Lost London – The ‘Tyburn Tree’

For six centuries, the gallows at Tyburn, in the city’s west, was one of London’s sites of public execution. Today, little remains to remind visitors of the infamous past of the area, which lies close to Marble Arch, but for a plaque set in the middle of a road.

From 1196 to 1783, it’s suggested that thousands of people (some have estimated as many as 60,000) were hanged at various gallows erected at Tyburn, known by numerous names over the centuries including ‘The Elms’, the ‘The Deadly Never Green Tree’, and most infamously the ‘Tyburn Tree’.

Hangings were apparently initially carried out using the branches of a tree on the bank of the Tyburn River but the first gallows date from 1220. In Elizabeth times these were upgraded to a larger gallows known as the ‘Triple Tree’ which enabled many more people to be hanged simulteously – as many as 24 at once in 1649.

The gallows was removed in 1759 because it was blocking the road and a mobile gallows used until hangings were moved into Newgate Prison (see our earlier entry on Newgate).

Executions were a public spectacle and it’s estimated that at times the crowds at Tyburn swelled to more than 50,000 people, all eager to witness someone “dancing the Tyburn jig”.

Among those to be hanged at Tyburn were William Fitz Osbern (a champion of London’s poor who was hanged in 1196), Roger Mortimer, 1st Earl of March (hanged in 1330 after being accused of assuming royal power), Perkin Warbeck (pretender to the throne of King Henry VII who was hanged in 1499), and Elizabeth Barton, the ‘Holy Maid of Kent’ (hanged for treason after prophesying King Henry VIII would die within six months of marrying Anne Boleyn).

Others included key figures in the so-called Pilgrimage of Grace (an uprising in England’s north in 1536 which followed King Henry VIII’s break with Rome) and many other Catholics including Oliver Plunkett, the Archbishop of Armagh and Primate of all Ireland (1681).

In an unusual move, the body of already deceased Oliver Cromwell, along with that of John Bradshaw and Henry Ireton, was exumed from his grave and and hanged there to mark the first anniversary of the Restoration.

What is believed to have been the site of the Tyburn Tree is today marked by a plaque set in a traffic island at the corner of Edgware Road and Bayswater Road (nearest tube station is Marble Arch).

There is a Shrine of the Martyrs dedicated to the more than 105 Roman Catholics who were hung at Tyburn for their faith at the Tyburn Convent in Hyde Park Place (for visiting details, see www.tyburnconvent.org.uk).

Note: This article originally referred to the Shrine of the Martyrs commemorating more than 350 Catholic martyrs who died during the Reformation as all being executed at Tyburn but it is believed some 105 were – the greater figure refers to those martyred across England and Wales during the Reformation.

Around London – Captain Kidd at Docklands; London’s Olympic Torch Relay path; St Giles’ seedy past; speech therapist Lionel Logue honored; and, The Seven Seas at Selfridges…

The true story of Captain Kidd and an exploration of London’s links with piracy is the focus of a new major exhibition at the Museum of London Docklands. Pirates: The Captain Kidd Story features original artefacts dating from 300 years ago when London was a site of pirate executions and tells the story of the infamous Captain Kidd’s life until his execution at Wapping’s Execution Dock. Among the artefacts is the original costume worn by actor Johnny Depp as he played Captain Jack Sparrow in the film Pirates of the Caribbean. The exhibition, which opens tomorrow and runs until 30th October, is being held in conjunction with a series of pirate related events including an adults-only pirate night on 27th May where you have the chance to sample some genuine “pirate drink” and take part in pirate speech lessons. Admission charges apply. For more information, visit the Museum of London Docklands website www.museumoflondon.org.uk/Docklands/Whats-on/Exhibitions-Displays/Pirates.htm.

The path of London’s Olympic Torch Relay has been announced and will finish with a week long jaunt through London. The torch will arrive in Waltham Forest on 21st July next year and then pass through Bexley, Wandsworth, Ealing, Haringey and Westminster before its arrival at the Olympic Stadium on 27th July. To find out how to nominate someone to carry the torch or for more information on the relay, visit www.london2012.com/olympic-torch-relay.

