News this week that scientists have confirmed an ancient sacred well beneath Australia House in the Strand (on the corner of Aldwych) contains water fit to drink. The well, believed to be one of 20 covered wells in London, is thought to be at least 900 years old and contains water which is said to come from the now-subterranean Fleet River. Australia’s ABC news was recently granted special access to the well hidden beneath a manhole cover in the building’s basement and obtained some water which was tested and found to be fit for drinking. It’s been suggested that the first known mention of the well – known simply as Holywell (it gave its name to a nearby street now lost) – may date back to the late 12th century when a monk, William FitzStephen, commented about the well’s “particular reputation” and the crowds that visited it (although is possible his comments apply to another London well). Australia House itself, home to the Australian High Commission, was officially opened in 1918 by King George V, five years after he laid the foundation stone. The Prime Minister of Australia, WM “Billy” Hughes, was among those present at the ceremony. The interior of the building has featured in the Harry Potter movies as Gringott’s Bank. PICTURE: © Martin Addison/Geograph.
Author: exploringlondon
Treasures of London – The Lampedusa Cross…
Donated to the British Museum in October (the last acquisition made under former director Neil MacGregor), the Lampedusa Cross was constructed by carpenter Francesco Tuccio out of wreckage from a refugee boat which sank off the Italian island of Lampedusa on 3rd October, 2013. At least 349 of the 500 refugees on board were drowned, some of whom were Eritrean Christians fleeing persecution, while 151 survived. Mr Tuccio, a resident of Lampedusa, decided to make a series of small crosses from the wreckage after meeting some of the refugees in the church of San Gerlando as a gift for them to both reflect their salvation and as a symbol of hope for the future. He was subsequently also asked to make a further cross which was carried by Pope Francis at the memorial service for the survivors. Asked by the British Museum if it could acquire a cross for its collection, Mr Tuccio made a cross specifically for the museum which he then donated to the institution, saying after he received a letter of thanks that “it is I who should thank you for drawing attention to the burden symbolised by this small piece of wood.” The cross went on display in Room 2 of the museum on 18th December (the last day of Mr MacGregor’s directorship). Entry is free. For more on the British Museum, see www.britishmuseum.org. PICTURE: © Trustees of the British Museum.
This Week in London – New guides to British Museum; Jean-Etienne Liotard at the RA; and Peter Lanyon’s gliding landscapes…
• The British Museum has unveiled a new audio guide to provide the museum’s 6.7 million annual visitors with a new way to interact with its permanent collections. The guide comes in 10 different languages as well as in British Sign Language, an updated and improved audio descriptive guide and a “family game guide” for children to play with their parents. It boasts 70 new commentaries detailing the most recent research on key objects as well as new tours for China and A History of the World, a highlights feature and Top 1o tour, stunning new photography and a ‘My visit’ feature which sends visitors a visual record of their visit by email. The guide is available for hire at the Bloomsbury institution. See www.britishmuseum.org for more.
• On Now: Jean-Etienne Liotard. This exhibition at the Royal Academy of Arts’ Sackler Wing of Galleries off Piccadilly, which closes at the end of the month, features more than 70 works by the 18th century Swiss artist including works in pastels (of which he was an undisputed master), oil paintings, drawings and miniatures. The exhibition is divided into six sections – they include a detailed look at the artist and his family, his four year sojourn in Constantinople and his royal portraits which include Archduchess Marie-Antoinette of Austria, painted in 1762 (pictured). Runs until 31st January. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Bettina Jacot-Descombes/RA
• On Now: Soaring Flight: Peter Lanyon’s Gliding Paintings. The first exhibition devoted to the post-war artist’s gliding paintings, this display at the Courtauld Gallery in Somerset House explores Lanyon’s (1918-1964) pioneering artistic breakthroughs in landscape painting as he created works inspired and influenced by his own gliding experiences in West Cornwall. The display features 15 major paintings from public and private collections around the world. Closes on 17th January. Admission charges apply. See www.courtauld.ac.uk.
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10 London ‘battlefields’ – 9. The Battle of Cable Street…
We hit the 20th century with this London ‘battle’, a confrontation in Stepney between police and a range of anti-fascist and fascist forces in the lead-up to World War II.
