Events

LondonLife – Forget the halls, they’re decking the city…

by exploringlondon

We’ve decided not to kick off our next Wednesday series until the new year so in the meantime, we’ll take a look at where you can find some of the best – and some of the most historic – Christmas decorations in London (and we’d love to hear your thoughts as well!). Here is some of what you’ll find in the West End this year…

Trafalgar-Square-Christmas-Tree1. Trafalgar Square Christmas Tree:  A symbol of Christmas in London since 1947, this massive tree (usually a Norwegian spruce) is an annual gift from the people of Norway as thanks for British support during Norway’s years of occupation in World War II. The tree – which is usually around 50 to 60 years old, more than 20 metres high and resident in the forests around Oslo – is felled in November in a ceremony attended by the Lord Mayor of Westminster, the Mayor of Oslo and the British ambassador to Norway before being brought to the UK by sea. This year’s tree lighting ceremony took place on 6th December and a program of choirs will be singing at the tree during evenings in the lead-up to Christmas.

2. Regent Street Christmas Lights: The street’s stunning Christmas light displays apparently date back to the early 1950s when the lifting of wartime lighting restrictions allowed the display. The lighting ceremony has since become an annual event – this year’s lights – which stretch over a mile and tell the story of the 12 Days of Christmas – were turned on by some 40 Olympians and Paralympians in November and will remain up until early January next year.

3. Oxford Street Christmas Lights: Switched on in early November by singer Robbie Williams (with supporting act Leona Lewis), the Oxford Street Christmas display – this year more properly known as the Marmite Oxford Street Christmas Lights – has been a West End tradition since 1959. This year’s mile long display involves 300,000 LED bulbs. Among the stars who have switched on the lights over the display’s 53 year history are the Spicegirls, Westlife and The Saturdays, who held the honor last year.

4. Bond Street Christmas Lights: A more boutique display than its more celebrated neighbours, this year’s lights were switched on by Gareth Malone and the Military Wives Choir.

5. Covent Garden decorations: This year’s decorations include an innovative display from United Visual Artists in the Market Building as well as a giant Lego advent calendar with a new window opened each day at 4pm in the lead-up to Christmas. Other Christmas-related features include a 32 foot high topiary reindeer as well as the chance for kids to pet a real reindeer on Saturdays. There’s also a food market and choir singing.

Famous Londoners – Gog and Magog…

by exploringlondon

Regular watchers of London’s Lord Mayor’s Show parade will be familiar with the two giants Gog and Magog who for centuries have been an integral part of the procession. But just who are the two stern figures who strike fear into the hearts of all they pass (well, perhaps not so much the fear)?

Gog-and-MagogWhile the names Gog and Magog appear several times in different contexts in the Bible came t0 epitomise the enemies of God, legend has it that the Gog and Magog seen in this context were leaders of a race of giants who inhabited Britain in times of prehistory.

Defeated by Brutus, a descendent of the Trojan Aeneas and the founder of London and first king of Britain, they were then chained to the gate of his palace which stood on the site of where Guildhall – home of the City of London Corporation – now stands.

Seen as guardians of the City of London, figures of the giants have been carried in the Lord Mayor’s Show – the annual procession surrounding the election of the new Lord Mayor – since as far back as the reign of King Henry V (originally made of ‘wickerwork and pasteboard’, they were later replaced with wooden ones).

The seven foot high wicker versions of the giants which are now carried in the parade were donated by the Worshipful Company of Basketweavers in 2006 (pictured here in the 2010 parade) and are the just latest in a series of effigies and statues of the two giants which have been associated with Guildhall.

These include pair of nine foot high limewood statues of the giants which currently stand in Guildhall – carved in 1953 by David Evans, they replaced two earlier, 14 foot high oak versions made by Richard Saunders in the early 1700s which were destroyed in the Blitz during World War II. They, in turn, were created to replace earlier papier mache versions.

As well as being found in numerous cities around the world, figures of the two giants also famously feature as the clock’s bell ringers on the facade of the Church of St Dunstan-in-the-West in Fleet Street. The clock, incidentally, was the first public clock in London to have a minute hand.

10 Historic London Markets – 10. Greenwich Market…

by exploringlondon

While there is said to have been a market in Greenwich since as far back as the 1300s, it was on 19th December, 1700, that Lord Romney granted the Commissioners of Greenwich Hospital a charter to hold a market on Wednesdays and Saturdays.

Greenwich-MarketThe market was originally located on the site of the Old Royal Naval College’s west gate and the surrounding area but under an initiative to clean up the area in the early 1800s – when the market sold all manner of foodstuffs, including livestock, as well as general goods – saw the commissioners move it to its current location on an “island site” in the midst of a block bounded by Nelson Road, King William Walk, College Approach and Greenwich Church Street.

Under the direction of Greenwich surveyor Joseph Kay (he also built Greenwich’s Trafalgar Tavern), between 1827-1833 the market was rebuilt with three roofs constructed over three linked buildings to protect traders and customers from the weather.

In 1849 an Act of Parliament was passed giving Greenwich Hospital the right to regulate the marketplace including creating byelaws and collecting fees from traders.

In the early 1900s, the byelaws were changed so the market could trade six days a week (except Sundays) and in 1908, the original timber roofing of the market was replaced with the steel and glass roof that still stands today.

