palace for its annual Tulip Festival. The display includes an installation of 10,000 tulips in the palace’s Fountain Court, floating tulip bowls in the Great Fountain, a vintage horse cart spilling tulips in the Clock Court, free-style planting, inspired by the tulip fields of the Netherlands, in the Kitchen Garden and rare, historic and specialist varieties of tulips in the Lower Orangery. There will be daily “tulip talks” in the palace’s wine cellar exploring the history of the flower and how Queen Mary II introduced them to the palace. Runs from Friday until 5th May. Included in general admission. For more, see www.hrp.org.uk.
• The first major exhibition in 30 years dedicated to Cartier jewels and watches opens at the V&A this Saturday.Cartier, which is being held in The Sainsbury Gallery, charts the rise of the globally recognised jewellery house and how it became known as “the jeweller of kings and the king of jewellers”. The display features more than 350 objects with highlights including the Williamson Diamond brooch which was commissioned by Queen Elizabeth II in 1953 and which features the rare 23.6 carat pink Williamson diamond; the Scroll Tiara commissioned in 1902 and worn to the coronation of Elizabeth II and later by Rihanna on the cover of W magazine in 2016; Grace Kelly’s engagement ring (1956) that she wore in her final film High Society; Mexican film star María Félix’s snake necklace (1968); and, a selection of Cartier timepieces that embody its pioneering approach to watchmaking, including the Crash wristwatch, designed by Cartier London (1967). The exhibition runs until 16th November. Admission charge applies. For more, see vam.ac.uk/exhibitions/cartier.
A rectangular block of pale yellow sandstone decorated with a Latin cross, the Stone of Scone, also known as the Stone of Destiny, long featured in the crowning of Scottish kings. But in 1296, it was seized by King Edward I as a trophy of war.
He brought it back to England (or did he? – it has been suggested the stone captured by Edward was a substitute and the real one was buried or otherwise hidden). In London, it was placed under a wooden chair known as the Coronation Chair or King Edward’s Chair on which most English and later British sovereigns were crowned.
On Christmas Day, 1950, four Scottish nationalist students – Ian Hamilton, Kay Matheson, Gavin Vernon and Alan Stuart – decided to liberate the 152 kilogram stone and return it to Scotland.
The stone broke in two when it was dropped while it was being removed (it was later repaired by a stone mason). The group headed north and, after burying the greater part of it briefly in a field to hide it, the stone was – on 11th April, 1951 – eventually left on the altar of Arbroath Abbey in Scotland.
No charges were ever laid against the students.
It was brought back to the abbey and used in the coronation of Queen Elizabeth II in 1953.
The stone was eventually returned to Scotland in 1996 on the proviso it could be temporarily relocated back to London for coronations and now sits in Edinburgh Castle. It was taken to London temporarily in 2023 for the coronation of King Charles III but has since been returned.
The replica Stone of Scone at Scone Castle in Scotland. PICTURE: David Adams
There is a replica of the stone at Scone Castle in Scotland.
Yeoman Warders at the Tower of London. PICTURE: David Adams
• Almost 200 garments from the Royal Ceremonial Dress Collection are able to be explored online thanks to a new collaboration between Historic Royal Palaces, which looks after six royal palaces including Hampton Court Palace and the Tower of London, and Google Arts & Culture. Drawing on ultra-high-resolution photography and 3D scanning, the garments – which include everything from ceremonial uniforms such as those worn by Yeoman Warders and a rare Bristow hat which may have been worn by King Henry VIII to Queen Victoria’s silk shoes, a waistcoat worn by King George III and a dress worn by the future Queen Elizabeth II in 1927 when she was just 18-months-old – can now be viewed in unprecedented detail (a billion pixels per image) without the risk of the damage which can occur thanks to light, humidity, and handling. The Royal Ceremonial Dress Collection comprises over 10,000 pieces of historic dress and related materials spanning the period from the 16th century to the present day and features garments worn by monarchs and key historical figures, including, as well as the aforementioned, Prince Albert, Princess Margaret, and Diana, Princess of Wales. To see the items, head to goo.gle/royalwardrobe.