The ‘battle’ took place on a Sunday – 4th October, 1936 – following a summer of anti-Semitic violence and was sparked by a decision by the British Union of Fascists, led by Sir Oswald Mosley , to march through the East End, then the heartland of London’s Jewish community.
Incensed at the plans (and faced with government inaction despite calls for the march to be called off), anti-fascist protestors – which included large numbers of Jewish and Irish people as well as trade unionists, communists, socialists, anarchists and local residents – gathered initially at Gardiner’s Corner (named for a department store which once on the site at the junction of Whitechapel High Street and Commercial Road) to prevent the march.
The protestors were chanting and carrying banners which read “No Parasan” (“They shall not pass”, a slogan taken from anti-fascist forces who used it during the Spanish Civil War).
Estimates as to how many people turned out in protest vary widely – from 100,000 people up to as many as 250,000 or even 500,000 – but it’s clear that whatever the actual number, the crowd was huge and vastly outnumbered the up to 3,000 fascists – known as Blackshirts – who turned up to march and the 10,000 Metropolitan Police officers, some of whom were on horseback, sent to prevent the march from being disrupted.
With the path blocked despite police charges into the crowd, Mosley and his Blackshirts were advised by authorities to head south to Cable Street but there they encountered road-blocks made from furniture, paving stones and even apparently overturned lorries which appeared at the street’s west end, around the junction with Christian Street.
Police again attempted to clear the road but were blocked by the makeshift barricades and a wall of protestors while residents in houses lining the streets threw rubbish and even the contents of chamber pots at them. Police responded by sending in squads of men to snatch the ringleaders of the protests; protestors responded by ‘kidnapping’ some police officers.
Faced with continuing violence, Mosley was forced to abandon the march and the BUF were dispersed back through the City of London. The protestors meanwhile were said to have turned the event into a giant street party in celebration of their victory.
More than 100 people were said to have been injured in the violence and some 150 of the demonstrators were arrested. Most of the charges were of a minor nature but some of the ringleaders were given up to three year terms of imprisonment.
A large mural depicting the battle was painted on the side of St George’s Town Hall in Cable Street in the 1980s and there’s also a red plaque in nearby Dock Street (pictured) commemorating the incident.
Aside from a victory in itself, the battle was the catalyst for the passing of the Public Order Act of 1936 which meant the organisers of marches would henceforth have to seek permission of the police before holding them. It also banned demonstrators from marching in uniform.
PICTURED: A plaque commemorating the ‘battle’ in Dock Street which runs off the west end of Cable Street. Via Richard Allen/Wikipedia
A Moment in London’s History – Westminster Abbey is consecrated – and a king dies…
It was 950 years ago as of 28th December – Holy Innocents Day – that Westminster Abbey was consecrated following its construction on the orders of King Edward the Confessor.
The minster – popularly named ‘west’ minster to distinguish it from St Paul’s Cathedral (the ‘east’ minster) – was rebuilt when King Edward refounded the abbey between 1042-52, ostensibly to provide himself with a royal church in which he could be buried.
An abbey had apparently originally been founded on the site in the 7th century during the time of Bishop Mellitus, first Bishop of London (see our earlier post here).
The abbey church isn’t believed to have been completed when it was consecrated – this it’s suggested didn’t take place until 1090, well after the Norman Conquest. Unfortunately Edward was too ill to attend the consecration – he died on the 5th January and was buried a week later in the church (his wife Edith followed nine years later).
King Harold Godwinson – King Harold II – was apparently crowned in the church the day after Edward’s death but the first recorded coronation is that of King William the Conqueror on Christmas Day, 1066.
Very little survives of Edward’s church – most of what was see now is the Gothic masterpiece constructed in the mid 13th century by King Henry III with later additions such as King Henry VII’s Lady Chapel.
Happy New Year!
Top posts of 2015 – The ‘lost’ chapel of St Thomas; and, inside King Henry V’s chantry chapel…
2016 is fast approaching and to celebrate, we’re looking back at the 10 most popular posts we published in 2015. Today, we present our most popular and second most popular articles posted this year…
2. Our second most popular article, posted in August, was another in our Lost London series and this time looked at a long-lost feature of Old London Bridge – Lost London – Chapel of St Thomas á Becket.
