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Daytripper – Brighton

by exploringlondon

It’s summer and that means, fingers crossed that the weather holds, Londoners start looking for the beach. One of the easiest to access coastal resorts – just an hour on the train – is the East Sussex town of Brighton.

Its history dates back to before the Doomsday Book and by medieval times, the town – previously known as Brighthelmstone – was prosperous enough to become a target to French raiders who burnt it down during a raid in 1514.

Yet much of what we now know as Brighton dates from the late 18th century when the town was transformed into a fashionable seaside resort. But before we get to that, there’s a couple of notable survivors from earlier days worth mentioning.

First up is the  14th century St Nicholas’ Church which, although considerably altered in later years, still contains a Norman font and has several graves of interest in the churchyard including that of Captain Nicholas Tattersall who carried King Charles II to France in his boat in 1651, as well as those of Phoebe Hessel, famed for having served 17 years in the army during the 1700s disguised as a man, Sake Dene Mohomed who first brought Turkish baths to Brighton and Amon Wilds, a famed Regency architect and builder.

And for a feel of what the medieval streetscape may have been like, head to the central shopping area known as The Lanes which still follows the medieval street pattern (although the shops date from later period) and which, boasting a range of interesting shops, is well worth spending some time poking about in.

While Brighton had gradually been establishing a reputation as a sea bathing resort in the years prior to 1783, in that year the town’s profile received a valuable boost when the Prince Regent (later King George IV) visited the town. So taken with it was he that not only did he make repeat visits, he also constructed the magnificently opulent Royal Pavilion (pictured) – completed in 1822 and designed by John Nash – which still stands as one of the town’s foremost attractions.

The property, which Queen Victoria sold to the town in 1850 for the grand price of £53,000, boasts a series of exquisitely decorated chambers inspired by exotic ‘oriental’ themes. A 10 year, £10 million restoration project was completed in 1991.

Other properties in the town dating from a similar era include the Brighton Dome, which, completed in 1808, was originally the stables for the Prince Regent (back in the day when the Royal Pavilion was simply a farmhouse – in fact, it’s said that it was that fact people commented that the Prince’s horses were better accommodated than the man himself which helped spur him to build the Royal Pavilion). These days it’s the town’s main landmark entertainment venue and contains a concert hall and theatre.

Another property of the era is the Western Pavilion which feature a large Indian dome in reference to those of the Royal Pavilion and was built by Amon Henry Wilds, son of the architect Amon Wilds and a partner in his architectural practice, in 1831 as a residence. It stands next to the Gothic house built by his father, and another architect, Charles Busby, in the 1820s.

The arrival of the railway in 1841 further opened up the town to Londoners which in itself led to the construction of numerous waterfront hotels (the most famous of which is the Grand Hotel, built in 1864 and the scene of a 1984 IRA bombing aimed at killing then PM Margaret Thatcher).

The boom also saw three piers built running out off the foreshore – the Chain Pier (built in 1823 and destroyed by a storm in 1896), the West Pier (constructed in 1866, the derelict remains of which stand starkly in the waters off the town today after it was closed in 1975), and the Palace Pier (constructed in 1899, it is now hosts a lively funfair and, since 2000, has been formally known as Brighton Pier).

The late 1800s also saw the founding the Booth Museum (1874) by naturalist and collector Edward Thomas Booth (located in Dyke Road, it is now known as the Booth Museum of Natural History) and Volk’s Electric Railway which opened in 1883 and is now the ‘world’s oldest operating electric railway’, still running daily trains between Brighton Pier and Black Rock near the Marina.

Brighton, now part of the City of Brighton & Hove, remains a popular beach resort for Londoners, both for its beach and its nightlife, so on a warm day be prepared to fight the crowds.

Among the town’s other, more recent, attractions are the Sea Life Centre on the waterfront, home to more than 150 creatures including sharks and rays, the Brighton Museum & Art Gallery in the city’s ‘cultural quarter’ near the Royal Pavilion, and the Brighton Fishing Museum, also located on the waterfront, it traces the story of the town’s fishing community.

Visit Brighton has a range of maps and walks to help you explore the city. Visit www.visitbrighton.com for more information.

10 small (and fascinating) museums in London…3. The Foundling Museum

by exploringlondon

Opened in 2004, the Foundling Museum was created to look after the former Foundling Hospital’s collection of art and artifacts and provides a unique and deeply moving insight into the work of the hospital and those who came under its care.

The Foundling Hospital’s origins go back to the 1720s when former mariner and ship-builder Captain Thomas Coram, shocked by the number of abandoned babies he saw in London (it’s estimated that in the early 1700s, there were as many as 1,000 babies being abandoned every year), began a campaign to found a hospital for “exposed and deserted young children”, that is, ‘foundlings’.

The hospital was founded in 1739 after King George II granted it a royal charter and, from that date until its closure in 1953, had some 27,000 children pass through its doors.

The museum’s story is not an easy one to tell for while the hospital was founded with the best of intentions, the life of the children who came into its care – even in the 20th century – remained far from easy; it was not, as one of those who formerly lived at the hospital notes, a life they would wish on anyone else. But the museum handles their story – as well as that of those behind the hospital’s founding – with care and dignity.

Located at 40 Brunswick Square – close to the site of the original hospital, the museum is spread over four floors. On the ground floor is an exhibition which details the hospital’s history and features objects including a series of sketches by the controversial 18th century artist William Hogarth, an ardent supporter of the hospital’s work and later one of the many artists who became a governor, as well as the founding charter document itself.

Among the most poignant of the artifacts to be found in the museum are the tokens mothers left with their children so they could later identify them (these were removed from the children on being taken into the hospital, however, to ensure the child’s anonmity).

