What’s in a name?…Harley Street…

by exploringlondon

A Marylebone street which is synonymous the world over with the private medical profession, Harley Street’s name is taken from the surname of the second Earl of Oxford, Edward Harley.

Harley-StreetHis Lordship, who lived between 1689 and 1741, was a land developer and was responsible for the development of land north of Oxford Street in the early 18th century.

As was the fashion, he named Harley Street after himself – but it’s certainly not the only street  which he dubbed with his own moniker. The earl also held the titles of Earl Mortimer (Mortimer Street) and Baron Wigmore (Wigmore Street, Wigmore Place and hence the music venue Wigmore Hall) and also came to own Wimpole Hall in Cambridgeshire (Wimpole Street) and Welbeck Abbey in Northamptonshire (Welbeck Street and Welbeck Way).

But the ties to the earl don’t end there: in 1713 he married Lady Henrietta Cavendish Holles (Henrietta Place, Cavendish Square, New Cavendish Street and Holles Street) while their daughter Margaret married William Bentinck (Bentinck Street), the 2nd Duke of Portland (Great Portland Street, Little Portland Street and Portland Place).

Incidentally, after the earl’s death, the area passed to his daughter and become known as the Portland Estate. It remained the property of the Dukes of Portland for five generations until the fifth duke died without issue in 1879 and the land passed to Lucy Joan Bentinck, widow of the 6th Baron Howard de Walden. Thus Harley Street now forms part of a 92 acre area known as the Howard de Walden Estate.

But back to Harley Street itself. Its association with the private medical profession dates from the latter half of the 19th century when there was a dramatic increase in the number of those engaged in the profession moving into the area, attracted by its quality housing and accessibility (the numbers still remain significant today). The name Harley Street today refers to both the street and also more generally to the surrounding area.

The long list of famous residents who have lived in the street have included painter JMW Turner (number 64 between 1799 and 1805), Victorian-era PM William Ewart Gladstone (number 73 and geologist Sir Charles Lyell also lived here in a premises which is now The Harley Street General Practice) and, made famous through the film, The King’s Speech, Australian speech therapist Lionel Logue who had his practice at number 146.

Treasures of London – Royal Charter for the Society of Artists in Great Britain……

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The Charter for the Society of Artists of Great Britain and its associated Roll of Obligation have been rediscovered at the Royal Academy of Arts, 250 years after was society was founded. The documents, long thought to have been missing, date from 1765 and signify the formation of artists as a professional group in Britain. They form a crucial piece in history of the development of the Royal Academy of Arts, which formed in 1768 when a group of artists broke away from the society. The Charter, which consists of three pages of vellum with a portrait of a young King George III, hadn’t been seen since 1918. It and the Roll of Obligation – which features the crossed-out names of artists ‘expelled’ from the society, including the RA’s first president, artist Joshua Reynolds and German-born Johann Zoffany – were rediscovered earlier this year during an audit of the RA collections. The finding coincides with the 250th anniversary of the formal foundation of the society when it was granted a Royal Charter by King George III. Both documents will go on show from 2018 – the 250th anniversary of the founding of the RA – in new exhibition areas being created as part of the transformation taking place at the RA. For more on the Royal Academy, see www.royalacademy.org.uk.

This Week in London – V&A reopens Europe 1600-1815 galleries; the Victorian era’s finest; and, ‘Handel’s Performers’…

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• The V&A has reopened its ‘Europe 1600-1815’ galleries to the public this week following a major £12.5 million refurbishment. The seven transformed galleries, located close to the South Kensington museum’s grand entrance, tell the story of how France succeeded Italy as the “undisputed leader” of fashionable art and design in Europe in the late 17th century and how Europeans systematically “explored, exploited and collected” resources from Africa, Asia and the Americas. Featuring more than 1,100 objects, the galleries – redesigned in conjunction with architectural practice ZMMA – include four V&A2large rooms introducing the story of Europe across the period and three smaller rooms focusing on specific activities – ‘collecting in the Cabinet’, ‘enlightened thought in the Salon’, and ‘entertainment and glamour in the Masquerade’. Objects on display include a highly ornate Rococo writing cabinet made from Augustus III (on show for the first time since it has undergone a conservation work), a newly conserved 18th century bed from the Parisian workshop of George Jacob – furniture maker to Napoleon, a 17th century Venetian table by Lucio de Lucci and Pierre-Denis Martin’s oil painting, The Visit of Louis XIV to the Chateau de V&A3Juvisy (both on show for the first time) as well as several large recently cleaned tapestries including the 1860s Gobelins tapestry, The infant Moses tramples on Pharoah’s crown. The display also includes three recreated period rooms – a 17th century French bedchamber, Madame de Sérilly’s cabinet and a mirrored room from 18th century Italy – while in the Salon can be found a contemporary installation, The Globe. A curved architectural sculpture, it is the creation of Havana-based artist collective Los Carpinteros and forms a “room within a room” within the ‘Salon’. It will be used for events and discussions. Entry to the galleries is free. For more, see www.vam.ac.uk/europegalleries. PICTURES: David Grandorge/©Victoria and Albert Museum, London.