1. And we are finally there – the most popular of our posts published this year was run in conjunction with the 600th anniversary of the Battle of Agincourt. Part of our LondonLife series, it took a look inside King Henry V’s rarely opened chantry chapel in Westminster Abbey – LondonLife – A rare glimpse inside King Henry V’s chantry chapel.
Top posts of 2015 – The site of Queen Boudicca’s defeat?; and, just what was The Great Conduit?…
2016 is fast approaching and to celebrate, we’re looking back at the 10 most popular posts we published in 2015. Today, we look at numbers four and three…
4. Number four is another in our current series on London battlefields – this time looking at the site where Queen Boudicca is believed to have been defeated by the Romans – 10 London ‘battlefields’ – 1. Queen Boudicca takes on the Romans…
3. Our second top 10 entrant from the Lost London series, this post, published back in September, looked at the history of the Great Conduit – Lost London – The Great Conduit…
The countdown finishes tomorrow with a look at the most and second most popular articles were posted in 2015…
Top posts of 2015 – A lost ‘castle’; Jack Cade and London; and, a garden in Seething Lane…
2016 is fast approaching and to celebrate, we’re looking back at the 10 most popular posts we published in 2015. Today, we look at numbers seven, six and five…
7. At number seven is a post we published in February as part of our ongoing Lost London series. In it we looked at the later history of the fortification known as Baynard’s Castle – Lost London – Baynard’s Castle (part 2)…
6. Another in our series on London’s ‘battlefields’ – this one, published in November looks at the role the city played in Jack Cade’s rebellion during King Henry VI’s reign – 10 London ‘battlefields’ – 4. Jack Cade’s rebellion…
5. Our fifth most popular post of 2015 was another in our series on gardens – 10 small, ‘secret’ and historic gardens in central London…5. Seething Lane Garden…
We’ll look at numbers four and three tomorrow…
Top posts of 2015 – A garden gem; London and the Peasant’s Revolt; and, the Duke of Wellington’s cloak…
2016 is fast approaching and to celebrate, we’re looking back at the 10 most popular posts we published in 2015.
10. Our 10th most popular post was published in July came from our special series on “10 small, ‘secret’ and historic gardens in central London” and looks at the origins of The Goldsmith’s Garden – 10 small, ‘secret’ and historic gardens in central London…1. Goldsmiths’ Garden…
9. Published in November, our ninth most popular post was from our current special series on London ‘battlefields’ and looks at the role the city played in the 14th century Peasant’s Revolt – 10 London ‘battlefields’ – 3. London sacked in the Peasant’s Revolt…
8. At number eight is a post from our long-running Treasures of London series, which, in the year of the 200th anniversary of the Battle of Waterloo, looks at a recent acquisition by the National Army Museum – Wellington’s cloak – Treasures of London – Duke of Wellington’s cloak…
We’ll look at numbers seven through five tomorrow…
Merry Christmas to all Exploring London’s readers!
LondonLife – King Henry VIII’s lost tiltyard tower rediscovered…
Archaeologists have uncovered the remains of one of five highly ornate towers, luxurious banqueting houses from which the court would view tournaments in King Henry VIII’s walled tiltyard at Hampton Court Palace.
Built in the 1530s, the multi-storey towers were largely demolished by the 1680s and, with the exception of one of the towers which still stands at the palace (and is now a Grade I listed building), their precise location eventually lost.
Until now, that is. The green-glazed tiled floor of one of the ‘lost’ towers were unearthed earlier this month during works taking place as the tiltyard undergoes a family-oriented makeover by award-winning landscape architect, Robert Myers (to be known as ‘The Magic Garden’, it will be unveiled next Easter).
The richly decorated towers – where the king entertained dignitaries and ambassadors – are thought to slightly predate the tiltyard which was apparently laid out in 1537 – perhaps, it’s been suggested, to mark the birth of King Henry VIII’s son, the future King Edward VI.
