Piccadilly

What’s in a name?…Bond Street…

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Bond-Street

No, the name of the famous Bond Street in Mayfair has nothing to do with James Bond. Rather, the street – in fact, two streets named Old and New Bond Street – takes its name from a 17th century courtier, Sir Thomas Bond.

Bond was the comptroller of the household of Queen Henrietta Maria, then the Queen Mother thanks to being the widow of King Charles I and the mother of King Charles II. He was also something of a land developer – the head of a consortium that purchased Albermarle House from Christopher Monck, the 2nd Duke of Albermarle, in 1683.

The house was promptly demolished and the area redeveloped with what is now Old Bond Street – which runs from Piccadilly to Burlington Gardens – laid out in 1686 and given Sir Thomas’ surname (he’d died the previous year).

AlliesThe northern extension of Old Bond Street (which runs from Burlington Gardens to Oxford Street) – named New Bond Street – was developed in the 1720s. Caroline Taggart, in The Book of London Place Names, says it was residents of Old Bond Street who insisted on the use of ‘new’ in the name, no doubt to differentiate between themselves and the newcomers or, as Taggart suggests, ‘upstarts’.

Traditionally known as a location for art dealers (Sotheby’s auction house – identified by an ancient Egyptian bust of the goddess Sekhmet which sits on the facade – has stood there for more than a century), the street has become increasingly known for its luxury fashion and accessories retailers such as Asprey’s, Chanel, Cartier, Dolce & Gabbana, Bulgari and Tiffany & Co (see the Bond Street Association for more). Other landmark buildings in the street include the home of the Fine Art Society and the Royal Arcade.

Bond Street is also home to US sculptor’s Lawrence Holofcener’s work, Allies (pictured above), depicting former British PM Winston Churchill and US President Franklin D Roosevelt, and at the northern end stands the Bond Street Underground Station which opened in 1900.

Famous residents have included Admiral Horatio Nelson – who stayed at number 147 in 1797-98 while he recovered after losing his arm at Tenerife, eighteenth century satirist Jonathan Swift and politician William Pitt the Elder, as well as twentieth century spy Guy Burgess, who lived at Clifford Chambers before his defection to USSR.

Around Christmas, the street plays host to a rather special display of lights (pictured top).

This Week in London – Bridges in focus; cheap entry to Tower Bridge; WW1 nurse honoured; and, Dennis Hopper’s photographs…

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Bridge-Exhibition• A new exhibition on London’s bridges commemorating the 120th anniversary of the opening of Tower Bridge opens at the Museum of London Docklands tomorrow. The largest art exhibition ever staged at the museum, Bridge features rarely seen contemporary and historical works, photography, films and maquettes of London’s bridges and explores the role they play in the city. Highlights include Giovanni Battista Piranesi’s 1766 etching A view of the intended bridge at Blackfriars, London, Charles Ginner’s 1913 work London Bridge, and Ewan Gibbs’ 2007 linocut London. The exhibition will also feature a rare photograph taken by William Henry Fox Talbot in 1845, Old Hungerford Bridge. The oldest photograph in the museum’s collection, it will only be on display for one month from tomorrow. The exhibition, entry to which is free, runs until 2nd November. For more, see www.museumoflondon.org.uk/docklands/. (PICTURE: © Museum of London Docklands).

• Don’t forget there is a special admission entry offer of just £1.20 to the Tower Bridge Exhibition this Monday, 30th June – 120 years to the day since the Prince of Wales (later King Edward VII) opened the iconic structure. Tickets must be bought at the door. There will be some Victorian re-enactors at the bridge on the day including police, tourists and engineers and each visitor will receive a special ticket which replicates the design of the invite to the 1894 ceremony (a limited edition commemorative badge will also be available to buy). For more, see www.towerbridge.org.uk.