• Author, politician and artist Victor Hugo’s rarely seen works on paper have gone on show at the Royal Academy of Arts. Astonishing Things: The Drawings of Victor Hugo features around 70 works drawn from European collections and follows his preoccupation with drawing from early caricatures and travel drawings to later landscapes and abstract works. Arranged across four sections, the works on show include everything from Mushroom (1850) – which depicts a giant anthropomorphic toadstool, some of his many works depicting castles such as The cheerful castle (c 1847), and drawings that Hugo created in tandem with writing his 1866 novel The Toilers of the Sea, set in Guernsey in the years following the Napoleonic Wars, as well some relating to his most famous work, Les Misérables. The exhibition, being held in theJillian and Arthur M Sackler Wing of Galleries, can be seen until 19th June. Admission charge applies. For more, see royalacademy.org.uk.
• A “ground-breaking” exhibition showing the outsized impact British Black music has had on the world stage over the past 100 years has opened at the Barbican Music Library. Black Sound London highlights artists who created their own platforms, audiences, and spaces, often without mainstream support and spans genres including jazz, lovers’ rock, jungle, grime, and drill. Among the objects on show are vintage mixtapes, iconic magazine covers, and fly-posted walls. Runs until 19th July. For more, see www.cityoflondon.gov.uk/services/libraries/barbican-music-library.
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Its name, however, is said to be related to its proximity to the now-underground River Fleet which runs through Holborn and linked the area with the River Thames. It’s said that the pub’s clientele soon included dock workers and that it may have even had connections to smuggling and pirates. It was apparently these connections that gave the pub the name it still has today.
These days tucked down a narrow alleyway at 12 Gate Street in a building dating from 1923 (apparently considerably bigger than the original), the pub, which features wood panelled walls and leaded windows, has a storied history.
Having been established during the reign of King Edward VI, the pub is known to have provided a space for banned Catholic worship (complete with spotters to warn if officials were seen in the area and hiding places for the priests should the officials decide to raid the premises).
Indeed, the pub would have also served those who attended executions of Catholics such as Robert Morton and Hugh More who were executed in 1588 in the nearby Lincoln’s Inn Fields (other executions there included that of Anthony Babington, executed in 1586 after being convicted of plotting against Queen Elizabeth I, and Lord Russell, executed in 1683 for his involvement in the Rye House Plot).
Other clientele, meanwhile, may have come from the nearby thoroughfare of Whetstone Park which was once notorious for gambling houses and other illicit behaviours.
The Ship also has Freemason connections, being officially consecrated as a Masonic Lodge in 1736 by the then-Grand Master, the Earl of Antrim.
Famous figures said to have been associated with this pub include Richard “Trusty Dick” Penderell, who aided Charles I’s escape after the Battle of Worcester in September, 1651, the antiquarian John Bagford, the French diplomat and spy Chevalier d’Eon who lived both as a man and, later in life, as a woman, and John Smeaton, the builder of a lighthouse once located at Eddystone in Cornwell. It’s even been suggested Shakespeare visited.
There’s also said to be a number supernatural clients at the pub with mysterious figures seen sitting at tables and glasses being moved around (it’s been suggested some of these relate to the persecution of Catholics on the site).
The disappearance of King Edward V and his brother, Richard, Duke of York, after being last seen in the Tower of London is one of London’s most famous mysteries. And while it’s one we’ve written about before, we thought we’d take a look at the recent announcement that new evidence had been found in the matter.
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Red phone boxes in Covent Garden in 2017. PICTURE: Nick Fewings/Unsplash
They’re one of the most iconic and enduring symbols of London – the once ubiquitous red phone boxes. But what are their origins and how did they come to be red?
The phone boxes went through several iterations with the first standardised kiosk to house public telephones – a concrete box appropriately designated K1 – introduced by the General Post Office, manager of the telephone network, in 1921. It was usually painted cream with a red door.
