Events

Around London – ‘Wild London’; National Trust photography contest; JK Rowling gets Freedom; and, Royal Devotion at Lambeth…

by exploringlondon

• Celebrate the Diamond Jubilee next Tuesday in Richmond Park as it hosts ‘Wild London’, the borough’s “first festival aimed at celebrating London’s woodlands, parks and gardens”. The event, which is being put on by Richmond Council and Royal Parks, will mark the Queen’s first visit to the borough in 23 years. It will showcase the conservational, recreational and inspirational role that parks and gardens play in London and will include hands-on exhibits, demonstrations, displays and performances. The event will be the first in a series celebrating the Diamond Jubilee held in Royal Parks. For more information, see www.richmond.gov.uk/home/leisure_and_culture/diamond_jubilee.htm

• The National Trust has launched a new photography competition aimed at celebrating green spaces and the life of the Trust founder Octavia Hill. The competition, called Your Space, is running in conjunction with National Trust Magazine and is open for entries until August. The competition was launched by internationally acclaimed photographers – Mary McCartney, Joe Cornish, Arnhel de Serra and Charlie Waite – with a new collection of pictures at National Trust places. One of the three Trust founder, Octavia Hill was a leading environmental campaigner in the Victorian Age and campaigned to save places in and around London like Parliament Hill. Entries in the competition, which aims to capture images of everyday green spaces, could include pictures from the local park or countryside. For details on how to enter, follow this link…

• The author of the Harry Potter books, JK Rowling, received the Freedom of the City of London this week. The books have sold an estimated 450 million copies worldwide and have been made into films. The Freedom ceremony took place at Mansion House, the official residence of the Lord Mayor of London. Speaking before the ceremony on Tuesday, Rowling was quoted as saying that both her parents were Londoners. “They met on a train departing from King’s Cross Station in 1964, and while neither of them ever lived in London again, both their daughters headed straight for the capital the moment that they were independent.  To me, London is packed with personal memories, but it has never lost the aura of excitement and mystery that it had during trips to see family as a child. I am prouder than I can say to be given the Freedom of the City, which, on top of all the known benefits (and few people realize this), entitles me to a free pint in The Leaky Cauldron and a ten Galleon voucher to spend in Diagon Alley.” For more, see www.cityoflondon.gov.uk.

• On Now: Royal Devotion. This exhibition in the Great Hall of Lambeth Palace is being held to mark both the Diamond Jubilee of Queen Elizabeth II and the 350th anniversary of the revised Book of Common Prayer. The display charts the relationship between Crown and Church and its embodiment in the history of the Book of Common Prayer, one of the most important books in the English language. As well as the 1662 revision of the Book of Common Prayer, highlights include a 1549 printing of the Book of Common Prayer, medieval illuminated manuscripts, including the Book of Hours of King Richard III, Queen Elizabeth I’s personal prayer book and a copy of the book of private devotions compiled for Queen Elizabeth II in preparation for her coronation, the Book of Common Prayer used at the wedding of Queen Victoria, and King Charles I’s own handwritten revision of State Prayers. Admission fee applies. Runs until 14th July. For more, see www.lambethpalacelibrary.org/

Celebrating the Diamond Jubilee with 10 royal London locations – 4. Westminster Abbey…

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Westminster Abbey has played a key role in the life of Queen Elizabeth II – it was here on 20th November, 1947, that she was married to Prince Philip (then Lieutenant Philip Mountbatten) and it was here on 2nd June, 1953, that she was crowned Queen Elizabeth II.

First to the wedding. Princess Elizabeth was only the 10th royal to be married in the Abbey (her predecessors included her parents who married here on 26th April, 1923). The ceremony started at 11.30am and the princess, who wore a white dress designed by Norman Hartnell, entered to a specially composed fanfare accompanied by eight bridesmaids and two pages.

Due to post war austerity measures, only about 2,000 people attended the wedding (we’ve previously mentioned that the princess had to save coupons for her wedding dress like any other bride). On the day, the grave of the Unknown Warrior was the only stone that was not covered by the special carpet and the day after the wedding, the now married Princess Elizabeth followed a royal tradition started by her mother, Queen Elizabeth, which involved sending her wedding bouquet back to the Abbey to be laid on the grave.

It was about five-and-a-half years after her wedding that the princess returned to the Abbey to be crowned a queen.

Then Princess Elizabeth was in Kenya (on her way to Australia) when news reached her on 6th February that year of the death of her father, King George VI. After Prince Philip broke the news to her, the new queen chose Elizabeth as her “regnal name”, and the couple returned to England.

Queen Elizabeth II’s grandmother, Queen Mary, died on 24th March, but it was decided to proceed with the coronation anyway (Queen Mary had apparently asked that the coronation not be delayed by her death).

The coronation, the 38th to be conducted in the Abbey, was the first to be televised (with the exception of the anointing and communion) and was “instrumental” in helping to popularise it in the UK and elsewhere.

The building was closed for five months so preparations could be made for the more than 8,000 wedding guests. The Queen’s coronation dress, meanwhile, was made by Norman Hartnell (as had been her wedding dress) and was made of white satin embroidered with emblems of the United Kingdom and the Commonwealth.

Having arrived from Buckingham Palace in the Gold State Coach, the Queen entered the Abbey at 11.20am and, having been invested with the Regalia while seated in the Coronation Chair, was crowned with St Edward’s Crown at 12.34pm. She left the Abbey at 2.53pm and rode through the streets of London back to the palace.

Of course, the Queen has since attended many other events at the Abbey – including thanksgiving services for their golden and silver wedding anniversaries and last year’s Royal Wedding – since her coronation which we don’t have space to talk about here. But it is worth noting before signing off that the Abbey continues to have a special relationship to her – it is a “Royal Peculiar” meaning it is exempt from any ecclesiastical jurisdiction but that of the Sovereign.

