Museums

10 (lesser known) National Trust properties in London…9. Red House…

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This iconic and unique Arts and Crafts home in Bexleyheath in London’s east was at the centre of the Pre-Raphaelite movement.

Commissioned by poet, designer and artist William Morris in 1859 – and built by his friend, architect Philip Webb (with whom Morris would co-found the The Society for the Protection of Ancient Buildings in 1877) – the L-shaped house was designed to be a home for Morris and his new wife Jane as well as a hub for the so-called “second wave” of Pre-Raphaelites.

Described by Dante Gabriel Rossetti as “more a poem than a house”, the two storey red brick property (hence the name ‘Red House’) is characterised by elements of romanticised Gothic medieval design – including a steep gable roof, tall chimney stacks, oriel windows and stained glass – but also contains a very practical layout.

The Morrises moved in during June, 1860, and, inspired by medieval art and literature, commenced elaborately decorating the property in bold colours. The couple hung the walls with embroideries and pictures and commissioned Webb to design furnishing while others who helped with the interior decoration included Rossetti, Elizabeth Siddal and Edward Burne-Jones.

It was this communal response to the home’s design that is credited as leading to the founding of the decorative arts company Morris, Marshall, Faulkner & Co – often referred to as ‘The Firm’ – in 1861.

A plan to extend the property in the mid-1860s to add workshops as well as allow Burne-Jones and his family to live there was aborted after the then pregnant Georgiana Burne-Jones contracted scarlet fever, losing the child as a result.

Meanwhile, Morris – whose two daughters Jenny and May were born in the property – was apparently discovering the home’s short-comings – including its orientation away from the sun and its distance from London. He subsequently decided to move his family back to London and in 1866 sold the property, never returning to it again.

The house remained in private hands until it was acquired by the National Trust in 2003. Morris, meanwhile, went on to lease Kelmscott Manor in Oxfordshire with Rossetti and is buried in the nearby churchyard of St George’s Church.

The now Grade I-listed house, which still contains original features and furnishings, is surrounded by a garden which was designed to “clothe” the property and which, as well as being informed by Arts and Crafts principles, features a beautiful conical-roofed well-house. When open, there’s a cafe and second-hand bookshop on site.

The house has an English Heritage Blue Plaque commemorating Morris and Webb.

For more, visit www.nationaltrust.org.uk/red-house.

PICTURE: Top – The property with well house in the foreground (Steve Parkinson/ licensed under CC BY-NC-ND 2.0); Right – A mural in the drawing room designed by Edward Burne-Jones depicting the marriage feast of Sir Degrevant (Ethan Doyle White at English Wikipedia (licensed under CC BY-SA 3.0)

Special – On the VE Day’s 75th, remembering the ‘Docklands at War’…

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The Museum of London Docklands has released a number of images from its ‘Docklands at War’ collection – including some rarely on display – to mark the 75th anniversary of Victory in Europe. These images of the East End show the scale of the damage and destruction caused to London’s docks during World War II when more than 25,000 German bombs were dropped on it in an attempt to impact the national economy and war production, making tens of thousands of home uninhabitable, damaging businesses and destroying docks with the West India Docks and St Katherine Docks suffering the most damage. The pictures also reveal the remarkable contribution to the war effort by the people who lived and worked in the densely populated area. For more on how the museum is marking the day online, head to www.museumoflondon.org.uk/museum-london-docklands/ve-day.

St Katharine Dock after an air raid on 7th September, 1940, the first attack on Docklands.  PICTURE: John H Avery & Co (© PLA Collection / Museum of London)

Bomb damage to a shed, formerly Guiness’s on west side of eastern dock, looking north from the southend taken on 19th December, 1940, following an air raid on 8th December that year. PICTURE: John H Avery & Co (© PLA Collection / Museum of London)


Prime Minister Winston Churchill and Clementine Churchill, with the Flag Officer, London, and J Douglas Ritchie (on left), touring London’s dock in September, 1940, seen with a group of auxiliary firemen. PICTURE: © PLA Collection / Museum of London

Damage caused by a V1 rocket which hit Royal Victoria Dock in 1944. PICTURE: © PLA Collection / Museum of London

The Docklands ablaze during the Blitz on 7th September, 1940. The rising palls of smoke mark out the London Docks beyond the Tower of London, the Surrey Docks to the right of the bridge and the West India Docks on the Isle of Dogs in the distance. PICTURE: © PLA Collection / Museum of London


Tanks arriving in the London Docks prior to embarkation for the D Day beaches in 1944. PICTURE: © PLA Collection / Museum of London

This Week in London – Take a virtual tour of The Crystal Palace (as it was); the ‘Virtual VE Day 75 Festival’; and, capturing life in lockdown…

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• It’s 169 years since the Crystal Palace served as the centrepiece of the ‘Great Exhibition of the Works of Industry of All Nations’ in Hyde Park but for the first time you now have a chance to tour the building virtually. The Royal Parks, working in partnership with educational virtual reality company, Seymour & Lerhn, have recreated the grand glass and iron structure which hosted thousands of exhibits from across the globe at the 1851 exhibition which was spear-headed by Prince Albert. The building has been regenerated digitally using The Royal Commission for the Exhibition’s archive of plans and images, as well as The Royal Parks’ historical documents including old maps. The tour overlays this historic footage over the site as it is now and visitors can switch between the two as well as learn about some of the fascinating stories connected to the Great Exhibition including that of the construction of the first ever public toilets and that of the lady who walked from Cornwall to attend the display. The virtual tour is free to access at www.royalparks.org.uk/parks/hyde-park/things-to-see-and-do/the-great-exhibition-virtual-tour.

