Museums

10 Historic Sporting Events in London – 6. The first Wimbledon championships…

by exploringlondon

While the history of the All England Tennis and Croquet Club goes back as far as 1868 (it was initially just known as the All England Croquet Club), the first Wimbledon Championships, officially known as The Championships, Wimbledon, were held some nine years later in 1877.

The only event held at the first championship was the “gentlemen’s singles” and the winner was cricketer (and, of course tennis player) Spencer Gore who emerged victorious over William Marshall in straight sets – 6-1, 6-2, 6-4 – before a crowd of about 200 (the “ladies’ singles” wasn’t introduced until 1884 with Maud Watson the first female champion after she defeated her sister Lilian).

Each of the 22 male amateur entrants had paid an entrance fee of £1, 1 shilling, and had to bring their own racquets and shoes “without heels” but were supplied with tennis balls.

Gore apparently won 12 guineas in prize money as well as a trophy, the Field Cup (the Gentleman’s Singles Trophy was introduced in 1887).

The club was then located at a site on Worple Road in Wimbledon (see our earlier entry about a plaque unveiled there earlier this year); it wasn’t until 1922 that it moved to it current location in Church Road. The layout of the courts at Worple Road – which saw the principal court named Centre Court thanks its position in the middle of the others – was carried over to the new location.

For more on the history of Wimbledon – which was the site of the tennis competition during this Olympics – including important milestones, see our earlier entry.

There is a museum based at Wimbledon (pictured above) which details more of the history of the place with exhibits including the Championship trophies, tennis memorabilia dating back to 1555 and a ‘ghostlike’ John McEnroe talking about the games and his opponents in his old dressing room. The museum is currently hosting a special exhibition, Tennis at the Olympics.

WHERE: All England Lawn Tennis Club, Church Road, Wimbledon – between gates 3 and 4 (nearest tube Southfields); WHEN: 10am to 5pm (last admission 4.30pm) daily (not during the Olympics – reopens on 15th August); COST: Museum only £11 an adult/£9.50 concessions/£6.75 child, or Museum plus tour £20 an adult/£17 concessions/£12.50 child; WEBSITE: www.wimbledon.com.

Around London – Celebrating the Olympics; Camden Lock’s night market; and, images of London at the Tate…

by exploringlondon

We’ll kick off this week with just a few more of the plethora of Olympic-related events which are happening around town:

• Tower Bridge, site of some spectacular fireworks last Friday night, is currently hosting an exhibition celebrating the 26 cities which have hosted the modern Olympics. Cities of the Modern Games, located on the bridge’s walkways, runs alongside an interactive exhibition looking at the bridge’s construction. Follow the link for details.

• The Guildhall Art Gallery is showcasing sculpture and art inspired by sport and the “Olympic values”. The art works are all winning entries from a contest organised by the International Olympic Committee. The chosen works were selected from among 68 submissions made by an international jury. Follow the link for details.

• The Design Museum is hosting a new exhibition celebrating the nexus between sport and design. Designed to Win looks at everything from the design of F1 cars to running shoes, bats and bicycles and explores the way in which design has shaped the sporting world. Runs until 9th September. Admission charge applies. See www.designmuseum.org.

• The London Metropolitan Archives is holding an exhibition of playing cards featuring an Olympic theme. Sporting Aces – Playing Cards and the Olympic Games features cards drawn from the collection of the Worshipful Company of Makers of Playing Cards which have an Olympic theme. Admission is free. Runs until 13th September. See www.cityoflondon.gov.uk/lma.

And in other news…

• A night market has been launched at Camden Lock over the summer period. Street food stalls and vintage fashion, arts and crafts and book shops will be open until 10pm every Thursday with extras including live music and film screenings. For more, see www.camdenlockmarket.com.

• On Now: Another London: International Photographers and City Life 1930-1980. This exhibition at Tate Britain in Millbank features more than 150 classic photographs of the city and its communities by foreign photographers including such luminaries as Henri Cartier-Bresson. The exhibition features iconic works such as Robert Frank’s London (Stock Exchange) 1951, Cartier-Bresson’s images of King George VI’s coronation, Elliot Erwitt’s depiction of a rain-washed London bus stop, and Bruce Davidson’s image of a child with pigeons in Trafalgar Square alongside works such as Wolfgang Suschitzky’s images of working class families in the East End, from the 1940s, and Karen Knorr’s images of punks in the 1970s. The photographs all come from the Eric and Louise Franck London Collection, which includes more than 1,200 images of London and has been promised as a gift to the Tate. Runs until 16th September. Admission charge applies. See www.tate.org.uk. 

Have we missed something we should be telling others about? Send details in an email to exploringlondon@gmail.com.

Where’s London’s oldest…sports museum?

by exploringlondon

In honor of the Olympics, we’re staying with a sporting theme over the next couple of weeks and so this week thought we’d take a look at the oldest sports museum in London – and, it is claimed, the world.