WHERE: Westminster Abbey, Westminster (nearest Tube station is Westminster or St James’s Park); WHEN: Open to tourists everyday except Sunday  (times vary so check the website); COST: £16 an adult/£13 concessions/£6 schoolchildren (11-18 years), free for children aged under 11/£38 for a family (two adults, two children); WEBSITE: www.westminster-abbey.org

Lost London – Vauxhall Pleasure Gardens

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First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.

The gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).

Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).

From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.

The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 – grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.

From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.

By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have  attending a fancy dress party held one night in the late 1700s.

Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).

The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.

For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.

David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.

PICTURES: Wikipedia and David Adams

LondonLife – The ‘Royal River’ celebrated at the National Maritime Museum

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Canaletto’s image of Greenwich Hospital from the north bank of the Thames (1750-52) is among almost 400 paintings, manuscripts and objects selected to be part of the National Maritime Museum’s new exhibition, Royal River: Power, Pageantry & The Thames.

Curated by historian David Starkey, the exhibition, part of the Diamond Jubilee celebrations, focuses on the use of the river across five centuries covering events including Anne Boleyn’s coronation procession and Admiral Lord Nelson’s stately funeral through to the evolving Lord Mayor’s pageant and the ‘Great Stink’ of the mid-1800s.

Highlights include the oldest known copy of Handel’s Water Music, the sixteenth century Pearl Sword (which the monarch must touch on entering the City of London), a stuffed swan, treasures from the City’s livery companies, and another Canaletto work – this time his famous view of the river filled with boats getting ready for the Lord Mayor’s Day, seen as an inspiration for this year’s Diamond Jubilee Pageant and on show in the UK for the first time since its completion.

As well as celebrating the Diamond Jubilee, the exhibition also marks the 75th anniversary of the opening of the National Maritime Museum by King George VI on 27th April, 1937. The king’s speech from that day and his Admiral of the Fleet uniform also feature in the exhibition.

WHERE: National Maritime Museum Greenwich (nearest DLR station is Cutty Sark); WHEN: Daily 10am to 5pm (opening times may vary during the Paralympic and Olympic Games) until 9th September; COST: £11 adult/£9 concession/family ticket £24.50; WEBSITE: www.rmg.co.uk.

PICTURE: © National Maritime Museum, London

Around London – Cutty Sark reopens; Genghis Khan at Marble Arch; New theatre for the West End; and, Shakespeare’s cash…

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• The Cutty Sark, the world’s last surviving 19th century tea clipper, reopens to the public today following a £50 million, six year conservation project. The project to restore the Greenwich-docked ship has involved raising it more than three metres so visitors can walk underneath and see for themselves the sleek lines which helped the vessel set a then record-breaking speed of 17.5 knots or 20mph in sailing from Sydney to London. As well as raising the ship three metres, the project has involved encasing the ship’s hull in a glass casing to protect it from the weather – this area also contains the museum’s extensive collection of more than 80 ships’ figureheads, never been seen in its entirety on the site. The ship’s weather deck and rigging, meanwhile, have been restored to their original specification and new, interactive exhibitions on the vessel’s history have been installed below deck. Originally launched in 1869 in Dumbarton, Scotland, Cutty Sark visited most major ports around the world, carrying cargoes including tea, gunpowder, whiskey and buffalo horns and made its name as the fastest ship of the era when carrying wool between Australia and England. The ship became a training vessel in the 1920s and in 1954 took up her current position in the dry dock at Greenwich before opening to the public. In November 2006, the ship’s rig was dismantled in preparation for a restoration project – this received a setback on 21st May, 2007, when a fire broke out aboard the ship and almost destroyed it. The ship – which was officially reopened by Queen Elizabeth II and the Duke of Edinburgh (pictured) yesterday – is now under the operational management of the umbrella body, Royal Museums Greenwich. For more (including the online purchasing of tickets), see www.rmg.co.uk/cuttysark or www.cuttysark.org.uk. PICTURE: National Maritime Museum, London.

• A large statue of Genghis Khan has invaded Marble Arch. The 16 foot (five metre) tall sculpture of the Mongolian warlord, created by artist Dashi Namdakov, was erected by Westminster City Council as part of its ongoing City of Sculpture festival which is running in the lead-up to the Olympics. The statue has sparked some controversy – Labour councillors at Westminster have reportedly suggested Dambusters hero Guy Gibson would be a more suitable subject for a statue than the warlord Khan. The Russian artist, who has an exhibition opening at the Halcyon Gallery in Mayfair next month, told the Evening Standard he simply wanted to honor Khan on the 850th anniversary of his birth.

• Development of a new West End theatre, the first to be built in the area in 30 years, has been given the green light. The new 350 seat theatre will be part of a development project located between Charing Cross Road and Oxford Street which will also feature office and retail spaces. The site was occupied by a pickle factory in the 19th and 20th centuries and from 1927 was the home of the Astoria cinema, remodelled as a live venue in the 1980s. Live music was last presented there in 2009 when the site was compulsorily acquired for the Crossrail project.

• On Now: Crowns and Ducats: Shakespeare’s money and medals. This exhibition at the British Museum explores the role of money in Shakespeare’s world and looks at how coins – a frequently recurring motif in Shakespeare’s work – and medals were issued to mark major events. Objects in the display include Nich0las Hilliard’s ‘Dangers Averted’ medal of Elizabeth I and William Roper’s print of the Queen, the first to be signed and dated by a British artist, as well as a money box such as might have been used at the Globe and a hoard of coins, including a Venetian ducat, deposited in Essex around the time of Shakespeare’s birth. Almost every coin mentioned in Shakespeare’s plays will be on show – from ‘crack’d drachmas’ to ‘gilt twopences’. Runs until 28th October in room 69a. Entry is free. For more, see www.britishmuseum.org.

Celebrating the Diamond Jubilee with 10 royal London locations – 2. The Queen’s childhood homes

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Having spent the first few months of her life at 17 Bruton Street, the future Queen Elizabeth II moved into her parents’ new property at 145 Piccadilly.