The first recorded tournament at Hampton Court took place in 1557 when Queen Mary I held one to celebrate Christmas. Her sister Queen Elizabeth I continued the tradition by occasionally holding tournaments there but most days the tiltyard was used to train the young men of the court in warfare.
When tournaments gradually fell out of fashion, the towers were used as multi-purpose storage facilities housing, according to Historic Royal Palaces, everything from pigeons to two Catholic priests in service to King Charles I’s queen, Henrietta Maria, who were spent time ‘quarantined’ there after an outbreak of plague.
For more on Hampton Court Palace, see www.hrp.org.uk/hampton-court-palace/.
A Moment in London’s History – Publication of Charles Dickens’ ‘A Christmas Carol’…
Credited as “the man who invented Christmas”, Victorian author Charles Dickens’ featured Christmas celebrations in many of his works – but none more so than in his famous story, A Christmas Carol.
Published 172 years ago this December, the five part morality tale centres on the miserly Londoner Ebenezer Scrooge who, following several ghostly visitations by the likes of the Ghosts of Christmas Past, Present and Yet to Come, becomes a changed man and recaptures the essence of what Christmas is all about.
The book – whose characters (said to have been partly based on people he knew in real life) also include the abused clerk Bob Cratchit and his ever positive youngest son, Tiny Tim – is based in London.
Among key locations mentioned in the book is Scrooge’s counting house, said to have been located in a courtyard off Cornhill (it’s been suggested this is Newman’s Court, thanks to a reference to a church tower, believed to be St Michael’s Cornhill – pictured), the home of Scrooge (it has been speculated this was located in Lime Street), and the home in Camden Town where the Cratchits celebrate their Christmas (perhaps based on one of Dickens’ childhood homes in Bayham Street). City of London institutions like the home of the Lord Mayor, Mansion House, and the Royal Exchange are also mentioned.
The book, which apparently only took Dickens six weeks to write while he was living at 1 Devonshire Terrace in Marylebone, was first published on 19th December, 1843, by London-based firm Chapman & Hall. Based at 186 Strand, they published many of Dickens’ works – everything from The Old Curiosity Shop to Martin Chuzzlewit – along with those of authors such as William Makepeace Thackeray and Elizabeth Barrett Browning.
A Christmas Carol‘s first print run of 6,000 sold out any Christmas Eve that same year and sales continued to be strong into the following year. Despite its warm reception by critics and popularity among the public, the book’s profits were somewhat disappointing for Dickens who had hoped to pay off his debts (he also lost out when he took on some pirates who printed their own version two months after its publication; having hauled them to court Dickens was apparently left to pay costs when they declared bankruptcy).
Dickens would later give some public readings of the book, most notably as a benefit for the Great Ormond Street Hospital for Sick Children (his last public reading of the book took place at St James’s Hall in London on 15th March, 1870, just three months before his death).
The book, which has apparently never been out of print, went on to become something of a Christmas classic and has been adapted into various films, theatre productions, radio plays and TV shows (one of our favourites is The Muppet Christmas Carol, dating from 1992).
10 London ‘battlefields’ – 8. The Gordon Riots…
Well, not so much a battle as a widespread civil insurrection, the Gordon Riots, often described as the worst riots London has ever seen, resulted in considerable property destruction and numerous deaths.
The riots, which took place against a backdrop of high taxation, widespread poverty, and unjust laws, had its origin in the passing of the Catholic Relief Act of 1778 which intended to reduce entrenched discrimination against Roman Catholics in Britain and redress some of anti-Catholic laws which had been introduced 80 years earlier, partly in an attempt to get more Catholics to join the British Army to fight against the United States of America in what’s now known as the War of Independence.
While it initially passed without any real hostility, an attempt to extend the Act’s provisions to Scotland in 1779 provoked such a serious response there that the action was withdrawn. Following the Scottish success in having the provisions withdrawn, the Protestant Association of London was founded with the aim of spear-heading opposition to the act’s provisions. Lord George Gordon was elected president of the newly formed Protestant Association of London in November of that year.