• On Now: London’s Underworld Unearthed: the Secret Life of the Rookery. The seedy side of the St Giles Rookery, a once infamous quarter of the capital, is laid bare in this new exhibition at the Coningsby Gallery. Back in 1751, the area was known as “a pit of degradation, poverty and crime” known for its free-flowing gin. Artist Jane Palm-Gold has displayed 18th and 19th century artifacts found during the Museum of London Archaeology’s recent excavation of old St Giles (conducted prior to the construction of the recent Central St Giles development which now covers the site) alongside her paintings, building what has been described as a “multi-layered psycho-geography that both mesmerises and disturbs”. Runs until 3rd June at the Coninsby Gallery at 30 Tottenham Street (nearest tube station is Goodge Street). Admission is free. For more information, see www.coningsbygallery.com

Australian speech therapist Lionel Logue – known for having helped cure King George VI of his stammer, the story of which is told in the recent Oscar-winning film, The King’s Speech – has been honored with a green plaque by Westminster Council. The plaque was expected to be unveiled today at 146 Harley Street, where Logue, who is known to have used fees from wealthier client to subsidise free treatments for those who could not afford them, lived from 1926 until 1952. The plaque is one of 94 which Westminster Council has placed to mark buildings of particular significance for their association with people who have made lasting contributions to society.

• On Now: The Seven Seas at Selfridges in Oxford Street. Conceptual artist Beth Derbyshire’s seven minute video installation features seven films of seven different seas around the globe. On show as part of Project Ocean – an initiative by Selfridges and 20 environmental and conservation groups aimed at celebrating the ocean’s beauty and highlighting the issue of overfishing. Runs until 8th June. For more information, see www.selfridges.com.

King James I’s London – 6. The Queen’s House, Greenwich

Long an admired landmark of Greenwich, the origins of the Queen’s House go back to the reign of King James I.

It was the Queen, Anne of Denmark, who commissioned the building of The Queen’s House in 1616 and gave it the name by which it is still known. Sadly, however, she died before it was completed.

King James I was said to have been a frequent visitor to the Tudor Palace of Greenwich (the building had earlier been known as the Palace of Placentia and was the birthplace of King Henry VIII in 1491).

King James  is traditionally said to have awarded the Manor of Greenwich to Queen Anne as an apology after he had publicly sworn at her when she had accidentally shot one of his favorite hunting dogs.

In 1616, Queen Anne decided to build a new property on the site as both a private retreat and a place where she could entertain and it was to the rising star Inigo Jones that she turned to for the design (in recognition of his growing status, he was appointed Surveyor of the King’s Works the following year).

The house was Jones’ most important job to date and the design he came up – based on a H with the two sides joined by a bridge over the Greenwich to Woolwich road – with is said to be the first Classical building in England.

Among the original features which survive to this day are the striking black and white geometrically patterned marble floor of the Great Hall (the room having been designed as a perfect cube), the painted ceiling of the Queen’s Presence Chamber and the iron balustrade the Tulip Stairs – said to be the first “geometric self-supporting spiral stair in Britain”.

Queen Anne became ill in 1618 and died the following year without seeing the end result of her commission. The work subsequently was shelved and only restarted (and completed in 1638) after King Charles I gave it to his wife, Queen Henrietta Maria.

She only had possession for a short time before Parliamentary forces seized it during the Civil War. After the Restoration, the Queen’s House was returned briefly to her by her son King Charles II (it was at this time that the original H-shape of the house was altered to a square) before part of it as later used as studio for painters and then as grace and favor apartments.

With the Old Royal Naval College now occupying the surrounding site, in 1805, King George III gave the property to the Royal Naval Asylum – a charity caring for the orphan children of seamen – and it later became part of the Royal Hospital School.

The National Maritime Museum took possession in 1934 and the building now houses the National Martime Museum’s collection of fine art. As an interesting aside, there have been several reported sightings of ghosts in the house, the latest as recently as 2002.

WHERE: The Queen’s House, National Maritime Museum, Greenwich (nearest DLR station is Cutty Sark); WHEN: 10am to 5pm daily (check website for closures); COST: Free; WEBSITE: www.nmm.ac.uk/places/queens-house

What’s in a name?…Charing Cross

The West End location of Charing Cross is named after the large stone cross that once stood at the top of Whitehall on what is now the southern side of Trafalgar Square – a site currently occupied by a statue of King Charles I.

The cross – an embellished Victorian-era replica of which can be found standing outside Charing Cross Station in the Strand – was one of a series of 12 erected by King Edward I in 1291-94 to commemorate his wife Eleanor of Castile.

They marked the sites where her funeral cortege rested overnight as it made its way from near Lincoln where she died south to Westminster Abbey where she was to be buried (for more on the cross and the Victorian replica, see our previous post here).

The final of these ‘Eleanor Crosses’ – which were originally made from wood before being replaced with stone ones –  was erected on a site which stood in the medieval village of Charing, located between the City of London and Westminster. The cross was pulled down in the 1640s by order of Parliament. Since 1675, the statue of King Charles I (pictured, with Trafalgar Square, once the site of the royal mews, in the background) has occupied the site.