• The Australian-born nurse responsible for the entire nursing operation on the Western Front during World War I has been commemorated with an English Heritage Blue Plaque unveiled at her former home in Chelsea. Maud McCarthy, one-time Army Matron-in-Chief, was in charge of more than 6,000 British, Imperial and American nurses in 1918. Her accolades included the Florence Nightingale Medal – the highest international distinction a nurse can receive. McCarthy lived at 47 Markham Square for almost 30 years after the war, from 1919 until shortly before her death in 1949. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

• An exhibition featuring more than 400 photographs taken by the late US actor, film director and artist Dennis Hopper opened at the Royal Academy of Arts off Piccadilly today. Dennis Hopper: The Lost Album is the first time the body of work – first shown in Texas in 1970 – has been displayed in the UK. The photographs document the social and cultural life of the American Sixties and cover a range of themes and subjects. They include portraits of the likes of Paul Newman, Andy Warhol and Jane Fonda, and images depicting members of counter-cultural movements as well as events such as the 1965 march civil rights march from Selma to Montgomery. Admission charge applies. Runs until 19th October. For more, see www.royalacademy.org.uk.

Send all items of interest for inclusion to exploringlondon@gmail.com.

10 significant sites from Georgian London – 2. Burlington House…

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Now the home of the Royal Academy of Arts, the origins of Burlington House on Piccadilly go back to the 1660s but it was Richard Boyle, the 3rd Earl of Burlington, who had the property reworked into the Palladian building it is today. 

It was Sir John Denham, Surveyor-General of the King’s Works for King Charles II, who first began building a red brick mansion on the site in the 1660s before he sold the still unfinished building to Richard Boyle, the 1st Earl of Burlington, in about 1667. He completed the house the following year.

Burlington-HouseThe property next underwent major changes during the minority of the 3rd Earl (also Richard Boyle, 1612-1698) – his mother, the 2nd Countess, Lady Juliana, had architect James Gibbs carry out some alterations including the addition of a semi-circular colonnade at the front of the house and reconfiguration of the main staircase.

But around 1717-1718, the 3rd Earl (1694-1753), who himself was something of an architect, commissioned architect Colen Campbell to take over from Gibbs. The property was then reworked to a Palladian design – particularly the southern front of the building and William Kent was summoned to redesign interiors – the surviving interior of the Saloon is credited as the first ‘Kentian’ interior in England.

Lord Burlington soon shifted his attention to Chiswick House (see our earlier post here), and on his death in 1753, the house passed to the Dukes of Devonshire before it was eventually purchased by the 4th Duke’s younger son, Lord George Cavendish, around 1812. He had some of the interiors reworked by Kent admirer Samuel Ware, keeping them sympathetic to the Palladian vision.  Four years after the purchase, Burlington Arcade was built along the western side of the premises.

In 1854, the property was sold to the British Government who initially intended demolishing the structure and using the site for the University of London but after strong opposition to the plan, it was occupied by the Royal Society, the Linnean Society and the Chemical Society while the Royal Academy – which had been founded by King George III in 1768 – took over the main block on a 999 year lease in 1867.

The building subsequently underwent further alterations – among them Sidney Smirke added a third floor to the main building – the Diploma Galleries – and the Main Galleries and the Art School on a garden to the north of the house. Later, three story ranges were raised around the courtyard and the three aforementioned learned societies moved into these and were later joined by the Geological Society of London, the Royal Astronomical Society and the Society of Antiquities.

The Royal Society left in 1968 and the British Academy moved in but this august institution moved out in 1998, leaving the building now home to the Royal Academy and the five learned societies, the Geological Society of London, the Linnean Society of London, the Royal Astronomical Society, the Society of Antiquaries of London, and the Royal Society of Chemistry.

More recent works at the property – the last survivor of four townhouses built along Piccadilly in the 1660s – have included a 1991 remodelling of the Diploma Galleries by Norman Foster – now known as The Sackler Wing of Galleries – and the restoration of the former state rooms including The Saloon, reopened as the John Madejski Fine Rooms.

WHERE: Royal Academy of Arts, Burlington House, Piccadilly (nearest Tube stations are Piccadilly Circus and Green Park);  WHEN: 10am to 6pm Saturday to Thursday/10am-10pm Friday (opening times for the John Madejski Fine Rooms may vary); COST: Varies depending on the exhibition (there are free guided tours of the John Madejski Fine Rooms – check the website for details); WEBSITE: www.royalacademy.org.uk. 