The market, which lost its roof when it was struck by flying bombs in 1944, was established as a wholesale market in the years after the war and renovations carried out in the late 1950s/early 1960s. The market remained a wholesale fruit and vegetable market until 1980s when, inspired by the success of Camden Lock Market in London’s north (we’ll look at this market in a later post), it was transformed into an arts and crafts market (officially opened on 14th May, 1985) with shops around the edge let to craft-related businesses.

These days the market has about 150 stalls, selling everything from antiques and fashion to art and photographic work, jewellery, books and gifts as well a host of places to eat and drink in the market and surrounding streets.

A regeneration plan – under which a 100 bed hotel, 17,000sq ft of retail space and 155 trading stalls would be located on the 1.64 acre site currently occupied by the market – is now under consideration by Greenwich Hospital. The market is expected to be relocated to the grounds of the Old Royal Naval College while the regeneration takes place in January with the market reopened in late 2014.

WHERE: The market has four entrances – off Greenwich Church Street, Nelson Road, King William Walk and College Approach, Greenwich (nearest DLR is Cutty Sark); WHEN: 10am to 5.30pm, Tuesday to Sunday and Bank Holidays (different stalls operate on different days – check website for details); COST: Free; WEBSITE: www.shopgreenwich.co.uk/greenwich-market.

This is the last in our series on 10 Historic London Markets (we’ll be looking at more markets in upcoming posts). PICTURE: visitlondonimages/britainonview/Stephen McLaren.

For more on London’s markets, check out The London Market Guide.

What’s in a name?…Barbican

by exploringlondon

Though it’s these days associated with a Brutalist housing estate and performing arts centre based in the north of the City of London, the name Barbican has been associated with the area on which the estate stands for centuries.

BarbicanThe word barbican (from the Latin barbecana) refers to an outer fortification designed to protect the entrance to a city or castle. In this case it apparently referred to watchtower which may have had its origins in Roman or Saxon times (or maybe both). The City of London website suggests it was located “somewhere between the northern side of the Church of St Giles Cripplegate and the YMCA hostel on Fann Street”.

When-ever it was built, the watchtower was apparently demolished on the orders of King Henry III in 1267, possibly as a response to Londoners who had supported England’s barons when they had rebelled against him. One source suggests the tower was rebuilt during the reign of King Edward III but, if so, the date of its subsequent demolition remains unknown.

Later residents of the area – which become known as a place to trade new and used clothes – included John Milton and William Shakespeare.

The area known as Barbican was devastated by bombing raids in World War II. Discussions on the future of the site started in 1952 and for more than 10 years plans for redeveloping the area were debated until finally, in the early 1960s, work began on what is now the Barbican Estate including three tall residential towers (part of the residential estate is pictured above). Completed in the mid 1970s, the Brutalist design of the complex, which features buildings named after historical figures associated with the area, means it meets with strong reactions from those who encounter it whether love – or hate.

Construction of the arts centre – known as the Barbican Centre – the largest performing arts centre in Europe and home to the London Symphony Orchestra – was started in the early 1970s. The £156 million centre was eventually opened by Queen Elizabeth II in 1982.

Other buildings within the Grade II listed complex include the Guildhall School of Music and Drama, the City of London School for Girls and a YMCA.

Where is it? #52…

by exploringlondon

The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to all those who identified this as Staple Inn in High Holborn. The last surviving of the buildings once known as the Inns of Chancery – medieval period schools which provided legal training, the current structure dates from about 1580 and is a rare survivor from before the Great Fire of London in 1666. As mentioned by Mike below, it had to be largely rebuilt after the hall was devastated by a flying bomb in August, 1944. Staple Inn is now home to the Institute of Actuaries (we’ll be taking a more in-depth look at the building and its history in an upcoming post).

Lost London – Old St Paul’s Chapterhouse…

by exploringlondon

We’re yet to take an in-depth look at Old St Paul’s Cathedral – that is, the building that stood on the existing site before being destroyed in the Great Fire of London in 1666 – but today we thought we’d focus on just one aspect of the former church – the old chapterhouse. 

Located in the South Churchyard on the Thames side of St Paul’s Cathedral, the location of the chapterhouse is today marked out by raised stonework (the actual building remains lay a few feet below) which can be freely accessed from the street.

The octagonal chapterhouse, which replaced an earlier chapterhouse, stood in the middle of a 100 foot square arcaded cloister, both of which were designed by the royal mason, William Ramsay, in 1332 during the reign of King Edward III, in one of the first known examples of what is referred to as the ‘Perpendicular Gothic’ style.

Designed as a two-storey building for better air circulation, the actual chapter room was located on the second floor of the chapterhouse over an undercroft below and it was here the monks would meet daily to discuss affairs relating to the cathedral (the word chapterhouse comes from the fact that it was while in this room the monks would be a read a daily chapter from the body of rules governing them).

The marked out chapterhouse (pictured above – the chairs are standing inside the chapterhouse) was unveiled in 2008 following a £3.8 million redevelopment of the South Churchyard, itself part of the bigger, recently completed, overhaul of the entire cathedral).