• On Now: A Victorian Obsession: The Pérez Simón collection. This exhibition at the Leighton House Museum – former home of artist Frederic, Lord Leighton – features more than 50 works by leading Victorian artists, some of which are rarely exhibited. The paintings, which include six works by Leighton himself as well as works by Dante Gabriel Rossetti, Edward Burne-Jones, John Everett Millais and John William Waterhouse, all form part of the collection of Mexican Juan Antonio Pérez Simón who has the largest private collection of Victorian art outside the UK. The highlight of the exhibition, however, is Lawrence Alma-Tadema’s The Roses of Heliogabalus, being shown in London for the first time since 1913. Admission charge applies. The exhibition at the property on the edge of Holland Park runs until 6th April. For more, see www.leightonhouse.co.uk.

• On Now: Handel’s Performers. This display of portraits and documents in The Foundling Museum’s Handel Gallery is a showcase of celebrities and singers who brought the work of composer George Frideric Handel’s work to the public in the 18th century. Among those depicted are Anastasia Robinson and Senesino, among the highest paid singers of their time, Anna Maria Strada, a leading soprano, Gustavus Waltz, a bass singer who sang at the benefit performance of Handel’s Messiah at the Foundling Hospital in 1754, and John Hebden, who played in the orchestra during benefit performances of the Messiah in 1754 and 1758. Runs at the Bloomsbury museum until 1st May. Admission charge applies. For more, see www.foundlingmuseum.org.

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10 London ‘battlefields’ – 7. Battle of Brentford…

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Syon-Park

Yes, we’re a bit out of order here given we looked at the subsequent Battle of Turnham Green last week, but today we’re taking a look at the Civil War fight known as the Battle of Brentford.

As recounted last week, having taken Banbury and Oxford in the aftermath of the Battle of Edgehill, the Royalist army marched along the Thames Valley toward London where a Parliamentarian army under the Earl of Essex waited.

Battle-of-BrentfordHaving arrived at Reading to the west of London, King Charles I, apparently unconvinced peace talks were heading in the right direction, ordered Prince Rupert to take Brentford in order to put pressure on the Parliamentarians in London.

On 12th November, 1642, up to 4,600 Royalists under the command of the prince engaged with two Parliamentarian infantry regiments at Brentford, one of the key approaches the City of London. The Parliamentarians were under the command of Denzil Hollis (who wasn’t present) and Lord Brooke – various estimates put their number at between 1,300 and 2,000 men.

Prince Rupert’s men – consisting of cavalry and dragoons – attacked at dawn under the cover of a mist. An initial venture to take a Parliamentarian outpost at the house of Royalist Sir Richard Wynne was repulsed by cannon fire but Sir Rupert ordered a Welsh foot regiment to join the fight and the outpost was quickly taken.

The Cavaliers then pushed forward across the bridge over the River Brent (which divided the town) and eventually drove the Parliamentarians from the town and into the surrounding fields (part of the battle was apparently fought on the grounds of Syon House – pictured at top).

Fighting continued into the late afternoon before the arrival of a Parliamentarian infantry brigade under the command of John Hampden allowed the Roundheads to withdraw.

About 170 are believed to have died in the battle (including a number who drowned fleeing the fighting). Followed by the sack of the town, the battle was a success for the Royalists who apparently captured some 15 guns and about 400 prisoners. The captured apparently included Leveller John Lilburne, a captain in Brooke’s regiment.

The Royalists and Parliamentarians met again only a few days later – this time at Turnham Green (for more on that, see last week’s post).

Incidentally, this wasn’t the first battle to be fought at Brentford. Some time over the summer of 1016, English led by Edmund Ironside clashed with the Danes under the soon-to-be-English king Canute. Edmund was victorious on the day, one of a series of battles he fought with Canute.

Meanwhile, more than 1000 years earlier, it was apparently at Brentford that the British under the King Cassivellaunus fought with Julius Caesar’s men in 54 BC on their approach to St Albans (Verulamium).

A pillar stands High Street in Brentford commemorating all three battles while there is an explanatory plaque about the battle in the grounds of Syon Park.

For more the Battles of Brentford and Turnham Green, see www.battlefieldstrust.com/brentfordandturnhamgreen.

LondonLife – Christmas at Covent Garden…

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Covent-Garden2

Covent-Garden4Take your chance to ‘meet under the mistletoe’ this year at Covent Garden, thanks to the designs of renowned  production designer Michael Howells. Howells, whose previous credits include fashion shows for the likes of Alexander McQueen as well as sets for films including Nanny McPhee and theatre productions such as Chariots of Fire, has come up with a design featuring more than 40 “mistletoe chandeliers” of up to 3.5 metres in size, each of which is adorned with almost 700 glistening berries.  The chandeliers are united by more than 320 metres of garlands while about 100,000 pealights are suspended inside the historic Market Building. Outside, London’s biggest hand-picked – and richly decorated – Christmas tree once again stands in the piazza.  For more on Covent Garden, see www.coventgarden.london.  PICTURES: Courtesy of Covent Garden.