The property, located close to Hyde Park Corner, was previously the townhouse of the Marquesses of Northampton (interestingly, it was while living here that her father the Duke of York first started visiting the Harley Street-based Australian speech therapist Lionel Logue, as depicted in The King’s Speech). The 25 bedroom house was later destroyed by a bomb during the war, long after the Yorks had moved out.

As well as the house at 145 Piccadilly, the young Princess Elizabeth (and from 1930 her younger sister and only sibling Princess Margaret) also lived at White Lodge in the centre of Richmond Park in the city’s south-west. The Lodge, a Georgian property built as a hunting lodge for King George II, now houses part of the Royal Ballet School.

She also considerable time outside the city, staying in places including Scotland with her grandparents at either Balmoral Castle (owned by the Royal Family) or at Glamis Castle (owned by the parents of her mother, the Earl and Countess of Strathmore) as well as, from the age of six, at Royal Lodge in Windsor Great Park, the country home of the Yorks. The princess apparently had her own small house, known as Y Bwthyn Bach (the Little Cottage), in the grounds  – a gift from the people of Wales in 1932.

Following the death of King George V and subsequent abdication of King Edward VIII in 1936, new King George VI and his family moved from 145 Piccadilly to Buckingham Palace. Following the outbreak of World War II in 1939, the princesses lived in Balmoral, Scotland, and Sandringham but spent most of the war at Windsor Castle.

Princess Elizabeth, meanwhile, had met Prince Philip of Greece during the 1930s and in 1947, he asked for permission to marry her.

What’s in a name?…Earls Court

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A residential district in inner west London, the origins of the name Earls Court apparently go back almost to the time of the Norman Conquest when the area was granted to the de Vere family as part of the Manor of Kensington. 

The de Veres, who held a court at the manor, were named the Earls of Oxford in 1141 and hence, according to Cyril M. Harris, author of What’s in a Name?: Origins of Station Names on the London Underground, came about the name Earl’s Court. The courthouse, which was demolished in the late 1800s, apparently stood on a site by Old Manor Lane now occupied by gardens.

Originally fertile farmland, Earl’s Court’s development took place in the mid to late 1800s after the arrival of the railway line (the station was built in 1869). The area officially became part of London in 1889 when the London County Council was formed and the city’s boundaries extended.

The area became famous for the Earls Court Exhibition Grounds – established by John Robinson Whitley in 1887 –  which featured rides and an arena which hosted Buffalo Bill’s Wild West Show. A giant wheel was added 10 years later.

After the Second World War, the area attracted large numbers of Polish immigrants leading to Earl’s Court Road being named ‘The Danzig Corridor’. The arrival of large numbers of Australian and New Zealander travellers in the late Sixties saw it earning a new nickname – this time ‘Kangaroo Valley’. The area is now undergoing gentrifcation.

Notable buildings include the art deco Earl’s Court Exhibition Centre, former home of the Royal Tournament and site of the volleyball competition during this year’s Olympic Games, while notable residents have included the Egyptian archaeologist Howard Carter, film director Alfred Hitchcock, and Queen frontman Freddie Mercury.

Around London – Europe’s oldest intact book at British Library; 100 days to the Games; world’s largest archaeological archive; the London Marathon; and, Turner at the National Gallery…

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• The British Library has paid £9 million for a 7th century text, the St Cuthbert Gospel, which is also the oldest intact European book. The acquisition follows the library’s most successful fund-raising effort ever – it included a £4.5 million grant from the National Heritage Memorial Fund. The book – a Gospel of John bound in beautifully tooled red leather – was produced in north-east England in the late 7th century and was placed in the saint’s coffin after his death on the Isle of Lindisfarne in 698. It was retrieved when the coffin was opened at Durham Cathedral in 1104. The Gospel is on display in the Sir John Ritblat Treasures Gallery at the library in St Pancras and following a conservation review, it is anticipated it will soon be displayed with the pages open for the first time. There will be a public event celebrating the acquisition on 15th May. For more, see www.bl.uk/whatson/events/may12/index.html.

• London this week marked 100 days until the Opening Ceremony of the 2012 Olympic Games. This included unveiling the latest installation of the Olympic rings – made of 20,000 plants the 50 metre long rings are located in the Royal Botanic Gardens at Kew in the city’s west and can be seen from planes on the Heathrow flight path. The organising committee also announced the Red Arrows aerobatic display team will perform a nine-ship flypast in ‘big battle’ formation on the day of the Opening Ceremony (27th July) and stated that the games motto will be ‘Inspire a Generation’. For more, see www.london2012.com.

• The Museum of London’s archaeological archive – known as the London Archaeological Archive and Research Centre (LAARC) – is officially the largest in the world according to Guinness World Records. The archive contains more than five million artefacts and the records of almost 8,500 excavations dating back to 1830. Items in the archive include shoes dating back to Roman times, a 200-year-old set of false teeth, ‘witching bottles’ including one with human hair and toenails, and coffin plates from London’s cemeteries. The world record has been recorded as part of World Record London, a series of world record breaking events being held in the run-up to the Olympics. Others have included the Faberge Big Egg Hunt.

• Thousands of people are expected to take part in the Virgin London Marathon this Sunday. The 26.2 mile route starts in Blackheath, passes through Woolwich and Greenwich and crosses the Thames at Tower Bridge before looping around the east end of London, through Canary Wharf, and the west along The Highway (formerly known as The Ratcliffe Highway) and Embankment to Parliament Square, Birdcage Walk and finally to Buckingham Palace. The first London marathon was run in 1981. For more, see www.virginlondonmarathon.com.