• The National Museum of the Royal Navy, National Army Museum and Royal Air Force Museum are hosting their first tri-service celebration with a ‘Virtual VE Day 75 Festival’ to mark the 75th anniversary of the end of the war in Europe. The festival runs from today until 9th May and kicks off with ‘Vying for Victory: Britain’s Navy, Army and Air Force in Myth and Memory’ featuring representatives from the museums discussing the service’s respective roles during the closing stages of World War II. Other events include a live webinar featuring historian and broadcaster James Holland speaking to the National Army Museum’s Dr Peter Johnston about ‘Why the Allies Won’, re-enactors sharing stories from real service personnel during the World War II, and an immersive walk-through of HMS Alliance which will provide insights into the isolation experience of submariners on VE Day.  For the full programme of events, head to Virtual VE Day 75 Festival.

• The National Portrait Gallery is launching a new community photography project to capture a snapshot of the nation during the coronavirus lockdown. People are being encouraged to submit pictures responding to three themes – ‘Helpers and Heroes’, ‘Your New Normal’ and ‘Acts of Kindness’ – to the project which is called Hold Still. Launched by the Duchess of Cambridge, patron of the gallery, this week, the project is open to Britons of all ages and will see 100 short-listed pictures featured in a digital exhibition. The closing date for submissions is 18th June. Head to www.npg.org.uk/hold-still/ for more.

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This Week in London – Documenting lockdown lives; home baking on the rise; and, Captain Tom makes more history…

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• The Museum of the Home has launched a new national collecting project aimed at documenting people’s lives during the coronavirus lockdown. Called Stay Home, the project involves answering seven questions about you and your home and sharing up to five images of your home as well as some personal demographic information. Contributions will become part of the museum’s Documenting Homes collection, an archive of almost 8,000 items which represents homes from the 1900s up to the present day. To take part – or to read the stories of those who have, head to www.museumofthehome.org.uk/explore/stay-home-collecting-project/. The museum is planning to reopen in September following a major redevelopment which includes the renovation of the Grade I-listed Geffrye Almshouses and the development of new spaces which will create 80 per cent more space for exhibitions, events and collections. The reopening will, of course, depend on the situation with regard to the COVID-19 outbreak.

• Visits to the National Trust’s home baking pages have increased by almost 900 per cent since the country was locked down in mid-March. Cheese scones have proved the most popular nationally with more than 54,000 people visiting the page in the first four weeks of lockdown – an increase of 3,009 per cent on last year. Second place is apple and rhubarb crumble with almost 15,000 visits (an increase of 581 per cent) and the fruit scone is in third place at almost 10,000 visits (an increase of 737 per cent). Meanwhile in London, favourites include potato and onion soup in Barnet, Westminster and Redbridge, apple cinnamon bun in Islington, chocolate nests in Enfield, and vegetable and coconut curry in Sutton. To visit the recipe pages, head to www.nationaltrust.org.uk/recipes.

• Captain Tom Moore – the World War II veteran who has raised more than £29 million for the NHS – will be the first person to be virtually invested with the Freedom of the City of London. Moore, who celebrates his 100th birthday today, made headlines internationally when he completed 100 laps of his garden in the hope of raising £1,000 to support NHS Charities Together. The investiture ceremony will be conducted next week and is believed to be the first time it’s been conducted virtually since the Freedom was first awarded in 1237.

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10 (lesser known) National Trust properties in London…7. Fenton House and Garden…

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Like other National Trust properties, Fenton House is now closed – please do not travel there. But we run this article in the hope you’ll be able to visit in the future…

This Hampstead property dates from the 17th century but its current name comes instead from Philip Fenton, a merchant who bought it in 1793, some 100 years after it was constructed.

The two storey brown brick property, which had previously been known as Ostend House (perhaps a reference to its unknown first owner’s Flemish links), was considerably altered by Fenton, a merchant from Yorkshire who had based himself in Riga. But despite that – and subsequent alterations, many original features remain.

The Grade I-listed property was acquired by Katherine, Lady Binning, in 1936. In 1952 she bequeathed it to the National Trust complete with her rather large collections of porcelain, needlework, furniture and artworks.

The Trust also moved in a large collection of early musical instruments. Assembled by Major George Benton Fletcher, these had been given them to the Trust in 1937 and include a harpsichord dating from 1612 which was probably used by Handel.

Located on an acre, the house features a notable walled garden featuring formal topiary and lawn, a sunken rose garden, a 300-year-old apple and pear orchard and kitchen garden.

Fenton House is now closed – but for more information on when it might reopen, keep an eye on www.nationaltrust.org.uk/fenton-house.

PICTURE: Top – A view of Fenton House (It’s No Game/licensed under CC BY 2.0); Below – Inside the property (Kotomi_/licensed under CC BY-NC 2.0)

This Week in London – Collecting COVID…

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Have an item that shows how your life has changed since the arrival of the novel coronavirus in London in January? 