The word Charing is an Anglo-Saxon or “Old English” term and is believed to relate to the nearby bend in the River Thames.

Between the mid-1700s until the mid-20th century, the former site of the Charing Cross was the point from which all distances from London were measured. There was also a famous pillory located here.

Treasures of London – The Portuguese Centrepiece, Apsley House

Having just been cleaned as part of a renovation of the State Dining Room at Apsley House (pictured) – the former London residence of Arthur Wellesley, the Duke of Wellington, the silver-gilt Portuguese Centrepiece  was presented as part of a complete service to the duke in 1816.

The gift of the Portuguese Regency Council, it was created in honor of the duke’s role in leading the armies of Spain, Britain and Portugal to victory over Napoleon’s forces in the Peninsular War of 1808-14.

The service, which consists of more than 1,000 pieces, was designed by Portuguese court artist Domingos Antonio de Sequeira who took three years to complete it with much of the work carried out in Sequeira’s house and neighbouring workshops. Subsequently damaged in the sea crossing to England, repairs had to be made before it was formally presented to the duke late in 1816.

The eight metre long centrepiece commemorates all the battles of the Peninsular War in which the allies were victorious. It was acquired for the nation in 1948 and is now permanently displayed on the duke’s original mahogany dining table, designed especially to support its weight.

WHERE: Apsley House, 149 Piccadilly, Hyde Park (nearest tube station is Hyde Park Corner); WHEN: 11am to 5pm Wednesday to Sunday (until 31st October); COST: £6.30 an adult/£5.70 concessions/£3.80 a child (English Heritage members free); WEBSITE: www.english-heritage.org.uk/daysout/properties/apsley-house/

King James I’s London – 5. Holland House

A Jacobean mansion located in Kensington’s Holland Park, Holland House was first built in 1605 for Sir Walter Cope, Chancellor of the Exchequer for King James I. 

Sir Walter apparently entertained the king and his wife, Queen Anne of Denmark, at the property – then named Cope Castle – on numerous occasions at the property and reportedly hosted the king the night after his son, Henry Frederick, the Prince of Wales, died in 1612.

Its name came with a later owner – the ill-fated Henry Rich, Cope’s son-in-law, who was made the 1st Earl of Holland in 1624 and was later executed for his role in supporting the Royalist cause during the Civil War during which the house was occupied by parliamentary troops.

The home was later used by various family members – among luminaries associated with the property are the essayist Joseph Addison who died there in 1719 as well as, in later years, the likes of Lord Byron, Benjamin Disraeli, Charles Dickens and Sir Walter Scott, all of whom visited the property during the property’s golden age in the 19th century when it was an important social gathering place.

The house was largely destroyed in a bombing raid in September 1940 and passed into ownership of the local authority. A youth hostel is now housed inside the restored east wing of the building while other buildings are used for a restaurant and function centre – all set within the 22 hectare (55 acre) Holland Park. Some of the ruins provide a backdrop for open-air theatre performances and concerts in summer.

WHERE: Holland Park (nearest tube stations are Holland Park, Kensington High Street and Notting Hill); WHEN: 7.30am to 30 minutes before dusk (check signs by entrance); COST: Park entrance is free (house is not open to the public); WEBSITE: www.rbkc.gov.uk/leisureandlibraries/parksandgardens/yourlocalpark/hollandpark.aspx

LondonLife – Reliving the Festival of Britain

Beach huts overlook the Thames at Queens Walk, Southbank, in celebration of the 60 year anniversary of the 1951 Festival of Britain. The huts have been individually designed by artists and reflect an element of life by the seaside – from an exhibition of vintage swimwear to a gallery of visual art which recalls when a storm surge flooded much of the North Sea coast in 1953. Nearby is an “urban beach” where you can pause to play in the sand. The huts will remain in position until 4th September. For more on the Festival of Britain 60th anniversary celebrations, see www.southbankcentre.co.uk.

Lost London – The Rose Theatre

First opened in 1587, The Rose was one of the first purpose-built theatres in London and the first Elizabethan theatre in Bankside, then an area noted for its entertainments including gambling dens, bear and bull baiting pits, and brothels.

The theatre was built for businessman and theatre developer, Philip Henslowe, and his partner John Cholmley, and subsequently hosted plays including Christopher Marlowe’s The Jew of Malta and Shakespeare’s Henry VI part I and Titus Andronicus. Among the actors was Edward Alleyn, Henslowe’s son-in-law, while among the companies which performed there were Lord Strange’s Men, Sussex’s Men, the Queen’s Men and the Admiral’s Men.