• On Now: Turner Inspired – In the Light of Claude. The first major presentation of 17th century artist Claude Gellée’s influence on the English romantic artist J M W Turner, the exhibition focuses on Claude-inspired themes which run through Turner’s work including “the evocation of light and air in landscape, the effect of light upon water and his often radical reworking of contemporary scenes”. The display includes works from large scale oils on canvas through to leaves from Turner’s pocket sketchbooks. Interestingly, the exhibition also explores the story behind the so-called Turner Bequest – that on his death, Turner linked himself to Claude forever by leaving the National Gallery two pictures – Dido building Carthage (1815) and Sun rising through Vapour: Fishermen cleaning and selling Fish (before 1807) –  on condition that they were hung between two pictures by Claude, Seaport with the Embarkation of the Queen of Sheba (1648) and Landscape with the Marriage of Isaac and Rebecca (1648). Runs until 5th June. Admission charge applies. For more, see www.nationalgallery.org.uk.

Celebrating the Diamond Jubilee with 10 royal London locations – 1. The Queen’s birthplace

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This week we start a new series in honour of this year being the Diamond Jubilee of Queen Elizabeth II. We’ll be looking at locations across the city which have played an important role in the story of the Queen. First up, it’s the Queen’s birthplace – a now non existent townhouse in Mayfair.

The property at 17 Bruton Street, which is marked by a small plaque installed in 1977 – the Queen’s Silver Jubilee (it’s in the middle of the image to the right), was actually the home of the Queen Mother’s parents, the Earl and Countess of Strathmore. It and the neighbouring townhouse at 18 Bruton Street have both been demolished and replaced with a rather bland office building.

Born here at 2.40am on 21st April, 1926, the Queen, named Elizabeth Alexandra Mary, was the first child of the then Duke and Duchess of York (later King George VI and Queen Elizabeth). At her birth, Queen Elizabeth II was only third in line to the throne after her uncle, the Prince of Wales (later, briefly, King Edward VIII), and her father.

The Queen’s grandparents, King George V and Queen Mary, both visited the newborn child at the property (along with an apparently large crowd outside). Elizabeth was christened five weeks later at the Chapel Royal in Buckingham Palace. She spent the first few months of her life living in a room at 17 Bruton Street which had been previously used by her mother before her marriage.

Recent books on the Queen include Andrew Marr’s  The Diamond Queen: Elizabeth II and Her People, the souvenir album Queen Elizabeth II: A Diamond Jubilee Souvenir Album, and Sarah Bradford’s Queen Elizabeth II: Her Life in Our Times.

• Correction: Bruton Street was mistakenly copied here as Brunton Street. It has been corrected. Apologies for the error!

Daytripper – Rochester

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We’ve talked about the Medway town of Rochester earlier in the week as part of our Dickens series but it’s also worth talking about this town in Kent in its own right. 

While Dickens’ connection with the town is a key part of the reason for its charm, this town, which dates from as far back as Roman times and remained an important centre thanks to its strategic position on the Medway, has plenty more to offer.

Foremost among its attractions are the Norman castle and cathedral. Rochester Castle has its origins in a wooden castle built soon after the Battle of Hastings in 1066 with the stone defences following soon after.

The tallest Norman keep in England, from which there are spectacular views, was built around 1127 on the order of its then owner, the Archbishop of Canterbury, William de Corbeil. It was about 90 years later, in 1215, when King John laid siege to it during the rebellion of his barons, only taking the castle after a seven week siege when his sappers undermined the south-east tower of the keep (famously it was the fat of 40 pigs which stoked the fire they laid in the tunnels under the tower). The castle was repaired and continued to be used until late medieval times when it fell into disuse and while much of the keep – the highest in England – is now ruined, it remains a stirring sight.

Rochester Cathedral, meanwhile, was first built in Saxon times (there has been a bishop here since 604) although no trace remains of this above ground. The current building, rather, dates from the Norman era – it was consecrated in 1130 in a ceremony attended by King Henry I – and was extensively added to over the following centuries with the completion of the Lady Chapel in 1492 the last major work. Among the most famous bishops here were Bishop Fisher and Bishop Ridley – both of whom died for their faith.

Strolling through the cobbled streets of this historic town, about 30 to 40 minutes from London by train, you’ll also come across the Guildhall Museum, which is housed in the 17th century guildhall and features a range of displays and exhibitions on the history of the Medway including a Dickens discovery room.

Also worth seeing is Eastgate House, the model for Dickens’ Westgate House and now the location of the Swiss chalet in which he wrote, and Restoration House – created from two medieval buildings in the 16th or 17th centuries and the inspiration for Miss Havisham’s home  (see our earlier post).

One unmissable gem is the Six Poor Travellers – an atmospheric and well preserved almshouse in the High Street which dates from Elizabethan times and has an amazing backstory which you can explore as you make your way through its narrow rooms.

Part of the charm of Rochester (and for more on Rochester generally visit www.cometorochester.co.uk/visit/index.htm) lies in its close proximity to Chatham and Gillingham and here you’ll find much more to amuse and entertain including Chatham’s Historic Dockyards (see our earlier daytripper on this), Fort Amherst, Britain’s largest Napoleonic fortress, and for those who can’t get enough of Charles Dickens, Dickens World.

Just to the north of Rochester is Upnor Castle, a rare surviving Elizabethan artillery fortress built to defend the fleet at Chatham Dockyard.

Around London – Of a dramatic Boat Race; celebrating bluebells; Cockney slang; WT Stead; and, Titian’s early masterpiece…

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 • Cambridge took the line honours over Oxford in this year’s Boat Race on the Thames in what has been billed as one of the most dramatic races in its 158 race history. The race was interrupted when a swimmer, described as an anti-elitist protestor, was spotted in the water and, following a restart near the Chiswick Eyot, the boat crews clashed oars and one of the Oxford crew lost his oar’s spoon. Cambridge pulled steadily ahead with Oxford an oar down and was declared the winner by four and a quarter lengths. The presentation ceremony was subsequently not held after Oxford’s bow man collapsed and was rushed to hospital where was reported to be recovering well. The win takes Cambridge’s victories to 81 compared to Oxford’s 76. For more, see http://theboatrace.org. (For more on the history of the Boat Race, see our entry from last year).

