Ealing

Where’s London’s oldest…(continuously operating) film studio?

by exploringlondon
The White Lodge at Ealing Studios. PICTURE: P.g.champion (licensed under CC BY 2.0 UK)

The oldest continuously operating film studio in London also happens to be the oldest in the world, according to Guinness World Records.

Ealing Studios in West London has been operating at the same site – the White Lodge on Ealing Green – since 1902.

Originally founded by silent film pioneer Will Barker (and so originally known as the Will Barker Studios), the studios were further developed by Associated Talking Pictures who opened the sound stages in 1931.

In 1938, film producer Michael Balcon took over and it was he who named them Ealing Studios. Later owners included the BBC and then in 2000 the studios were bought by a consortium including independent production company Fragile Films and the Manhattan Loft Corporation.

Among the famous films made there was one of first screen versions of Hamlet in 1910, as well as classics such as The LadyKillers, The Lavender Hill Mob, and Passport to Pimlico. More recent films and TV shows have included the St Trinian’s franchise, The Importance of Being Earnest (2002), Shaun of the Dead (2005), and The Theory of Everything (2014), as well as recent TV series The Durrells and Downton Abbey.

The White Lodge bears an English Heritage Blue Plaque commemorating Sir Michael Balcon’s time working here between 1938 and 1956.

This Week in London – The Magna Carta at the new City of London Heritage Gallery; Tudor monarchs at the NPG; Mapping London; and objects with story at Pitzhanger…

by exploringlondon

Magna-Carta-1297_Copright-London-Metropolitan-Archives---Copy• The 13th century’s finest surviving copy of the Magna Carta is taking centre stage at the new City of London Heritage Gallery which opens to the public this Friday. The 1297 document, which bears a superimposed memo reading ‘make it happen’, is being featured as part of the Corporation’s efforts to mark next year’s 800th anniversary of the signing of the landmark document. Other items on display in the new permanent, purpose-built exhibition space at the Guildhall Art Gallery include the medieval Cartae Antiquae, a volume containing transcripts of charters and statues covering laws enacted between 1327 and 1425 – a period which includes the reign of King Richard III, a poster for a World War I recruitment meeting held at the Guildhall in 1914, and a series of paintings depicting the 25 City Aldermen who were in office in the mid-1400s. The gallery, admission to which is free, will in future feature a rotating selection of rare documents from the City of London Corporation’s archives including the purchase deed William Shakespeare signed on buying a home in Blackfriars in 1613. For more, including opening times, see www.cityoflondon.gov.uk/heritagegallery. For more on events to mark the 800th anniversary of the signing of the Magna Carta next year, see www.magnacarta800th.com. PICTURE: Copyright London Metropolitan Archives.

• Rare depictions of Tudor monarchs will be seen at the National Portrait Gallery in the most complete presentation of their portraiture to date. The Real Tudors: Kings and Queens Rediscovered features the gallery’s oldest portrait – that of King Henry VII – displayed alongside a Book of Hours inscribed by the king to his daughter, six portraits of King Henry VIII along with his rosary (on loan from Chatsworth), portraits of King Edward VI and a page from his diary in which he relates his father’s death, five portraits of Queen Mary I along with her prayer book (on loan from Westminster Cathedral) and several portraits of Queen Elizabeth I displayed alongside her locket ring (on loan from Chequers, the country residence of the PM). There will also be a discussion surrounding the search for a “real” portrait of the ‘nine days queen’, Lady Jane Grey, alongside a portrait of her that dates from the Elizabethan period. With many of the portraits newly examined as part of the gallery’s ‘Making Art in Tudor Britain’ project, visitors to the gallery will also be able to access a specially created app which allowing them to access the new research while looking at the portraits. The display, which will form the core of a larger exhibition in Paris next year, can be seen until 1st March. Admission to the gallery, off Trafalgar Square, is free. For more, see www.npg.org.uk.