The Museum of London is seeking to build a collection of objects and first-hand experiences related to the coronavirus pandemic in a bid to ensure future generations of Londoners will be able to learn about and understand this extraordinary period in the city’s history.

The museum, which already holds collections related to disease outbreaks such as the 1889 -1893 and 1918 flu pandemics, is looking for both physical and digital objects related to three main themes – how the physical spaces in the city have been transformed, the effects on key and home workers, and how children and young people are reacting to and coping with the changes now that many schools are closed.

Like those in existing pandemic-related collections – such as the dress Queen Victoria wore to mourn the loss of her grandson to influenza in 1892 (pictured – right) or an 1832 cholera notice issued for St Katharine Docks (pictured – top), the COVID-19-related objects will serve as a reminder of the suffering people are experiencing but also tell the story of the pandemic’s effect on society and culture.

“Londoners, like millions of people around the world, have to find ways of coping with the new life the epidemic has imposed,” says Beatrice Behlen, senior curator at the Museum of London.

“This is a major moment in the capital’s history and we want to collect a range of objects, from clothing to hairclippers, from diaries to memes that reflect the physical and emotional response of Londoners to COVID-19. The Museum of London always strives to tell the story of London and its people. We feel it is imperative to capture this time for future generations, to help us understand how this city dealt with an extraordinary situation.“

Individuals and organisations who would like to donate objects should get in touch via social media @MuseumofLondon or email enquiry@museumoflondon.org.uk.

PICTURES: Top – Printed cholera notice issued by the Secretary of St Katharine Dock Company; Right – Dress ensemble, 1892. Worn by Queen Victoria when in mourning for her grandson, the Duke of Clarence, who died in the flu pandemic in 1893. (© Museum of London)

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Treasures of London – Thomas Tuttell’s celestial globe…

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Dating from 1700, this celestial globe was made by Thomas Tuttell, hydrographer and mathematical Instrument maker to King William III in the year 1700.

The globe, a unique survivor of its age, is identical to a celestial globe made by Joseph Moxon in 1653, except for one additional constellation in the northern hemisphere named the ‘Cor Caroli’ (Heart of Charles), a reference to King Charles I (the constellation was named by Sir Charles Scarborough to commemorate the restoration of the monarchy in 1660 and it was first published on a star map in 1673).

It is one of 10 historic globes which have been made available for close-up inspection, including using an augmented reality tool which allows you to spin and zoom in at will, on the British Library’s website.

The 10 are the first tranche of globes to go online in a project involving British Library staff and digitisation company Cyreal that will eventually involve 30 globes.

Others among the first 10 include what is possibly the earliest miniature ‘pocket’ globe – dating from 1679, it was made by Joseph Moxon, two globes made by Willem Janszoon Blaeu – a terrestrial globe and a small table star globe – which date from 1606, and Johann Doppelmayr’s terrestrial and star globes from 1728.

There’s also Richard Cushee’s 1730 terrestrial globe with its unusually late inclusion of the island of California, Charles Price’s 1715 globe containing unusual annotations, and Gabriel Wright and William Bardin’s 1783 globes.

The globes, which are part of the library’s map collection, can be found at www.bl.uk/maps/articles/european-globes-of-the-17th-and-18th-centuries.

PICTURES: © British Library (licensed under CC BY-NC-SA 4.0).

This Week in London – English Heritage sites online; and, The Painted Hall in virtual reality…

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With historic properties and cultural institutions closed across London, we’re showcasing some of the online opportunities that are available to continue your explorations of the city…

• London’s Eltham Palace and Kenwood House (pictured above) are among 29 English Heritage sites around the country which are being showcased on the Google Arts & Culture platform. English Heritage, which first announced the partnership with Google Arts & Culture, was the first heritage organisation and multi-site installation to do so and the Google site now contains a plethora of information and immersive experience about the English Heritage properties. To explore the site, head to https://artsandculture.google.com/project/english-heritage. And for those looking for more online experiences, the organisation is also pointing to its Stonehenge Skyscape site which allows visitors to experience a live sunrise over Stonehenge as well as see the journey of the stars and the moon from within the stone circle and learn about the monument’s design and how its builders may have understood their place in the cosmos. For more, see www.english-heritage.org.uk/skyscape/. PICTURE: It’s No Game (licensed under CC BY 2.0)

• Reopened in 2019, The Painted Hall at the Old Royal Naval College in Greenwich following a two year conservation project. To celebrate the reopening – and the new life given to Sir James Thornhill’s 40,000 square feet of painted walls and ceilings – a virtual, 360 degree online tour was also launched so people could visit from the comfort of their own home. You can access the tour by following this link.

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10 (lesser known) National Trust properties in London…5. Sutton House…

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We decided to continue with our Wednesday series. While the properties are all currently closed, we hope you’ll still enjoy exploring them with us online until the day they reopen…

Hackney property Sutton House –  originally known simply as ‘the bryk place’ – was built by Ralph Sadleir (or Sadler), a courtier  who started out in the service of Thomas Cromwell but rose to become Principal Secretary of State to King Henry VIII. Sadleir, who had married a cousin of Cromwell, had the property constructed in 1535 as his family home.

Sadleir – who makes an appearance in Hilary Mantel’s Thomas Cromwell novels and who, as well as being of service to King Henry VIII, also served King Edward VI, Queen Mary I and Queen Elizabeth I – sold the property just 15 years later. The red brick house – now said to be the oldest surviving domestic building in Hackney – subsequently passed through numerous hands with its owners apparently including merchants, a sea captain and French Huguenot refugees. In 1751, it was divided into two residences – Ivy House and Milford House.