• Epping Forest’s bluebells are out in force and to celebrate the City of London Corporation is holding a series of events including an art exhibition at The Temple in Wanstead Park. The exhibition, Out of the Blue, celebrates the bluebells of Chalet Wood and features a “miscellany of bluebell images, artwork, folklore and fairies”. A free event, it runs until 27th May. This Sunday the Temple will also host an art afternoon with local artist Barbara Sampson and on 29th April photographer Robert Good will hold a course on photography around the forest. Both are free events. For more details, see www.cityoflondon.gov.uk/epping.

• “Porky pies” (lies) is the most used Cockney phrase, according to a survey of Britons on their knowledge and use of Cockney. The Museum of London survey of 2,000 people, including 1,000 from London, also found that “apples and pears” (stairs) was the most well-known Cockney phrase and that while a majority of people knew what common phrases like “brown bread” meant (in this case dead), only small percentages of people used them. And while 63 per cent of respondents believed Cockney slang was crucial to London’s identity, 40 per cent were convinced it is dying out and 33 per cent were sad at its passing. Strictly speaking, a ‘Cockney’ is someone who was born within the sound of bow bells at the church of St Mary-le-Bow in Cheapside, but according to Alex Werner, head of history collections at the museum, “people from all corners of London identify themselves as being Cockney”. He said that while for many people “Cockney rhyming slang is intrinsic to the identity of London”, the research the Cockney dialect “may not be enjoying the same level of popularity”. The research found that among the least known Cockney rhyming slang phrases included “white mice” (ice), “donkey’s ears” (years), and “loop de loop” (soup). For more from the museum, see www.museumoflondon.org.uk.

• The life of influential newspaper editor and Titanic victim, William Stead, will be celebrated at a two day conference next week. Hosted by the British Library, in association with Birkbeck College and the University of Birmingham, the conference will feature 40 speakers from around the world. Stead, who was editor of The Pall Mall Gazette, was a controversial figure who is credited with being one of the inventors of the modern tabloid. He died on the Titanic‘s maiden voyage – the 100th anniversary of which is being marked this month. W.T. Stead: A Centenary Conference for a Newspaper Revolutionary takes place from 16th to 17th April, 2012. Tickets (£45 for one day or £85 for two days) can be booked by visiting the box office in the St Pancras building or phoning 01937 546546. The programme for the conference can be found at https://sites.google.com/site/stead2012/.

• On Now: Titian’s First Masterpiece: The Flight into Egypt. The National Gallery is hosting a new exhibition focused on the then young artist’s creation of the magnificent painting The Flight into Egypt in the 16th century. The artwork, lent to the National Gallery by the Hermitage Museum, St Petersburg, has recently been restored and the exhibition represents the first time the painting has been seen outside Russia since 1768 when Empress Catherine the Great purchased it in Venice. Admission is free. Runs until 19th August. For more, see www.nationalgallery.org.uk.

Around London – At home in World War II; Hogwarts comes to London; Kew Steam Bridge Museum to be upgraded; and, V&A looks at British design…

by exploringlondon

• A new exhibition in which visitors can experience life during the Second World War through the eyes of a London family opens today at the Imperial War Museum in London. A Family in Wartime explores the lives of William and Alice Allpress and their 10 children at their South London home during the war as the face events such as the Blitz and the evacuation of the city. The display includes firsthand audio accounts from members of the family, photographs and a detailed model of the family home at 69 Priory Grove. Two of the family’s sons served in the military during the war while three of the daughters joined the Women’s Voluntary Service. Artefacts on display include many everyday household items such as cookery books which gave advice on cooking with limited rations and stirrup pumps which people were encouraged to wear in case of incendiary bombs as well as newspaper clippings, propaganda posters and film footage. There will also be artworks depicting wartime living by artists including Henry Moore, Wilfred Haines and Leila Faithful. Admission is free. For more, see www.iwm.org.uk/visits/iwm-london.

• Hogwarts has come to London’s north with the opening of the new Warner Bros Studio Tour in Leavesden. The tour, which was launched this week, features sets, costumes and pros from the Harry Potter series of films and reveals how special effects and animatronics were used in the movies. Highlights include the chance to visit Hogwarts Great Hall, Dumbledore’s office and Diagon Alley as well as see Harry’s Nimbus 2000, the flying Ford Anglia owned by the Weasleys and Hagrid’s motorcycle. For more information, see www.wbstudiotour.co.uk.

• The Kew Bridge Steam Museum in London’s west has been awarded a £1.84 million Heritage Lottery Fund grant for a restoration project that will see new visitor facilities and more modern displays as well as new outdoor water-based actvities. Project Aquarius will also see outstanding repairs to the Grade I and Grade II listed buildings – described as the most important historic site of the water supply industry in the UK – completed. The museum, which opened 37 years ago, features four giant working Cornish steam pumping engines as part of its displays telling the story of London’s water supply and attracts some 15,000 visitors a year. For more, see www.kbsm.org.

• On Now: British Design 1948-2012: Innovation in the Modern Age. The V&A’s major spring exhibition, this is a showcase of British design from the 1948 ‘Austerity Olympics’ to present day and features more than 300 objects – from the 1959 Morris Mini Minor to a model of the recently completed Zaha Hadid-designed London Aquatics Centre. Highlighting significant moments in British design, the exhibition looks not only at 60 years worth of fashion, furniture, fine art, graphic design, photography, ceramics, architecture and industrial design but also investigates how the UK continues to nuture artistic talent and the role British design and manufacturing plays around the world. Admission charge applies. Runs until 12th August. For more see www.vam.ac.uk.

We’re taking a break over Easter – posts will resume next Tuesday. In the meantime have a great Easter!

Celebrating Charles Dickens – 9. Dickens’ literary connections, part 2…

by exploringlondon

In which we continue our look at some of London’s connections with Dickens’ writings…

• ‘Oliver Twist’ workhouse, Cleveland Street. The building, recently heritage listed following a campaign to save it, is said to have served as the model for the workhouse in Oliver Twist and was apparently the only building of its kind still in operation when Dickens wrote the book in the 1830s. Dickens had lived as a teenager nearby in a house in Cleveland Street and was living less than a mile away in Doughty Street (now the Charles Dickens Museum) when he wrote Oliver Twist. Thanks to Ruth Richardson – author of Dickens and the Workhouse: Oliver Twist and the London Poor – for mentioning this after last week’s post.