The lower ground floor has a space for temporary exhibitions – at present this contains the ‘Foundling Voices’ exhibition in which those who once lived under the care of the hospital tell their stories firsthand in what is an emotional journey into the hospital’s relatively recent past (the exhibition runs until 30th October). It is also home to the reconstructed Committee Room, built as part of the original hospital in the mid-1700s, dismantled and then reconstructed in the new headquarters.

Upstairs (the stairs themselves were taken from the boy’s wing of the original hospital), is a reconstruction of the hospital’s original Picture Gallery which was London’s first public art gallery and was instrumental in raising the profile of the work of the hospital. Among the works it contains is Hogarth’s 1740 portrait of Captain Thomas Coram. Nearby is the Court Room, another reconstruction from the original hospital, this time of the building’s most splendid room, used for meetings of the Board and Governors and other special occasions. It too contains numerous artworks.

The top floor of the building houses the Gerald Coke Handel Collection, said to be the greatest collection of artifacts relating to composer George Frideric Handel in the world. Handel’s assocation with the museum goes back to 1749 when he offered a performance of his music to help fund the hospital’s completion. He held another the following year, this time performing the Messiah, and after that Handel agreed to an annual benefit performance – a practice which continued until his death in 1759.

Key artifacts in the Handel collection include the composer’s will and codicils, written in his own hand, as well as programme from the first performance of the Messiah along with other documents and artworks.

WHERE: The Foundling Museum, 40 Brunswick Square, Bloomsbury (nearest Tube station is Russell Square); WHEN: 10am to 5pm, Tuesday to Saturday/11am to 5pm Sunday (closed Mondays); COST: £7.50 an adult/£5 concessions/children under 16 free; WEBSITE: www.foundlingmuseum.org.uk.

LondonLife – Waterbus on Regent’s Canal

by exploringlondon

Regent’s Canal was fully opened in 1820 and linked the Grand Junction Canal, which ended at Little Venice in Paddington in London’s west, with the East London Docks and Limehouse in the east. Architect John Nash was one of the directors of the canal company and it was thanks to his friendship with the Prince Regent, the future King George IV, that the canal obtained its name. Nash saw the canal as an integral part of his plans for The Regent’s Park and it now runs along the park’s northern edge. Nash’s assistant James Morgan was the canal’s chief engineer. The waterbus service, which operates between Little Venice and Camden Loch, runs at various times daily until October. See here for timetable details.

What’s in a name?…Whitechapel

by exploringlondon

An area of the East End of London which has become synonymous with the Jack the Ripper murders of the late 1880s, the origins of the name Whitechapel actually lie much further back in history.

The name dates back to the 14th century when the church of St Mary Matfelon (or Matfelun) was built on what is now the corner of Whitechapel High Street and Adler Street. The church, which was known as the “white chapel” apparently thanks to the white stone used in the walls, was apparently first constructed the mid 13th century and is said to have been named after a prominent local family. It became the parish church of Whitechapel in the 14th century.

Rebuilt and extended several times over the ensuing centuries – including in 1673 and the 1870s, it was bombed during the Blitz in 1940 and ultimately finally removed in 1952. The site where it once stood is now the Altab Ali Park, named after a young Bangladeshi man who was murdered in a racially motivated attack in Adler Street in 1978.

Whitechapel originally stood along the road, which from Roman times ran from London to Colchester. The fact it stood outside the city walls meant it to became home to some of the city’s more undesirable businesses including slaughterhouses, tanneries and breweries.

Greater numbers of poor came into the area from Middle Ages onwards and by the mid-1800s it was one of London’s most crowded, poorest and disease ridden areas, known for its immigrant population and for its rising levels of crime.

This reputation was only solidified in 1888 when the killings of the so-called murderer Jack the Ripper garnered worldwide attention for the brutal slayings of at least five women (some believe the figure should be much higher). Speculation still surrounds the Ripper’s identity.

These days, Whitechapel – along with many inner city areas – is undergoing a gentrification process and is now known as something of a hub for art and music as well as home to a street market in Brick Lane.

Ripperology aside, other notable landmarks include The Blind Beggar pub in Whitechapel Road (it was here gangster Ronnie Kray shot George Cornell in 1966; its sign is pictured above) and the Whitechapel Bell Foundry (described in the Guinness Book of Records as Britain’s oldest manufacturing company, it was founded in 1570 and among the most famous bells cast there are the US Liberty Bell (1752) Big Ben (1858) – stay tuned for our upcoming ‘London’s Oldest’ entry).

The area is also home to the internationally renowned Whitechapel Gallery on the corner of Brick Lane and Whitechapel High Street and the East London Mosque, one of the largest in the UK.

Around London – National Maritime Museum expands; new galleries proposed for British Museum; Festival of British Archaeology in London; and, the London Street Photography Festival…

by exploringlondon

• The National Maritime Museum in Greenwich opened the doors of its new £36.5 million Sammy Ofer Wing today. The new, architecturally slick extension – which is being touted as bringing with it a change of direction in the way the museum operates – features a new permanent gallery known as Voyages as well as a temporary exhibition space, library and archive. There’s also a lounge, cafe and brasserie – the latter boasting views out over Greenwich Park. The Voyages gallery has been designed as an introduction to the museum and features a 30 metre long thematic ‘object wall’ hosting more than 200 objects – everything from a letter written by Horatio Nelson to his mistress Emma Hamilton while he was on board the Victory in 1803 through to a watch belonging to Robert Douglas Norman – among those who perished on the Titanic, and a somewhat battered Punch puppet. The special exhibition space initially hosts High Arctic which uses technology to create an “immersive environment” exploring the Arctic world from the perspective of the future. The museum is also introducing the Compass Card scheme, a new initiative which will eventually be rolled out across the museum. Visitors are presented with a unique card with which, by inserting it into special units placed in galleries, they can flag their interest in receiving further information on a specified subject. The card can then be used to call up related archival information in the museum’s Compass Lounge or using the visitor’s home computer. For more information, see www.nmm.ac.uk.