• An exhibition of rare maps from London, dating from between 1572 and last year, at gallery@oxo on South Bank, is closing on Sunday. Part of the Totally Thames festival, the Mapping London exhibition shows how the landscape along the River Thames as it passes through the capital has changed over the years. It features the first available map of London, which dates from 1572, as well as a 2013 map of underground London, monumental wall maps, and even a map of London that doubles as fan. The free exhibition at Oxo Tower Wharf is being curated by Daniel Crouch, one of the world’s leading map dealers. For more, see www.totallythames.org/events/info/mapping-london.

• A Crafts Council touring exhibition showcasing the work of 12 contemporary artisans and design studios – each of which uses objects as a means of storytelling – has opened at Pitzhanger Manor House and Gallery in Ealing – its first stop – this week. Crafting Narrative: Storytelling through objects and making explores the potential of objects to reflect on history, culture, society and technology through a combination of new and commissioned works, film text and photography. Works include Hilda Hellström’s The Materiality of a Natural Disaster which consists of food vessels made of soil from a field belonging to the last resident inside the Japanese Daiichi nuclear plant exclusion zone, Onkar Kular and Noam Toran’s archive of objects belonging to the fictional Lövy-Singh clan – an East London family of mixed Jewish and Sikh descent, and Hefin Jones’ The Welsh Space Campaign which features objects such as astronaut boots in the form of traditional Welsh clogs in an attempt to show how Wales has the capacity to explore space. The free exhibition is at the manor until 19th October. For more, see www.pitzhanger.org.uk.

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Around London – Celebrating London’s architecture; space at the NMM; Tate Britain redux; remembering Waterloo at Apsley House; and, ‘Coins and the Bible’ at the British Museum…

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Cabmen's-Shelter• The London Festival of Architecture has returned with a month long celebration of the city’s built form in a program of events including talks, tours and exhibitions. Among the latter is Lesser Known Architecture – A Celebration of Underappreciated London Buildings – a free exhibition at the Design Museum which runs until 22nd July and looks at 10 structures ranging from London Underground Arcades and Cabmen’s Shelters (one of which is pictured) to Nunhead Cemetery. Other events include an exhibition at Somerset House – Nicholas Hawksmoor: Methodical Imaginings – looking at churches designed by Hawksmoor in the late 17th and early 18th centuries (this runs until 1st September), and The Secret Society – A Sculptural Banquet, a large scale installation by artist and designer Kathy Dalwood at Pitzhanger Manor in Ealing, west London (ends this Sunday). For more on the festival, check out www.londonfestivalofarchitecture.org or for fringe events, http://londonarchitecturediary.com.

• A new exhibition featuring more than 100 images from space – including images of the colourful dust clouds in which new stars are formed, the aurora on the surface of Saturn and the sight of Earth from the International Space Station – opens at the National Maritime Museum in Greenwich tomorrow. Visions of the Universe takes visitors on a “visual trip through our solar system” with images of the moon, sun, plants and distant galaxies. It looks at the development of telescopy and photography and examines our understanding of our place in the cosmos. Space scientists including Astronomer Royal Sir Martin Rees and The Sky at Night‘s Chris Lintott introduce each section of the exhibition which has at its centre a 13×4 metre curved wall known as the ‘Mars Window’. It has the latest images from NASA’s Mars Curiosity Rover projected onto it. There is a programme of events accompanying the exhibition which runs until 15th September. For more, see www.rmg.co.uk.

• Tate Britain is undergoing an overhaul this year with the opening of new galleries and a rearrangement of the institution’s collection. Last month, a new chronological presentation of the institution’s British art opened across more than 2o of the institution’s galleries. BP Walk through British Art features around 500 artworks, dating from the 1500s to present day, by artists ranging from Sir Joshua Reynolds and William Hogarth to JMW Turner, John Constable, Lucien Freud and David Hockney. Meanwhile new galleries have opened dedicated to the works of sculptor Henry Moore and artist William Blake. Around 30 of Moore’s works are featured in the rooms as well as more than 40 of Blake’s works. For more see www.tate.org.uk.