The property housed a boy’s school in the early 1800s – novelist Edward Bulwer-Lytton was among those who attended – and later became a girl’s school. The rector of Hackney bought the premises in 1891 and used it as a base for the St John at Hackney Church Institute, a social and recreational centre for young men.  His modifications included turning part of the cellars into a chapel.

Mistakenly named after the founder of the Charterhouse School, Thomas Sutton (he actually lived in a now demolished adjacent property), Sutton House was bought by the National Trust in the 1930s using the proceeds of a bequest made in memory of two men killed in World War I.

Among its various roles, the building served as a centre for fire wardens during World War II and, from the 1960s, serving as the offices of a trade union. After the union left in the 1980s, the house fell into disrepair and in 1982 squatters moved in and it was renamed ‘the Blue House’. Several murals from this period – when rock concerts were held in the barn – are preserved into the house.

The squatters were evicted and in the late Eighties, a society was formed with the aim of saving the house. Following renovations, the house opened to the public in 1994. These days the Grade II*-listed home is used as a museum and art gallery. There’s also a shop and cafe.

While the facade of the house underwent some changes during the Georgian era, the property’s interior remains essentially Tudor. Highlights include the kitchen, oak panelled chambers, carved fireplaces and, of course, the cellars.

The National Trust reclaimed some adjacent land to create an award winning garden known as the Breaker’s Yard. The name comes from the fact the land was once occupied by a car breaker’s yard.

There’s said to be a couple of ghosts who reside in the house including wailing dogs and a mysterious ‘blue lady’.

The property, which stands in Homerton High Street, is temporarily closed but for more information, check the website at www.nationaltrust.org.uk/sutton-house-and-breakers-yard.

ALL PICTURES: Kotomi_ (licensed under CC BY-NC 2.0)

This Week in London – See the’ Enchanted Interior’ online; Jewish Museum launches live streams; and, ‘The Easter Story’ at the National Gallery…

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With everyone being asked to stay at home, we’re highlighting online exhibitions and talks. Wishing all our readers, despite the circumstances, a happy Easter!

• The Enchanted Interior exhibition, recently seen at the City of London’s Guildhall Art Gallery, can now be seen in an exclusive virtual tour led by curator Katherine Pearce. The exhibition, which explores the recurring motif of female subjects depicted in enclosed, ornate interiors, sees artworks by Victorian-era Pre-Raphaelites such as Edward Burne-Jones, Evelyn De Morgan and James Abbot McNeill Whistler placed alongside modern and contemporary works by female artists including Martha Rosler, Maisie Broadhead and Fiona Tan. The virtual tour can be found at cityoflondon.gov.uk/enchanted. PICTURE: One of the Pre-Raphaelite works featured in the exhibition.

• With its doors now closed, the Jewish Museum London is holding a series of live streams featuring talks on significant objects in the museum’s collection as well as a ‘Shabbat Shalom Quiz of the Week’ and an arts and crafts session. Under the umbrella of the ‘Jewish Museum London Live’, these upcoming events include a talk on the glass Elijah Cup and another on an object related to baking challah which includes some ways of plaiting challah that you can try at home. For more, see jewishmuseum.org.uk/events/ 

• Follow the story of the Passion of Christ through the artworks at the National Gallery in a special online exhibition for Easter. Among the artworks in The Easter Story exhibition – some of which are not on display in the actual gallery – include Rembrandt’s Ecce Homo, Raphael’s The Mond Crucifixion and Michelangelo’s The Entombment (or Christ being carried to his Tomb). To see it, head to www.nationalgallery.org.uk/paintings/the-easter-story. The gallery also has a virtual tour of the Sainsbury Wing which can be accessed at www.nationalgallery.org.uk/visiting/virtual-tours/sainsbury-wing-vr-tour.

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This Week in London – UK treasure finds, and V&A acquires medieval brooch…

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While the closure of institutions due to the COVID-19 crisis has changed our coverage temporarily, we’ll still be using this space to report news as it comes to hand..

• A 1,100-year-old brooch, a coin from Roman Britain, an Iron Age drinking set and a solid gold Bronze Age arm ring were among finds unearthed by the general public in England, Wales and Ireland last year. The British Museum has revealed that preliminary figures show more than 1,300 treasure finds – generally defined as gold and silver objects that are over 300 years old, or groups of coins and prehistoric metalwork – were reported across the three countries in 2019. In total, some 81,602 archaeological finds were recorded with the British Museum’s Portable Antiquities Scheme last year with the most finds found in Norfolk, followed by Suffolk and Hampshire. PICTURE: Copper alloy fitting from bucket, in the shape of a human face, from Lenham, Kent. Iron Age c50BC (© Mat Honeysett 2019).

• Meanwhile, the V&A has announced it has acquired a rare jewelled late medieval cluster brooch which was uncovered in 2017 by a metal detectorist in a former royal hunting ground near Brigstock, Northamptonshire. The brooch, which dates from c. 1400- 1450, is believed to have been made in either France or Germany. It’s the only one of its kind to be found in the UK and one of only seven known examples in the world. The brooch is on display in V&A’s William and Judith Bollinger Jewellery Gallery (when the museum reopens).