• The British Museum has announced funding has been secured for two new gallery spaces. These will include a new gallery looking at the history of world money from 2000 BC to present day. Known as the Citi Money Gallery, it will be opened in 2012. A donation from Paul and Jill Ruddock, meanwhile, means the museum will also be working on a major redisplay of Room 41 which covers the Mediterranean and Europe from 300 to 1,100 AD. The artefacts in the room include treasures taken from Sutton Hoo and the Vale of York Viking Hoard. The gallery will open in 2013/14. For more, see www.britishmuseum.org.

• Now On: Festival of British Archaeology. Coordinated by the Council for British Archaeology, the 21st festival (formerly known as National Archaeology Week) kicks off this weekend and runs until the end of July. It boasts more than 800 events across Britain including in London where they include guided tours of the Rose Theatre, a range of Roman themed events and activities – including a gladiator show – at the Museum of London, gallery talks at the Bank of England Museum and British Museum, the chance to visit the Billingsgate Roman House and Baths, and a guided walk of Londinium (Roman London) organised by All Hallows by the Tower. For a complete events listing, see http://festival.britarch.ac.uk/.

• Now On: The London Street Photography Festival is running until the end of the month with a series of exhibitions, talks, walks and workshops, the majority of which are taking place in and around King’s Cross. Key events include Street Markets of London in the 1940s – Walter Joseph featuring never before seen images at the British Library, Vivien Maier: A Life Uncovered at the German Gymnasium, and Seen/Unseen – George Georgiou and Mimi Mollica at the Collective Gallery. For more information, see www.londonstreetphotographyfestival.org.

10 small (and fascinating) museums in London…2. Bank of England Museum

by exploringlondon

The Bank of England Museum, located on the east side of the “Old Lady of Threadneedle Street”, provides a fascinating account of life behind the bank’s fortress-like walls, spanning the period from its origins and founding in 1694 to its nationalisation in post-World War II Britain through to the high-tech nature of banking – and banknotes – today. 

The museum is partly housed in a 1988 reconstruction of architect Sir John Soane’s 1793 stock office (Sir John designed the bank’s original headquarters –  much of this was later demolished with the exception being the outer windowless walls of the bank which still frown down on passersby) as well as in the Rotunda – designed by Herbert Baker and dating from the 1930s, it features some of the original Caryatids which decorated Soane’s design.

Highlights among the permanent exhibition include the Great Iron Chest, a precursor to today’s safes dating from around 1700, the Bank of England Charter of 1694 still afixed with the Great Seal, the earliest known Bank of England running cash note (relating to a deposit of £22 and dating from 1697), muskets and pistols used for security at the bank, and documents relating to some of the bank’s more high profile customers (these include Admiral Lord Nelson and former US President George Washington) as well as extensive collection of banknotes and coins. There’s also the opportunity to feel the weight of a solid gold bar (worth £393,884 at the time of our visit).

The exhibition also includes a display on Kenneth Grahame, author of The Wind in the Willows and a long-time (30 year) employee of the bank until his sudden resignation, possibly in part due to him being shot by an intruder several years before, in 1908, only four months before his internationally renowned book was published. Key artifacts include his resignation letter in which he asks for “relief” from the burden of his responsibilities at the bank.

Among current temporary exhibitions is The Pound in Your Pocket which looks in detail at the issue of inflation through a variety of entertaining devices including a balance in which you have to keep inflation at a level during a series of “economic shocks”.

WHERE: The Bank of England Museum, Bartholomew Lane off Threadneedle Street (nearest Tube stations are Bank/Monument and Mansion House); WHEN: 10am to 5pm, Monday to Friday (last entry 4.45pm); COST: Free; WEBSITE: www.bankofengland.co.uk/education/museum/index.htm.

Where’s London’s oldest…(still-in-use) theatre?

by exploringlondon

While the remains of some of London’s oldest purpose-built theatres – such as The Rose and The Globe – can be found in once notorious Southwark, London’s oldest, still-in-use theatre is in fact in the West End. The Theatre Royal Drury Lane (not to be confused with the Theatre Royal Haymarket) apparently takes the honor – the latest incarnation of a theatre which has still on the same location since 1663.

First built on the orders of Restoration-era dramatist and theatre manager Thomas Killigrew, the original theatre on the site – where King Charles II’s mistress Nell Gwynn apparently trod the boards and which was originally known as the Theatre Royal in Bridges Street – was burnt down in 1672 only to be rebuilt to the designs of Sir Christopher Wren two years later.

This building lasted for more than a century before it too was demolished – this time to make way for a larger theatre which opened its doors in 1794. Fire seems to have been a perennial problem, for it too burned down in 1809, being rebuilt and opened again in 1812 with a performance of Hamlet (the current building, designed by BenjaminWyatt).

Now owned by star composer Andrew Lloyd Webber via his Really Useful Group, the building has associations with some of London’s theatreland’s finest names – everyone from eighteenth century actor David Garrick (one of the theatre’s managers) to early nineteenth century child actress Clara Fisher and, in more recent times, Monty Python.

Currently hosting Shrek: The Musical, other recent productions there have included Miss Saigon and a musical adaption of Lord of the Rings.

Treasures of London – The White Tower

by exploringlondon

It’s one of London’s most famous landmarks and, having just undergone a three year, £2 million restoration, we thought it was time to take a look at the origins of the White Tower.

Now the keep of the Tower of London, the White Tower was first built by the Norman King William the Conqueror following his defeat of Saxon King Harold Godwinson and the cream of the Saxon army at the Battle of Hastings in 1066.