The Marylebone Cricket Club (MCC) Museum is located at Lord’s Cricket Ground in St John’s Wood, just north-west of the City (keep an eye out for our post on Lord’s later this week), and is said to have been collecting cricket-related artefacts since as far back as 1864.

The star sight on display is that tiny urn, known simply as The Ashes, which was given to English captain Ivo Bligh during the English cricket team’s visit to Australia following a game on an estate outside Melbourne on Christmas Eve 1882 (the term was actually first used in August that year when, following an English loss to Australia, at The Oval, The Sporting Times ran an obituary for English cricket and said its ashes would be taken to Australia).

The museum also contains cricket equipment used by some of the game’s greats along with memorabilia celebrating the likes of WG Grace, Victor Trumper, Jack Hobbs, and Donald Bradman as well as more recent players Shane Warne, Rahul Dravid and Paul Collingwood. Other exhibits include the Wisden Trophy, a stuffed sparrow bowled out by Jehangir Khan in 1936 and the battered copy of Wisden’s which EW Swanton used to help him survive a World War II Japanese internment camp.

There is also an extensive collection of cricket-related paintings and photography and a theatre – the Brian Johnson Memorial Theatre – which screens archival cricket footage.

It should be noted that the museum is closed during the Olympics (until 15th August) when Lord’s is playing host to the archery competition (people attending the archery, however, will have free entry). In celebration of the archery, the museum is hosting an exhibition of trophies and pictures related to archery, the centrepiece of which is an arrangement featuring the Musselburgh Arrow and Medals, prizes which have been competed for since 1603.

WHERE: MCC Museum, Lord’s Cricket Ground, St John’s Wood Road, St John’s Wood (nearest Tube Stations are Warwick Avenue, St John’s Wood, Marylebone and Maida Vale); WHEN: Weekdays (with exceptions – check website for details and times); COST: £7.50 an adult/£5 for concessions (or included with tours); WEBSITE: www.lords.org.

Around London: Olympic Torch Relay hits London; mascots pop-up all over the city; and Shakespeare at the British Museum…

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• The Olympic Torch Relay arrives in London tomorrow night before working its way around all of the city’s 33 boroughs and reaching the Olympic Stadium for the Opening Ceremony next Friday.  The torch will arrive in the city by helicopter from Guildford tomorrow night and then be abseiled into the Tower of London where it will spend the night ensconced with the Olympic medals. The relay will travel 200 miles over the next week, carried by more than 980 torchbearers. The route is as follows:

  • Saturday, 21st July – Greenwich via Newham, Tower Hamlets and Hackney to Waltham Forest (highlights include a visit to the Cutty Sark);
  • Sunday, 22nd July – Redbridge via Barking & Dagenham and Havering to Bexley (highlights include a ride on the London Eye and a crossing of the Thames);
  • Monday, 23rd July – Lewisham via Bromley, Croydon, Sutton and Merton to Wandsworth (highlights include a visit to a live filming of Eastenders);
  • Tuesday, 24th July – Kingston via Richmond, Hounslow, Hillingdon and Denham to Ealing (highlights include a visit to Kew Gardens);
  • Wednesday, 25th July – Harrow via Brent, Barnet and Enfield to Haringey (highlights include a visit to Wembley Arena);
  • Thursday, 26th July – Camden via Islington, the City of London, Southwark, Lambeth, Wandsworth, Kensington & Chelsea and Hammersmith & Fulham  to Westminster (the many landmarks to be visited include St Paul’s Cathedral, Shakespeare’s Globe, Trafalgar Square, Buckingham Palace and Hyde Park);
  • Friday, 27th July – From Hampton Court Palace (where it will be taken into the maze) on board Gloriana via the Thames to Olympic Park for the Opening Ceremony.

The 70 day torch relay, which kicked off on 19th May, will have travelled a total distance of about 8,000 miles and have involved 8,000 torchbearers by the time it reaches its end. LOCOG and Transport for London have advised people to see the relay at a location closest to their home given the expected crowds. For more detailed route information, see www.london2012.com/torch-relay/route/. PICTURE: LOCOG

• Still talking all things Olympics and London’s largest ever ‘pop up’ shop – where you can buy Olympic merchandise – was officially opened by multiple gold medalist Sir Steve Redgrave in Hyde Park last week. The shop, located on Rotten Row, will be the site of special athlete visits during the Games and visitors can have their photo taken with the Olympic Torch.

• Meanwhile, life-sized versions of the Olympic mascot Wenlock and Paralympic mascot Mandeville are popping up at some of London’s key tourist locations. The 83 two metre tall sculptures capture various elements of life in London with incarnations including a Beefeater, a giant red phone box and a replica of Big Ben. The figures can be found on the routes of Stroll, six new discovery trails designed to help both tourists and Londoners get more out of the city. A QR code on the bottom of each of the sculptures directs smartphone users to further information about the discovery trails. The discovery trails are part of the Mayor of London Presents, a city-wide programme featuring free events, shows and activities. For more on what’s happening in your area, see www.molpresents.com. Some of these events are also being run as part of the Festival of London 2012. For more on this, see http://festival.london2012.com.