PICTURE: Installation by Ãlvaro Siza, part of the Sensing Spaces: Architecture Reimagined exhibition which runs until 6th April. Photo: Royal Academy of Arts. Photography: James Harris/Ãlvaro Siza 

Around London – Reclaiming Castiglione; transport open weekend; and, Australia at the RA…

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Oriental• The UK’s first major exhibition on the work of the innovative but violent 17th century artist Giovanni Benedetto Castiglione opens tomorrow at the Queen’s Gallery next to Buckingham Palace. The exhibition, which features 90 drawings and prints from the Royal Collection, is aimed at re-establishing Castiglione as one of the greatest artists of the Baroque period, thanks to his being credited with creating huge drawings in oil directly on paper, producing about 60 etchings and inventing the technique of monotype. Works include his monotype prints Head of an oriental (late 1640s) and The Nativity with angels (about 1655), a translation of Titian’s Sacred and Profane Love and drawings like Circe with the companions of Odysseus transformed into animals. Castiglione’s “nomadic” career was marred by his violent temperament – he was repeatedly before the courts for assaulting people, apparently tried to throw his sister off a roof and was forced to leave Rome because, it is believed, he had committed murder. Castiglione: Lost Genius runs with Gifted: From the Royal Academy to The Queen, an exhibition of prints and drawings given to the Queen by Royal Academicians to mark her Diamond Jubilee, until 16th March. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Giovanni Benedetto Castiglione, The head of an oriental, late 1640s. Royal Collection Trust/©Her Majesty Queen Elizabeth II 2013.

• The restored Met Locomotive 1 and the Victorian Jubilee Carriage 353 will be on show this weekend as part of the London Transport Museum’s Open Weekend at its Acton Depot. Visitors will be able to explore the depot’s vast collection of more than 400,000 objects along with a range of other activities including miniature tram and railway rides, heritage bus rides, talks and film screenings, and costumed interpreters as well as the chance to watch artist Ross Ashmore paint the locomotive and Jubilee Carriage. The weekend kicks off tomorrow. For more information and bookings, see www.ltmuseum.co.uk/whats-on/museum-depot/events.

• On Now: Australia. This landmark exhibition at the Royal Academy of Arts at Burlington House in Piccadilly features more than 200 works including paintings, drawings, photography, watercolours and multimedia pieces by 146 Australian artists. Spanning the period from 1800 until today, the display includes works by Aboriginal artists such as Albert Namatjira, nineteenth century immigrants such as John Glover and Eugene von Guerard, impressionists like Arthur Streeton and Tom Roberts, early modernists like Margaret Preston and Roy de Maistre, 20th century painters including Arthur Boyd, Albert Tucker and Brett Whiteley and contemporary artists including Gordon Bennett, Fiona Hall and Shaun Gladwell. Highlights include Frederick McCubbin’s The Pioneer (1904), four paintings from Sidney Nolan’s Ned Kelly series (1946), Rover Thomas’ Cyclone Tracy (1991) and Emily Kame Kngwarreye’s Big Yam Dreaming (1995). Organised with the National Gallery of Australia, the exhibition runs until 8th December. Admission charge applies. For more, see www.royalacademy.org.uk.

Hampton Court Palace Festival; good deeds at the Foundling Museum; Harold Wilson’s memorial; and, the RA’s summer exhibition…

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• The 2013 Hampton Court Palace Festival kicks off tonight. Highlights include a performance by the Royal Philharmonic Concert Orchestra and fireworks on Saturday night while other artists featured include Jools Holland, Lisa Stansfield, Frank Valli and the Four Seasons, Imeda May, Bjorn Again, Russell Watson, Cliff Richard and Joe Bonamassa and Beth Hart. For the full programme of events over the next couple of weeks, check out www.hamptoncourtpalacefestival.com.