Following his coronation at Westminster Abbey on Christmas Day, King William then withdrew to Barking Abbey while his men built several temporary strongholds in the city to ensure it wouldn’t cause any trouble – this included an earth and timber keep standing on an artificial mound in the south-east corner of the city’s Roman-era walls.

The White Tower, a permanent structure, replaced this and although the exact date its construction started is unknown, building – under the watchful eye of Gundulf, the Bishop of Rochester, was well underway by the mid-1070s. While the labourers were English, the masons in charge of the building were Norman and then even used some Caen stone imported from William’s homeland (along with Kentish ragstone). By 1097 the tower was complete.

Primarily built as a fortress rather than for comfort, the size of the Tower was intimidating and, at 27.5 metres tall, it would have dominated the skyline for miles. Initial defences surrounding the White Tower included the Roman walls and two ditches although in later years outer walls were added to create the massive fortifications and series of towers one encounters at the site today.

The tower earned its moniker, the White Tower, from the whitewash used on its walls during the reign of King Henry II. The caps on the four turrets which stand at each corner of the tower were originally conical but were replaced with the current onion-shaped domes in the 1500s (the round tower was once home to the Royal Observatory before it moved out to Greenwich). The White Tower’s large external windows are also more modern innovations, these were added in the 1600s by Sir Christopher Wren.

The original entrance to the White Tower was on the first floor, reached by a wooden staircase (that could be removed if necessary), much as it is today while, for security reasons, the internal stone spiral staircase was placed as far from this entry as possible in the north-east turret. A stone forebuilding was later added during the reign of King Henry II but was later demolished.

Inside, accommodation for the king was provided on the second floor – it originally had a gallery above but an extra floor – still there today – was later added. Accommodation for the Tower’s constable was probably on the first floor. Both floors were divided in two – with a large hall on one side and smaller apartments on the other. These rooms now house displays on the Tower’s history – at the present these include the Royal Armouries’ exhibition ‘Power House’.

The White Tower is also home to the Chapel of St John the Evangelist which, made from Caen stone, still looks much the same as it did in Norman times. It was used by the royal family when in residence at the tower but by the reign of King Charles II had become a store for state records. These were removed in 1857. Among some of the events which took place here was the lying in state of Queen Elizabeth of York, wife to King Henry VII, after her death in 1503, and the betrothal of Queen Mary I to Philip of Spain in 1554 (by proxy, Philip was not present). Prince Charles received communion here on his 21st birthday.

Other historic events associated with the White Tower include the apparent murder in 1483 of the ‘Princes in the Tower’ – King Edward V and his younger brother, Richard, Duke of York – while legend says they were killed in the Bloody Tower, the discovery of two skeletons under stairs leading to the chapel during building works in 1674 has led some to believe that they may have been buried here.

It was also in the White Tower that King Richard II was forced to sign away his throne to King Henry IV in 1399 and it was from the White Tower that Gruffydd ap Llywelyn Fawr, the illegitimate son of  Welsh Prince Llywelyn the Great, apparently fell to his death while attempting to escape captivity in 1244.

There are tours of the White Tower daily at 10.45am, 12.45pm, and 2.15pm.

WHERE: Tower of London (nearest tube station Tower Hill); WHEN: 9am to 5.30pm, Tuesday to Saturday, 10am to 5.30pm Sunday to Monday (until 31st October); COST: Included in Tower of London admission – £19.80 adults; £10.45 children under 15; £17.05 concessions; £55 for a family (prices include a voluntary donation); WEBSITE: www.hrp.org.uk/toweroflondon/.

10 small (and fascinating) museums in London…1. Museum of the Order of St John

by exploringlondon

This is the first in our new special series looking at 10 of the best of London’s small museums. We’re not including houses once lived in by famous people (that will be the subject of a later series), but rather those museums which contain some of the city’s most eclectic collections yet still tend to fly a little under the radar when it comes to the crowds…

First up, we take a look at the Museum of the Order of St John. The museum – which was reopened in late 2010 following a £3.7 million redevelopment – is located in St John’s Gate in Clerkenwell (pictured), the Tudor era gatehouse of the order’s once substantial London priory.

Told inside is the story of the order, from its founding in the 12th century as the Order of the Hospital of St John of Jerusalem with the aim of caring for sick pilgrims who had travelled to the Holy Land through to its later role as a military order and its Middle Ages moves – following the capture of Palestine by Muslim forces in 1291 – to Cyprus, then Rhodes, and eventually Malta, along with its current work through the charitable foundation of St John Ambulance.

Exhibits include weapons and armour, paintings and illuminated manuscripts (such as the Rhodes Missal of 1504), coins, furnishings, ceramics, silverware and textiles. There is also a 16th or 17th century bust of Jean de la Valette, Grand Master of the Knights Hospitaller from 1557 to 1568 and famed for leading the order to victory in the Great Siege of Malta in 1565 (he is remembered still in the name of the island nation’s capital, Valletta).

As well as the gatehouse (which, following the Dissolution, was used for various purposes including being the childhood home of 18th century artist William Hogarth and, at another time, housing a printing press used by famed lexicographer Dr Samuel Johnson), the museum’s assets also encompass the 12th century crypt under what was once the priory church (it’s located just to the north across Clerkenwell Road). It’s well worth a visit for the stunning 16th century tomb effigies alone.

WHERE: The Museum of the Order of St John, St John’s Gate, St John’s Lane, Clerkenwell (nearest Tube stations is Farringdon); WHEN: 10am to 5pm, Monday to Saturday (tours are held at 11am and 2.30pm on Tuesday, Friday and Saturday); COST: Free (a small donation for guided tours); WEBSITE: www.museumstjohn.org.uk.

LondonLife – The Royal Menagerie

by exploringlondon

A new exhibition has opened at the Tower of London celebrating the Royal Menagerie which was located there for more than 600 years.