Its success led to the building of rival theatres in the area including The Swan in 1595 and The Globe in 1599. It had apparently fallen out of use by 1603 and was abandoned soon after.

The theatre fell out of history until the late 1980s when, following the demolition of a 1950s office block, archaeologists from the Museum of London uncovered the remains of much of the theatre’s floorplan, revealing that it was a smallish many sided structure based on a 14-sided polyhedron. A campaign to save the remains was launched – attracting support from acting luminaries including Sir Laurence Olivier and Peggy Ashcroft – and much of the site was preserved from development.

Some 700 objects, including jewellery, coins and a fragment of one of the moneyboxes used to collect entrance money, were excavated at the site.

The site was reopened to the public in 1999 – it now features displays and some of the objects found by archaeologists – and part of it has been used as a performance space again since 2007.

WHERE: Rose Theatre, Park Street, Bankside; WHEN: 10am to 5pm Saturdays (Shakespeare’s Globe also offer tours during matinee performances at The Globe when tours there are not available – see www.shakespeares-globe.org for more details); COST: Free (donations welcomed and there is a charge for tours from The Globe); WEBSITE: www.rosetheatre.org.uk

Around London – Brixton Windmill reopens; offload your Royal Wedding bunting; and, Women War Artists…

The Brixton Windmill, the only surviving windmill in inner London, was reopened to the public amid much celebration on 1st May. The windmill, located at Windmill Gardens, was built in 1816 and leased the following year by John Ashby. The Ashby family – including the sons and grandsons of John – operated the mill until the 1860s when the Ashby’s milling business was transferred to what was then a more rural location at Mitcham. Two years later the sails were removed and the mill was subsequently used for storage. A steam and later a gas engine were fitted to the mill in the early 20th century but it was finally closed down in 1934. In the 1970s, the mill passed into the ownership of Lambeth Council. A £400,000 Heritage Lottery grant obtained by Friends of Windmill Gardens and Lambeth Council has enabled a complete restoration of the Grade II* listed building. For more details on the mill, including opening hours and events, see www.brixtonwindmill.org.

• Wanting to offload some Royal Wedding tat? The Museum of London is looking for objects which help tell the story of how London celebrated the marriage of Prince William and Kate Middleton. They are particularly interested in acquiring materials people used in street parties or private celebrations – everything from paper plates and napkins to bunting and “funny hats”. Donations are unable to be returned even if not used. For details on where to send items, see www.museumoflondon.org.uk/Corporate/Press-media/Remembering+the+Royal+Wedding.htm

Now On: Women War Artists at the Imperial War Museum. Covering the period from World War I to the Kosovo conflict of the 1990s, the exhibition features the work of artists including Anna Airy, one of the first women officially commissioned during the First World War, Dame Laura Knight, Linda Kitson and Frauke Eigen. Admission is free. Runs until 8th January, 2012. For more information, see www.iwm.org.uk.

King James I’s London – 4. Charterhouse

The Charterhouse School was founded in 1611 – the seventh year of King James I’s reign – on the site of a former Carthusian monastery in Smithfield.

It owes its creation to Thomas Sutton (1532-1611) who bought the site – which then contained a Tudor mansion – from Thomas Howard, Earl of Suffolk, in 1611, the year of Sutton’s death.

A Yorkshireman, Sutton (who is buried in the chapel in Charterhouse) is said to have been the “wealthiest commoner in England” at the time, having made a fortune after discovering coal. He used his resources to endow a school and an almshouse on the site.

Among the school’s alumni were John Wesley, founder of the Methodist Church, and novelist William Makepeace Thackeray.

The school – which is this year celebrating its 400th anniversary – moved to Godalming in Surrey in 1872 and the site was subequently occupied by the Merchant Taylor’s School while the almhouse continued to operate on the western part of the land (it still does today under the name Sutton’s Hospital in Charterhouse).

The school later became the medical college of the nearby St Bartholomew’s Hospital and is now occupied by Barts and The London School of Medicine and Dentistry.

For more on the Charterhouse, see www.thecharterhouse.org (tours run on Wednesday afternoons at 2.15pm from April until August and cost £10 per person). For more on the Charterhouse School, see www.charterhouse.org.uk.