• Apsley House, regency home of the Duke of Wellington, is hosting a series of events every weekend in June in the lead-up to the anniversary of the Battle of Waterloo. Interpreters will be at the house, known as Number 1 London, this weekend to discuss the dress and manners of the era while next weekend (15th and 16th June) visitors have the chance to meet some of Wellington’s soldiers and their wives. Gentry from the Napoleonic era will be celebrating the victory at Waterloo on 22nd and 23rd June while on the final weekend of the month, the focus will be on the 200th anniversary of the Battle of Vitoria in 1813, which led to eventual victory in the Peninsular War. For more, see www.english-heritage.org.uk/daysout/properties/apsley-house/.

• On Now: Coins and the Bible. This free exhibition at the British Museum looks at how money was referred to in the Old and New Testament, and the use of Christian symbols such as crosses or monograms derived from Greek letters on later coins. These include the first coin, dating from about 450 AD, to depict an image of Jesus (the coin, on loan from the Hunterian Museum in Glasgow, is included in the exhibition). There are also early Biblical fragments on papyrus and vellum lent by the British Library and an ivory panel dating from the early 400s AD which includes an image of the purse of 30 pieces of silver Judas received after his betrayal of Jesus. Held in Room 69a, the exhibition runs until 20th October. For more, see www.britishmuseum.org.

Around London – Captain Kidd at Docklands; London’s Olympic Torch Relay path; St Giles’ seedy past; speech therapist Lionel Logue honored; and, The Seven Seas at Selfridges…

by exploringlondon

• The true story of Captain Kidd and an exploration of London’s links with piracy is the focus of a new major exhibition at the Museum of London Docklands. Pirates: The Captain Kidd Story features original artefacts dating from 300 years ago when London was a site of pirate executions and tells the story of the infamous Captain Kidd’s life until his execution at Wapping’s Execution Dock. Among the artefacts is the original costume worn by actor Johnny Depp as he played Captain Jack Sparrow in the film Pirates of the Caribbean. The exhibition, which opens tomorrow and runs until 30th October, is being held in conjunction with a series of pirate related events including an adults-only pirate night on 27th May where you have the chance to sample some genuine “pirate drink” and take part in pirate speech lessons. Admission charges apply. For more information, visit the Museum of London Docklands website www.museumoflondon.org.uk/Docklands/Whats-on/Exhibitions-Displays/Pirates.htm.

• The path of London’s Olympic Torch Relay has been announced and will finish with a week long jaunt through London. The torch will arrive in Waltham Forest on 21st July next year and then pass through Bexley, Wandsworth, Ealing, Haringey and Westminster before its arrival at the Olympic Stadium on 27th July. To find out how to nominate someone to carry the torch or for more information on the relay, visit www.london2012.com/olympic-torch-relay.

• On Now: London’s Underworld Unearthed: the Secret Life of the Rookery. The seedy side of the St Giles Rookery, a once infamous quarter of the capital, is laid bare in this new exhibition at the Coningsby Gallery. Back in 1751, the area was known as “a pit of degradation, poverty and crime” known for its free-flowing gin. Artist Jane Palm-Gold has displayed 18th and 19th century artifacts found during the Museum of London Archaeology’s recent excavation of old St Giles (conducted prior to the construction of the recent Central St Giles development which now covers the site) alongside her paintings, building what has been described as a “multi-layered psycho-geography that both mesmerises and disturbs”. Runs until 3rd June at the Coninsby Gallery at 30 Tottenham Street (nearest tube station is Goodge Street). Admission is free. For more information, see www.coningsbygallery.com

• Australian speech therapist Lionel Logue – known for having helped cure King George VI of his stammer, the story of which is told in the recent Oscar-winning film, The King’s Speech – has been honored with a green plaque by Westminster Council. The plaque was expected to be unveiled today at 146 Harley Street, where Logue, who is known to have used fees from wealthier client to subsidise free treatments for those who could not afford them, lived from 1926 until 1952. The plaque is one of 94 which Westminster Council has placed to mark buildings of particular significance for their association with people who have made lasting contributions to society.

• On Now: The Seven Seas at Selfridges in Oxford Street. Conceptual artist Beth Derbyshire’s seven minute video installation features seven films of seven different seas around the globe. On show as part of Project Ocean – an initiative by Selfridges and 20 environmental and conservation groups aimed at celebrating the ocean’s beauty and highlighting the issue of overfishing. Runs until 8th June. For more information, see www.selfridges.com.