Over the years featuring everything from lions and leopards to elephants, camels, kangaroos and crocodiles, the menagerie was founded at the Tower of London during the reign of King John (1199-1216), although as far back as the reign of King Henry I (1100-1135) animals were being presented to the king as gifts. Some notable early animals included a ‘white bear’ believed to be a polar bear from Norway and an African elephant, a gift of King Louis IX of France, both of which were presented to King Henry III.

While the early location of the menagerie – which had a long history of attracting curious sightseers – remains unknown, during the rein of King Edward III (1327-1377) there is reference to it being in a position near the Middle Tower (now the main entrance to the Tower) which suggests it was then already located in what became known as the Lion Tower – a now ruined barbican built by King Edward I in 1276-77.

Animal accommodations in the Lion Tower were substantially upgraded during the reign of King James I (1603-1625) – James was noted to have enjoyed watching the lions fight other animals in the tower’s exercise yard). Further upgrades were made under the watchful eye of Sir Christopher Wren, then Surveyor of the King’s Works, between 1672 and 1675.

The office of the menagerie’s ‘keeper’, meanwhile, had been  formalised in the 1400s with the title awarded for life – it was subsequently held by some important officials.

While in 1687 some of the beasts and birds were transferred to new accommodations at St James’s Park, the menagerie remained at the Tower until 1830 when, following the death of King George IV, the decision to move the animals – then said to number 150 – to the recently founded Zoological Society of London’s zoo at Regent’s Park. Initially only some animals were sold to the zoo but by the end of 1835 the menagerie had been completely emptied with many of the remaining animals apparently sold to an American ‘showman’ Benjamin Franklin Brown who exported them to the US.

The new exhibition, Royal Beasts, is housed in the newly opened Brick Tower (entry via the Martin Tower, itself entered via the wall walk), and gives visitors views from a hitherto closed-off part of the north wall. There are also a series of life-size sculptures of various animals (see the three lions pictured), created by artist Kendra Haste, located around the tower. And, to gain a feel for how the menagerie was viewed during different eras, you can watch the short live action show featuring some of the “rarees” and “curiosities” which were housed within the tower (check with staff for times).

For more on the menagerie’s history, see Geoffrey Parnell’s guide, ‘The Royal Menagerie at the Tower of London’, available for sale at the Tower (£3.99).

WHERE: ‘Royal Beasts’, Tower of London (nearest tube station Tower Hill); WHEN: 9am to 5.30pm, Tuesday to Saturday, 10am to 5.30pm Sunday to Monday (until 31st October); COST: Included in Tower of London admission – £19.80 adults; £10.45 children under 15; £17.05 concessions; £55 for a family (prices include a voluntary donation); WEBSITE: www.hrp.org.uk/toweroflondon/.

Lost London – The Skylon

by exploringlondon

A sleek, futuristic, cigar-like sculpture that resembled what early science-fiction writers thought space-craft would look like, the Skylon was the centrepiece of the 1951 Festival of Britain site in South Bank and remains the enduring icon of the post-war celebration.

Designed by young architects Hidalgo Moya and Philip Powell (with the assistance of engineer Felix Samuely), the 300 foot tall Skylon, which, supported by cables, seem to hang in the air over the Thames, some 40 foot above the ground.

The structure (seen on the left of the picture of the Festival of Britain site) was dismantled in 1952 on the orders of the then-Prime Minister Winston Churchill who apparently saw it as an unwanted symbol of Clement Attlee’s Labour Government which had lost power earlier that year.

Strangely, the fate of the structure remains something of a mystery – Jude Kelly, artistic director at the Southbank Centre describes it as being “like the Loch Ness monster” in an interview with the Guardian newspaper earlier this year. “People have sightings of Skylon – they think – and bits of it, but nobody really knows what happened to it,” she said, adding that it was very hard to understand why it was thrown away.

While some fragments remain – including the base (and a model of it) which can be found at the Museum of London –  a common theory is that the rest of it was cut up and dropped into the Thames while other theories have it being buried under Jubilee Gardens or simply sold for scrap metal and “turned into ashtrays”.

There is an ongoing campaign to have the Skylon, which these days lends its name to a riverside restaurant at the Southbank Centre, rebuilt, although not necessarily in its original location.

The story of the Skylon, which sat on a site now occupied by the Southbank Centre, is told in the Museum of 1951 (see Southbank Centre website for details), open as part of the celebrations of the 60th anniversary of the 1951 Festival of Britain. On Tuesday, architect Nicholas Grimshaw and former president of the Royal Institute of British Architects Jack Pringle will lead a discussion at the Southbank Centre on the Skylon. For more information, follow this link.

PICTURE: John Ritchie Addison (via Wikipedia)

Treasures of London – Admiral Lord Nelson’s coat

by exploringlondon

It was roughly two hours into the Battle of Trafalgar on 21st October, 1805, about 1.15pm, that Great Britain’s most famous seaman, Admiral Horatio Lord Nelson, was fatally struck by a musket ball.

Fired by a marksmen in the rigging of the French ship Redoubtable, the musket ball struck him in the left shoulder as he stood on the deck of his flagship, HMS Victory.

Having fallen to his knees, he was spotted by the Victory‘s captain, Thomas Hardy, before he collapsed. Carried below the decks to the ship’s cockpit, it was there that he died (the Victory can still be visited at Portsmouth).

His damaged coat, meanwhile, was placed under the head of Midshipman George Augustus Westphal, who was being treated for his injuries nearby. Blood from the midshipman (late himself an admiral) stuck his hair to one of the epaulettes, part of which was was cut away and retained by his family as a memento.

The “undress jacket” was later returned to Nelson’s mistress, Emma Lady Hamilton, in accordance with his wishes. She later gave it to Joshua Jonathan Smith, Lord Mayor of London in 1810-1811, to as payment of a debt just prior to retiring to France in 1814. It was Prince Albert, the consort of Queen Victoria, who later purchased the coat for £150 from Smith’s widow and presented it to Greenwich Hospital in 1845.