Around London – South Bank marks 60 years since the Festival of Britain; Royal wedding cakes; and, a new cable car for London…

• South Bank is celebrating the 60th anniversary of the 1951 Festival of Britain with a four month series of events. The official celebrations kicked off yesterday and will run until early September. Highlights of the celebrations include the Museum of 1951 – a temporary museum located in Royal Festival Hall featuring exhibits relating to the 1951 festival, themed weekends including next weekend’s ‘London in Love’, featuring performances by Billy Bragg, and a Festival of Britain-inspired ‘Meltdown’ curated by Ray Davies of The Kinks (runs from 10th to 19th June). The original Festival of Britain was opened on 3rd May, 1951, with the intention of developing a sense of “recovery and progress” among the British in the aftermath of World War II and marked the centenary of the 1851 Great Exhibition. The South Bank Exhibition was at the heart of what were national celebrations and was attended by more than eight million people. For more information on what’s happening, see www.southbankcentre.co.uk.

• Historic royal wedding cakes have been recreated this Easter weekend  in an exhibition celebrating the lead-up to this Friday’s Royal Wedding. The English Heritage-event Let Them Eat Cake, which is being held at Wellington Arch near Hyde Park Corner, features a “four-and-20 blackbirds pie” of the sort King Henry VIII gave to his new wife Anne Boleyn as well as recreations of Prince Charles and Lady Diana’s wedding cake and that of Queen Elizabeth II. The event, which is sponsored by Tate & Lyle Sugars, involves some of Britain’s leading bakers. For more, see www.english-heritage.org.uk/daysout/events/765107/. See Exploring London this week for more on the upcoming Royal Wedding.

• The Mayor of London, Boris Johnson, confirmed this week that work will begin on a new cable car to cross the Thames River in East London this summer. The 34 gondola cable car will stretch for 1.1 kilometres, connecting Greenwich Peninsula and the O2 on the river’s south bank with Royal Victoria Docks and the ExCel centre on the north and carrying up to 2,500 people every hour. Construction will be carried out by a consortium of firms led by Mace – the company currently building the Shard Tower – and it is hoped it will be completed before next year’s Olympics.

Around London – Giant screens for the Royal Wedding; Graham Greene plaque; and, getting down and dirty at the Wellcome Collection…

• The Royal Wedding will be broadcast live on giant screens at Trafalgar Square and Hyde Park under plans announced by the Department for Media, Culture & Sport, the Mayor of London and The Royal Parks. The live coverage will be free to watch from 7am on 29th April and guests are advised to get there early. A “celebration wheel” has also been set up in Hyde Park – fees apply. See www.london.gov.uk/royalwedding.

• A blue plaque has been unveiled at the house where novelist Graham Greene wrote Brighton Rock. Greene, who died in 1991, lived at 14 Clapham Common North Side in London from 1935 to 1940 and while here wrote several works – these also included the Cannes’ winning collaboration with Carol Reed, The Third Man, and The Power and the Glory – before he joined the forerunner to intellgience service MI6 in 1941. Graham moved out of the house at Clapham Common after it was hit by a bomb in October 1940 (the Queen Anne-style property has since been rebuilt). No-one was in the house at the time – Greene’s wife Vivien and his children had been evacuated to Sussex while Greene himself was staying in Bloomsbury with his lover Dorothy Glover when the bomb hit. The English Heritage plaque was unveiled by Greene’s daughter, Caroline Bourget.

• On Now: Dirt, the Filthy Reality of Everyday Life. Get down amongst it at the Wellcome Collection where they’re running an innovative exhibition on dirt and humanity’s at times desperate efforts to keep it under control. The exhibition features 200 artefacts including visual art, scientific artefacts, film and literature with highlights including the earliest sketches of bacteria, John Snow’s ‘ghost map’ showing the spread of cholera in London in the 1850s, and a bejewelled broom. The exhibition features six different locations – from a street in Victorian London to a New York landfill site in 2030 – from where to begin the exhibition. Runs until 31st August. See www.wellcomecollection.org.

King James I’s London – 3. Golf on Blackheath

When King James I came south to take up the throne England, he is known to have brought that peculiarly Scottish game of golf with him and it is believed that it was at Blackheath, above the then Royal Palace of Placentia in Greenwich, that his courtiers first played the game.

According to the Royal Blackheath Golf Club, now located some way to the south of Blackheath in Eltham (the club moved there is 1923), documentary evidence shows the earliest players included James I’s son Henry Frederick, Prince of Wales, who is known to have gone golfing in 1606. The club itself notes that while it is generally accepted it was established in 1608, no documentary evidence to support this has yet been unearthed (records prior to 1787 are missing).

The first course at Blackheath – which has played a significant role in several events including as a rallying point during the Peasant’s Revolt of 1381 –  apparently consisted of five holes, each of which was played three times.

