The name Euston first makes an appearance in London in the Georgian era when Euston Square was laid out north of the City.
The moniker came from the square’s landlord, the Duke of Grafton, who owned a country seat called Euston Hall near Thetford in Suffolk, and apparently derives from the Anglo-Saxon ‘Efe’s Tun’ meaning the ‘farmstead of a man called Efe’.
The now much altered square (the gardens of which are pictured) was originally developed in the 1820s; in the 1850s the New Road – which had been developed by the second Duke of Grafton, Charles Fitzroy, in the 1730s to take farm traffic off Oxford Street and Holborn – was renamed Euston Road.
It only makes sense then that when the mainline station on that road was developed in the 1830s (it opened in 1837, exactly a month after Queen Victoria became the monarch), it too was named Euston (as was the now long-gone Euston Arch – see our earlier post here).
Euston Underground Station opened in 1907 while Euston Square Underground station, which originally opened as Gower Street in 1863, was renamed Euston Square in 1909.
Interestingly the area around Euston Road also features numerous references to Grafton in honour of the duke – Grafton Street, Grafton Place and Grafton Way among them – while other streets also have links to the names of the dukes’ family – Warren Street (which also lends its name to a Tube station), for example, is named for Anne Warren, the wife of the second duke’s grandson.
PICTURE: Kevin Gordon/CC BY-SA 2.0
In this, the year of the 150th anniversary of the creation of what we now know as the London Underground, it’s only fitting that we take a look at the city’s oldest Tube station – Baker Street.
Opened on 10th January, 1863, by the Metropolitan Railway, the Grade II* listed property was designed by John Fowler, the company’s engineer in chief. While some stations on the initial railway – which stretched from Paddington to Farringdon – had platforms located in open cuttings, Baker Street was one of only three initial stations (the other two were at what was then named Gower Street (now Euston Square) and Great Portland Street) which was genuinely located underground, with subterranean platforms covered by brick barrel-vaults and lit by gaslights as well as natural light brought from the surface by “lunettes”.
The station was subsequently extended and further developed and, thanks to the company’s desire to make Baker Street its headquarters and “flagship” station, it underwent a major overhaul in 1911-13 with Charles Walter Clark, another Metropolitan Railway employee, designing a new grand booking hall and concourse featuring a lost property office, “ladies’ room” and a WH Smith bookstall.
Features inside include a cast-iron screen – complete with clock – installed at the entrance to the lower concourse in 1925 to help control passenger flow during the British Empire Exhibition at Wembley, a marble memorial to Metropolitan Railway employees who died in World War I, and, in a nod to the proximity of his fictitious Baker Street residence, large and small Sherlock Holmes silhouettes on tiles located at various places inside (there’s a statue of him outside the station).
For more on the 150th anniversary, see www.tfl.gov.uk/tube150.
The original entrance to Euston Station, Euston Arch was not so much an arch as a colonnaded monumental gateway, formally known as a propylaeum, which resembled the entrance to a Greek temple.
Built in 1837 (pictured here in 1851), it was designed by architect Philip Hardwick and inspired by the ancient architecture he had encountered on a trip to Europe – in particular the grand entrance to the Acropolis in Athens.
Commissioned by the London and Birmingham Railway as the grand entrance to the company’s new station then facing on to Euston Square (the site is now covered by the station structure), it was designed to complement the existing structure which had been built at the other end of the line in Curzon Street Station in Birmingham.
The building, which rose to a height of 21.5 metres and was built from Yorkshire-sourced sandstone, featured four columns behind which stood large iron gates. Rather controversial even when built, it led to an apparently unexciting courtyard lined with offices. There were lodges to either side.
While there had been a couple of proposals to relocate the arch – particularly after notice was given in 1960 that it would be demolished so the station could be rebuilt – none of the proposals came to fruition, and despite some intense last minute lobbying to preserve the arch by conservationists (among those lobbying were poet Sir John Betjeman and architectural scholar Sir Nikolaus Pevsner), demolition – viewed by some as an “architectural crime” – started in December 1961.
While sections of the arch was subsequently used as fill in the Prescott Channel in East London (numerous sections have since been recovered from the water), the main gates were saved and given to the National Railway Museum in York.
There has been talk of rebuilding the arch particularly since the formation of the Euston Arch Trust in 1994 (the patron of which is Michael Palin) with the aim of reusing some of the lost stonework. While rebuilding hasn’t yet eventuated, the proposed redevelopment of Euston Station in more recent years has given the project new impetus.