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Covent-Garden1

 

London Pub Signs – The Old Bank of England…

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This Fleet Street pub has an intriguing history. Its name comes from the fact it is housed in what was, until 1975, the former Law Courts branch of the Bank of England.

Sold to a building society, it was transformed into a rather spectacular pub after it was purchased and refurbished by Fuller, Smith and Turner in 1994.

The-Old-Bank-of-EnglandGo further back to the 16th and 17th centuries and the site was occupied by two taverns, The Cock and The Haunch of Venison.

They were both demolished in 1888 to make room for the new bank branch, located, as the name suggests, just up the street from the Royal Courts of Justice.

While it’s been reworked to suit a pub instead of a bank, the remains of the opulent “High Victorian” interior of the bank can still be seen when you step through the doors – no more so than from the upstairs gallery which overlooks the pub.

It also plays a role in the story of legendary 18th century figure Sweeney Todd, the ‘demon barber’ of Fleet Street.

The site stands between Todd’s barber shop at number 186 Fleet Street and the pie shop on Bell Yard owned by his lover, Mrs (Margery) Lovett. As such, it’s said that it was in tunnels below the building on the site that the bodies of Todd’s victims were dismembered and used for pie filling before the pies were sold by Mrs Lovett.

The basement now contains what’s left of vaults which were formerly used to store gold bullion – they were also apparently briefly used to store the Crown Jewels during World War I.

The pub is located at 194 Fleet Street. For more on the pub – which also has an outdoor eating area, see www.oldbankofengland.co.uk.

Treasures of London – ‘Locking Piece’…

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Locking-Piece

A Henry Moore original, Locking Piece was created in 1963-64 and first located on its current site on Riverwalk Gardens at Millbank, site of the former Millbank Penitentiary, four years later. The bronze sculpture consists of, as the name suggests, two interlocking pieces. There’s a couple of conflicting stories about where the idea for the work came from – in one, Moore said he was visiting a gravel pit near his home at Perry Green in Hertfordshire where he was playing with two pebbles which suddenly locked together (and hence came the idea of a sculpture of two interlocking pieces); and in another, Moore said the idea came from a bone fragment featuring a socket and joint found in his garden. Originally loaned to Westminster City Council, in 1978 the sculpture was given to the Tate Gallery which subsequently decided to leave the piece in situ. It’s one of numerous Moore works in London. For more on Henry Moore’s London works, see www.henry-moore.org/works-in-public/world/uk/london.

This Week in London – Christmas at Kensington and the Geffrye; and Ebola and ISIS at the IWM…

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• Christmas is looming and that means Christmas themed events happening all over London. Here’s a couple worth considering:

• Kensington Palace: Head back into the Victorian era where so many of the Christmas traditions we know and love find their origins. The palace and gardens have been decorated with period-inspired decorations while inside decorations include the beautifully decorated tables where Queen Victoria and Prince Albert showcased their Christmas gifts. There’s talks on the origins of Christmas foods such as plum pudding, music and carolling, and the cafe is serving up seasonal food and drink while on Saturday, a special brunch time lecture will look behind the curtains into the world of Victorian pantomime and performance. Admission charges apply – check the website for dates. For more, see www.hrp.org.uk/kensington-palace/.

• The Geffrye Museum: This Shoreditch institution is once again celebrating Christmas traditions of the past in its annual display showcasing the past 400 years of Christmas traditions. Christmas Past has taken place at the museum for the past 25 years and is based on ongoing, original research. It provides insights into everything from traditional Christmas feasts to kissing under the mistletoe, playing parlour games, hanging up stockings, sending cards, decorating the tree and throwing cocktail parties. A series of related events, including a concert by candlelight, are being held over the Christmas season. The display, which has free entry, closes on 3rd January. For more, see www.geffrye-museum.org.uk.

 

• Ebola and the fight against ISIS are the subject of a new exhibition which opened at the Imperial War Museum in Lambeth last month. Fighting Extremes: From Ebola to ISIS looks at the experiences of British personnel serving on recent operations including the response to the Ebola outbreak in Sierra Leone and the fight against ISIS in the Middle East. The display features behind the scenes interviews such as an in-depth talk with Corporal Anna Cross, a British Army nurse who contracted Ebola, photographs, and recently acquired objects such as the Wellington boots worn by healthcare worker Will Pooley, the first Briton to contract Ebola who was evacuated from Sierra Leone by the RAF, a headset used by an RAF drone pilot, and a shooting target depicting a silhouette of an ISIS suicide bomber used by the British Army to train Peshmerga troops. For more, see www.iwm.org.uk.

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10 London ‘battlefields’ – 6. Battle of Turnham Green…

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Battle-of-Turnham-Green

Part of the English Civil War, this battle – really no more than a skirmish – between the Royalists and the Parliamentarians which prevented the Royalists from attacking London which ultimately forced the Royalists to spend winter in Oxford.

Having taken Banbury and Oxford in the aftermath of the inconclusive Battle of Edgehill, a Royalist army had marched along the Thames Valley toward London.