LondonLife – The Olympic countdown…

OK, it’s had some teething issues (stopping less than 24 hours after it was launched was one; being daubed with paint another). But the countdown to next year’s Olympics on the official 6.5 metre high clock located in Trafalgar Square continues unabated. The clock was unveiled in mid-March, 500 days before the start of the Games.

Where’s London’s oldest…hospital?

London’s oldest hospital – St Bartholomew’s Hospital in what is known now as Smithfield – was founded in the 12th century.

The hospital owes its foundations – like the neighbouring Priory of St Bartholomew (London’s oldest church – see our previous story on this here) – to Rahere, a courtier (possibly a minstrel or jester) at the court of King Henry I who, tired with triviality, may have become a priest.

In any event, after the death of Henry’s son William – he is believed to have drowned when the White Ship foundered in November 1120 – and that of his wife Queen Matilda, Rahere went on pilgrimage to Rome. He did so but contracted malaria while there and, while under the care of  monks, he vowed to found a hospital for poor men if he recovered.

He did recover and on his return journey had a vision of St Bartholomew who informed him that it was he who had helped him to recover and now desired him to found a church in Smithfield (then known as Smedfield).

Back in London, Rahere as he’d promised and, after petitioning the king, was granted a royal charter in 1122 to found the priory of Augustinian canons and the hospital.Work began in March 1123 and it was completed by 1145 when Rahere died (his tomb can still be seen in the church).

The hospital – one of a number in London at the time – was probably little more than a single hall with a chapel at one end. Other buildings and some cloisters were added later as was the Church of St Bartholomew the Less.

Under a charter of 1147, it was open to the needy, orphans, outcasts and the poor as well as sick people and homeless wanderers. In the 14th century, the definition was honed to include the sick until they recovered, pregnant women (until delivery) and for the maintenance of children born there until they were seven-years-old.

As well as the master (Rahere was the first), other ‘staff’ at the hospital initially included eight Augustinian brothers and four sisters but the hospital gradually became independent of the priory and by 1300, the hospital has its own dedicated master. By 1420, the two institutions had apparently become completely separate.

Following the Dissolution in 1539, the hospital was refounded in the 1540s thanks to a deal brokered between King Henry VIII and the Corporation of the City of London. Along with Bethlem, Bridewell and St Thomas’, St Bartholomews was one of four Royal Hospitals administered by the City.

The first regular physician – a Portuguese man by the name of Roderigo Lopez – was appointed around 1567 (he was later hung, drawn and quartered for an allegedly plotting against Queen Elizabeth I). Among the most famous physicians to serve at St Barts in later years was William Harvey, renowned for having ‘discovered’ the circulatory system.

The hospital survived the Great Fire in 1666 but in the 1700s most of the medieval buildings, with the exception of the tower in the Church of St Bartholomew the Less, were demolished as the hospital was rebuilt to the design of James Gibbs. The new design featured a central courtyard with a Great Hall contained in the north wing, reached by a ‘Grand Staircase’ decorated with images of the Good Samaritan and Christ at the Pool of Bethesda by celebrated artist William Hogarth.

The famous Henry VIII gate (pictured above) dates from 1702, slightly before Gibb’s rebuilding project. Other buildings have been added in more recent times.

In more recent times, the hospital was amalgamated with The Royal London and the London Chest Hospitals in 1994 with the establishment of The Royal Hospitals NHS Trust (now known as the Barts and The London NHS Trust). St Barts is now a specialist cancer and cardiac hospital.

There is a museum at the hospital which houses exhibits including a facsimile of Rahere’s grant of 1137 (now in the hospital’s archives), amputation instruments dating from the early 1800s once used by surgeon John Abernathy and a display on William Harvey. Hogarth’s paintings are visible from the museum.  There are also guided tours of the hospital.

WHERE: Museum at St Barts Hospital (nearest tube station is Barbican); WHEN: 10am to 4pm Tuesday to Friday ; COST: Free (donations welcomed); WEBSITE:  www.bartsandthelondon.nhs.uk/about-us/museums-and-archives/st-bartholomew-s-museum/

King James I’s London – 2. St James’s Park

Although royal connections with St James’s Park, the oldest royal park in London, go back to the time of King Henry VIII – it was he who first purchased the marshy watermeadow in 1532 with the idea of creating another of his many deer parks, it was on the accession of King James I that orders were given for the swamp to be drained and landscaped.

The landscape features included a large pool known as Rosamond’s Pond at the west end and, at the east end, a collection of waterways and islands used to attract birds that could then stock the royal larder. There was also a flower garden next to St James’s Palace (this had been built by King Henry VIII).