 

Treasures of London – Millicent Fawcett’s ‘Steadfastness and Courage’ brooch…

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Going on permanent display at the Museum of London from today, Millicent Fawcett’s brooch is a unique symbol of the long struggle for the right of women to vote in parliamentary elections. 

The brooch given to Fawcett by members of the National Union of Women’s Suffrage Societies – which Fawcett was president of between 1907 and 1919.

Made of of gold and enamel, it features gems in the white, red and green colour scheme of the NUWSS. It also bears the message “steadfastness and courage” – a quote taken from a speech Fawcett made in 1913.

Fawcett often wore the brooch, usually as a pendant and it is featured on Gillian Wearing’s recently unveiled statue of her in Parliament Square.

The brooch, which can be seen in the People’s City Gallery, is on long-term loan from the Fawcett Society.

WHERE: People’s City Gallery, Museum of London, 150 London Wall (nearest Tube stations are Barbican Station, St Paul’s and Moorgate); WHEN: 10am to 6pm daily; COST: Free; WEBSITE: www.museumoflondon.org.uk.

PICTURE: © The Fawcett Society

This Week in London – Cecil Beaton and the ‘Bright Young Things’; ‘The Enchanted Interior’; and Andy Warhol at the Tate…

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• World famous British photographer Cecil Beaton’s portraits from the “golden age” of the 1920s and 1930s are being celebrated in a shiny new exhibition at the National Portrait Gallery. Cecil Beaton’s Bright Young Things features some 150 works, many rarely exhibited, which Beaton took in the 1920s and 1930s depicting the “extravagant world of the glamorous and stylish”. The subjects include the likes of artists Rex Whistler and Stephen Tennant, modernist poets Iris Tree and Nancy Cunard, the glamorous socialites Edwina Mountbatten and Diana Guinness (née Mitford), and actresses Tallulah Bankhead and Anna May Wong as well as less well-known figures like eccentric composer and aesthete Lord Berners, the artist and Irish patriot Hazel, Lady Lavery, and Lady Alexander, whose husband produced Oscar Wilde’s comedies and who became an early patron of Beaton’s. Beaton’s own life story and his relationship with the sitters is woven into the exhibition including through self-portraits and images of him  taken by contemporaries. Runs until 7th June. Admission charges apply. For more, see www.npg.org.uk. PICTURE:  The Bright Young Things at Wilsford by Cecil Beaton, 1927. © The Cecil Beaton Studio Archive.

• The theme of female subjects depicted in ornate, enclosed interiors – one prevalent in 19th century British painting – is at the centre of a new exhibition opening at the Guildhall Art Gallery on Friday. The Enchanted Interior, being presented in partnership with Laing Art Gallery in Newcastle, showcases works in styles ranging from the high Victorian through to Art Nouveau, Aestheticism, Surrealism, and pieces by contemporary female artists which ‘speak back’ to the historic tradition. Artists whose work is represented include Edward Burne-Jones, Evelyn De Morgan, James Abbot McNeill Whistler, Emily Sandys, Jessica Woodman, Fiona Tan, John William Waterhouse and Clementina Hawarden. Admission charge applies. Runs until 14th June. For more, follow this link.

• The works of iconic 20th century American artist Andy Warhol are being showcased in a new exhibition at Tate Modern. Andy Warhol, the first exhibition on the artist at the gallery in 20 years, features more than 100 works. Among them are key pieces from the pop period – Marilyn Diptych (1962), Elvis I and II (1963/1964) and Race Riot (1964) – as well as Screen Tests (1964–6), the floating Silver Clouds (1966) installation, and a recreation of the psychedelic multimedia environment of Exploding Plastic Inevitable (1966) originally produced for the Velvet Underground rock shows. Also included are later works like his 1975 Ladies and Gentlemen series and Sixty Last Suppers (1986). Runs until 6th September. Admission charge applies. For more, see www.tate.org.uk.

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This Week on London – New Blue Plaques for women; Aubrey Beardsley at the Tate; and, the kimono scrutinised…

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• Two World War II spies, one of the 20th century’s greatest artists and and a leading figure in the British military’s women’s corps in World War I are among women being honoured with Blue Plaques this year. English Heritage unveiled plans this week for six female-focused plaques with the first to celebrate Dame Helen Gwynne-Vaughan (1879-1967), a botanist and leader of women in the armed forces during the ‘Great War’. Others will honour Christine Granville (1908-1952) – who served as Britain’s longest-serving female SOE agent in World War II, Noor Inayat Khan (1914-1944) – Britain’s first Muslim war heroine and the first female radio operator working in Nazi-occupied France, and ground-breaking 20th century sculptor Barbara Hepworth (1903-1975). Blue Plaques will also be unveiled at the former headquarters of the National Union of Women’s Suffrage Societies in Westminster and the Women’s Social and Political Union in Holborn. While only 14 per cent of the more than 950 Blue Plaques in London commemorate women, English Heritage’s ongoing ‘plaques for women’ campaign has seen a dramatic rise in the number of public nominations for women since it launched in 2016. This year will be only the second the organisation has unveiled as many as six plaques honouring women. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