The jacket can now be found in the National Maritime Museum in Greenwich (housed in a section of the former Naval College). Along with the fatal musket ball hole on the left shoulder, the tails and left sleeve of the jacket are stained with the blood of John Scott, Nelson’s secretary, who had died in the early moments of the battle on the spot where Nelson was later shot. It’s also possible to see where the epaulette was damaged during the treatment of Midshipman Westphal.

The front of the coat also features embroidered versions of the four orders of chivalry awarded to Nelson – these are the star of the Order of the Bath, the Order of the Crescent awarded by the Sultan of Turkey, the Order of St Ferdinand and of Merit awarded by Ferdinand IV of Naples, and the German Order of St Joachim. According to the National Maritime Museum, “Nelson habitually wore them on all his uniform coats”.

The coat’s right sleeve is positioned as Nelson would have worn it – in 1797 he had lost his right arm at the Battle of Santa Cruz de Tenerife.

PICTURE: Vice-admiral’s undress coat worn by Nelson (1758-1805) at the Battle of Trafalgar. There is a bullet hole on the left shoulder, close to the epaulette. (c) National Maritime Museum, Greenwich, London, Greenwich Hospital Collection.

WHERE: National Maritime Museum, Romney Road, Greenwich, (nearest DLR station is Cutty Sark or Greenwich mainline station); WHEN: Open 10am to 5pm daily; COST: Free; WEBSITE: www.nmm.ac.uk.

LondonLife – St Paul’s celebrates 300 years since its completion…

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Queen Elizabeth II attends the tercentenary service at St Paul’s. PICTURE: Graham
Lacdao/St Paul’s Cathedral

A service was held at St Paul’s today in celebration of the 300 year anniversary of the cathedral’s completion.

The tercentenary service also marks the end of a massive 15 year, £40 million repair and cleaning project, meaning the cathedral is now clear of scaffolding for the first time in 15 years.

Designed by the indomitable Sir Christopher Wren, work on St Paul’s Cathedral began in 1677 and was formally completed in 1710 (although it had been holding services since 1697). (For more on the history of St Paul’s, see our earlier post, part of our series on Wren’s London, here).

Said to have the largest dome after St Peter’s in Vatican City, St Paul’s has been at the centre of London’s (and the United Kingdom’s) religious and political life for centuries, hosting state funerals (Lord Nelson, the Duke of Wellington and Winston Churchill’s were all held here) as well as the royal wedding of Prince Charles and Lady Diana and many celebration services.

Sights include the crypt – containing the tombs of both Nelson and Wellington – and the Whispering Gallery (see our earlier post on the Whispering Gallery here) as well as the exterior viewing galleries.

To celebrate the cathedral’s liberation from scaffolding, St Paul’s is holding a 300th Anniversary Photography Competition in which photographers are invited to submit their best exterior shots of the building. The 10 winning images will then be displayed in the cathedral crypt. The competition runs until 16th July.

To enter, upload pictures to St Paul’s 300th anniversary competition group at Flickr – www.flickr.com/groups/stpaulslondon/. For more information, see www.stpauls.co.uk/photocomp.

King James I’s London – 7. The Gunpowder Plot

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One of the most significant events during the early year of King James I’s reign was the discovery of the Gunpowder Plot.

The plot, which involved a group of Catholic conspirators including Robert Catesby and  Guido ‘Guy’ Fawkes (you can read more about Fawkes in our earlier entry on Bonfire Night), centred on a plan to blow up the House of Lords in Westminster Palace during the State Opening of Parliament in November 1605, thus killing the king (who had aggrieved Catholics in a public denunciation at the Hampton Court Conference in 1604; it should also be noted that he was already aware of several other failed Catholic plots to kill him) and, presumably, many MPs and Lords.

It is believed they intended replacing James with his daughter, Princess Elizabeth, whom they hoped could be made more amendable to Catholic worship.

But such a plot was hard to keep mum and an anonymous tip-off to Lord Monteagle, a Catholic, not to attend the event, led authorities to eventually uncover the plot in a basement storeroom below the House of Lords where, at around midnight on 4th November, they found Fawkes guarding the 36 barrels of gunpowder.

Fawkes was sentenced to be hung, drawn and quartered – a sentence never fully carried out after he leapt off the scaffold and broke his neck – and the other plotters, who had fled from London soon after the discovery, were either killed during subsequent arrest attempts, imprisoned or executed.

So happy was King James I – that he had Act of Parliament passed which made the 5th November a day of thanksgiving – it remained in force until 1859. Celebrations of the plot’s foiling continue every year on Bonfire Night.

But what were some of the significant places in the event? The cellar where Fawkes was arrested no longer exists – it was destroyed during a fire in 1834.

The conspirators who had been arrested were subsequently taken to the Tower of London where King James I authorised the torture of at least Fawkes and perhaps others among the conspirators. Fawkes capitulated quickly and signed two confessions (which are now in The National Archives). Another of the conspirators, Francis Tresham, died of natural causes while in the Tower.

The eight surviving conspirators went on trial at Westminster Hall – still part of the Houses of Parliament complex today; the end of the hall is visible in the above picture – in late January 1606 and were all condemned to death for treason.

Four of them were executed on 30th January in St Paul’s Churchyard outside St Paul’s Cathedral while the remaining four including Fawkes were executed the next day outside Westminster Hall in Old Palace Yard. The heads of Catesby and Thomas Percy, both of whom had been killed during a shoot-out in Staffordshire, were set up outside the Houses of Parliament.

Arrests – and in some cases executions – of others believed to be associated with the plot continued in the following months.