On the 12th November, 1642, the Royalists had defeated two Parliamentarian regiments at Brentford to the west of the City of London. Under the command of Patrick Ruthven, Earl of Forth, but with King Charles I among them, the Royalists, who numbered some 12,000 men, then camped overnight at a site believed to be at or near the village of Turnham Green, now in west London.

Meanwhile, a Parliamentarian army under command of Robert Devereux, Earl of Essex, joined up with London militia under the command of Major General Philip Skippon at Chelsea Field. Numbering some 24,000, they advanced upon Turnham Green where the Royalists awaited them.

By 8am on the 13th, the two armies had formed lines running roughly north to south across Turnham Green, Chiswick Common Field and Acton Green with the Parliamentarian line stretching from the site of what is now Turnham Green Tube station to the grounds of Chiswick House and the Royalist lines stretching from south of Chiswick Park Tube station to the Great West Road.

Both lines apparently had infantry at the centre with cavalry on the flanks. Essex, attempting to outflank the Royalists, sent troops to high ground at Action but, concerned about splitting his army, soon withdrew them.

The battle them became something of a stalemate – Essex, not seeking to do any more than block the Royalist advance, was happy to wait while the Royalists, outnumbered, short of ammunition and said to have been unwilling to put the Londoners offside, did likewise.

Eventually, late in the afternoon, the Royalists withdrew westward and Essex, who was much criticised for it afterward, gave a half-hearted pursuit. King Charles I then ordered his army back up the Thames Valley to Oxford where they ended up passing the winter.

Less than 50 men in total are said to have died in the indecisive clash which, it can be argued, helped to ensure that the Civil War would go on for another four long years.

While much of the site of the skirmish has been built upon, glimpses of the open ground which once stood here can still be seen. There is an information panel about the battle opposite Turnham Green Tube station.

For more on the English Civil War, see Blair Worden’s The English Civil Wars: 1640-1660.

LondonLife – An illuminated Christmas at Kew…

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Kew-GardensIt was Queen Charlotte who first dressed the branches of a Christmas tree in Kew Palace in the 1790s and, drawing on that tradition, Kew Gardens is once again hosting a mile long winter light experience. Visitors can walk through ribbons of light, count the festooned Christmas trees and listen to a holly bush choir as well as see larger than life winter flora such as snowdrops and Christmas roses and pause at the scented Fire Garden for a moment of reflection. Santa and his elves are appearing on stage at the Princess of Wales Conservatory and a Victorian carousel and other rides are located at the White Peaks Cafe where visitors can sample goodies like mulled wine, spiced cider and roasted chestnuts.  The after-dark event runs from 5pm to 10pm on select dates until 2nd January. Admission charge applies. For more, see www.kew.org. PICTURE: The Palm House at Kew Gardens lit up for Christmas. Courtesy Kew Gardens.

This Week in London – Alice in Wonderland’s 150th; Remembering Julia Margaret Cameron; and, Imperial Britain’s artistic influence…

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John-Tennial-illustration• A new exhibition has opened at the British Library in Kings Cross to mark the 150th anniversary of the publication of Alice’s Adventures in Wonderland. The free exhibition explores the story of how the tale came to be written and features Lewis Carroll’s handwritten manuscript of Alice’s Adventures Under Ground (complete with 37 illustrations by Carroll) as well as an entry from Carroll’s diary in which he relates how he first came to tell the story to Alice Liddell and her sisters on the “golden afternoon” of 4th July, 1862. Other highlights include two first editions of Alice’s Adventures in Wonderland with illustrations by Sir John Tenniel (including the suppressed first edition; suppressed because Carroll and Tenniel were unhappy with the quality of the illustrations), the first movie adaption of the story – a 1903 silent film, early Alice memorabilia, and three new computer game concepts. The exhibition, which runs until 17th April, is accompanied by a series of events and a pop-up shop. For more, see www.bl.uk/events/alice-in-wonderland-exhibition. PICTURE: Sir John Tenniel’s illustration of Alice and the Cheshire Cat from the 1866 edition of Alice’s Adventures in Wonderland by Lewis Carroll © The British Library Board.

• An exhibition featuring more than 100 photographs by celebrated 19th century photographer Julia Margaret Cameron opens at the V&A on Saturday to mark the bicentenary of her birth. The display at the South Kensington museum offers a retrospective of her work and looks at her relationship with the V&A’s founding director Sir Henry Cole who presented the only exhibition of her work during her lifetime in 1865. Her relationship with the museum goes back to the very start of her work – within two years of being given a camera by her daughter she was selling and giving photographs to what was then the South Kensington Museum while, in 1868 she was granted the use of two rooms at the institution to use as a portrait studio, becoming the museum’s first artist-in-residence. The exhibition features original prints acquired from Cameron as well as a selection of her letters to Cole, his 1865 diary, the first photograph identified as being of her studio and a variety of her portraits in which family, friends and servants posed as characters from Biblical, historical and allegorical stories. The free exhibition runs until 21st February. For more, see www.vam.ac.uk/juliamargaretcameron.