WHERE: South Churchyard, St Paul’s Cathedral (nearest tube station is St Paul’s); WHEN: Anytime;  COST: Free  (to go inside the cathedral costs £15 an adult/£14 concessions and students/£6 a child (6-18 years)/£36 a family of four); WEBSITE: www.stpauls.co.uk

Around London – Christmas at the Geffrye; a Kensington Palace advent calendar; new furniture gallery at the V&A; and, last chance to see Bronze…

by exploringlondon

• Christmas is looming and at the Geffrye Museum in Hoxton that means the museum’s many period rooms have been transformed for the Christmas festivities. The rooms span 400 years of history, from 1600 until today, and show how the middle class have lived over that time. The Christmas display will also provide insights into such Christmas traditions as kissing under the mistletoe, hanging up stockings, sending Christmas cards and decorating trees. The Christmas theme carries through to the restaurant and gift shop. Entry to the exhibition is free. Runs until 6th January. For an online gallery showing some of the rooms, click here. For more on the museum, see www.geffrye-museum.org.uk.

• Meanwhile Kensington Palace is to be transformed into giant advent calendar in the lead-up to Christmas with a daily ‘reveal’ inspired by Princess Victoria’s Christmas diary entries and letters. The halls of the palace will be decorated with 24 specially designed mirrored baubles, Christmas music will be played throughout and a sparkling 25 foot high Christmas tree will be placed in the gardens. As part of the Christmas festivities, an evening of carol singing will be held on 5th December in the King’s Gallery with carols sung by the Hampton Court Palace Royal Chapel Choir. Other events include a Midwinter Masquerade Ball on 13th December and an Eerie Evening Tour on 20th December. For more, see www.hrp.org.uk/KensingtonPalace/.

• A new permanent furniture gallery opens at the V&A this Saturday. The Dr Susan Weber Gallery – the first at the museum dedicated to furniture – will display more than 200 pieces of British and European furniture, spanning a period stretching from the Middle Ages through to present day, as well as examples of American and Asian furniture. Each piece is examined in detail with information provided about the materials and techniques used in creating it. Among the designers represented will be Thomas Chippendale, Grinling Gibbons, Robert Adam, Ron Arad and Tom Dixon. Highlights include a 20th century Frank Lloyd Wright-designed dining chair, a gilded cassone made for the Duke of Urbino in about 1509, and a scagliola decorated table which was formerly at Warwick Castle and dates from 1675. Twenty-five ‘key’ pieces have been selected for a central chronological display including a storage unit by Charles and Ray Eames dating from 1949-50, a Gothic revival cradle dating from 1861 and designed by Richard Norman Shaw and one of the museum’s newest acquisitions, the 2011 ‘Branca’ chair, designed by Industrial Facility. The display includes the use of touch screen interfaces, films and audio recordings. Entry is free. For more, see www.vam.ac.uk.

• On Now: Bronze. Last chance to see this exhibition at the Royal Academy of Arts which closes on 9th December. The exhibition brings together more than 150 of the finest bronzes in the world, spanning 5000 years of history, with many of the pieces on display never seen before in the UK. Among the earliest works are the 14th century BC bronze and gold Chariot of the Sun from Denmark, ancient Chinese ritual vessels including an elephant-shaped vessel dating from the Shang Dynasty (1100-1050 BC) and an Etruscan masterpiece – Chimera of Arezzo, dating from about 400 BC. Other highlights include a Roman cavalry helmet found in Cumbria in 2010 and the Portrait of King Seuthes III, dating from the early Hellenistic period, and found in Bulgaria in 2004 as well as a series of Renaissance bronzes and more recent works like Rodin’s The Age of Bronze (c 1876). Admission charge applies. For more, see www.royalacademy.org.uk.

Around London – Regicides’ rogues gallery; seeing London in extreme detail; Marilyn at the NPG; and, the Middle East at the V&A…

by exploringlondon

• A “rogues gallery of regicides”  – six key parliamentarians who signed the death warrant of King Charles I – has been placed online this week by the National Army Museum to mark Parliament Week. The online gallery presents portraits and “potted histories” of the six men who include Oliver Cromwell (later Lord Protector of the Commonwealth, he died before the Restoration), Henry Ireton, John Hutchinson, John Hewson, John Okey and Thomas Harrison (the latter two were captured after the Restoration and rather brutally executed). In September, the museum placed 643 oil paintings from its collection online at the Your Paintings website – a collaboration between the BBC and the Public Catalogue Foundation. The paintings, which span 400 years of military history, can be viewed here: www.nam.ac.uk/your-paintings.

• While we’re looking at things online, photographer Henry Stuart earlier this month placed a GigaPixel image of London as seen from the top of St Paul’s Cathedral’s Dome – more than 100 metres above street level – as the sun sets over the city. Gigapixel means extreme detail so you can zoom in to pick out the details of individual buildings in greater clarity that the human eye can see from such a distance. Landmarks visible include the Olympic Stadium, Buckingham Palace, Westminster Abbey and Wembley Stadium. The picture can be seen here. The image can be compared to a similar image taken at sunset earlier this year (you can see this one here). He’s also taken a GigaPixel image of the St Paul’s interior (see it here). To find out more about Stuart’s work, head to www.sphericalimages.com.