• The brief career of controversial artist Aubrey Beardsley (1872-98) is the subject of a new exhibition which opened at Tate Britain this week. Aubrey Beardsley features some 200 works in the largest display of his original drawings in more than 50 years and the first exhibition of his work at the Tate since 1923. Highlights include key commissions that defined Beardsley’s career – a new edition of Sir Thomas Malory’s Le Morte d’Arthur (1893-4), Oscar Wilde’s play Salomé (1893) and Alexander Pope’s The Rape of the Lock (1896) – as well as bound editions and plates of the literary quarterly The Yellow Book, of which he was art director. There’s also a collection of Beardsley’s bold poster designs and his only oil painting. The exhibition runs until 25th May. Admission charge applies. For more, see www.tate.org.uk. PICTURE: Aubrey Beardsley (1872-1898) The Peacock Skirt – illustration for Oscar Wilde’s ‘Salome’ (1893), lineblock print on paper, Stephen Calloway Photo: © Tate

• The first major UK exhibition on the kimono – described as the “ultimate symbol of Japan” – has opened at the V&A. Kimono: Kyoto to Catwalk examines the sartorial and social significance of the kimono spanning the period from the 1660s to today. Highlights include a kimono created by ‘Living National Treasure’ Kunihiko Moriguchi, an Alexander McQueen-designed dress worn by Björk on the cover of the album Homogenic, and original Star Wars costumes modelled on kimono by John Mollo and Trisha Biggar. There are also designs by Yves Saint Laurent, Rei Kawakubo and John Galliano. The exhibition features more than 315 works including kimonos but also paintings, prints, films and dress accessories. Can be seen in Gallery 39 and the North Court until 21st June. Admission charge applies. For more, see www.vam.ac.uk/kimono.

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This Week in London – British surrealism; The Prince of Wales’ coronet; and, David Hockney’s drawings…

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• An exhibition which traces the history of surrealist art in Britain has opened at the Dulwich Picture Gallery. Featuring more than 70 works, British Surrealism marks the official centenary of surrealism – which dates from when founder André Breton began his experiments in surrealist writing in 1920 – and features paintings, sculpture, photography, etchings and prints. Among the 40 artists represented are Leonora Carrington, Edward Burra, Francis Bacon, Lucian Freud, Ithell Colquhoun, John Armstrong, Paul Nash and Reuben Mednikoff as well as lesser known but innovative artists like Marion Adnams, John Banting, Sam Haile, Conroy Maddox and Grace Pailthorpe. Highlights include Armstrong’s Heaviness of Sleep (1938), Burra’s Dancing Skeletons (1934), Adnams’ Aftermath (1946), Nash’s We Are Making a New World (1918), Colquhoun’s The Pine Family (1940), Pailthorpe’s Abstract with Eye and Breast (1938) and Bacon’s Figures in Garden (c1935). Also featured are works and books by some of the so-called ‘ancestors of surrealism’ including a notebook containing Coleridge’s 1806 draft of poem The Rime of the Ancient Mariner, and a playscript for Horace Walpole’s The Castle of Otranto (1859). Admission charge applies. Runs until 7th May. For more, see www.dulwichpicturegallery.org.uk. PICTURE: Edward Burra, Dancing Skeletons,1934, (1905-1976). Photo © Tate

• The Prince of Wales’ investiture coronet has gone on show in the Jewel House at the Tower of London for the first time. Made of 24 carat Welsh gold and platinum and set with diamonds and emeralds with a purple velvet and ermine cap of estate, the coronet – which was designed by architect and goldsmith Louis Osman – features four crosses patee, four fleurs-de-lys and an orb engraved with the Prince of Wales’ insignia. The coronet was presented to Queen Elizabeth II by the Goldsmiths’ Company for the Prince of Wales’ investiture at Caernarfon Castle on 1st July, 1969. It’s being displayed alongside two other coronets made for previous Princes of Wales as well as the ceremonial rod used in the 1969 investiture which, designed by Welsh sculptor Sir William Goscombe John (1860-1952), is made of gold and is decorated with the Prince of Wales’ feathers and motto Ich Dien. For more, see www.hrp.org.uk/tower-of-london/.

• The first major exhibition devoted to David Hockney’s drawings in more than 20 years opens at the National Portrait Gallery today. David Hockney: Drawing from Life features more than 150 works with a focus on self portraits and his depictions of a small group of sitters including muse Celia Birtwell, his mother, Laura Hockney, and friends, curator Gregory Evans and master printer Maurice Payne. Previously unseen works on show include working drawings for Hockney’s pivotal A Rake’s Progress etching suite (1961-63) – inspired by the identically named series of prints by William Hogarth, and sketchbooks from Hockney’s art school days in Bradford in the 1950s. Other highlights include a series of new portraits, coloured pencil drawings created in Paris in the early 1970s, composite Polaroid portraits from the 1980s, and a selection of drawings from the 1980s when the artist created a self-portrait every day over a period of two months. Runs until 28th June. Admission charge applies. For more, see www.npg.org.uk.