• On Now: Shakespeare: staging the world. Part of the World Shakespeare Festival taking place in London, this exhibition at the British Museum looks at the then emerging role of London as a “world city” as interpreted through Shakespeare’s plays and examines the role the playhouse performed in this. The museum has collaborated with the Royal Shakespeare Company to produce the exhibition which features more than 190 objects including paintings, jewels and rare manuscripts. These include the Ides of March coin, a Roman gold aureus commemorating the assassination of Julius Caesar (Julius Caesar), the Lyte Jewel, presented to Thomas Lyte in 1610 in thanks for his work in tracing King James I’s lineage back through Banquo (Macbeth), and a 1610 bird’s-eye view of Venice (Othello and The Merchant of Venice). Runs until 25th November. Admission charge applies. For more, see www.britishmuseum.org.

Treasures of London – The Rosetta Stone…

by exploringlondon

Now housed in the British Museum, the Rosetta Stone, discovered in Egypt in 1799, provided the key to understanding hieroglyphics.

Created in 196 BC, the stone, which measures 112.3 by 75.7 centimetres, has inscribed upon it a priestly decree passed in support of the 13-year-old pharoah, Ptolemy V, and was issued on the first anniversary of his coronation.

Its discovery was a breakthrough in understanding hieroglyphics, which had fallen out of use around the 4th century, due to the fact that the decree was written upon it in three languages – hieroglyphic as well as the everyday Egyptian language of demotic and, importantly, Greek.

Scholars studying the stone were able to use the Greek to decipher the other two languages. Among them were  Jean-François Champollion who announced the translation had been completed in Paris in 1822.

The stone was unearthed near the town of el-Rashid or ‘Rosetta’ by French soldiers in 1799 as they were digging out the foundations of an extension to a fort and following Napoleon’s defeat became the property of the British along with other antiquities under the 1801 Treaty of Alexandria. It has been on display since at the British Museum since 1802 (only briefly removed toward the end of the First World War when it was stored in a subterranean postal railway underneath Holborn).

The stone, said to be the most visited item in the British Museum, underwent a significant restoration and conservation process in 1999 which involved removing grease left by people touching the stone and materials used to create copies of it following its rediscovery – including printers ink from 1799.

WHERE: Room 4, Egyptian Sculpture, British Museum, Great Russell Street (nearest Tube stations are Russell Square, Tottenham Court Road, Goodge Street and Holborn); WHEN: 10am to 5.30pm daily; COST: Free; WEBSITE: www.britishmuseum.org.

PICTURE: The Rosetta Stone © The Trustees of the British Museum

Famous Londoners – Florence Nightingale…

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Known as “The Lady with the Lamp”, Florence Nightingale is remembered for her contribution to the development of the profession of nursing and the reform of medical practices during the Crimean War and the latter half of the 19th century.

Born on 12th May, 1820 in Florence (it’s from her birthplace that she gets her name), Florence Nightingale was the second daughter of William Edward Nightingale, son of a wealthy Sheffield banker, and Frances Smith.

She had a relatively privileged childhood at her family’s homes of Lea Hurst in Derbyshire and Embley Park in Hampshire (her father was named High Sheriff of the county in 1828) as well as occasional visits to London and received a broad education.

Believing herself to be called by God into His service when in her mid-teens, she chafed at the life set before her. It was a during visit to  convent which holidaying in Rome with family friends that she became convinced she had a mission from God to tend to the sick.

This was only furthered during a subsequent visit to a religious community at Kaiserswerth am Rhein – a training school for nurses – that finally convinced her of the possibility of making nursing a vocation for ladies. Returning to England, Nightingale took up her first official post – as superintendent of the Hospital for Invalid Gentlemen – in 1853.

The Crimean War broke out in March, 1854, and later that year, aware of reports of the suffering sick and wounded English soldiers were enduring, Nightingale offered her services to the War Office following an invitation by the Secretary for War Sidney Herbert.

Charged with authority over all the nurses (her official title was later Superintendent of the Female Nurses in the Hospitals in the East), Nightingale embarked for Crimea on 21st October with 38 nurses (there’s a plaque at 90 Harley Street – site of the hospital from which Nightingale left for the Crimea). She reached Scutari in Turkey on 4th November, the night before the Battle of Inkerman.

Headquartered in Scutari, Nightingale set about organising the military hospitals, improving general hygiene and conditions and supplies of essentials like clothes and other equipment. The wounded men soon recognised her efforts and began calling her ‘The Lady of the Lamp’ – referring to sight of her checking the wards at night.