• The influence of the British Empire on art over the past 400 years is the subject of a new exhibition which opened in Tate Britain’s Linbury Galleries yesterday. Artist and Empire will showcase art from across the empire – including the British Isles, North America, the Caribbean, the Pacific, Asia and Africa – and features some 200 paintings, drawings, photographs, sculptures and artefacts. These include paintings by the likes of George Stubbs and Anthony Van Dyck through to Indian miniatures, Maori objects, and the works of contemporary artists such as Sonia Boyce and Judy Watson. Runs until 10th April at the Milbank gallery. The exhibition is free. For more, see www.tate.org.uk.

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10 London ‘battlefields’ – 5. Battle of Barnet…

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Hadley-HighstoneAn important battle during the late medieval Wars of the Roses, the Battle of Barnet was fought on 14th April, 1471, between the Yorkists, led by the deposed King Edward IV and Lancastrian forces loyal to the King Henry VI.

While we have looked briefly at the battle before as part of our A Moment in London’s History series (see here), we thought we’d take a more in-depth look.

Edward had been driven from the throne in October, 1470, after his alliance with the powerful Richard Neville, Earl of Warwick, the “Kingmaker”, fell apart. With King Henry VI restored to the throne, Edward was exiled over the Channel.

By early 1471, Edward was ready to make his push for the throne again and in March he landed in Yorkshire in England’s north along with his brother-in-law, the Duke of Burgundy.

Heading south, Edward gathered more troops as he went, briefly pausing at Coventry where the Earl of Warwick refused to offer battle before pressing on to London, arriving unopposed on 12th April. There he was reunited with his wife Elizabeth Woodville and young son Edward (later Edward V) and the hapless King Henry VI was once again  taken into Yorkist custody.

The Earl of Warwick, who had been raising troops in the Midlands, moved with a 15,000-strong force to confront him and took up a position about a mile north of the village of Barnet, just north of the City, on 13th April.

Edward – who brought 10,000 to 12,000 troops to the fight and had his brothers, the erstwhile traitor George, Duke of Clarence, and the young Richard, Duke of Gloucester, by his side – arrived that same evening and took up a position just to the south of the Lancastrians. Unaware of the close proximity of the Yorkists (it’s not known whether this was by accident of design but Edward had instructed his men not to light fires and to keep silent), the Lancastrian artillery flew over their heads.

The battle was joined in earnest the following day – Easter Sunday – at around dawn. The Lancastrians were initially successful in driving back Edward’s forces on the right flank under the command of John de Vere, the Earl of Oxford, but thick fog is said to have been responsible for sowing confusion in the Lancastrian ranks, leading to allies attacking each other and the Lancastrian army eventually fell apart amid cries of treachery.

Warwick was killed in the battle as he attempted to reach his horse. His body was allowed to be displayed at St Paul’s before being buried in the family vault.

The exact site of the battle remains something of an unknown although it is thought to be located in Monken Hadley just to the north of Barnet itself (that is the area marked on the official English Heritage Register of Historic Battlefields).

A stone monument to the battle, the Hadley Highstone, was erected in the 18th century and in the 1800s was moved to its current location at the junction of Kitts End Road with the Great North Road in Monken Hadley and was originally thought to have marked the spot on which Warwick died. The Battlefields Trust is currently developing a project to pin down the location further.

The battle was a resounding victory of King Edward IV for while some suggest the numbers killed were said to be about the same on both sides – somewhere between 1,000 and 4,000, Warwick was removed, depriving the Lancastrians of a key ally and giving the Yorkists a significant edge in the ongoing conflict which saw Edward IV back on the throne for the next 14 years.

PICTURE: Nigel Cox/Wikipedia

For more on the Wars of the Roses, see Alison’s Weir’s book Lancaster And York: The Wars of the Roses.

LondonLife – Rediscovering Londinium’s residents…

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Harper Road Woman (c) Museum of LondonA detailed picture of the inhabitants of Roman London, known as Londinium, has been created for the first time, the Museum of London announced this week. Detailed analysis of the DNA of four skeletons has revealed a culturally diverse population. The examined skeletons include that of a Roman woman (pictured left), likely to have been born in Britain with northern European ancestry, found buried with high status grave goods at Harper Road, Southwark, in 1979, and another of a man, whose DNA revealed connections to Eastern Europe and the Near East, who was found at London Wall in 1989 with injuries to his skull which suggest he may have been killed in the nearby amphitheatre before his head was dumped in a pit. The other two skeletons examined were found to be that of a blue-eyed teenaged girl found at Lant Street, Southwark, in 2003, believed to have been born in north Africa, whose ancestors lived in south-eastern Europe and west Eurasia, and that of an older man found at Mansell Street who was born in London and whose ancestry had links to Europe and north Africa. The examination – the first multi-disciplinary study of the inhabitants of a Roman city anywhere in the empire – also revealed that all four suffered from gum disease. Caroline McDonald, senior curator at the museum, said that while it has always been understood Roman London was a culturally diverse place, science was now “giving us certainty”. “People born in Londinium lived alongside people from across the Roman Empire exchanging ideas and cultures, much like the London we know today.” The four skeletons will form the basis of a new free display, Written in Bone, opening at the Museum of London on Friday. PICTURE: © Museum of London

WHERE: Museum of London, 150 London Wall (nearest Tube stations are Barbican and St Pauls); WHEN: 10am to 6pm daily; COST: Free; WEBSITE: www.museumoflondon.org.uk.