• It’s all about good deeds at the Foundling Museum. Opening at the museum in Bloomsbury tomorrow, a ceramic artist Clare Twomey’s exhibition – Exchange: 1,000 Good Deeds at the Foundling Museum – features more than 1,000 cups and saucers with each cup hiding instructions for a good deed underneath. The instructions are only revealed when a visitor selects a cup – they either agree to do the good deed, leaving it exposed and taking home the cup, or, if they’re not able to, can return the cup to its saucer. There is a limit of 10 cups available for exchange each day – ring or check the website for times when the exchanges may take place. Entry is free with museum admission. Runs until 15th September. For more, see www.foundlingmuseum.org.uk.

• A memorial ledger stone to former Labour PM, Harold Wilson (later Lord Wilson of Rievaulx), was dedicated in Westminster Abbey this week. Lord Wilson (1916-1995) was PM from 1964 to 1970 and 1974 to 1976. The stone is placed near where Earl Attlee’s ashes were interred at a memorial service attended by Lord Wilson when Prime Minister in 1967. For more, see www.westminster-abbey.org.

• On Now: Royal Academy of Arts Summer Exhibition 2013. Coordinated by Royal Academicians printmaker Norman Ackroyd and Eva Jiricna, this year’s exhibition at the Royal Academy in Piccadilly features more than 1,000 artworks with many going on display for the first time. Among the works on display will be Grayson Perry’s series of six tapestries entitled The Vanity of Small Differences – inspired by Hogarth’s A Rake’s Progress, it tells the story of Tom Rakewell. Other highlights include a room dedicated to portraiture – including photographs and works on paper – and a new large scale sculpture by Anthony Caro. Runs until 18th August. Admission charge applies. For more, see www.royalacademy.org.uk.

Treasures of London – Siborne’s Large Model…

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An amazing feat of model-making, Siborne’s Large Model is a painstakingly detailed model reconstruction of the Battle of Waterloo on display at the National Army Museum. Controversial even to this day, the story behind the model’s creation is an incredible tale of one man’s perseverance.

Siborne's-modelA career soldier, Captain William Siborne was commissioned in 1830 by Lord Rowland Hill, then Commander-in-Chief of the British Army, to construct a model of the Battle of Waterloo, fought between British and allied forces under the command of the Duke of Wellington and Prussian field marshal Gebhard von Blücher and French forces under the command of the Emperor Napoleon on 18th June, 1815.

Siborne, who hadn’t been present at the battle but had previously been involved in the construction of a model of the Battle of Borodino, extensively researched it before beginning work including spending eight months surveying the entire field where the battle took place and corresponding with hundreds of those who had fought there.

The model wasn’t completed until 1838, partly due to the fact that Siborne still had military duties to perform and also due to the fact that he ran out of funds and, when the authorities refused to pay up, ended up financing the project out of his own pocket (and then spent much time trying to recover the funds).

In his fascinating book, Wellington’s Smallest Victory: The Duke, the Model Maker and the Secret of Waterloo (well worth a read if you’re interested in learning more about the history of this amazing model), Peter Hofschroer writes in detail about the acrimonious relationship the Duke of Wellington developed with Siborne, thanks to a clash over the model’s depiction of the battle which shows the crisis point in the battle at 7pm – when the French Imperial Guard attacked Wellington’s centre – and has the Prussians helping to win the day.

The model was placed on public display in October 1838 at the Egyptian Hall in Piccadilly after which it went on tour around the UK. He went on to write up his research in a book on the battle, published in 1844, and it was while preparing this – in 1841 – that he announced he had changed his mind and would revise the model, eventually removing figures representing some 40,000 Prussians from the model and thus reducing the role they played at the decisive moment of the battle – a move which could only be seen as a win for Wellington.

It’s also worth mentioning that Siborne created a second, larger scale model of just part of the battlefield, exhibited in 1844 in London and later in Berlin (it’s now on display at the Royal Armouries Museum in Leeds). Siborne’s subsequent efforts to sell either model didn’t bear fruit before he died, said to have been a “broken man”, on 13th January, 1849.

After his death the large model was subsequently purchased by the United Service Museum and can now be found at the National Army Museum in Chelsea.