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This Week in London – Gold phone returns to Eltham Palace; Nicolaes Maes at the National; and, Léon Spilliaert at the Royal Academy…

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• A 1930s gold coloured telephone which once belonged to eccentric millionaire Virginia Courtauld has gone on show at Eltham Palace in London’s south-west. The recently donated phone, which was saved from a skip in the 1980s, is one of only two surviving Siemens Bakelite telephones of the original 19 which were installed at the palace in 1936 for Virginia and her husband Stephen (the other remaining phone, located in Stephen’s library, is plain black). The phones – which included five placed in bedrooms – were commissioned by Virginia and remained in the property even after the Courtaulds moved out in May, 1944, and passed the lease to the Army Educational Corps. Renamed the Royal Army Educational Corps, that organisation was relocating out of Eltham Palace in the 1980s when all of the original 1930s telephones were thrown away. This gold telephone was rescued from the rubbish by a passing member of the RAEC and was recently donated to English Heritage. Admission charge applies. For more, see www.english-heritage.org.uk/visit/places/eltham-palace-and-gardens/.

• The first exhibition devoted exclusively to Dutch artist Nicolaes Maes – one of Rembrandt’s most important pupils – opens at the National Gallery on Saturday. Nicolaes Maes: Dutch Master of the Golden Age features more than 35 paintings and drawings by the Dordrecht-born artist including a selection of the intimate scenes of domestic daily life for which he is best known. Included are early history scenes, mostly on biblical subjects that Maes painted in the style of Rembrandt when he joined his studio in Amsterdam in about 1650, as well as lesser-known portraits he created from 1673 onward after he settled in Amsterdam. Admission is free. The display can be seen until 31st March. For more, see www.nationalgallery.org.uk. PICTURE: Nicolaes Maes, Girl at a Window (1653–5) © Rijksmuseum Amsterdam

• The works of early 20th century Belgian artist Léon Spilliaert are the subject of a new exhibition at the Royal Academy of Arts opening on Sunday. Léon Spilliaert features some 80 works organised into four sections with highlights including Beech Trunks (1945), Young Woman on a Stool (1909), A Gust of Wind (1904), and Dike at night. Reflected lights (1908). Runs until 25th May. For more, see www.royalacademy.org.uk.

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LondonLife – ‘Station Squabble’ and other natural wonders…

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A startling image revealing two mice battling it out over a crumb on a platform at a London Underground station has won the Natural History Museum’s ‘Wildlife Photographer of the Year LUMIX People’s Choice award’. Taken by Bristol-based photographer Sam Rowley, the image was voted the winner from a shortlist of 25 images selected by the Natural History Museum out of the more than 48,000 entries. Rowley, who visited multiple platforms over the course of week to get the image, said it the encounter between the two mice lasted for just a split-second before one scurried away, triumphant with the crumb. ‘I’m so pleased to win this award. It’s been a lifetime dream to succeed in this competition in this way, with such a relatable photo taken in such an everyday environment in my hometown,” he said. “I hope it shows people the unexpected drama found in the most familiar of urban environments.” Four other images were highly commended including Aaron Gekoski’s image of an Orangutan being exploited for performance, Michel Zoghzhogi’s picture of a mother jaguar and cub with a captured anaconda, Martin Buzora’s portrait of a special moment between a conservation ranger and a baby black rhino, and Francis De Andres’s image of a group of curious white arctic reindeer. The images can all be seen at the Natural History Museum until 31st March. For more, head to www.wildlifephotographeroftheyear.com.

 


This Week in London – ‘Woburn Treasures’ at the Queen’s House, and, Steve McQueen at the Tate Modern…

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• Significant works from the private art collection of the Duke and Duchess of Bedford – including art by Anthony van Dyck, Joshua Reynolds and Thomas Gainsborough – goes on show at the Queen’s House in Greenwich from today. Woburn Treasures will see more than 20 works from the collection hanging alongside the collection of Royal Museums Greenwich with highlights from the Woburn collection including a full-length portrait of Anne of Denmark – the Queen Consort of King James I and the person who commissioned Inigo Jones to build the Queen’s House – by Flemish artist Gheeraerts the Younger (the painting is pictured). There’s also a full-length portrait of Lady Elizabeth Keppel by Sir Joshua Reynolds and Canaletto’s large-scale Regatta on the Grand Canal, one of 24 paintings by the Italian artist commissioned for Lord John Russell, the fourth Duke of Bedford, following his visit to Venice in 1731. The paintings are accompanied by a selection of sculptures, ceramics and a silver-gilt toilette set from the Woburn collection, spanning the period from the 17th to 19th centuries. The display has been made possible due to the 18 month closure of Woburn Abbey, seat of the Earls and Dukes of Bedford since the 1620s, as a result of the biggest refurbishment and conservation project since the property first opened to the public in 1955. The exhibition can be seen at The Queen’s House until 17th January, 2021. Admission charge applies. For more, see www.rmg.co.uk/woburntreasures. PICTURE: Anne of Denmark 1611-14 by Marcus Gheeraerts the Younger Oil on canvas From the Woburn Abbey Collection.

• The work of Turner Prize-winning British artist Steve McQueen is the subject of a new exhibition opening at the Tate Modern today. Steve McQueen features 14 major works spanning film, photography and sculpture and includes his earliest film shot on Super 8 camera – Exodus (1992/97) as well as 7th Nov. (2001), in which the artist’s cousin Marcus recounts the tragic day he accidentally shot and fatally injured his own brother, large-scale video installations such as Western Deep (2002) and Static (2009) and the two-channel video installation Ashes (2002–15). Also on display is End Credits (2012–ongoing), McQueen’s homage to the African-American singer, actor and civil rights activist Paul Robeson (1898–1976) and the exhibition, which coincides with the display of McQueen’s latest artwork Year 3 at Tate Britain, also features Weight (2016), a sculpture first exhibited by Artangel at the recently closed Reading Gaol, where Oscar Wilde had been imprisoned and wrote De Profundis in 1897. Runs until 11th May. Admission charge applies. For more, see www.tate.org.uk.