• Clerkenwell Green. It is here that Mr Brownlow first comes into contact with Oliver Twist and, mistakenly suspecting him of stealing from him, chases him through the surrounding streets. Interestingly, the grass (which you would expect when talking about a green) has been gone for more than 300 years – so it wasn’t here in Dickens’ time either.

• Barnard’s Inn, Fetter Lane. It was here, at one of London’s Inns of Court, that Pip and Herbert Pocket had chambers in Great Expectations. Barnard’s Inn, now the home of Gresham College, is only one of a number of the Inns of Court with which Dickens and his books had associations – the author lived for a time at Furnival’s Inn while Lincoln’s Inn (off Chancery Lane) features in Bleak House and the medieval Staple Inn on High Holborn makes an appearance in his unfinished novel, The Mystery of Edwin Drood. And, as mentioned last week, Middle Temple also features in his books.

• ‘Dickens House’, Took’s Court. Renamed Cook’s Court in Bleak House, the house – located in a court between Chancery and Fetter Lane – was where the law stationer Mr Snagsby lived and worked in the book. It’s now occupied by music promoter and impresario Raymond Gubbay.

• London Bridge. The bridge, a new version of which had opened in 1831 (it has since been replaced), featured in many of Dickens’ writings including Martin Chuzzlewit, David Copperfield and Great Expectations. Other bridges also featured including Southwark Bridge (Little Dorrit) and Blackfriars Bridge (Barnaby Rudge) and as well as Eel Pie Island, south-west along the Thames River at Twickenham, which is mentioned in Nicholas Nickleby.

We’ve only included a brief sample of the many locations in London related in some way to Dickens’ literary works. Aside from those books we mentioned last week, you might also want to take a look at Richard Jones’ Walking Dickensian London,  Lee Jackson’s Walking Dickens’ London or, of course, Claire Tomalin’s recent biography, Charles Dickens: A Life.

Around London – Crown Jewels polished for Diamond Jubilee; Diana’s dresses at Kensington Palace; a plaque for Ziggy Stardust; and At Home with the World…

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• A revamped Crown Jewels display opens today at the Tower of London to mark the Diamond Jubilee of Queen Elizabeth II. The new display features graphics, music and newly restored film footage and will focus on the coronation ceremony as its central theme, exploring how the regalia are used in the ceremony. The regalia – which includes some of the most extraordinary diamonds in the world such as the Star of Africa and Koh-i-Nur – is being displayed in the order in which it is used at the coronation ceremony. The Crown Jewels have been on show to the public at the Tower of London since at least 1661 after they were remade for King Charles II’s coronation. The previous collection had been largely destroyed in the Civil War although some pieces survived including a gilt silver spoon probably made for King Henry II or King Richard I (the “Lionheart”). For more information, see www.hrp.org.uk/TowerOfLondon/.

• Five dresses worn by Diana, Princess of Wales, have gone on display at Kensington Palace  which re-opened to the public this week following a £12 million overhaul. The five dresses include a black silk taffeta gown (designed by Emanuel) which Diana wore to a fundraising event at the Goldsmith’s Hall in 1981 – her first official engagement with Prince Charles as well as a formal dinner dress of ivory silk (Catherine Walker) created for a State Banquet for the King and Queen of Malaysia in 1993 and a black ribbed silk shift evening dress (Gianni Versace) worn to the London premiere of Apollo 13 in Hammersmith in 1995. For more on the revamp of the palace see our earlier post. Or visit www.hrp.org.uk/KensingtonPalace/.

• A plaque commemorating the site where the iconic image for the cover of David Bowie’s 1972 album The Rise and Fall of Ziggy Stardust and the Spiders of Mars was photographed has been unveiled in the West End. The plaque at the somewhat innocuous site at 23 Heddon Street, just off Regent Street, was installed by the Crown Estate and unveiled this week by Gary Kemp of Spandau Ballet. The image for the album cover was shot by the late photographer Brian Ward who managed to persuade Bowie to step outside the ‘studio’ space he had rented upstairs despite the fact it was a cold, wet January night.

• On Now: At Home with the World. This exhibition at the Geoffrye Museum explores the cosmopolitan nature of London’s homes over the past 400 years and looks at how diverse cultures have helped shaped the homes – covering everything from Chinese porcelain and the tea craze of the 1700s to the use of Islamic and Indian patterns in the 1800s, the popularity of Scandinavian and American design in the 1900s and the globalism of today. The period rooms on show at the museum have been reinterpreted to highlight the international influences. This is one of a series of Stories of the World: London exhibitions taking place across the city which are exploring four aspects of life – home, identity, journeys and place – as part of the London 2012 Cultural Olympiad program. Runs until 9th September. Entry is free. For more, see www.geffrye-museum.org.uk.

Celebrating Charles Dickens – 8. Dickens’ literary connections, part 1…

by exploringlondon

London is redolent with sites which appeared in the books of Charles Dickens and, having had a look at his life, it’s time we turn our attention to some of the sites relevant to his writing. For the next two weeks, we’re looking at just a few of the many, many sites which feature in his novels. So, here’s seven places to get us going…

• Saffron Hill, Clerkenwell. Once a notorious slum akin to St Giles (see last week’s entry) and the city’s Italian Quarter, Saffron Hill is where Fagin and his gang of thieves operate in Oliver Twist and have their den.

• Chancery Lane, Holborn. Much of the novel Bleak House is set around this narrow street between High Holborn and Fleet Street – Tom Jarndyce kills himself in a coffee shop here in the novel and Lincoln’s Inn Hall – formerly home of the High Court of Chancery – also features.