These were subsequently produced in cast iron and while Scott had apparently suggested they be painted silver with a green-blue interior, they were painted red. The Post Office’s pillar boxes were already painted this colour which was thought to be good for visibility, so it followed the colour could be used for phone boxes as well.
The K3, made of reinforced concrete and again designed by Scott, was introduced in 1929. Various other iterations were also produced including the K6 which Scott designed to commemorate the Silver Jubilee of King George VI (it was the most in-use across the UK).
New designs continued to be rolled out in the ensuing decades and appeared in a range of colours.
The number of BT-operated telephone boxes in the UK is, according to BT, said to have peaked at about 92,000 in 1992.
While call volumes from public phone boxes have continued to decline in recent years, it was reported that about five million calls were made in the year to May, 2020, illustrating the ongoing need for some to remain.
Located close to the River Thames, Richmond Lodge was a royal hunting lodge before becoming a favoured residence for Hanoverian royals for several decades in the 18th century.
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• One of the world’s most valuable watches – the No 160 watch which Abraham-Louis Breguet designed for Marie Antoinette but which wasn’t completed until the 1820s, well after her death – is the star of the show at the Science Museum’s new exhibition Versailles: Science and Splendour. Opening today, the exhibition, created in partnership with the Palace of Versailles, takes visitors on “a 120-year journey through the evolution of science at Versailles” and explores how Louis XIV, Louis XV and Louis XVI encouraged the pursuit of scientific knowledge and harnessed that knowledge as a tool of power. More than 100 objects are on display and, along with Breguet’s watch, they include Louis XV’s rhinoceros, a detailed map of the moon by Jean-Dominique Cassini, and Claude-Siméon Passemant’s Clock of the Creation of the World (1754). The watch, meanwhile, has its own fascinating history, including two decades in which its whereabouts were unknown after it was stolen in 1983 (in fact, its display in this exhibition marks the first time the timepiece has travelled abroad since its safe return to the LA Mayer Museum for Islamic Art in 2008). Runs until 21st April. Admission charge applies. For more, see sciencemuseum.org.uk/see-and-do/versailles.
• A medieval silk seal bag, which dates from the reign of King Henry III, has gone on public display for the first time in the Queen’s Diamond Jubilee Galleries at Westminster Abbey. The display follows the discovery by scholars that the bag’s material is a perfect match to the silk cloth used to wrap the remains of the Emperor Charlemagne when he was buried in Germany’s Aachen Cathedral (Charlemagne, seen as the first Holy Roman Emperor, died in 814 but was re-buried in the karlsschrein (Charles’s shrine) at Aachen in 1215). The bag at the abbey contains a wax seal, the Great Seal of King Henry III, which was attached to an inventory of the jewels and precious items on Edward the Confessor’s shrine located in the heart of the abbey. It was drawn up in 1267 when Henry III was in financial difficulties and forced to pawn items from the shrine to Italian merchants to raise funds (it is believed the items were all returned within 18 months). The silk used for Charlemagne’s shroud is believed to have been spun in the 12th century in Spain or the eastern Mediterranean and, while the small piece at the Abbey originates from a separate silk, it is understood that it would have been produced by the same weavers on the same loom. The bag can been seen until Easter next year. Admission charge applies. For more, see www.westminster-abbey.org/visit-us/plan-your-visit/the-queens-diamond-jubilee-galleries/.
• A new interactive electric bus display has opened at the London Transport Museum in Covent Garden. The Wrightbus Electroliner display – which has been provided by Transport UK London Bus – is based on an electric vehicle bus type which has been part of the fleet of buses operating in London since 2023. The new display features the front of the bus and includes an interactive driver cab and passenger space. Admission charge applies. For more, see www.ltmuseum.co.uk.
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The Tower of London is known for many mysteries – the most famous, perhaps, being the fate of the two ‘Princes in the Tower’. But among the other mysterious deaths which took place behind the closed doors of the fortress is the death of the deposed King Henry VI.
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