Following failed attempts to have King George III repeal the Act (Lord Gordon had several audiences with the King but failed to convince him of his case and was eventually banned from His Majesty’s presence), on 2nd June, 1780, Gordon and the members of the association marched on the Houses of Parliament (pictured above although the current buildings date from much later than these events) to deliver a petition demanding the Act be repealed.
They crowd, estimated to have been as big as 60,000 strong although a figure in the mid-40,000s is generally accepted, attempted unsuccessfully to force their way into the House of Commons before Lord Gordon, wearing a blue cockade (the symbol of the Protestant Association in his hat) was granted access to deliver the document.
Outside, meanwhile, things went from bad to worse and the crowd erupted into rioting, attacking members of the House of Lords, including bishops, as they attempted to enter and damaging carriages (including that of Lord Chief Justice William Murray, 1st Earl of Mansfield). Soldiers were eventually summoned to quell the riot which they did without violence. Inside, the members of the House of Commons voted down the petition by an overwhelming majority.
That night violence flared up again with the Roman Catholic Sardinian Embassy Chapel in Lincoln’s Inn Fields set alight while the chapel of the Bavarian Embassy in Golden Square, Soho, was destroyed and random violence carried out in streets known to be the residence of wealthy Catholics.
The next day, a crowd gathered in Moorfields – known to be home to many poor Irish Catholic immigrants – and that night attacked many homes.
The violence spread over the following days and among the buildings attacked was Newgate Prison (which was set on fire), the Fleet Prison, and the Clink in Southwark – hundreds of prisoners escaped – as well as Catholic churches, more embassy chapels, homes of known Catholics and politicians who had been associated with the passing of the act (including that of Lord Mansfield and Sir George Savile, who had proposed the Catholic Relief Act) and the Bank of England (the attack on the bank led to the long-standing tradition of soldiers guarding the bank).
Without a standing police force to tackle the mobs, on 7th June the army was called out with orders to fire on groups of four or larger who refused to disperse. In the next few days, well over 200 people (possibly more than 300) were shot dead and hundreds more wounded. Hundreds of the rioters were arrested and, of those, about 25 eventually executed. Gordon himself was arrested and charged with high treason but found not guilty.
LondonLife – Baby gorillas get to know each other…
Female infant gorilla Alika, who celebrated her first birthday at ZSL London Zoo in Regent’s Park last week, is pictured getting to know her two week old baby brother, Gernot. Named after the partner of a generous donor who has supported the Zoological Society of London’s (ZSL) international work for wildlife, Gernot (below, top) was born to 22-year-old female Effie and 17-year-old silverback Kumbuka on 25th November, both Western lowland gorillas, and can most often be found tightly snuggled in Effie’s arms (below, bottom). Gorilla keeper Glynn Hennessy said while Gernot had become the “centre of attention” at the zoo’s Gorilla Kingdom, “one-year-old Alika has embraced her new role of the doting big sister”. “Western lowland gorillas live in troops and learn how to act from observing each other’s behaviours and manners and here we can see Alika demonstrating some of the nurturing skills she’s learned from the adults.” This has included touching his head and stroking his face as he sleeps in his mother’s arms. For more, see www.zsl.org. PICTURES: ZSL London Zoo.
What’s in a name?…Harley Street…
A Marylebone street which is synonymous the world over with the private medical profession, Harley Street’s name is taken from the surname of the second Earl of Oxford, Edward Harley.
His Lordship, who lived between 1689 and 1741, was a land developer and was responsible for the development of land north of Oxford Street in the early 18th century.
As was the fashion, he named Harley Street after himself – but it’s certainly not the only street which he dubbed with his own moniker. The earl also held the titles of Earl Mortimer (Mortimer Street) and Baron Wigmore (Wigmore Street, Wigmore Place and hence the music venue Wigmore Hall) and also came to own Wimpole Hall in Cambridgeshire (Wimpole Street) and Welbeck Abbey in Northamptonshire (Welbeck Street and Welbeck Way).
But the ties to the earl don’t end there: in 1713 he married Lady Henrietta Cavendish Holles (Henrietta Place, Cavendish Square, New Cavendish Street and Holles Street) while their daughter Margaret married William Bentinck (Bentinck Street), the 2nd Duke of Portland (Great Portland Street, Little Portland Street and Portland Place).