Among the other uses King James I had for the park were as a site to keep the royal menagerie which included exotic animals like crocodiles and camels. There were also bird aviaries placed along what is now appropriately named Birdcage Walk.

The layout of the park became more formal during the later reign of King Charles II who had been inspired by what he’d seen while in exile in France.

PICTURE: Looking across St James’s Park toward Whitehall in the snow.

WHERE: St James’s Park (nearest tube station is St James’s Park); WHEN: 5am to midnight daily; COST: Free entry; WEBSITE: www.royalparks.gov.uk/St-Jamess-Park.aspx

What’s in a name?…Mayfair

Still the address to have in London, the origins of the name Mayfair are just as they appear – this area to the west of the City was named for the annual May Fair which was held at what is now the trendy (and picturesque) cafe precinct of Shepherd Market during the late 17th and early 18th centuries.

The two week long annual fair was established by King James II as a cattle market on what was then known as Brookfield Market in the 1680s. Attracting other pleasure-related activities, it soon became known for its licentiousness and, having survived Queen Anne’s attempts to have it banned, was eventually stopped in the mid-1700s. Edward Shepherd, who today gives his name to the area on which Brookfield Market once stood, was an architect and developer who subsequently redeveloped the site.

These days Mayfair is generally taken to encompass an area bordered by Hyde Park to the west, Oxford Street to the north, Piccadilly to the south and Regent Street to the east. The area’s development really took off in the century following the mid 1600s (landowners included the Grosvenor family – whose name is reflected in landmarks like London’s third largest square Grosvenor Square and Grosvenor Chapel (pictured) – as well as the Berkeleys and Burlingtons) and it became a favored residential location among the wealthy – indeed, it was this very gentrification which indirectly put an end to the fair.

Today, as well as being known for high end residential real estate, it’s one of London’s most expensive shopping precincts. Landmark buildings in the area today include the hulking bulk of the US Embassy at the western end of Grosvenor Square, the Royal Academy of Arts in Piccadilly, the Handel House Museum (located in what was the home of composer George Frideric Handel), shopping arcades such as the Burlington and Royal Arcades, and various luxury hotels like Claridge’s and The Dorchester in Park Lane.

Around London – Apsley House’s State Dining Room reopens; St Pancras Renaissance Hotel restored; Sir Basil Spence honored; and, your chance to lift Tower Bridge…

The State Dining Room at Apsley House, the Duke of Wellington’s former London residence, reopened to the public last weekend after a make-over. The revitalisation works included repairing and cleaning the ceiling and chandelier as well as the Portuguese silver centre piece, which was presented to Wellington by the Portuguese Council of Regency to commemorate his victories over Napoleon in the Peninsular War. The house, which bears the landmark address of Number One London, was given to the nation in 1947 by the 7th Duke of Wellington, whose family continues to occupy private rooms in the premises. See www.english-heritage.org.uk/daysout/properties/apsley-house/.

Seventy-six years after it last hosted a guest, the former Midland Grand Hotel at London’s St Pancras station reopened its doors quietly earlier this month following a 10 year, £150 million restoration project. The Grade I-listed Victorian Gothic building, designed by Sir George Gilbert Scott (he also designed the Albert Memorial), originally opened in 1873. It closed in 1935 but was saved from demolition in the 1960s after a campaign led by poet laureate Sir John Betjeman. Among the highlights of the recent project is the restoration of the Sir George Gilbert Scott suite to look like it did in the Victorian era. The hotel, rebranded the St Pancras Renaissance Hotel,  will be officially opened on 5th May, exactly 138 years after it first opened. See www.marriott.com/hotels/travel/lonpr-st-pancras-renaissance-london-hotel/.

Architect Sir Basil Spence (1907-1976) has been honored with an English Heritage blue plaque outside his former home and office in Islington. The architect, best known for his redesign of Coventry Cathedral after it was bombed by the Luftwaffe during World War II, lived and worked at 1 Canonbury Place from 1956 until the mid-1960s. He and his family then moved next door while he continued to use the property as his offices (it remained in use as architectural offices long after his death). Other commissions for which Sir Basil is known include Kensington and Chelsea Town Hall, the controversial Knightsbridge Barracks and the Swiss Cottage Library. Internationally, his works included the unusual ‘beehive’ extension to the Parliament Building in Wellington, New Zealand.