Famous Londoners – William Hewer…

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The National Maritime Museum is hosting a new exhibition on the life of Samuel Pepys and, while we’ve looked at the life of the famous diarist before (see our earlier post here), we thought we’d take a look at his not-so-famous manservant and clerk William Hewer.

“Will” Hewer, who is mentioned several times in Pepys’ diary and, as well as being a business partner also became a fast friend of Pepys, is thought to have been born in about 1642.

He was first introduced to Pepys when still a young man – about 17 – by his uncle Robert Blackborne in 1660. They obviously hit it off because Hewer, who was the son of a stationer, was soon working as a manservant and clerk for Pepys in his role as Clerk of the Acts to the Navy Board.

Hewer, who was subjected to some bullying by Pepys who apparently could reduce him to tears (but at the same time Pepys also defended him at work from attacks from others), at first lived with Pepys at his Seething Lane home. However, by late 1663 – apparently thanks to his misbehaviour which included staying out late, drunkenness and corrupting maids – he was told to leave Pepys’ house and moved into his own lodgings.

Pepys moved to the Admiralty in 1673 and Hewer went with him, appointed Chief Clerk the following year. In 1677, he was appointed as Judge Advocate-General.

Hewer’s star continued to climb and in 1685, he was appointed MP for Yarmouth, on the Isle of Wight. The following year he was appointed to the Special Commission which replaced the Navy Board and had a special responsibility for accounts.

After King James II fled the country in 1688, Hewer, along with Pepys, lost their patronage from the Crown; both were briefly imprisoned, but were released without trial.

Thanks largely to his involvement in trading with his uncle Blackborne – who served as both Secretary to the Admiralty and Secretary to the British East India Company and to an inheritance he received from his father, Hewer became a wealthy man (as was the case with Pepys, there have been suggestions he may have made considerable illicit sums from people doing trade with the Navy thanks to his position, but these claims have not been substantiated).

Hewer, who never married (but he did apparently have a special attachment to Pepys wife Elizabeth who was of a similar age), owned a house near The Strand which became the Admiralty Office when he followed Pepys from the Navy Board. Pepys lived with him in the house when he was at the Admiralty.

He also owned other properties, including a country retreat on Clapham Common which he bought in 1688. It was here that Pepys lived in during his latter years (and where he died in 1703).

Hewer was the executor of Pepys’ will and kept his library – including, of course, his famous diary until his own death on 3rd December, 1715. He was buried in St Paul’s Church, Clapham. In an odd twist, his estate was left to his godson Hewer Edgeley but only on the condition that he change his surname to Hewer, becoming Hewer Edgeley-Hewer.

Hewer is depicted in a painting by Godfrey Kneller (1689) now in the National Maritime Museum’s collection. It was a pair with another painting by Kneller of Pepys.

WHERE: Samuel Pepys: Plague, Fire, Revolution is at the National Maritime Museum, Greenwich (nearest DLR station is Cutty Sark; nearest railway stations are Greenwich and Maze Hill; and nearest river pier is Greenwich); WHEN: 10am to 5pm daily; COST: £12 adults/£6 children WEBSITE: www.rmg.co.uk/see-do/exhibitions-events/samuel-pepys-plague-fire-revolution-exhibition.

For more on Pepys, see Margarette Lincoln’s book Samuel Pepys: Plague, Fire, Revolution.

LondonLife Special – Expressing solidarity with Paris…

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Pray for Paris

A week ago tonight the world was left reeling in the wake of the devastating series of coordinated terrorist attacks in Paris, France, which have left 132 people dead and hundreds more wounded. In the wake of the attacks, national landmarks across the world were lit up in the colours of the French flag, among them, the London Eye, overlooking the River Thames. PICTURE: Martin Sylvester/Digital Concepts.

 

This Week in London – Samuel Pepys and his world revealed; the world of contemporary cycling; and, Indian jewellery traditions…

by exploringlondon

Samuel-Pepys• The largest exhibition ever mounted about the life of 17th century diarist Samuel Pepys opens at the National Maritime Museum in Greenwich tomorrow. Samuel Pepys: Plague, Fire, Revolution features more than 200 paintings and objects brought together from museums, galleries and private collections which explore the life of the famous diarist (depicted here in a bust outside the Guildhall Art Gallery) against the backdrop of the tumultuous events of Stuart London, from the execution London of King Charles I in 1649 through the Great Fire of London and the Glorious Revolution on 1688. Objects on show include the famous painting, Portrait of Charles II in Coronation Robes, objects connected to Pepys’ mistresses including one of his love letters to Louise de Kéroualle (aka ‘Fubbs’ or ‘chubby’) and other personal items such as a lute owned by Pepys. The exhibition is accompanied by a series of events including Pepys Show Late: Party like it’s 1669 (26th November) and a series of walks and talks. Admission charge applies. The exhibition runs until 28th March. For more, see www.rmg.co.uk/national-maritime-museum.