Visiting hospitals near and in Balaclava in 1855, Nightingale fell ill from “Crimean fever” but recovered and was able to return to Scutari and continue her work. The following March Nighingale returned to Balaclava and continued to work there until the hospitals closed in July. She returned to England and the family home at Lea Hurst the following month.

In September, 1856, Nightingale had an audience with Queen Victoria at Balmoral – she used the occasion to inform the Queen and Prince Albert of the reforms needed in the military hospital system (and subsequently met with the Queen many times). Backed by data she had collected in the Crimea, Nightingale also pushed for a commission into military hospitals – it was commenced in April 1857 and Nightingale’s written evidence was critical to its recommendations.

In 1860, the Nightingale School and Home for Nurses was established at St Thomas’ Hospital in London (it was funded with £50,000 raised through the Nightingale Fund which had been established in 1855). She as unable to take up the post of superintendent due to ill health and other reasons but continued to take an active interest.

Nightingale – who wrote more than 200 books, reports and pamphlets on hospital planning and organisation, including the famous Notes on Nursing (1859), and interestingly is also said to have invented the pie chart – was also involved in establishing the East London Nursing Society (1868), the Workhouse Nursing Association and National Society for Providing Trained Nurses for the Poor (1874) and the Queen’s Jubilee Nursing Institute (1890).

Her accolades included the German Order of the Cross of Merit and the French Gold Medal of Secours aux Blessés Militaires and the badge of honour of the Norwegian Red Cross Society. She was the first woman to be awarded the Order of Merit and the Freedom of the City of London.

Nightingale died at the age of 90 in South Street London (just off Park Lane – there’s a Blue Plaque marking the spot), on 13th August, 1910. She was buried in the family plot at East Wellow, Hampshire.

There is a memorial to Nightingale as part of the Crimean War Memorial at Waterloo Place and a chapel dedicated to her at Westminster Abbey which is involved in the annual service commemorating her held there on her birthday, International Nurses Day, every year. For more on the service, see our earlier post here.

Well worth a visit is the Florence Nightingale Museum, located within St Thomas’ Hospital.    Highlights include her pet Owl Athena and the Turkish lantern she used in the Crimean War and the museum archives include around 800 letters from Florence Nightingale. For more on the museum, see www.florence-nightingale.co.uk.

Around London – Celebrating the City; Syon Park dig; Westminster’s rubbish; and, 1000 years of British literature…

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• The City of London today kicks off Celebrate the City – four days of mostly free music, art and cultural events.The events include musical performances in many of the City’s churches, walks and talks at various locations around the Square Mile, new exhibitions including Butcher, Baker, Candlestock Maker – 850 years of Livery Company Treasures at the Guildhall Art Gallery, Livery Hall and historic building openings, family entertainment at the Cheapside Street Fayre at Saturday (including free ice-cream and tuk-tuk rides for children) and activities at the Barbican Centre and the Museum of London. The celebrations start in Guildhall Yard (pictured) at 6pm tonight when musicians from the Guildhall School of Music & Drama perform Tchaikovsky’s 1812 Overture, complete with firing cannons. Among the many other highlights will be the chance to play golden street pianos, to join in the Midsummer street part at the climax of the Spitalfields Music Summer Festival, to enjoy a sunset from the Tower Bridge walkways and to see the transformation of St Helen’s Square into a sculpture space. The weekend will also host the Open House Junior Festival, London’s first ever child-friendly City architecture festival. To see detailed listings of what’s on, head to www.visitthecity.co.uk/index.php/celebrate/.

• The Museum of London will next week launch its annual community and training dig at Syon Park in Hounslow. The dig, which will be open to school and community groups, will run from 25th June to 7th July and will focus on the area of Sir Richard Wynne’s house. A Parliamentarian, in 1659 he was implicated in a Royalist insurrection and was imprisoned. The house, which featured in the Battle of Brentford when Royalist troops advanced on Parliamentary forces in London in 1641, was later purchased by the Duke of Northumberland and demolished to extend Syon’s parkland. For more, see www.museumoflondon.org.uk.

• We couldn’t resist mentioning this one: Westminster City Council has released a top 10 list of the strangest objects people have dumped on London’s streets. They include an inflatable Margaret Thatcher and other inflatable dolls, wedding dresses, stuffed animals and a range of film props. The council say that, on average, enough litter is picked up off Westminster’s streets every two days to fill the entire 864 cubic metres of Marble Arch. They add that if just half of the annual waste collected off the street is recycled properly in the correct bins it would save them nearly £1million.

• On Now: Writing Britain: Wastelands to Wonderlands. The major summer exhibition at the British Library, it explores how the last 1,000 years of English literature have been shaped by the country’s places. The exhibition  features more than 150 works with highlights including John Lennon’s original lyrics for The Beatles’ song In My Life, JK Rowling’s handwritten draft of Harry Potter and the Philosopher’s Stone, JRR Tolkein’s original artwork for The Hobbit and original manuscripts from the likes of Jane Austen, William Blake, Charlotte Bronte, Arthur Conan Doyle, JG Ballard and Charles Dickens. As part of the exhibition, the Library is inviting people to “Pin-a-Tale” on an interactive map of Britain, that is, take a literary work and pin it on the map along with a description of how the work links with that particular location – head to www.bl.uk/pin-a-tale to take part. The exhibition runs until 25th September. Admission fee applies. For more, see www.bl.uk.