Another place of note in the story of the Gunpowder Plot is Syon Park in the city’s west, now the London home of the Duke of Northumberland. The aforementioned Thomas Percy was a cousin of the then Earl of Northumberland, Henry Percy, and apparently dined with the Catholic earl at the house on the night of 4th November, before the plot was uncovered.

That association subsequently led to the earl’s arrest and he was confined to the Tower for the next 15 years on the order of the king.

Treasures of London – Nelson’s Column

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Towering over Trafalgar Square, Nelson’s Column was constructed in the 1840s to commemorate the man many believe to be Britain’s greatest naval hero, Admiral Lord Nelson.

Parliament started discussions on a monument commemorating Nelson only 10 years after his death at the Battle of Trafalgar in October 1805, but it wasn’t until 1838 that the Nelson Memorial Committee was finally formed and public subscriptions called for to raise funds for the monument.

The government agreed to provide the location and, following a controversial competition (which had to be run twice), William Railton’s designs showing a Corinthian column topped by a statue of Nelson (which it was stipulated had to be made by EH Bailey) with four lions at its base, was adopted.

The column was completed in 1843. It featured a bronze capital, made from old cannons taken from the Woolwich Arsenal and shaped in the form of acanthus leaves, and Bailey’s 5.5 metre (17 foot) tall statue of Nelson (made from Craigleith sandstone quarried in Scotland and donated by the Duke of Buccleuch). The four bronze identical lions, made by sculptor Sir Edwin Landseer and said to be modelled on a dead cat from a zoo, were not added until 1867.

On the column’s pedestal are four bronze relief panels showing Nelson’s four great victories – the Battle of Cape St Vincent, the Battle of the Nile, the Battle of Copenhagen and the Battle of Trafalgar, the scene of which depicts the admiral in the throes of dying (he was killed by a musket bullet fired from the French vessel Redoubtable and was carried below decks where he died). They were apparently made from French guns captured at each of the battles.

The Grade I-listed column, which cost £47,500 to build, was refurbished in a four month exercise costing £420,000 in 2006, during which it was discovered that it was actually 16 foot shorter than had previously been thought (its total height, to the tip of Nelson’s hat, is actually 169 feet instead of the 185 feet previously supposed). It had previously been refurbished in 1986 and in 1968. You can see a gallery of images taken during the most recent restoration here.

Interestingly, it is reported that just before Bailey’s statue was raised to the top of the column in 1843, 14 stonemasons who had worked on it during construction held a celebration dinner party on the plinth at the top.

Around London – Apsley House history goes online; Australian landscapes at the British Museum; Dame Judy Dench awarded Freedom of the City of London; and, Out of this World on at British Library

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• A detailed history of Apsley House, the former home of Arthur Wellesley, 1st Duke of Wellington, has gone live online as part of a pilot project aimed at “deepening the public’s understanding of English history”. The property, known as Number 1, London, is one of 12 initially being profiled in depth in a pilot project on the new English Heritage online resource, Portico. Others include Down House, the former home of Charles Darwin, located in Kent, as well as Beeston Castle, Brough Castle, Byland Abbey, Carlisle Castle, Dunstanburgh Castle, Easby Abbey, Kenilworth Castle, Lullingstone Roman Villa, Rievaulx Abbey and Wroxeter Roman City near Shrewsbury. Brief historical details are also provided for an additional 220 lesser known free sites including Dunster Yarn Market in Somerset. For more see www.english-heritage.org.uk/professional/archives-and-collections/portico/.

• The West Lawn of the British Museum Forecourt has been turned into an image of the Australian continent as part of a five year partnership programme between the museum and the Royal Botanic Gardens, Kew. The landscape moves from the vegetation of the eastern Australia’s coast through to the red centre and onto a rocky Western Australian outcrop. It showcases some of the continent’s unique and highly threatened flora. The  construction of the landscape, which follows one showcasing that of South Africa last year, is part of the museum’s ‘Australian season’. Runs until October. Admission is free. See www.britishmuseum.org.

• Dame Judy Dench was awarded the Freedom of the City of London for services to acting at a ceremony at the Guildhall last week. The winner of an Academy Award, nine BAFTAs and three Laurence Olivier Awards, Dame Judy is an icon of stage and screen. She is reportedly looking forward to driving her sheep over London Bridge and occasionally wearing a sword in public – both privileges of those awarded the Freedom of the City of London. The Freedom of the City’s origins are believed to date back to 1237 and enabled recipients to carry out their trade. Today people are nominated for or apply for the Freedom for the link with the City or are awarded it for a significant contribution to London life. Many of the traditional privileges – such as driving your sheep over London Bridge or being hanged with a silken rope – no longer exist.

• Now On: Out of this World: Science Fiction but not as you know it. The British Library’s first exhibition which explores science fiction through literature, film, illustrations and sound. Guest curated by Andy Sawyer, director of science fiction studies MA at the University of Liverpool, the exhibition traces the evolution of the genre from Lucian of Samosata’s True History, written in the 2nd century AD, through to the recent writings of Cory Doctorow and China Mieville. Highlights include a 1516 edition of Sir Thomas More’s Utopia, a 1647 edition of Lucian’s True History, and a 1906 edition of HG Wells text, The War of the Worlds. Runs until 25th September. For more see, www.bl.uk/sciencefiction.

King James I’s London – 6. The Queen’s House, Greenwich

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Long an admired landmark of Greenwich, the origins of the Queen’s House go back to the reign of King James I.

It was the Queen, Anne of Denmark, who commissioned the building of The Queen’s House in 1616 and gave it the name by which it is still known. Sadly, however, she died before it was completed.

King James I was said to have been a frequent visitor to the Tudor Palace of Greenwich (the building had earlier been known as the Palace of Placentia and was the birthplace of King Henry VIII in 1491).