• On Now: Marilyn Monroe: A British Love Affair. This display at the National Portrait Gallery – coinciding with the 50th anniversary of Marilyn’s death – puts a spotlight on her links with the UK and features a range of photographic portraits as well as rare magazine covers, vintage prints, lobby cards and film stills. Monroe, then newly married to playwright Arthur Miller, spent four months in the UK in 1956 during which time she was making the film The Prince and the Showgirl opposite Laurence Olivier. Other events recorded include her meeting with the Queen and a private sitting with the film’s cinematographer Jack Cardiff. Among other images on display are Antony Beauchamp’s 1951 images of Marilyn in a yellow bikini and photographs taken by Cecil Beaton in New York’s Ambassador Hotel in 1956. There is also a selection of magazine covers ranging from a 1947 cover of Picture Post featuring then Norma Jeane Baker to the cover of Town magazine published three months after her death and featuring an image from her last official photo shoot. Runs until 24th March. Admission is free. For more, see www.npg.org.uk. PICTURE: Marilyn Monroe, artwork for The Prince and The Showgirl poster/Courtesy The John Kobal Foundation.

• On Now. Light from the Middle East: New Photography. Described as the “first major museum exhibition of contemporary photography from and about the Middle East”, this exhibition at the V&A features more than 90 works which show creative responses to events which have shaped the region over the past 20 years – including the recent revolution in Egypt. The display is structured around three themes – Recording, Reframing and Resisting – and as many as 30 artists from 13 countries are represented in the display including Abbas (Iran), Youssef Nabil (Egypt) and Walid Raad (Lebanon). Runs until 7th April. Admission is free. For more, see www.vam.ac.uk.

10 Historic London Markets – 8. Columbia Road Flower Market…

by exploringlondon

Originally founded in the early 1800s, the Columbia Road market in East London has since evolved into a specialist flower market on Sundays.

First emerging as a general street market in the early 1800s, the market was formalised in the mid 1800s when banking heiress Angela Burdett-Coutts financed the construction of the now demolished – and somewhat architecturally fanciful – Columbia Market. This opened in 1869 at the northern end of the road but didn’t prove a great success. Despite efforts to save it – including apparently relaunching it as a fish market – it closed in 1885.

The market building – which is said to have resembled the sort of market hall that might be found in rural areas – was later used as a warehouse but after suffering bomb damage in World War II were demolished.

The market, meanwhile, reappeared on the street and as the area’s Jewish population grew, moved to a Sunday, a decision which allowed traders from Covent Garden and Spitalfields to trade their leftover goods from the previous day.

The introduction of new regulations – including those introduced in the 1960s requiring traders to attend regularly – saw the market gradually transform itself into the colorful market selling cut flowers, plants and bulbs you can find there today. Popular with film makers and photographers thanks to the colourful backdrop it provides, the surrounding streets also feature a range of interesting independent shops and cafes.

WHERE: Columbia Road, Bethnal Green (nearest Tube stations are Shoreditch, Liverpool Street, Aldgate East and Bethnal Green); WHEN: 8am to 2pm Sunday; COST: Free; WEBSITE(S): www.columbiaroad.info/www.columbia-flower-market.freewebspace.com/index.html.

PICTURE: Dynasoar/www.istockphoto.com

LondonLife – A new crown for King Henry VIII…

by exploringlondon

A recreation of King Henry VIII’s imperial crown, destroyed after the English Civil War, has gone on show in the Chapel Royal at Hampton Court Palace. Originally created for either King Henry VIII or his father, King Henry VII, the crown was worn at the coronations of Henry VIII’s children and possibly the king’s own as well as at Hampton Court Palace during major liturgical and court ceremonies. It was subsequently used by his successors down to King Charles I before being melted down by the Commonwealth Government in 1649 at the Tower of London. The replica crown, which is being displayed in the Royal Pew – allowing visitors access to the balcony in the chapel for the first time in seven years, is the result of detailed historical research by Dr Kent Rawlinson, curator at Hampton Court Palace, and was made by Crown Jeweller Harry Collins and his master craftsmen. Hand-crafted in silver gilt, it features 344 jewels including pearls and precious and semi-precious stones. Five enameled figures are set within five fleur-de-lis – the figures represent the Virgin and Child, St George and English kings believed to be St Edmund, St Edward the Confessor and King Henry VI (King Henry VIII had the latter three figures added to the crown to underline the political and religious authority of the Crown). For more on Hampton Court Palace, see www.hrp.org.uk/HamptonCourtPalace/. PICTURE: HRP/Newsteam

10 Historic London Markets – 7. Portobello Market…

by exploringlondon

Established far more recently than many of the other markets we’ve looked at, the origins of a market in Portobello Road in London’s inner west only go back to the mid-to-late 19th century.

The oddly named road (it takes its name from the Battle of Porto Bello in the wonderfully named ‘War of Jenkins’ Ear’ between Britain and Spain in the mid 18th century – more on that in an upcoming What’s in a Name? post), was transformed from a mere laneway, known as Greens Lane, to a larger thoroughfare in the mid 180os as the area developed and the market started to take shape in the 1880s.

These days the street market can stretch for a mile along Portobello Road from Golborne Road in the north to Chepstow Villas in the south.

It offers everything from fruit and vegetables and various foodstuffs (sold particularly at the northern end and along Golborne Road itself, known as Golborne Market as well around Elgin Crescent) through to vintage and alternative clothing, music and other bric-a-brac (a section in the middle, around the Westway flyover, specialises in this – this area includes the Acklam Village Market and the Portobello Green Fashion Market) and the world famous antiques market (down at the south end, closer to Notting Hill Gate Tube station – Saturday is the key day here).