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This Week in London – Britain’s Baroque culture; a celebration of orchids and Indonesia; and, London’s “hidden” Underground…

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• Britain’s Baroque culture – spanning the period from the Restoration of King Charles II to the death of Queen Anne in 1714 – is the subject of a new exhibition which opened this week at Tate Britain. British Baroque: Power and Illusion – the first major exhibition on the subject – shows how magnificence was used to express status and influence and features works by painters including Sir Peter Lely, Sir Godfrey Kneller, and Sir James Thornhill as well as designs, prints and wooden models of the works of architects like Sir Christopher Wren, Nicholas Hawksmoor and Sir John Vanbrugh. The importance of portraiture, the visual differences in Protestant and Catholic worship and the illusions contained in painted baroque interiors are all explored in the display along with how the subject of war was dealt with through heroic equestrian portraiture, panoramic battle scenes and accompanying propaganda. The exhibition, which is being accompanied by a programme of events, runs until 19th April. Admission charge applies. For more, see www.tate.org.uk. PICTURE: Godfrey Kneller, John Churchill, 1st Duke of Marlborough, c1706, National Portrait Gallery, London.

• The 25th Kew Orchid Festival kicks off at Kew Gardens on Saturday in a celebration of the wildlife and culture of Indonesia. Located in the Princess of Wales Conservatory, the festival will take visitors on an immersive journey evoking the sights, smells and sounds of Indonesia though a series of orchid displays which include a life-sized animals such as orang-utans, a tiger and a rhinoceros, an archway made of hundreds of carnivorous pitcher plants and an erupting volcano. A programme of evening events featuring gamelan music and traditional dancers as well as cooking demonstrations by renowned author and chef Petty Elliott is also planned – these must be booked online in advance. Admission charge applies. Runs until 8th March. For more, see www.kew.org.

• On Now: Hidden London: The Exhibition. This display at the London Transport Museum in Covent Garden takes visitors on an immersive journey to some of the secret places in the Tube network. Featuring rare archive photos, objects, vintage posters, secret diagrams and decorative tiles from disused stations, it uncovers stories such as how Churchill took shelter in the Railway Executive Committee’s bomb-proof headquarters deep underground at Down Street station at the height of the Blitz during World War II and how almost 2,000 members of staff, mostly women, worked in the Plessey aircraft underground factory located in two 2.5 mile-long tunnels on the eastern section of the Central line. The exhibition is being accompanied by a series of events including late openings and tours. Runs until next January. For more, see www.ltmuseum.co.uk/whats-on/exhibitions/hidden-london#.

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This Week in London – Inside the world of mushrooms; Tower Bridge ‘sings’; and, ‘La Ghirlandata’ restored…

by exploringlondon

• The world of mushrooms is explored in a new exhibition opening tomorrow at Somerset House. Part of the Charles Russell Speechly’s Terrace Rooms Series, Mushrooms: The art, design and future of fungi is curated by writer Francesca Gavin and features works by more than 35 artists, designers and musicians in an exploration of “the rich legacy and incredible potential of the remarkable organism, the ideas it inspires in the poetic, spiritual and psychedelic, and the powerful promise it offers to reimagine society’s relationship with the planet, inspiring new thinking around design and architecture”. Highlights include watercolours by renowned author Beatrix Potter (one of which is pictured), American artist Cy Twombly’s quasi-scientific portfolio Natural History Part I, Mushrooms (1974), and a spectacular floral display, featuring mushrooms grown in Somerset House’s former coalholes, by the London Flower School. The free exhibition, which runs until 26th April, is accompanied by a series of events. For more, see somersethouse.org.uk/mushrooms. PICTURE: Beatrix Potter, Hygrophorus puniceus, pencil and watercolour, 7.10.1894, collected at Smailholm Tower, Kelso, courtesy of the Armitt Trust

• A newly commissioned film which reimagines Tower Bridge as a musical instrument is at the heart of a new exhibition which opened in the bridge’s Victorian Engine Rooms this week. Created by internationally acclaimed artist, inventor and filmmaker Di Mainstone to mark the bridge’s 125th anniversary, Time Bascule draws inspiration from Hannah Griggs, one of the first women to work at the bridge (in her case as a cook for the Bridge Master and his family between 1911-1915). The display also includes behind-the-scenes footage, storyboards and early sketches, as well as the opportunity for visitors to play a range of specially created musical instruments. Runs until March. Included in admission to the bridge. For more, see www.towerbridge.org.uk.

• Dante Gabriel Rossetti’s Pre-Raphaelite masterpiece, La Ghirlandata, is being unveiled at the Guildhall Art Gallery today following a year-long restoration. William Russell, Lord Mayor of the City of London, is unveiling the portrait which was painted in 1873. Conversation work undertaken included cleaning the painting to reveal a “brighter, fresher scene with a cooler tonality”, repairing and cleaning Rossetti’s original frame, and replaced the deteriorating living canvas. The restoration was made possible thanks to a grant from the Bank of America.

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