Around London – Open gardens; new gates mark St Paul’s tercentenary; a new Olympics trail; and, truces at the IWM…

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• If you’re not too exhausted after last weekend’s Diamond Jubilee festivities (or if you’re looking for something a little more sedate), this Saturday and Sunday London plays host to Open Garden Squares Weekend. Among the 208 gardens to be opened this weekend is the communal garden at Number 10 Downing Street, home of Prime Minister David Cameron. Laid out in 1736, the L-shaped garden at 10 Downing Street is shared by residents of both Number 10 and Number 11, including Larry, the Downing Street cat (tickets for this garden have already been allocated via a ballot process). Among the more than 200 gardens open to the public as part of the weekend are 24 new gardens and, for the first time, the event is being supported by the National Trust (along with the usual organisers, the London Parks and Gardens Trust). Downing Street aside, other gardens open to the public include the Regent’s Park Allotment Garden, the Royal College of Physicians’ Medicinal Garden, the Kensington Roof Gardens, and the gardens at HMP Wormwood Scrubs. Tickets for the gardens are cheaper if bought online in advance of the weekend and picked up on Saturday or Sunday – it’s not too late to do so, so for tickets and more information, head to www.opensquares.org.

• A new pair gates designed to mark St Paul’s Cathedral’s tercentenary were opened in Richmond Park for the first time last week. The gates, which now form part of the historic vista seen from King Henry’s Mound in Richmond Park when looking toward’s St Paul’s Cathedral, were designed by 21-year-old blacksmith Joshua De Lisle and funded through a donation from the family of family of the late environmentalist and The Ecologist magazine founder Edward Goldsmith. Called ‘The Way’, the gates stand on the fence of Sidmouth Woods, and depict oak branches. Sir Christopher Wren, designer of St Paul’s, is acknowledged through the inclusion of a wren on one of the lower branches. For more on the Royal Parks, see www.royalparks.org.uk.

• Now On: Winning at the ancient Games. The British Museum is celebrating the London Olympics with a victory trail bringing together 12 “star objects” in its collection, united by the theme of winning. The ‘stops’ on the trail include a classical Greek statue of a winning charioteer on special loan from Sicily, a previously never exhibited mosaic showing Hercules, the legendary founder of the ancient Games, and the 2012 Olympic Medals. The trail is free. For more information, see www.britishmuseum.org.

• Now On: Build the Truce. Drawing on the idea of truce that was implemented during the ancient Olympic Games to allow athletes from Greece’s warring cities to compete, this new display at the Imperial War Museum features films, interviews and insights collected during a project investigating the concepts of truce, conflict and resolution and their relevance in the 21st  century. Highlights include excerpts of interviews with former IRA prisoner Seanna Walsh and former UDA prisoner Jackie McDonald -both now involved in peace initiatives in Northern Ireland, Courtny Edwards, who worked with a health service in displaced persons’ camps following civil war in Sierra Leone; and Professor Tony Redmond, who led aid teams in Kosovo following NATO attacks in 1999. Family activities are being run in conjunction with the exhibition on selected weekends. Entry is free. Runs until 23rd September. For more, see www.iwm.org.uk.

Around London – Leicester Square reopens; RA and MOL exhibitions mark Diamond Jubilee; ‘Jed’ retires; and, the history of horses at the British Museums…

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• Leicester Square officially reopened last night following a £15.3 million transformation which has seen every paving stone replaced, new plants, and 40 new water jets placed around the Grade II listed fountain and statue of William Shakespeare. The 17 month makeover also included new lighting, new seating and a refurb of the underground toilets. The square – which owes its name to Robert Sidney, the 2nd Earl of Leicester, who purchased this land in 1630 and, after building himself a mansion, kept aside part of the land for public use – now welcomes as many as 250,000 tourists a day and is known as one of the world’s premiere sites for the release of new films.

• The Royal Academy of Arts is marking the Queen’s Diamond Jubilee with a new exhibition opening tomorrow which features a selection of paintings by Royal Academicians elected during the early part of the Queen’s reign. The Queen’s Artists will include works by Jean Cooke, Frederick Gore and Ruskin Spear and will be displayed in the Reynolds and Council Rooms. Meanwhile The Saloon will house a collection of sculptures, paintings and drawings prepared by Royal Academicians for British coins and royal seals on loan from the Royal Mint Museum. The collection includes portraits of the Queen by Edward Bawden and Sir Charles Wheeler which have never before been shown in public, and Sir Anthony Caro’s new coin design of the London 2012 Olympic Games. Over in the Tennant Gallery, The King’s Artist’s George III’s Academy, will look at the king’s role in the foundation of the academy in 1768 and his influence in selecting the first artists. Highlights include portraits of King George III (pictured) and Queen Charlotte painted by the academy’s first president, Sir Joshua Reynolds. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Copyright Royal Academy of Arts, London/John Hammond.