Incidentally, after the earl’s death, the area passed to his daughter and become known as the Portland Estate. It remained the property of the Dukes of Portland for five generations until the fifth duke died without issue in 1879 and the land passed to Lucy Joan Bentinck, widow of the 6th Baron Howard de Walden. Thus Harley Street now forms part of a 92 acre area known as the Howard de Walden Estate.
But back to Harley Street itself. Its association with the private medical profession dates from the latter half of the 19th century when there was a dramatic increase in the number of those engaged in the profession moving into the area, attracted by its quality housing and accessibility (the numbers still remain significant today). The name Harley Street today refers to both the street and also more generally to the surrounding area.
The long list of famous residents who have lived in the street have included painter JMW Turner (number 64 between 1799 and 1805), Victorian-era PM William Ewart Gladstone (number 73 and geologist Sir Charles Lyell also lived here in a premises which is now The Harley Street General Practice) and, made famous through the film, The King’s Speech, Australian speech therapist Lionel Logue who had his practice at number 146.
Treasures of London – Royal Charter for the Society of Artists in Great Britain……
The Charter for the Society of Artists of Great Britain and its associated Roll of Obligation have been rediscovered at the Royal Academy of Arts, 250 years after was society was founded. The documents, long thought to have been missing, date from 1765 and signify the formation of artists as a professional group in Britain. They form a crucial piece in history of the development of the Royal Academy of Arts, which formed in 1768 when a group of artists broke away from the society. The Charter, which consists of three pages of vellum with a portrait of a young King George III, hadn’t been seen since 1918. It and the Roll of Obligation – which features the crossed-out names of artists ‘expelled’ from the society, including the RA’s first president, artist Joshua Reynolds and German-born Johann Zoffany – were rediscovered earlier this year during an audit of the RA collections. The finding coincides with the 250th anniversary of the formal foundation of the society when it was granted a Royal Charter by King George III. Both documents will go on show from 2018 – the 250th anniversary of the founding of the RA – in new exhibition areas being created as part of the transformation taking place at the RA. For more on the Royal Academy, see www.royalacademy.org.uk.
This Week in London – V&A reopens Europe 1600-1815 galleries; the Victorian era’s finest; and, ‘Handel’s Performers’…
• The V&A has reopened its ‘Europe 1600-1815’ galleries to the public this week following a major £12.5 million refurbishment. The seven transformed galleries, located close to the South Kensington museum’s grand entrance, tell the story of how France succeeded Italy as the “undisputed leader” of fashionable art and design in Europe in the late 17th century and how Europeans systematically “explored, exploited and collected” resources from Africa, Asia and the Americas. Featuring more than 1,100 objects, the galleries – redesigned in conjunction with architectural practice ZMMA – include four
large rooms introducing the story of Europe across the period and three smaller rooms focusing on specific activities – ‘collecting in the Cabinet’, ‘enlightened thought in the Salon’, and ‘entertainment and glamour in the Masquerade’. Objects on display include a highly ornate Rococo writing cabinet made from Augustus III (on show for the first time since it has undergone a conservation work), a newly conserved 18th century bed from the Parisian workshop of George Jacob – furniture maker to Napoleon, a 17th century Venetian table by Lucio de Lucci and Pierre-Denis Martin’s oil painting, The Visit of Louis XIV to the Chateau de
Juvisy (both on show for the first time) as well as several large recently cleaned tapestries including the 1860s Gobelins tapestry, The infant Moses tramples on Pharoah’s crown. The display also includes three recreated period rooms – a 17th century French bedchamber, Madame de Sérilly’s cabinet and a mirrored room from 18th century Italy – while in the Salon can be found a contemporary installation, The Globe. A curved architectural sculpture, it is the creation of Havana-based artist collective Los Carpinteros and forms a “room within a room” within the ‘Salon’. It will be used for events and discussions. Entry to the galleries is free. For more, see www.vam.ac.uk/europegalleries. PICTURES: David Grandorge/©Victoria and Albert Museum, London.