WHERE: National Army Museum, Royal Hospital Road, Chelsea (nearest Tube station is Sloane Square); WHEN: 10am to 5.30pm daily; COST: Free; WEBSITE: www.nam.ac.uk.

Treasures of London – K2 telephone kiosk at the Design Museum…

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This version of the iconic British ‘institution’ – the red phone box – was designed by architect Sir Giles Gilbert Scott in 1924 (you may know him as the designer of the Battersea Power Station).

K2-KioskFormally known as the K2 telephone kiosk, Scott’s design was selected after a competition organised by the Royal Fine Art Commission (there’s a wooden prototype of Scott’s K2 located under the entrance to the Royal Academy of Arts in Piccadilly – the location where it was originally positioned).

The design featured a classical-looking dome (said to have been influenced by the work of architect Sir John Soane) which featured the royal crest of King George V (done in perforation, so it also provided ventilation). The phone box was made in cast iron and painted red (Scott had apparently suggested silver). From 1926 onwards, around 1,700 of the K2s – which weighed more than a ton – were deployed around London (very few were ever erected outside the city).

The surviving K2s – there are said to be slightly more than 200 – are now listed buildings.

The telephone box is a part of the Design Museum’s permanent collection which is currently held in two locations but from 2015 will be housed in a new purpose-built museum in High Street Kensington.

The box, which will be displayed on the museum’s top floor which will be dedicated to the display of 20th century artefacts, is currently featured in a special exhibition, Design Museum Collection: Extraordinary Stories About Ordinary Things, which runs at the museum’s current premises until January, 2015.

To further explore the Design Museum’s collection, you can download a free Design Museum Collection App for iPad app via iTunes.

WHERE: Design Museum, 28 Shad Thames (nearest Tube stations are London Bridge and Tower Bridge); WHEN: 10am to 5.45pm daily (last admission 5.15pm); COST: £11.85 adults/£10.70 concessions/£7.50 students (children under 12 are free); WEBSITE: www.designmuseum.org

Where is it?…#56

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Where-is-it--#56

Can you identify where in London this picture was taken and who the statue represents? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

No takers this week. This is a statue of John Flaxman (1755-1826), located on the facade of Burlington House in Piccadilly, home of the Royal Academy of Arts since 1867. The sculptor and draughtsman, a leading figure of the Neoclassicism movement, was made an associate of the RA in 1797. For more on the Royal Academy of Arts, see www.royalacademy.org.uk.

Around London – Borough Market’s new map app; Richard Dimbleby blue plaqued; Manet at the RA; and, Light Show at the Hayward…

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• Borough Market, which claims to be London’s oldest food and drink market (see our earlier entry on the market here), has introduced a new app which provides smartphone users with an interactive map of the market so they can get information on the go. The app loads automatically when people enter the market website on their phones. Further features of the mobile site are yet to be unveiled. For more information, see www.boroughmarket.org.uk.

• Broadcaster Richard Dimbleby (1913-65) has been honored with an English Heritage blue plaque at his former home in Cedar Court, Sheen Lane, East Sheen in London’s south west. Once the nation’s most famous broadcaster, Dimbleby, father of David Dimbleby, lived at the flat between 1937-39 – a time when he delivered some of his earliest radio reports including one on Prime Minister Neville Chamberlain’s return from Munich. Dimbleby’s career on radio and television spanned some 30 years and saw him reporting on some of the great events of his time. He was the BBC’s first war correspondent and was the first reporter to describe the horrors of Belsen concentration camp as well as being among the first reporters to enter Berlin where he reported from the ruins of Hitler’s bunker. Dimbleby was also commentator on television specials such as the Coronation of Queen Elizabeth II in 1953 and Winston Churchill’s funeral in 1965. For more, see www.english-heritage.org.uk/about/news/?topic=Blue%20Plaques.