• A new exhibition focusing on Londoners and their treasured souvenirs commemorating Queen Elizabeth II opens tomorrow at the Museum of London. At Home with the Queen features 12 photographic portraits of Londoners at home with their mementos as well as a selection of royal commemorative objects from the museum’s collection. The latter include trinkets produced for Queen Victoria’s Diamond Jubilee in 1897, official Coronation Day street decorations, Silver Jubilee paper tableware and souvenirs relating to the current Diamond Jubilee. Runs until 28th October. Admission is free. For more (including a series of events running on conjunction with the exhibition), see www.museumoflondon.org.uk.

• The Royal Parks’ Shire horse, Jed, retired last week after a decade of service working in Richmond Park. The Queen presented a commemorative retirement rosette to Jed who was born in 1993 and joined the Royal Parks from Bass Brewery in Burton upon Trent almost 10 years ago. Horses have been used in Richmond Park since it was enclosed by King Charles I in 1637. The horses took a break in 1954 but the Shires were reintroduced in 1993 as a way to sustainably manage the parkland. For more on Richmond Park, see www.royalparks.org.uk/parks/richmond-park.

• On Now: The horse: from Arabia to Royal Ascot. This major free exhibition at the British Museum is part of the august institution’s Diamond Jubilee celebrations and traces the history of the horse from domestication around 3,500 BC through to present day, with a particular focus on Britain’s equestrian tradition, from the introduction of the Arabian breed in the 18th century to events like Royal Ascot. Highlights include one of the earliest known depictions of horse and rider – a terracotta mould found in Mesopotamia dating from around 2000 to 1800 BC, a cylinder seal of Darius dating from 522 to 486 BC depicting the king hunting lions in a chariot, a 14th century Furusiyya manuscript, an Arabian manual of horsemanship, and the 19th century Abbas Pasha manuscript, the primary source of information about the lineage of purebred Arabian horses acquired by Abbas Pasha (mid-nineteenth century viceroy of Egypt). The exhibition is being held in Room 35. Runs until 30th September. For more, see www.britishmuseum.org.

Around London – Museums at Night; Ballgowns at the V&A; Edward Lear plaqued; and, the Queen’s portrait at the NPG…

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• It’s Museums at Night weekend which means its your chance to see some of London’s best museums after hours. Culture24’s annual event, which runs from 18th to 20th May, features more than 5o late openings and special events in London – from after dark visits to Aspley House, the former home of the Duke of Wellington, to the chance to hear about the history of ‘Bedlam’, one of the world’s oldest psychiatric facilities, at the Bethlem Archives & Museum and Bethlem Gallery, and a “Cinderella shoe” workshop at the Design Museum. As well as organisations like the British Museum and National Gallery, among the lesser known museums taking part are the Cuming Museum in Southwark, the British Dental Association Museum, and the Ragged School Museum in Mile End. For all the details, follow this link…

• Saturday sees the opening of a new V&A exhibition featuring more than 60 ballgowns dating from 1950 to the present day – the first exhibition to be held in the newly renovated Fashion Galleries. Among those gowns on display as part of Ballgowns: British Glamour Since 1950 will be royal ballgowns including a Norman Hartnell gown designed for Elizabeth, the Queen Mother, Catherine Walker’s ‘Elvis Dress’ worn by Princess Diana (pictured), and gowns worn by today’s young royals. There will also be gowns worn by celebrities including Sandra Bullock, Liz Hurley and Bianca Jagger and works by the likes of Alexander McQueen, Jenny Packham and a metallic leather dress designed by Gareth Hugh specifically for the exhibition. Runs from 19th May to 6th January. Admission charge applies. See www.vam.ac.uk for more. PICTURE: Victoria and Albert Museum, London

• The man credited with popularising the modern-day limerick, Edward Lear, has been honored with a green plaque at his former house in Westminster. The Westminster Council plaque was unveiled on Saturday – what would have been his 200th birthday – at 15 Stratford Place where he lived from 1853 until 1869. Lear, who was born in Holloway and raised in Grays Inn Road, was famous for his work The Owl and the Pussycat, and as well as for his writings, was also noted as an artist and illustrator. Councillor Robert Davis reportedly had a go himself at a limerick in honour of the artisy: “There once was man named Lear, who lived in a spot close to here. This plaque unveiled today, is a fitting way, to pay tribute on his two hundreth year”.