Different sections of the market open on different days – there’s a great map showing what opens when on the Portobello and Golborne Markets website here) – but Saturdays and Sundays are sure to find the area packed with people. The street is also lined with independently owned shops (including the colourful buildings above) and arcades and, as well as street food stalls, there’s plenty of pubs, cafes and restaurants where you can get a bite to eat.

There is currently a campaign to have Portobello Road declared Britain’s first “business conservation area” with the aim of preserving the character of the market. Head here for more details.

WHERE: Portobello Road, Notting Hill (nearest Tube stations are Notting Hill Gate or Ladbroke Grove); WHEN: Trading hours vary, see websites for details; COST: Free; WEBSITE(S): www.rbkc.gov.uk/subsites/visitkensingtonandchelsea/shopping/portobello/ourmarkets/portobelloroadmarket.aspx; http://shopportobello.co.uk/.

LondonLife – Dick Whittington visits St Paul’s for the Lord Mayor’s Show…

by exploringlondon

Actors Julian Rhind-Tutt (The Madness of King George, Notting Hill) and David Schneider (Horrid Henry the Movie, I’m Alan Partridge) star as thrice Lord Mayor of London, Dick Whittington, and his cat in one of a series of free performances held in St Paul’s Cathedral last Saturday as part of the festivities surrounding the annual Lord Mayor’s Show. The Lord Mayor, Roger Gifford, visited St Paul’s to receive a blessing before heading on to the Royal Courts of Justice to swear an oath of allegiance (and then, eventually returning to Mansion House where his journey had also begun). Interestingly, the Lord Mayor was unable to complete his entire journey to and from Mansion House in the State Coach this year (see our earlier post here) when what was reported as a fault with the coach’s wheels meant he had to complete the journey in an open top Land Rover. For more on events at St Paul’s Cathedral, see www.stpauls.co.uk.

PICTURE: © Graham Lacdao/The Chapter of St Paul’s Cathedral

Famous Londoners – Sir Peter Lely…

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One of the most famous painters of his age, Dutchman Sir Peter Lely – currently the subject of an exhibition at London’s Courtauld Gallery – rose to become the foremost portrait painter at the English Court during the latter half of the 17th century.

Born to Dutch parents on 14th September, 1618, in Westphalia (now part of Germany) where his father was serving as an infantry captain, Peter – originally named Pieter van der Faes – studied art as an apprentice in Haarlem in what is now The Netherlands. While there he is believed to have changed his name to Lely based on a heraldic lily which appeared on the gable of the house where his father was born in The Hague.

Lely appeared in London in the early 1640s and, while he initially devoted himself to the sort of narrative-style paintings inspired by classical mythology, the Bible and literature he had been working on in Haarlem but having found no great success there, soon turned his hand to portraiture.

The death of court portraitist Anthony van Dyck in 1641 had left a vacuum he stepped into the gap, soon becoming the most in-demand portrait painter at the Royal Court, his sitters including none other than King Charles I himself.

However, Lely, who was made a freeman of the Painter-Stainers Company in London in 1647, managed to straddle the political divide and after the beheading of King Charles I and the end of the English Civil War in 1651, was able to continue painting portraits of the most powerful people in the land including Oliver Cromwell – whom he painted “warts and all” as per the Lord Protector’s request – and his Cromwell’s brother Richard.

Already renowned as the best artist in the country, following the Restoration in 1660, Lely became Principal Painter of King Charles II, placed on an annual stipend as van Dyck had been before him during the reign of King Charles I.

Lely’s workshop was large and its output prolific, with his students and employees – who at one stage apparently included scientist and architect Robert Hooke – often completing his paintings after he sketched out some details, only painting the sitter’s face in any great detail.

Among his most famous works are a series of 10 portraits known as the Windsor Beauties (currently at Hampton Court Palace), a series of portraits of senior naval officers who served in the Second Anglo-Dutch War, known as the Flagmen of Lowestoft (most of the works at are the National Maritime Museum in Greenwich) and Susannah and the Elders (currently at Burghley House in Cambridgeshire) as well as some of the paintings in the current Courtauld exhibition including Nymphs by a Fountain (usually found at the Dulwich Picture Gallery) and Boy as a Shepherd (also the Dulwich Picture Gallery).

Lely was also known as an avid collector of art and is credited as being the first artist in England to do so in any serious manner – among his purchases were works which formerly formed part of King Charles I’s collection. At the time of his death, he is said to have owned more than 500 paintings, although more than half of these were works of his or his studio.

Sir Peter, who never married but had two children who survived him with a common-law wife Ursula, lived at a house in the north-east corner of Covent Garden from about 1650 until his death in 1680 (some sources have him knighted in this year, others in 1679) but also had a house at Kew and owned property outside of London including in Lincolnshire and The Hague.

He was apparently working at his easel in the studio of his Covent Garden house when he died on 30th November, 1680. He was buried at St Paul’s Church, Covent Garden. The monument to him, the work of Grinling Gibbons, was destroyed by fire in 1795.

Peter Lely: A Lyrical Vision – which focuses on some of his early non-portrait works – runs at The Courtauld Gallery until 13th January. For more on the exhibition, visit www.courtauld.ac.uk/gallery/exhibitions/2012/peter-lely/index.shtml. Running alongside the exhibition is a display of some of the drawings from Sir Peter’s own collection, Peter Lely: The Draughtsman and His Collection.