• The Old Bailey. Some have suggested Dickens worked here as a court reporter although there is no compelling evidence he did so. But the the Old Bailey (the current building dates from the early 20th century, well after Dickens’ death) and Newgate Prison certainly featured in his books – it is here that Fagin is eventually hung in Oliver Twist.

• Child & Co’s Bank, Fleet Street. While the present building dates from 1878, Dickens is believed to have used the bank as the model for Tellson’s Bank in A Tale of Two Cities.

• St Dunstan-in-the-West, Fleet Street. In David Copperfield, David and his aunt, Betsy Trotwood, make a special trip to see the giants Gog and Magog strike the church bells. It also features in Barnaby Rudge and Dickens dedicated his Christmas story, The Chimes, to the church.

• Garden Court and Fountain Court (pictured), Middle Temple. Garden Court is where Pip lived in Great Expectations and where Abel Magwitch turned up to reveal himself as Pip’s benefactor. Fountain Court features in Martin Chuzzlewit as the site for the romance of Ruth Pinch and John Westlock.

• Golden Square, Soho. Mentioned in Nicholas Nickleby – Nicholas’ uncle, Ralph Nickleby, was thought to live in a previous building at number seven.

There’s some great books about London sites which appear in Dickens’ books – among them are Ed Glinert’s Literary London: A Street by Street Exploration of the Capital’s Literary Heritage and Michael Paterson’s Inside Dickens’ London as well as Paul Kenneth Garner’s 
A Walk Through Charles Dickens’ London.

What’s in a name?…St John’s Wood

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This well-to-do area in London’s north-west, just outside Regent’s Park, takes its name from the historic ownership of land here by the Order of St John of Jerusalem (also known as the Knights Hospitaller).

The land had previously been part of the Great Forest of Middlesex. The Order of St John of Jerusalem, which since 1140s had its English headquarters in a Clerkenwell priory where St John’s Gate stands (this now houses the Museum of the Order of St John – see our previous entry here), took over ownership of land in the early 1300s after the previous owners, the Knights Templar, fell into disgrace.

Following the Dissolution, it became Crown land and remained so until 1688 after which it passed into the hands of private families, notably the Eyre family who owned much of the area.

It remained relatively undeveloped until the early 19th century when, following the introduction of semi-detached villas on planned estates, it was marketed as a residential alternative for London’s middle classes, away from the smog and congestion of central London.

It became favored by the bohemian set and residents included creative types like artists and authors as well as scientists and traditional craftsmen (apparently in the late 19th century it was also known for its upmarket brothels).

Rebuilt with swanky apartment complexes in the early twentieth century, these days it remains a leafy enclave for the wealthy. Many of the houses which have survived are heritage listed.

Landmarks include St John’s Church (pictured above, this was consecrated in 1814) and the St John’s Wood Barracks and a Riding School (this was completed in 1825 and is the oldest building still on the site) which is now home to the King’s Troop Royal Horse Artillery which carries out mounted ceremonial artillery duties such as firing royal salutes for the State Opening of Parliament, royal birthdays and state visits.

St John’s Wood is also home to Abbey Road Studios (home of the Beatles and that famous zebra crossing), Lord’s Cricket Ground (officially the home of the Marylebone Cricket Club which was moved here in 1814, the same year the church was consecrated) and the Central London Mosque located on the edge of Regent’s Park.

For more on St John’s Wood, take a look at the website of The St John’s Wood Society.

Treasures of London – The Banqueting House…

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While we’ve looked at some of the history of the Banqueting House during last year’s special on King James I’s London, we thought we’d take a more in-depth look as part of our Treasures of London series…

A perfect double cube with a sumptuous painted ceiling, this early 17th century building is the only remaining complete structure from the Palace of Whitehall which was destroyed by fire in 1698.

The building replaced an earlier banqueting hall built on the orders of Queen Elizabeth I and another, shorter-lived hall, built by King James I, which was destroyed by fire in 1619.

Following its destruction, King James had Inigo Jones design a new hall to provide, as the previous hall had, a location for state occasions, plays and masques – something of a cross between an organised dance, an amateur theatrical performance and just a chance to dress up.

Jones, who partnered with Ben Jonson to produce masques, designed the hall – which has a length double the width – with these performances specifically in mind. The first one – Jones and Jonson’s Masque of Augurs – was performed on Twelfth Night, 1622, even before the building was completed (the last masque was performed here, incidentally, in 1635, after which, thanks they were moved to a purpose built structure nearby, ostensibly to save the newly installed paintings from being damaged by the smoke of torches – see below).

The incredible paintings on the ceilings, which celebrate the reign of King James I and will be the subject of their own Treasures of London article at a later date, were installed by March 1636. Produced by Flemish artist Sir Peter Paul Rubens, they had been commissioned by King Charles I, King James’ son, in commemoration of his father. Ironically, it was outside the building where the monarchy was so celebrated that King Charles I was beheaded in 1649 (this is marked in a ceremony held at the Banqueting House on 30th January each year).

Following the king’s execution, Whitehall Palace wasn’t used for several years until Lord Protector Oliver Cromwell took up residence there in 1654, using the Banqueting House as a hall if audience. It stood empty after Cromwell’s death in 1658 until the Restoration in 1660 when King Charles II again used it as a grand ceremonial hall for receiving foreign embassies and conducting court ceremonies (these including the ancient custom of what is known as ‘Touching for the King’s Evil’ to cure those afflicted with the disease of scrofula as well as the washing of the feet of the poor by the sovereign on Maundy Thursday.)

King James II was the last king to live at Whitehall Palace and during his reign, from 1685-88, it was used as a royal storehouse. But it was revived for formal use following his reign – it was here that King William III and Queen Mary II were officially offered the crown on 13th February, 1689.

During their reign, the court’s focus shifted to Kensington but the Banqueting House was used for Queen Mary to lay in state after her death in 1694.