• On Now: Manet – Portraying Life. This display at the Royal Academy of Arts in Piccadilly’s Burlington House is the first major exhibition to showcase Edouard Manet’s portraiture in the UK. It examines the relationship between his portraits and his scenes of modern life and includes more than 50 paintings, gathered from public and private collections in Europe, Asia and the US, spanning his career from the mid 1800s to his death in 1883. The exhibition is arranged thematically with different sections looking at Manet’s family, his artist, literary and theatrical friends as well as his models. Highlights include The Luncheon (1868), Mme Manet in the Conservatory (1879), Berthe Morisot with a Bouquet of Violets (1872), Street Singer (1862), The Railway (1873) and Music in the Tuileries Gardens (1862). Admission charge applies. Runs until 14th April. For more, see www.royalacademy.org.uk.

• On Now: Light Show. This installation at the Hayward Gallery in South Bank “explores the experiential and phenomenal aspects of light” and brings together sculptures and installations that use light to sculpt and shape space in different ways. The artworks date from the 1960s to the present day and are the work of 22 different artists. Admission charge applies. Runs until 28th April. For more, see www.haywardlightshow.co.uk.

LondonLife – Dick Whittington at Fortnum & Mason…

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Dick-Whittington-at-FM
“Turn again, Dick Whittington!” This year’s Christmas window display at Piccadilly’s Fortnum & Mason tell the story of thrice Lord Mayor of London (and popular panto figure), Dick Whittington. The windows were unveiled by the current Lord Mayor of London, Roger Gifford (his wife Clare has just written a new version of the story) and the cast from Hackney Empire’s Dick Whittington. For more on the story of Dick Whittington, see our earlier post here. For more on Fortnum & Mason see our earlier post here. PICTURE: Courtesy of Fortnum & Mason.

LondonLife – New Year’s Day Parade 2012

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More than 8,500 performers – including those pictured celebrating the launch of London’s Olympic year – took part in this year’s New Year’s Day Parade in London, the wettest in the event’s 26 year history. But the wild weather didn’t put off the more than 500,000 people who turned out to watch the parade as it made its way from the starting point outside the Ritz Hotel in Piccadilly via Trafalgar Square to Parliament Square. As many as 19 London boroughs submitted entries in a competition based on the themes of the Olympics and the Queen’s Diamond Jubilee with Merton (its entry ‘From Horsepower To High Speed Rail’ featured animatronics) and the City of Westminster (its entry ‘Peter Pan’ involved a giant galleon and the The Sylvia Young Theatre School) announced as joint winners. For more on the parade, see www.londonparade.co.uk.

IMAGE: Courtesy of www.londonparade.co.uk

LondonLife – A blaze of autumnal colour in Green Park…

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Taken from Canada Gate on the south side of The Green Park, the leaf-strewn Broad Walk runs down to Piccadilly and makes a pretty sight in the autumn sunlight. For more on The Green Park, see our previous entry here…

The Royal Parks – 3. Green Park

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Perhaps the most overlooked and least celebrated of central London’s Royal Parks, Green Park (officially The Green Park) is a peaceful oasis of leafy trees between the bustle of Piccadilly and traffic of Constitution Hill and part of an unending swathe of green which connects Kensington Gardens with, eventually, St James’ Park.

Originally meadowland used for hunting, the earliest known mention of the area where the park now stands was apparently in 1554 when it was believed to be a staging point for Thomas Wyatt (the younger) who led a group of rebels protesting against the marriage of Queen Mary I to King Philip II of Spain. The unfortunate – and unsuccessful (in terms of his rebellion at least) – Wyatt was later beheaded for treason.

In 1668, King Charles II had the park enclosed with a brick wall and stocked with deer, as well as having a ranger’s lodge and icehouse built (to keep his drinks cool when entertaining in summer). While it was initially known as Upper St James’s Park, by 1746 Green Park had its own name. It’s not really known what prompted the name change but the unofficial story is that Queen Catherine of Braganza, wife of King Charles II, found out that her philandering husband had picked some flowers there for another woman – a milkmaid. In revenge, she had every flower in the park pulled up with orders they were not to be replanted. To this day, while some 250,000 daffodils bloom here in spring, there remain no formal flowerbeds in the park.

The 47 acre (19 hectare) park, which was also used on occasion as a duelling ground, underwent further development at the beginning of the following century with the creation of the ornamental Tyburn Pool near the centre of the park.