• On Now: Handel’s Performers. This display of portraits and documents in The Foundling Museum’s Handel Gallery is a showcase of celebrities and singers who brought the work of composer George Frideric Handel’s work to the public in the 18th century. Among those depicted are Anastasia Robinson and Senesino, among the highest paid singers of their time, Anna Maria Strada, a leading soprano, Gustavus Waltz, a bass singer who sang at the benefit performance of Handel’s Messiah at the Foundling Hospital in 1754, and John Hebden, who played in the orchestra during benefit performances of the Messiah in 1754 and 1758. Runs at the Bloomsbury museum until 1st May. Admission charge applies. For more, see www.foundlingmuseum.org.
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10 London ‘battlefields’ – 7. Battle of Brentford…
Yes, we’re a bit out of order here given we looked at the subsequent Battle of Turnham Green last week, but today we’re taking a look at the Civil War fight known as the Battle of Brentford.
As recounted last week, having taken Banbury and Oxford in the aftermath of the Battle of Edgehill, the Royalist army marched along the Thames Valley toward London where a Parliamentarian army under the Earl of Essex waited.
Having arrived at Reading to the west of London, King Charles I, apparently unconvinced peace talks were heading in the right direction, ordered Prince Rupert to take Brentford in order to put pressure on the Parliamentarians in London.
On 12th November, 1642, up to 4,600 Royalists under the command of the prince engaged with two Parliamentarian infantry regiments at Brentford, one of the key approaches the City of London. The Parliamentarians were under the command of Denzil Hollis (who wasn’t present) and Lord Brooke – various estimates put their number at between 1,300 and 2,000 men.
Prince Rupert’s men – consisting of cavalry and dragoons – attacked at dawn under the cover of a mist. An initial venture to take a Parliamentarian outpost at the house of Royalist Sir Richard Wynne was repulsed by cannon fire but Sir Rupert ordered a Welsh foot regiment to join the fight and the outpost was quickly taken.
The Cavaliers then pushed forward across the bridge over the River Brent (which divided the town) and eventually drove the Parliamentarians from the town and into the surrounding fields (part of the battle was apparently fought on the grounds of Syon House – pictured at top).
Fighting continued into the late afternoon before the arrival of a Parliamentarian infantry brigade under the command of John Hampden allowed the Roundheads to withdraw.
About 170 are believed to have died in the battle (including a number who drowned fleeing the fighting). Followed by the sack of the town, the battle was a success for the Royalists who apparently captured some 15 guns and about 400 prisoners. The captured apparently included Leveller John Lilburne, a captain in Brooke’s regiment.
The Royalists and Parliamentarians met again only a few days later – this time at Turnham Green (for more on that, see last week’s post).
Incidentally, this wasn’t the first battle to be fought at Brentford. Some time over the summer of 1016, English led by Edmund Ironside clashed with the Danes under the soon-to-be-English king Canute. Edmund was victorious on the day, one of a series of battles he fought with Canute.
Meanwhile, more than 1000 years earlier, it was apparently at Brentford that the British under the King Cassivellaunus fought with Julius Caesar’s men in 54 BC on their approach to St Albans (Verulamium).
A pillar stands High Street in Brentford commemorating all three battles while there is an explanatory plaque about the battle in the grounds of Syon Park.
For more the Battles of Brentford and Turnham Green, see www.battlefieldstrust.com/brentfordandturnhamgreen.
LondonLife – Christmas at Covent Garden…
Take your chance to ‘meet under the mistletoe’ this year at Covent Garden, thanks to the designs of renowned production designer Michael Howells. Howells, whose previous credits include fashion shows for the likes of Alexander McQueen as well as sets for films including Nanny McPhee and theatre productions such as Chariots of Fire, has come up with a design featuring more than 40 “mistletoe chandeliers” of up to 3.5 metres in size, each of which is adorned with almost 700 glistening berries. The chandeliers are united by more than 320 metres of garlands while about 100,000 pealights are suspended inside the historic Market Building. Outside, London’s biggest hand-picked – and richly decorated – Christmas tree once again stands in the piazza. For more on Covent Garden, see www.coventgarden.london. PICTURES: Courtesy of Covent Garden.