Where is it?…#49

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The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Sunday was Remembrance Day, so we thought it appropriate to have a war memorial as last week’s Where is it? This memorial, located at Victoria Embankment on the north bank of the Thames, is the Anglo-Belgian War Memorial, given in 1920 as a gift to Britain by the people of Belgium as a thank you for their help in providing a refuge in England during World War I. The work of celebrated Belgian sculptor Victor Rosseau, it features three bronze figures – a Belgian mother, a boy and a girl, the latter two carrying garlands – and although you can’t see it in this picture, there’s two figures behind them on the Portland stone surround representing ‘honour’ and ‘liberty’.

Daytripper – Bodiam Castle…

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This spectacular 14th century moated castle in East Sussex looks every bit the medieval fortress it was built to be. Yet at the same time, Bodiam was built as a residence with the comfort of its residents in mind.

The building of the castle took place in the latter part of the 14th century when in 1385 Sir Edward Dalyngrigge – an influential knight of Sussex – decided to put to use some of the booty he had amassed fighting in France and build the castle on an elevated position overlooking the River Rother – ostensibly to help repel any French who dared to invade (a very real threat – it was only eight years before that Rye had been burned to the ground, see our earlier entry here) – but no doubt also to enhance his own status.

Having obtained royal permission to “crenellate”, Sir Edward, who had obtained the Manor of Bodiam through his wife, set about the construction of the castle which featured rather simple defences including a moat and single perimeter wall studded with four corner round towers and a massive gatehouse (which still contains an original wooden portcullis).

The castle remained in the family until the Wars of the Roses when Sir Thomas Lewknor surrendered the castle to Yorkist forces having himself being attainted for treason by King Richard III for his support of the Lancastrian cause.

But the castle returned to the family after the accession of King Henry VII, eventually passing into the hands of the Earls of Thanet before, in 1644, it was sold to one Nathaniel Powell, a supporter of the Parliamentarian forces in the Civil War, so the then owner – Sir John Tufton, the second earl and a Royalist – could pay fines levied upon him by Parliament.

It is believed that it was after this that the castle was substantially dismantled and by the mid-eighteenth century it was depicted as an ivy-clad ruin.

It then passed through numerous private hands before undergoing some restoration in the 19th and early 20th centuries and was eventually purchased by Lord Curzon, former Viceroy of India, in 1916. He oversaw extensive restoration work before, on his death in 1925, the property passed into the care of the National Trust. They have since continued the work.

The castle these days is a shell of its former self, but with the outer walls and towers largely intact, is one of the most picturesque in the south of England. And there’s enough of the interior layout remaining to give a good sense of how it once operated as a house and fortress.

 

There’s also a tea-room and gift shop on site and the Trust regularly hold events there including this and next weekend’s hawking events and the upcoming ‘medieval Christmas’.

Bodiam Castle can be a little hard to reach without a car although you can a train to a nearby station and catch a taxi from there. You can also take a steam train from Tenterden to Bodiam but this only runs on limited days (see the Kent and East Sussex Railway website – www.kesr.org.uk – for more).

WHERE: Bodiam Castle, Bodiam, near Robertsbridge, East Sussex; WHEN: 11am to 4pm, Wednesday to Sunday (times can change, so check before heading out); COST: £7 an adult/£3.50 a child/£18.60 a family (includes gift aid donation); WEBSITE: www.nationaltrust.org.uk/bodiam-castle/.
PICTURE: Matthew Antrobus/National Trust

Around London – Lord Mayor’s Show; Remembrance Sunday; Ansel Adams at the NMM; and, Mughal India at the British Library…

by exploringlondon

• The 2012 Lord Mayor’s Show is just about upon us and while you may not have a grandstand seat, there’s still plenty of places you can stand and watch the parade of more than 6,500 people pass by. Saturday’s parade – which celebrates the election of the 685th Lord Mayor of London, Alderman Roger Gifford – leaves Mansion House at 11am and travels via Poultry and Cheapside to St Paul’s Cathedral where it pauses for the Lord Mayor and his officials to receive a blessing – before continuing on via Ludgate Hill and Fleet Street to the Royal Courts of Justice, arriving there at about 12.30pm. There the Lord Mayor gives his oath of loyalty to the Crown (while in the surrounding streets the participants and 125 horses are fed and watered) before the parade reassembles and sets off from Embankment at 1pm, heading back to Mansion House via Queen Victoria Street – the Lord Mayor arrives sometime between 2pm and 2.30pm. (The website has a terrific one page map of the route you can download and print). There’s no fireworks display after the parade – although there’s a host of other activities taking place in the City of London – but if you’re up and about early enough, you may want to watch the Lord Mayor as he boards the barge QRB Gloriana at the Westminster Boating Base in Vauxhall at 8.30am and, escorted by a flotilla, makes his way up the Thames to HMS President, just below St Katharine Docks, arriving at about 9.35am after Tower Bridge opens in salute. For more, head to www.lordmayorsshow.org.