Following the destruction of the remainder of Whitehall Palace in 1698 – the origins of this fire are apparently owed to a maid who had put some linen by a charcoal fire to dry – the Banqueting Hall was used briefly as a Chapel Royal and, following a renovation in the late 1700s, it was used for concerts and, from 1808, as a place of worship for the Horse Guards.

Further renovation works followed and in 1837, it was re-opened as a Chapel Royal and used as such until 1890 when this practice was formally discontinued. In 1893, Queen Victoria gave the Royal United Services Institute the use of the building as a museum – among the things displayed there were the skeleton of Napoleon’s horse, Marengo. In 1962, the exhibits were dispersed and the Banqueting House today is used for a range of royal, corporate and social events.

There is an undercroft underneath, designed as a place where King James I could enjoy drinking with his friends. It was later used for storage.

WHERE: Corner of Whitehall and Horse Guards Avenue (nearest Tube stations are Westminster and Embankment); WHEN: Monday to Saturday 10am to 5pm; COST: £5 adults/£4 concessions/children under 16 free (Historic Royal Palaces members free); WEBSITE: www.hrp.org.uk/BanquetingHouse/.

PICTURE: Courtesy of Historic Royal Palaces/newsteam.co.uk

Celebrating Charles Dickens – 7. Five other London sites of significance…

by exploringlondon

We’ve looked at Charles’ Dickens childhood in London and some of his residences, workplaces and the pubs he attended. Before we take a look at some of the sites relevant to his writings, Exploring London takes a look at just a handful of the many other London sites associated with the famous Victorian author…

• Seven Dials and the former St Giles slum, Soho. An notorious slum of the 19th century, this area was among a number of “rookeries” or slums toured by Dickens in 1850 in the company of Inspector Field and police from Scotland Yard, and later helped to inform much of his writing. Seven Dials itself – located at the junction of Mercer and Earlham Streets and Upper St Martin’s Lane (pictured right is the monument at the junction’s centre) – has just undergone a renovation but much of the St Giles area is now irrevocably modernised. We’ll be mentioning another notorious slum located in Saffron Hill, Clerkenwell, in an upcoming week.

• Holland House, Kensington. Dickens became a friend of Lady Holland’s after attending one of her exclusive soirees at the age of 26. He was a guest at the house, now a youth hostel, in Holland Park on numerous occasions.

• Royalty House, Dean Street, Soho. The former site of the Royalty Theatre, known in Dickens’ day as Miss Kelly’s Theatre, it was here on 21st September, 1845, that Dickens and a group of friends performed Ben Jonson’s play, Every Man in his Humour (1598). Dickens acted as stage manager and director as well as playing the part of Captain Bobadil.

• Buckingham Palace. It was here in March 1870 – not long before his death – that Dickens had his only face-to-face meeting with Queen Victoria. She apparently found him to have a  “large, loving mind and the strongest sympathy with the poorer classes”.

• Westminster Abbey. Our final stop for it was here that Dickens was buried on 14th June, 1870, following his death at his home near Rochester in Kent. Dickens had apparently wanted to be buried in Rochester but given his public profile, Westminster Abbey was seen as the only fitting place of rest for him (his wishes for a small, private funeral were, however, respected but thousands did visit the site in the days following). His grave sits in Poet’s Corner.

LondonLife – The Queen visits the newly transformed Kensington Palace…

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Queen Elizabeth II looks over gifts exchanged by Queen Victoria and Prince Albert in a display which forms part of the Victoria Revealed exhibition at Kensington Palace.

The Queen and Duke of Edinburgh visited palace last week to officially reopen the building following a £12 million, two year renovation project aimed at “transforming the visitor experience”.

The works have involved restoring the palace gardens – which will now be permanently open to the public free-of-charge – and reconnecting the palace with the surrounding parklands of Kensington Gardens partly through the provision of a new entrance. Landscape designer Todd Longstaffe-Gowan’s plan – which centres on a statue of Queen Victoria – features new lawns and avenues and a “maze-like path” inspired by 18th century “wilderness walks”.

There is also a new visitor reception area and “orientation hub” as well as a new courtyard terrace and cafe to complement The Orangery, shop and learning centre.

Victoria Revealed, a new permanent exhibition at the palace looks in intimate detail at the life of the Queen who once lived here and features everything from her black silk baby shoes to her wedding dress and the mourning clothing she wore following the death of Prince Albert as well as archive film footage showing the celebrations for the Diamond Jubilee of her reign in 1897.

The palace reopens on 26th March.

WHERE: The Broad Walk, Kensington Gardens, Kensington (nearest Tube stations are High Street Kensington or Queensway); WHEN: Daily 10am to 6pm (until 31st October); COST: £14.50 adult/£12 concession/children under 16 free (online booking discounts available, Historic Royal Palaces members free); WEBSITE: www.hrp.org.uk/KensingtonPalace.

PICTURES: Courtesy of Historic Royal Palaces/newsteam.co.uk

Where is it? #21

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The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Congrats to Jameson Tucker who correctly placed this in the gardens which now occupy the site of the former church of St John Zachary which lie, as Mike Paterson correctly pointed out, near the Goldsmiths’ Hall.

In fact, the gardens, located at the corner of Gresham and Noble Streets in the City (opposite the Goldsmith’s Hall), are also known as the Goldsmith’s Garden and were laid out following bomb damage during the Blitz (the church of St John Zachary had been destroyed in the Great Fire of London and not rebuilt).

The gardens were redesigned in 1957 by landscape architect Sir Peter Shepheard and have been added to and amended over the years since (including by landscape architect Anne Jennings in the mid-Nineties).

The iron arch, which was commissioned by the Blacksmith’s Company and put here in 1994, features the leopard’s head which is the hallmark of the Goldsmiths’ Company Assay Office, the premier hallmark in the UK (the term hallmark dates from the 15th century when London craftsmen were first required to bring their creations to the Goldsmiths’ Hall for verification and marking although the mark of the leopard’s head has been in use since the early 1300s).

For more on the Goldsmiths, see www.thegoldsmiths.co.uk.