• Cycles are in the spotlight at the Design Museum in Shad Thames with a new exhibition, Cycle Revolution, opening yesterday. The display, which focuses on the world of contemporary cycling, features dozens of bicycles from key manufacturers as well as high end accessories, items belonging to celebrated cyclists Sir Chris Hoy and Sir Paul Smith and specially commissioned films and photography. It looks at cycling subcultures – everyone from the “high performers” to the “cargo bikers”, examines manufacturing techniques and innovations in the use of materials and design with exhibits including a large scale recreation of a bespoke bicycle making workshop, and tackles questions about the future of cycling particularly in relation to the urban environment. The exhibition is being accompanied by a ‘cycle cafe’, large scale installations and a series of public events. Runs until 30th June. Admission charge applies. For more, see www.designmuseum.com.

• The jewellery traditions of the Indian sub-continent are set to sparkle at a new exhibition opening at the V&A in South Kensington this Saturday. Part of the V&A India Festival, Bejewelled Treasures: The Al Thani Collection features 100 items, drawn from a single private collection, including a Golconda diamond given to Queen Charlotte by the Nawab of Arcot in South India in 1767, a jade-hilted dagger that belonged to the 17th century emperor Shah Jahan (builder of the Taj Mahal), and a jewelled gold tiger’s head from the throne of the Tipu Sultan of Mysore. As well as showcasing the types of jewels collected by the Mughal emperors, the exhibition reveals the influence of India on European jewellery houses in the early 20th century and the ongoing impact of Indian influences on more modern pieces. The exhibition runs until 28th March. Admission charge applies. For more, see www.vam.ac.uk/BejewelledTreasures.

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10 London ‘battlefields’ – 4. Jack Cade’s rebellion…

by exploringlondon

London-StoneLittle is known of Jack Cade until the former soldier from Kent led an uprising against the rule of King Henry VI during the Hundred Years War with France. And London was a key site of fighting during the uprising.

Cade, who adopted the name John Mortimer and who some claimed to have been a relative of Richard, Duke of York, was said to have been a veteran of the war who led rebels protesting against the king’s rule amid the general state of disorder affecting England at the time which saw such abuses as lands being illegally seized and a lack of confidence in courts to rule fairly. There was also some discontent over the loss of lands of Normandy.

While many of the rebels were peasants, the rebellion – which rose in late May or early June, 1450 – was also supported by nobles and churchmen who were protesting what they saw as poor governance.

Led by Cade, who also attracted the title ‘Captain of Kent’, were camped on Blackheath in what is now the city’s south-east by mid-June and there apparently presented an embassy from the king with a list of grievances.

Thomas, Lord Scales – authorised by the king to raise troops, subsequently marched out to Blackheath but Cade and his rebels retreated into the forests of Kent and managed to lure the royal troops into an ambush.

Cade and the rebels returned to Blackheath while back in London the Royal soldiers turned mutinous, angered over the defeat. They were disbanded to protect the City and the king retired to Kenilworth Castle, effectively abandoning London to the rebels (despite the offer of the Lord Mayor and aldermen to resist the rebels).

Cade then marched on London itself, reaching Southwark on 2nd July (apparently using the now vanished White Hart Inn as his HQ). He forced his way over London Bridge the next day, cutting the drawbridge ropes personally with his sword to ensure it couldn’t be raised again

Such was the support the rebels had in London, that resistance was initially minimal. Following his entry to London, Cade struck the famous London Stone (pictured above – for more on it, see our earlier post here) with his sword, declaring “Mortimer” was now lord of the city.

While initially under tight control, Cade gradually lost control of many of his followers who turned to looting. Meanwhile, to head off an attack on the Tower of London – where Lord Scales had retreated – he handed over the hated Lord Treasurer, James Fiennes, Lord Saye, and his son-in-law William Crowmer, Under Sheriff of Kent (they had apparently been imprisoned in the Tower by the King for their own protection such as their unpopularity). Both were beheaded – Fiennes at Cheapside, Crowmer at Mile End – and their heads placed on poles on London Bridge.

The king’s supporters in the Tower had regrouped by early July and, with the rebels, while initially welcomed by many, now clearly having outstayed their welcome, they and city militias drove the rebels from the streets and had taken back the northern half of London Bridge (another bloody battle over the bridge) when William of Waynflete, Bishop of Winchester, arrived with promises of pardon for the rebels on behalf of the Lord Chancellor and Archbishop of Canterbury, John Kemp.

His forced much reduced, Cade – a pardon in his pocket under Mortimer’s name only – moved back into Kent and continued to cause trouble. He was, however, captured by the new Sheriff of Kent, Alexander Iden, on 12th July, – one version says this took place near Heathfield in Sussex at a hamlet now known as Cade Street. In any event, Cade was mortally wounded during the struggle and died en route to London.

His corpse, however, completed the journey and Cade was hanged, drawn and quartered and his head placed atop a pole on London Bridge.