Queen Caroline, the wife of King George II, meanwhile, had a reservoir built to supply water to St James’s Palace and Buckingham Palace (it was known as the Queen’s Basin) as well as a library and the Queen’s Walk. Planted in 1730, this runs along the eastern side of the park and helped to turn it into a fashionable place in which to be seen (and led to the building of many a mansion in nearby Piccadilly).

Other buildings in the park have included two temporary ‘temples’ – the Temple of Peace (erected in 1749 to mark the end of the War of Austrian Succession) and the Temple of Concord (erected in 1814 to mark 100 years of the rule of the Hanoverian dynasty). Both of these, believe it or not, burnt down during the celebrations they were built for.

The park, which underwent a redesign in which the first trees were planted in the 1820s as part of architect John Nash’s grand plans for St James’s Park, was opened to the general public in 1826 but by then many of its earlier features – including the ranger’s house, Tyburn Pool and the Queen’s Basin – were already gone.

In more recent times, war memorials have been added to the park – the maple-leaf daubed, Pierre Granche-designed memorial to Canadian soldiers in 1994 (Canada is also remembered in Canada Gate on the park’s south side, installed in 1908 to mark the nation’s contribution to the Empire), and a set of memorial gates on Constitutional Hill at the park’s western end which is dedicated to the five million people from the Indian Sub-Continent, Africa and the Caribbean who served in World War II in 2004. The park also features the ‘Diana fountain’, installed in 1952 by the Constance Fund (and currently undergoing restoration).

On 14th June, a 41 royal gun salute is fired here to mark the Queen’s birthday. Salutes are also fired here for the State Opening of Parliament in November or December, Remembrance Sunday, and for State Visits.

WHERE: Green Park (nearest tube station is Green Park and Hyde Park Corner); WHEN: daily; COST: free; WEBSITE: http://www.royalparks.gov.uk/Green-Park.aspx

PICTURE: Courtesy of Royal Parks. © Anne Marie Briscombe 

Where’s London’s oldest…bookshop?

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Hatchards on Piccadilly (right next to Fortnum & Mason) is generally accepted as being London’s oldest surviving bookshop.

It was founded in 1797 by John Hatchard in Piccadilly (there seems some dispute over whether it still stands on exactly the same site).

The shop currently holds three royal warrants for the supply of books to the Royal Household.

Among high profile past customers have been Queen Charlotte (wife of King George III), former PMs Benjamin Disraeli and  Arthur Wellesley, the Duke of Wellington, and literary figures such as Rudyard Kipling, Oscar Wilde and Lord Byron.

It remains popular with lovers of literature and is noted for hosting book-signings by prominent authors with many signed book on the shelves.

For more, see www.hatchards.co.uk.

What’s in a name?…Mayfair

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Still the address to have in London, the origins of the name Mayfair are just as they appear – this area to the west of the City was named for the annual May Fair which was held at what is now the trendy (and picturesque) cafe precinct of Shepherd Market during the late 17th and early 18th centuries.

The two week long annual fair was established by King James II as a cattle market on what was then known as Brookfield Market in the 1680s. Attracting other pleasure-related activities, it soon became known for its licentiousness and, having survived Queen Anne’s attempts to have it banned, was eventually stopped in the mid-1700s. Edward Shepherd, who today gives his name to the area on which Brookfield Market once stood, was an architect and developer who subsequently redeveloped the site.

These days Mayfair is generally taken to encompass an area bordered by Hyde Park to the west, Oxford Street to the north, Piccadilly to the south and Regent Street to the east. The area’s development really took off in the century following the mid 1600s (landowners included the Grosvenor family – whose name is reflected in landmarks like London’s third largest square Grosvenor Square and Grosvenor Chapel (pictured) – as well as the Berkeleys and Burlingtons) and it became a favored residential location among the wealthy – indeed, it was this very gentrification which indirectly put an end to the fair.