• On Now: The Queen: Art and Image. Having been on tour across Britian, this exhibition features some of the most remarkable images ever created of the Queen opened at the National Portrait Gallery this week. Containing works by Cecil Beaton and Annie Leibovitz, Pietro Annigoni and Andy Warhol, the exhibition is the most wide-ranging exhibition of images in different media ever devoted to a single royal sitter. Highlights include full-length 1954-55 painting by Annigoni (pictured, right, it’s displayed with his 1969 portrait), Lucian Freud’s 2000-01 portrait and Thomas Struth’s recent large-scale photograph of both the Queen and the Duke of Edinburgh as well as a never previously loaned 1967 portrait by Gerhard Richter and a specially commissioned holographic portrait. Runs until 21st October. Admission charge applies. For more, see www.npg.org.uk. PICTURE: Queen Elizabeth II, Queen Regent by Pietro Annigoni, 1954-5. The Fishmongers’ Company

Where’s London’s oldest…Thames foreshore structure?

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The oldest structure on the Thames foreshore is only a relatively recent discovery. It was in the spring of 2010 that archaeologists found six timber piles driven into the foreshore just in front of the spy agency MI6’s building in Vauxhall (pictured below with the river covering the site). 

The piles – no specific function for which has yet been identified – were up to 0.3 metres in diameter and were found to be more than 6,000 years old.

That date puts them in the Mesolithic period when the level of the river was lower – meaning the structure was probably built on dry land – and the landscape considerably different to what it is today. Radiocarbon dating suggests the trees for the structure were felled between 4790 BC and 4490 BC.

The site, which is at the confluence of the Thames and now largely underground River Effra, was initially kept secret while surveying was carried out. Nearby were found stone tools dating from a similar era to the piles – they included a tranchet adze for woodworking – and pottery fragments from the slightly later Neolithic era.

The discovery near the low tide line was made by archaeologists from the Thames Discovery Programme and the site then surveyed with the assistance of English Heritage and the Museum of London as well as the geomatics teams from Museum of London Archaeology.

The site is 600 metres downstream from a Bronze Age timber jetty (about 1,500 BC) found in the 1990s.

Lost London – Vauxhall Pleasure Gardens

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First laid out in the mid 17th century, Vauxhall Pleasure Gardens, on the east bank of the Thames just south of Lambeth, rose in fame to become one of London’s leading public entertainment venues.

The gardens, initially known as New Spring Gardens, are believed to have opened around the time of the Restoration of 1660 on a site which had been formerly an estate owned by vintners John and Jane Vaux (Jane was apparently widowed).

Initially apparently no more than an ale-house with a garden attached, the gardens grew to span several acres and featured a central hub and long avenues for strolling. Admission was initially free with money made from food and drink sold there. Among the earliest recorded visitors to the gardens was John Evelyn in 1661, describing it as a “pretty contrived plantation” and diarist Samuel Pepys, who wrote of a visit he made on 29th May, 1662 (he is known to have returned numerous times).

From 1729, the gardens came under ownership and management of John Tyers, entrepreneur, property developer and patron of the arts, and it was he who, until his death in 1767, oversaw the transformation of the area into an arts hotspot which included sculpture (in particular a fine statue of the composer Handel), music, painting and architecture. Thanks partly due to the patronage of Frederick, Prince of Wales, the gardens become the fashionable place to be seen.

The variety of entertainment on offer at the gardens – the name of which was only officially changed to Vauxhall Gardens in 1785 – grew substantially over the years: from concerts and fireworks displays to performances by tight rope walkers and lion tamers and even re-enactments of famous battles. The gardens became renowned as site for balloon ascents and, for its architecture – the number of buildings there grew over the years to include a rococo ‘Turkish tent’, Chinese pavilion, and, another rococo building, the Rotunda (where concerts could be held in wet weather). There was also a cascade and private ‘supper boxes’ for those who could afford them; those who couldn’t could dine at tables set under the trees.

From the outset, Vauxhall was known as a place where the sexes could mix freely and, therefore, for romantic assignations – in fact, one area of the gardens became known as the ‘Dark Walk’ for the fact it was, unlike other areas of the gardens, never illuminated by lamps and it was in this area, frequented by prostitutes, that many of the more illicit liaisons took place.

By the late 1700s and early 1800s, the gardens, one of a number of pleasure gardens in London, had reached the height of their popularity with reportedly more than 60,000 people said to have  attending a fancy dress party held one night in the late 1700s.

Those who attended events in the gardens included royalty as well as the likes of Samuel Johnson and James Boswell (see Thomas Rowlandson’s image above, Vauxhall Gardens, showing the likes of Johnson and Boswell, along with Georgina, Duchess of Devonshire, and the future King George IV, at the gardens in about 1779) as well as, much later, Charles Dickens (by the time Dickens visited, however, the heyday of the gardens was already well over).

The gardens closed in 1859 due apparently to declining popularity and were eventually replaced with housing. After being badly bombed in World War II, however, the site once again returned to being a garden, known as Spring Gardens. The gardens (pictured) still occupy the site not far from Vauxhall tube station – part of them is used by the Vauxhall City Farm as paddocks for horses and livestock and they also contain a multi-use games court.