While the rebel ringleaders were later captured and killed, in the most part King Henry VI honoured the pardons he had granted.

The story of Cade’s rebellion features in William Shakespeare’s play, King Henry the Sixth.

LondonLife – City of spires…

by exploringlondon

City-of-Spires

View looking west from St Paul’s Cathedral down Fleet Street.

What’s in a name?…Bleeding Heart Yard

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Bleeding

There’s a couple of different suggestions as to how Bleeding Heart Yard – a small courtyard located in the Farringdon area of the City of London, just north of Ely Place – obtained its rather descriptive – and gory – name.

The more prosaic answer is that it was named after an inn which, from the 16th century, stood on the yard and had a sign showing the heart of the Virgin Mary pierced by five swords.

The more interesting answer, on the other hand, is that the name commemorates the horrible murder of Lady Elizabeth Hatton (of the famed Cecil family), second wife of Sir William Hatton (formerly known as Newport), and, after his death, wife of Sir Edward Coke.

The story goes that her corpse was found here on 27th January, 1626, with the beating heart torn from the body.

A version of the legend – albeit with a slightly different protagonist – appears in a story published in Bentley’s Miscellany in 1837 which told of how the wife of Sir Christopher Hatton (he was actually the uncle of Sir William Hatton), made a somewhat ill-conceived pact with the Devil to secure wealth, position and a mansion in Holborn. The Devil dances with her during the housewarming party at the new home and then tears out her heart, found beating in the yard the next morning.

The yard also features in Charles Dickens’ Little Dorrit where it is the location of the home of the Plornish family.

This Week in London – Lord Mayor’s Show marks 800 years; Dutch masters and Thomas Rowlandson at Queen’s Gallery; and, Alexander Calder on show at Tate…

by exploringlondon

Lord-Mayor's-Show• The Lord Mayor’s Show will mark its 800th anniversary on Saturday as the newly elected Jeffrey Mountevans – the 688th Lord Mayor of the City of London – makes his way through the City to Westminster to swear loyalty to the Crown. The procession of 7,000 people, some 180 horses and 140 vehicles will set off on its way along a three-and-a-half mile route at 11am, starting at Mansion House and traveling down Cheapside to pause at St Paul’s Cathedral (which is open for free all day) before heading on via Ludgate Hill and Fleet Street to the Royal Courts of Justice before returning the City via Queen Victoria Street from 1.10pm. In a special nod to the 800th anniversary, the famous bells of St Mary-le-Bow will ring out a special 800-change at noon. The day will conclude with fireworks over the River Thames kicking off at 5.15pm (for the best view head down to the riverside between Waterloo and Blackfriars Bridges, either on Victoria Embankment or on the South Bank). The show’s origins go back to 1215 when, in exchange for a Royal Charter granting the City of London the right to elect its own mayor, King John insisted the newly elected mayor travelled to Westminster each year to swear loyalty to the Crown. For more (including a map to print out), see https://lordmayorsshow.london. PICTURE: From a previous show.

• Vermeer’s The Music Lesson is among 27 of the finest 17th and 18th century Dutch paintings in the Royal Collection which will go on display in a new exhibition at the Queen’s Gallery at Buckingham Palace from tomorrow. Masters of the Everyday: Dutch Artists in the Age of Vermeer also features works by the likes of Gerrit Dou, Pieter de Hooch and Jan Steen, all produced during what is known as the Dutch ‘Golden Age’. The exhibition is being shown alongside another display – High Spirits: The Comic Art of Thomas Rowlandson – which will focus on the work of 18th and early 19th century caricaturist Thomas Rowlandson. Around 100 of Rowlandson’s works feature in the display with highlights including The Two Kings of Terror featuring Napoleon and Death sitting face-to-face after Napoleon’s defeat at Leipzig in 1813, The Devonshire, or Most Approved Method of Securing Votes depicting Georgiana, Duchess of Devonshire, kissing a butcher (it was claimed she had claimed kisses for votes in the Westminster election of 1784), and A York Address to the Whale. Caught lately off Gravesend in which the Duke of York thanks a whale for distracting attention from accusations that his mistress was paid by army officers to secure promotions from the Duke. Admission charge applies. Both exhibitions run until 14th February, 2015. For more, see www.royalcollection.org.uk.

• The first major UK exhibition of the works of kinetic sculpture pioneer Alexander Calder opened at the Tate Modern this week. Alexander Calder: Performing Sculpture features more than 100 of the ground-breaking 20th century artist’s works which trace how Calder turned sculpture from the idea of a static object to a continually changing work to be experienced in real time. Works on show include figurative wire portraits of artists – Joan Miró and Fernand Léger (both 1930), works exploring the idea of forms in space – Red Panel, White Panel and Snake and the Cross (1936), motorised mobiles such as Black Frame and A Universe (1934), and chiming mobiles such as Red Gongs (1950) and Streetcar (1951). It closes with the large scale Black Widow (c.1948), shown for the first time ever outside Brazil. Runs until 3rd April. Admission charge applies. For more, see www.tate.org.uk.

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