• The annual Remembrance Sunday service – commemorating the contribution of British and Commonwealth servicemen and women in the two World Wars and later conflicts – will take place at the Cenotaph on Whitehall at 11am this Sunday. While no tickets are required to watch the event, the Department of Culture, Media and Sport, who organise the service, advise arriving early if you wish to secure a good viewing space (and leave time for security checks at the entrance to either end of Whitehall). Whitehall opens at 8am. For more details, see www.culture.gov.uk/what_we_do/honours/3333.aspx.

• A new exhibition of the work of US photographic pioneer Ansel Adams opens at the National Maritime Museum in Greenwich tomorrow (Friday). Ansel Adams: Photography from the Mountains to the Sea, which comes from the Peabody Essex Museum in Salem, Massachusetts, will feature more than 100 original prints, many of which have never been exhibited before in the UK. It is said to be the first exhibition to focus on his “lifelong fascination” with water and the display features some of Adams’ finest images based on this subject including what are some of the most famous photographs of the 20th century. Highlights include the first photograph Adams’ ever image – taken at age 14 – which features a pool located at the Panama Pacific Exhibition at the 1915 World’s Fair, the three American Trust murals produced in the 1950s on an “unprecedented scale”, Adam’s favorite work – Golden Gate before the Bridge – which hung above his desk, and iconic images such as Clearing Winter Storm, Yosemite and Stream, Sea, Clouds, Rodeo Lagoon, Marin Country, California. There is an admission charge. Runs until 28th April. For more details on the exhibition, see www.rmg.co.uk.

• Also opening tomorrow (Friday) is the British Library’s major autumn exhibition – Mughal India: Art, Culture and Empire. The exhibition focuses on the Mughal dynasty – which once ruled over much of the Indian sub-continent – and is the first to document the period spanning the 16th to 19th centuries. Featuring more than 200 manuscripts and paintings, most of which come from the library’s own collection, highlights include Akbar ordering the slaughter to cease in 1578 – a work attributed to the artist Miskina in 1595, Abu’l Hasan’s early 17th century painting Squirrels in a plane tree, the historically important illustration Prince Aurangzeb reports to the Emperor Shah Jahan in durbar, and a portrait of Prince Dara Shikoh, favorite son and heir-apparent of 17th century Emperor Shah Jahan. Runs until 2nd April. Admission charge applies. For more on the exhibition and accompanying events, see www.bl.uk.

10 Historic London Markets – 6. Old (and New) Spitalfields Market…

by exploringlondon

There has been a market on the site now known as Old Spitalfields Market, located on the eastern outskirts of the City of London next to what was the Priory and Hospital of St Mary Spital, since the thirteenth century.

But it was centuries later when, following the tumult of the Civil War, in 1682, John Balch was formally granted a Royal Charter by King Charles II to hold a “flesh, fowl and roots” market on Thursdays and Saturdays in or on the rectangle of land known as Spital Square. A ‘market-house’ was built on the site around this time for administrators with traders selling their wares from stalls.

The success of the market drew people to the area – in particular, Huguenots fleeing France who brought with them new skills in silk-weaving, and later Irish fleeing the Potato Famine and Jews escaping the harsh political climate in Eastern Europe – and the market gained a name for itself as a place to buy fresh produce.

By late in the 19th century, the market had fallen into decline. So, in 1876, a former market porter by the name of Robert Horner decided it needed an upgrade and, buying the lease, had the central market square roofed with glass and new market buildings, known as the Horner Buildings (pictured above), constructed around the northern, eastern and southern sides of the site. Having cost £80,000, it was completed in 1893.

In 1920, the City of London took over control of the market and later than decade expanded the original buildings. Having continued to grow over the ensuing years and with traffic congestion continuing to increase in the surrounding streets, it was decided to move the fresh produce aspect of the market to a new location at Leyton to the north-east.

The new market, known as New Spitalfields Market, covers more than 31 acres and boasts more than 100 traders.

Meanwhile, Old Spitalfields Market, the western end of which was redeveloped in the late 20th century, continues to operate on the original market site – now known as Horner Square, with stalls selling everything from contemporary and vintage fashion to music, gems and jewellery, bric-a-brac and antiques as well as various themed market days – check the website for more details.

Old Spitalfields Market
WHERE: Horner Square, Spitalfields (nearest Tube stations are Shoreditch High Street and Liverpool Street); WHEN: Markets are held every day – times vary so check website for details; COST: Free; WEBSITE: www.oldspitalfieldsmarket.com.
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New Spitalfields Market
WHERE: 23 Sherrin Road, Leyton (nearest Tube station is Leyton); WHEN: Trading hours midnight to around 9am, Monday to Saturday; COST: Free; WEBSITE: www.cityoflondon.gov.uk/business/wholesale-food-markets/new-spitalfields/Pages/default.aspx.

LondonLife Special – It’s Bonfire Night!…

by exploringlondon

Today marks what was traditionally known as Guy Fawkes Day or, as it’s known more popularly today, Bonfire Night, when, along with people throughout the UK, Londoners celebrate the capture of would be regicide Guy Fawkes and his conspirators, who in 1605 plotted to blow up the House of Lords and with it, King James I, during the State Opening of Parliament.

We’ve previously run a couple of pieces on the conspiracy and some of the key people and places involved – check out our earlier entries here and here.

Meantime, if you’re wanting to attend a celebration in London, Time Out has a terrific guide to all the events taking place – simply head to their page here. Enjoy the night!