King James  is traditionally said to have awarded the Manor of Greenwich to Queen Anne as an apology after he had publicly sworn at her when she had accidentally shot one of his favorite hunting dogs.

In 1616, Queen Anne decided to build a new property on the site as both a private retreat and a place where she could entertain and it was to the rising star Inigo Jones that she turned to for the design (in recognition of his growing status, he was appointed Surveyor of the King’s Works the following year).

The house was Jones’ most important job to date and the design he came up – based on a H with the two sides joined by a bridge over the Greenwich to Woolwich road – with is said to be the first Classical building in England.

Among the original features which survive to this day are the striking black and white geometrically patterned marble floor of the Great Hall (the room having been designed as a perfect cube), the painted ceiling of the Queen’s Presence Chamber and the iron balustrade the Tulip Stairs – said to be the first “geometric self-supporting spiral stair in Britain”.

Queen Anne became ill in 1618 and died the following year without seeing the end result of her commission. The work subsequently was shelved and only restarted (and completed in 1638) after King Charles I gave it to his wife, Queen Henrietta Maria.

She only had possession for a short time before Parliamentary forces seized it during the Civil War. After the Restoration, the Queen’s House was returned briefly to her by her son King Charles II (it was at this time that the original H-shape of the house was altered to a square) before part of it as later used as studio for painters and then as grace and favor apartments.

With the Old Royal Naval College now occupying the surrounding site, in 1805, King George III gave the property to the Royal Naval Asylum – a charity caring for the orphan children of seamen – and it later became part of the Royal Hospital School.

The National Maritime Museum took possession in 1934 and the building now houses the National Martime Museum’s collection of fine art. As an interesting aside, there have been several reported sightings of ghosts in the house, the latest as recently as 2002.

WHERE: The Queen’s House, National Maritime Museum, Greenwich (nearest DLR station is Cutty Sark); WHEN: 10am to 5pm daily (check website for closures); COST: Free; WEBSITE: www.nmm.ac.uk/places/queens-house

Treasures of London – The Portuguese Centrepiece, Apsley House

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Having just been cleaned as part of a renovation of the State Dining Room at Apsley House (pictured) – the former London residence of Arthur Wellesley, the Duke of Wellington, the silver-gilt Portuguese Centrepiece  was presented as part of a complete service to the duke in 1816.

The gift of the Portuguese Regency Council, it was created in honor of the duke’s role in leading the armies of Spain, Britain and Portugal to victory over Napoleon’s forces in the Peninsular War of 1808-14.

The service, which consists of more than 1,000 pieces, was designed by Portuguese court artist Domingos Antonio de Sequeira who took three years to complete it with much of the work carried out in Sequeira’s house and neighbouring workshops. Subsequently damaged in the sea crossing to England, repairs had to be made before it was formally presented to the duke late in 1816.

The eight metre long centrepiece commemorates all the battles of the Peninsular War in which the allies were victorious. It was acquired for the nation in 1948 and is now permanently displayed on the duke’s original mahogany dining table, designed especially to support its weight.

WHERE: Apsley House, 149 Piccadilly, Hyde Park (nearest tube station is Hyde Park Corner); WHEN: 11am to 5pm Wednesday to Sunday (until 31st October); COST: £6.30 an adult/£5.70 concessions/£3.80 a child (English Heritage members free); WEBSITE: www.english-heritage.org.uk/daysout/properties/apsley-house/

King James I’s London – 5. Holland House

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A Jacobean mansion located in Kensington’s Holland Park, Holland House was first built in 1605 for Sir Walter Cope, Chancellor of the Exchequer for King James I. 

Sir Walter apparently entertained the king and his wife, Queen Anne of Denmark, at the property – then named Cope Castle – on numerous occasions at the property and reportedly hosted the king the night after his son, Henry Frederick, the Prince of Wales, died in 1612.

Its name came with a later owner – the ill-fated Henry Rich, Cope’s son-in-law, who was made the 1st Earl of Holland in 1624 and was later executed for his role in supporting the Royalist cause during the Civil War during which the house was occupied by parliamentary troops.

The home was later used by various family members – among luminaries associated with the property are the essayist Joseph Addison who died there in 1719 as well as, in later years, the likes of Lord Byron, Benjamin Disraeli, Charles Dickens and Sir Walter Scott, all of whom visited the property during the property’s golden age in the 19th century when it was an important social gathering place.

The house was largely destroyed in a bombing raid in September 1940 and passed into ownership of the local authority. A youth hostel is now housed inside the restored east wing of the building while other buildings are used for a restaurant and function centre – all set within the 22 hectare (55 acre) Holland Park. Some of the ruins provide a backdrop for open-air theatre performances and concerts in summer.

WHERE: Holland Park (nearest tube stations are Holland Park, Kensington High Street and Notting Hill); WHEN: 7.30am to 30 minutes before dusk (check signs by entrance); COST: Park entrance is free (house is not open to the public); WEBSITE: www.rbkc.gov.uk/leisureandlibraries/parksandgardens/yourlocalpark/hollandpark.aspx

Where’s London’s oldest…bookshop?

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Hatchards on Piccadilly (right next to Fortnum & Mason) is generally accepted as being London’s oldest surviving bookshop.

It was founded in 1797 by John Hatchard in Piccadilly (there seems some dispute over whether it still stands on exactly the same site).

The shop currently holds three royal warrants for the supply of books to the Royal Household.

Among high profile past customers have been Queen Charlotte (wife of King George III), former PMs Benjamin Disraeli and  Arthur Wellesley, the Duke of Wellington, and literary figures such as Rudyard Kipling, Oscar Wilde and Lord Byron.

It remains popular with lovers of literature and is noted for hosting book-signings by prominent authors with many signed book on the shelves.

For more, see www.hatchards.co.uk.