• Now On: Your chance to lift the two 1,100 tonne bascules at Tower Bridge. The City of London Corporation this week launched their annual competition to find a “guest bridge driver”. Enter by going to Tower Bridge’s website (www.towerbridge.co.uk) and answering a question about the bridge or the Square Mile. The winner will be drawn next month and as well as using the controls to lift and lower the bridge, will receive a commemorative certificate in the control cabin, a tour of the Tower Bridge Exhibition and the chance to visit the underground bascule chamber and fifth-level turrets, neither of which are normally open to the public. They’ll also be presented with a bottle of champagne.

King James I’s London – The Banqueting House

This year marks 400 years since the creation of the King James Bible (it was completed in 1611). So, in a new special Wednesday series, we’re taking a look at London during the reign of King James I (he’s the one who commissioned the Bible). First up in our list of some of the key sites from his reign in 1603 to 1625, is the Banqueting House in Whitehall.

All that’s left of the Palace of Whitehall after a fire destroyed the rest in 1698, the Banqueting House was completed towards the end of King James I’s reign in 1622. In a sharp break from the fiddly Elizabethan architecture found in the remainder of the palace, the Banqueting House was the first building in central London which paid homage to the plainer Palladian style, brought back from Italy by ‘starchitect’ Inigo Jones.

The three floor Banqueting House replaced an earlier banqueting house which, funnily enough, had been destroyed by fire only a few years earlier. The new building was built to host royal ceremonies such as the reception of ambassadors and, most importantly, performances of court masques, which at the time were growing in sophistication and were being designed to communicate to audiences messages about the Stuart concept of kingship.

The building is centred on a “double cube” room  – a hall built so that its length is exactly double its width and height. The great chamber also features a balcony believed to have been created not for ministrels but as a space for an audience to watch the proceedings going on below.

It should be noted that the massive ceiling paintings were added after King James I’s death – it was his ill-fated son, King Charles I, who commissioned Flemish artist Peter Paul Rubens to paint them around 1630 (they were in place by March, 1636). It was, incidentally, from one of the windows in the Banqueting House that King Charles I stepped out onto a scaffold and had his head cut off – although that was in 1649, long after the era we’re focusing on here.

Inigo Jones and Ben Jonson’s Masque of Augurs was the first masque performed here in 1622, even before the building was complete. The last was Sir William Davenant’s The Temple of Love in 1635 after which the masques were stopped, apparently because the torches typically used to illuminate them would cause smoke damage to the paintings now on the ceiling.

WHERE: The Banqueting House, Whitehall (nearest tube station is Westminster); WHEN: 10am to 5pm, Monday to Saturday (check website for closing dates as the hall is used for functions) ;  COST: £5 an adult/£4 concessions/children under 16 free; WEBSITE: www.hrp.org.uk/BanquetingHouse/

PICTURE: Wikipedia

Where’s London’s oldest…department store?

A 304-year-old institution, Fortnum & Mason on Piccadilly is generally believed (depending, of course, on definition) to be London’s oldest department store.

Founded in 1707, it owes its establishment to the meeting of shopkeeper Hugh Mason and William Fortnum, a footman in the house of Queen Anne, who was his lodger. The story goes that their joint venture began when Fortnum began retrieving the half-used candles discarded by the royal family (they insisted on fresh candles each night) and they started selling them on to ladies at the Royal Court.

Initially founded as a grocery store, Fortnum & Mason, which moved to its current site on Piccadilly in 1756 (see picture to right), become known for its high quality and rare goods – in particular tea.

It has held numerous Royal Warrants since the mid 1800s with the first granted in 1863 when the firm was appointed as grocers to the then Prince of Wales.

A supplier of British officers during the Napoleonic Wars, it was also active during the Crimean War when Queen Victoria had shipments of “concentrated beef tea” sent to Florence Nightingale for use in her hospitals there.

Among its other claims to fame are that the first Scotch egg was created there in 1738 and that in 1886, it became the first store in Britain to stock tins of Heinz baked beans.

The massive clock which hangs on the facade of the building was commissioned in 1964 by Canadian businessman Garfield Weston who bought the business in 1951. Every hour models of Mr Fortnum and Mr Mason come forth and bow to each other.

The store, now famous for its luxury food hampers, underwent a £24 million restoration in the lead-up to its 300th anniversary in 2007. As well as the flagship store, there are now branches – “stores within stores” – in Japan. The firm also reportedly plans to open Fortnum & Mason stand-alone shops in locations like China, the Middle East and India (its last overseas stand alone store was opened on Madison Avenue in New York in the 1930s but the business was short-lived thanks to the Depression).

As well as its array of goods for sale, the Piccadilly store now houses a number of eateries including St James’s Restaurant, The Parlour, The Fountain, The Gallery and the 1707 Wine Bar.

See www.fortnumandmason.com.