Treasures of London – The State Coach…

by exploringlondon

Eight days from now, the Lord’s Mayor’s Show will be winding its way through the streets of the City London with star of the show, the new Lord Mayor of London, Roger Gifford, riding in a spectacular gilt State Coach.

The coach’s origins go back to the mid 18th century although the reason why a coach is used go back some years earlier – to 1711, in fact, when then Lord Mayor Sir Gilbert Heathcote fell off the horse he was riding in the procession and broke his leg. It’s worth noting that up until the 1420s, the Lord Mayor rode all the way to the Palace of Westminster to swear fealty to the monarch – after that they went on a river barge down the Thames, a practice which continued until 1857 (although they still had to ride to and from the watercraft which is when Sir Gilbert had his accident).

While a stand-in coach was used for some years after Sir Gilbert’s fall, in 1757 Sir Charles Asgill, a banker who was set to be the next Lord Mayor, commissioned Joseph Berry of Leather Lane in Holborn to make the splendid vehicle still in use today (the coach was designed by architect Sir Robert Taylor). Built at a cost of £1,065.0s.3d, the substantial sum was met by the Aldermen. It’s now apparently worth more £2 million.

Richly ornate, many of the four ton coach’s features emphasise the role of the City of London as a centre of world trade – the cherubs at each of the coach’s four corners, for example, represent the four continents of Asia, Africa, America and Europe. The City’s coat-of-arms is on the back of the coach, the front panel has an image of Hope pointing at St Paul’s Cathedral and the side panels are decorated with representations of moral virtues.

The coach, which has undergone many restorations (in an indication of this, it’s said there’s as many as 100 coats of paint and varnish on the ceiling), has since been used in every Lord Mayor’s Show and when not in use, can be seen in the Museum of London.

PICTURE: The State Coach at last year’s Lord Mayor Show/© David Adams

Around London – Henry Stuart at the NPG; the Lord Mayor’s Show; prehistoric Japanese pots; and, photography at the National Gallery…

by exploringlondon

• The first ever exhibition focusing on Henry Stuart, older brother of King Charles I, has opened at the National Portrait Gallery. The Lost Prince: The Life and Death of Henry Stuart features more than 80 exhibits including paintings, miniatures, manuscripts, books and armour gathered from museums and personal collections around the UK and abroad – with some of the objects being displayed in public for the first time. Opened on 18th October – the 400th anniversary of the Prince’s death, among the paintings displayed in the exhibition are works by Holbein, Nicholas Hilliard and Isaac Oliver as well as Robert Peake as well as masque designs by Inigo Jones and poetry  by Ben Jonson. Henry, Prince of Wales, was the eldest son of King James I and Queen Anne of Denmark, and died at the age of 18 of typhoid fever. As well as looking at his short life, the exhibition covers the extraordinary reaction to his premature death (and the end of hope that King Henry IX would sit next upon the throne). The exhibition runs until 13th January. An admission fee applies. For more, see www.npg.org.uk. PICTURE:  Henry, Prince of Wales by Isaac Oliver, c. 1610-12; Copyright: The Royal Collection Photo: Supplied by Royal Collection Trust / © HM Queen Elizabeth II 2012

• The Lord Mayor’s Show – the largest unrehearsed procession in the world – will be held on 10th November. This year’s procession – celebrating the election of the 685th Lord Mayor of London, Alderman Roger Gifford – will feature more than 6,500 people winding their way through the City of London in a three-and-a-half mile-long display including 22 marching bands, 125 horses, 18 vintage cars, 21 carriages, an original American stagecoach, a Sherman tank, a steamroller and a Japanese Taiko drum band. While there will be no fireworks after this year’s parade, following the success of last year’s trial there will be an early morning flotilla with the Lord Mayor conveyed in the barge QRB Gloriana from Vauxhall up the Thames to HMS President, just below St Katharine Docks, from where he will make his way to the Mansion House to join the procession as it heads first to St Paul’s and then on to the Royal Courts of Justice before returning (via a different route). There are no grand stand seats left but plenty of places you can watch it for free (for a chance to win free Grandstand tickets, head to the Lord Mayor’s Show Facebook page and ‘like’ it). We’ll be talking about this more next week, but in the meantime, for maps and details of a new smart phone app, head to www.lordmayorsshow.org.

• Two prehistoric Japanese pots have gone on display at the British Museum. Loaned from the Nagaoka Municipal Science Museum, the pots date from the Middle Jomon period (3,500-2,500 BCE) and consist of a ‘flame’ and a ‘crown’ pot which were excavated in Nagaoka city. The pots form part of the Asahi Shimbun Displays in room 3 and will be there until 20th January. Meanwhile, continuing the Asian theme, an exhibition of more than 100 contemporary carved Chinese seals by artist Li Lanqing is on display in room 33 until 15th January. Admission to both is free. For more, see www.britishmuseum.org.

• On Now: Seduced by Art: Photography Past and Present. The National Gallery’s first major exhibition of photography, the display looks at the relationship between historical paintings and photography, both its early days in the mid-19th century and the work of contemporary photographers – in particular how photographers have used the traditions of fine art to “explore and justify” their own works. Almost 90 photographs are displayed alongside a select group of paintings for the show. Admission is free. Runs until 20th January in the Sainsbury Wing. For more, see www.nationalgallery.org.uk.