Today, as well as being known for high end residential real estate, it’s one of London’s most expensive shopping precincts. Landmark buildings in the area today include the hulking bulk of the US Embassy at the western end of Grosvenor Square, the Royal Academy of Arts in Piccadilly, the Handel House Museum (located in what was the home of composer George Frideric Handel), shopping arcades such as the Burlington and Royal Arcades, and various luxury hotels like Claridge’s and The Dorchester in Park Lane.

Where’s London’s oldest…department store?

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A 304-year-old institution, Fortnum & Mason on Piccadilly is generally believed (depending, of course, on definition) to be London’s oldest department store.

Founded in 1707, it owes its establishment to the meeting of shopkeeper Hugh Mason and William Fortnum, a footman in the house of Queen Anne, who was his lodger. The story goes that their joint venture began when Fortnum began retrieving the half-used candles discarded by the royal family (they insisted on fresh candles each night) and they started selling them on to ladies at the Royal Court.

Initially founded as a grocery store, Fortnum & Mason, which moved to its current site on Piccadilly in 1756 (see picture to right), become known for its high quality and rare goods – in particular tea.

It has held numerous Royal Warrants since the mid 1800s with the first granted in 1863 when the firm was appointed as grocers to the then Prince of Wales.

A supplier of British officers during the Napoleonic Wars, it was also active during the Crimean War when Queen Victoria had shipments of “concentrated beef tea” sent to Florence Nightingale for use in her hospitals there.

Among its other claims to fame are that the first Scotch egg was created there in 1738 and that in 1886, it became the first store in Britain to stock tins of Heinz baked beans.

The massive clock which hangs on the facade of the building was commissioned in 1964 by Canadian businessman Garfield Weston who bought the business in 1951. Every hour models of Mr Fortnum and Mr Mason come forth and bow to each other.

The store, now famous for its luxury food hampers, underwent a £24 million restoration in the lead-up to its 300th anniversary in 2007. As well as the flagship store, there are now branches – “stores within stores” – in Japan. The firm also reportedly plans to open Fortnum & Mason stand-alone shops in locations like China, the Middle East and India (its last overseas stand alone store was opened on Madison Avenue in New York in the 1930s but the business was short-lived thanks to the Depression).

As well as its array of goods for sale, the Piccadilly store now houses a number of eateries including St James’s Restaurant, The Parlour, The Fountain, The Gallery and the 1707 Wine Bar.

See www.fortnumandmason.com.

Where’s London’s oldest…red telephone box?

by exploringlondon

An iconic symbol of Britishness, these days the red telephone boxes found throughout the city may well have more use as a prop in tourist’s photos than for actually making phone calls. But where’s the oldest?

Nestled under the gateway into the Royal Academy of the Arts in Piccadilly sits a rather non-descript looking red telephone box.

Created in 1924, it is actually a prototype of the red phone boxes that later became ubiquitous across the country.

The phone box prototype was designed by Sir Giles Gilbert Scott, one of three architects who were asked to create designs for the boxes after the Post Office’s initial designs were apparently rejected.

Scott’s successful design is the only one of the three to survive and while it’s made of wood, the later boxes were made of cast iron and painted red for visibility.

What’s In A Name? – Piccadilly

by exploringlondon

One of the principal thoroughfare’s of London’s West End – and lending its name to that most famous of intersections, Piccadilly Circus, the name Piccadilly derives from the stiff ruffs known as ‘piccadils’ which were widely worn by the fashionable during the 17th century.

The street was known as Portugal Street until the 17th century. While there are several different stories explaining the name, the most widely accepted story is that the name’s origins go back to a tailor by the name of Robert Baker.

He’d made a fortune from making and selling piccadils and used that money to purchase a large tract of land in the area, then largely countryside, and 1611-12 built a mansion there which became known, probably derisively, as Piccadilly Hall in reference to his trade.

When the area came to be developing in the years after the Restoration of Charles II in 1660, the name stuck.

Famous sights along Piccadilly include grocer Fortnum & Mason, founded in 1707 by one of Queen Anne’s footmen (pictured above), the Royal Academy of the Arts, the Ritz Hotel, which opened in 1906 and indicated a new level in luxurious hotels, the Wren-designed St James’ Church, and the entry to the 19th century Burlington Arcade.