For an authoritative and comprehensive work on the Vauxhall Gardens, try David Coke and Dr Alan Borg’s Vauxhall Gardens: A History. There’s also much more information on David Coke’s website here. There’s also a detailed history here.

David Coke is curating an exhibition at The Foundling Museum, The Triumph of Pleasure, which looks at the way in which the gardens and the establishment of the Foundling Hospital in 1739 “changed the face of British art forever”. Runs from 11th May to 9th September. For more, see www.foundlingmuseum.org.uk.

PICTURES: Wikipedia and David Adams

LondonLife – The ‘Royal River’ celebrated at the National Maritime Museum

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Canaletto’s image of Greenwich Hospital from the north bank of the Thames (1750-52) is among almost 400 paintings, manuscripts and objects selected to be part of the National Maritime Museum’s new exhibition, Royal River: Power, Pageantry & The Thames.

Curated by historian David Starkey, the exhibition, part of the Diamond Jubilee celebrations, focuses on the use of the river across five centuries covering events including Anne Boleyn’s coronation procession and Admiral Lord Nelson’s stately funeral through to the evolving Lord Mayor’s pageant and the ‘Great Stink’ of the mid-1800s.

Highlights include the oldest known copy of Handel’s Water Music, the sixteenth century Pearl Sword (which the monarch must touch on entering the City of London), a stuffed swan, treasures from the City’s livery companies, and another Canaletto work – this time his famous view of the river filled with boats getting ready for the Lord Mayor’s Day, seen as an inspiration for this year’s Diamond Jubilee Pageant and on show in the UK for the first time since its completion.

As well as celebrating the Diamond Jubilee, the exhibition also marks the 75th anniversary of the opening of the National Maritime Museum by King George VI on 27th April, 1937. The king’s speech from that day and his Admiral of the Fleet uniform also feature in the exhibition.

WHERE: National Maritime Museum Greenwich (nearest DLR station is Cutty Sark); WHEN: Daily 10am to 5pm (opening times may vary during the Paralympic and Olympic Games) until 9th September; COST: £11 adult/£9 concession/family ticket £24.50; WEBSITE: www.rmg.co.uk.

PICTURE: © National Maritime Museum, London

Around London – Cutty Sark reopens; Genghis Khan at Marble Arch; New theatre for the West End; and, Shakespeare’s cash…

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• The Cutty Sark, the world’s last surviving 19th century tea clipper, reopens to the public today following a £50 million, six year conservation project. The project to restore the Greenwich-docked ship has involved raising it more than three metres so visitors can walk underneath and see for themselves the sleek lines which helped the vessel set a then record-breaking speed of 17.5 knots or 20mph in sailing from Sydney to London. As well as raising the ship three metres, the project has involved encasing the ship’s hull in a glass casing to protect it from the weather – this area also contains the museum’s extensive collection of more than 80 ships’ figureheads, never been seen in its entirety on the site. The ship’s weather deck and rigging, meanwhile, have been restored to their original specification and new, interactive exhibitions on the vessel’s history have been installed below deck. Originally launched in 1869 in Dumbarton, Scotland, Cutty Sark visited most major ports around the world, carrying cargoes including tea, gunpowder, whiskey and buffalo horns and made its name as the fastest ship of the era when carrying wool between Australia and England. The ship became a training vessel in the 1920s and in 1954 took up her current position in the dry dock at Greenwich before opening to the public. In November 2006, the ship’s rig was dismantled in preparation for a restoration project – this received a setback on 21st May, 2007, when a fire broke out aboard the ship and almost destroyed it. The ship – which was officially reopened by Queen Elizabeth II and the Duke of Edinburgh (pictured) yesterday – is now under the operational management of the umbrella body, Royal Museums Greenwich. For more (including the online purchasing of tickets), see www.rmg.co.uk/cuttysark or www.cuttysark.org.uk. PICTURE: National Maritime Museum, London.

• A large statue of Genghis Khan has invaded Marble Arch. The 16 foot (five metre) tall sculpture of the Mongolian warlord, created by artist Dashi Namdakov, was erected by Westminster City Council as part of its ongoing City of Sculpture festival which is running in the lead-up to the Olympics. The statue has sparked some controversy – Labour councillors at Westminster have reportedly suggested Dambusters hero Guy Gibson would be a more suitable subject for a statue than the warlord Khan. The Russian artist, who has an exhibition opening at the Halcyon Gallery in Mayfair next month, told the Evening Standard he simply wanted to honor Khan on the 850th anniversary of his birth.

• Development of a new West End theatre, the first to be built in the area in 30 years, has been given the green light. The new 350 seat theatre will be part of a development project located between Charing Cross Road and Oxford Street which will also feature office and retail spaces. The site was occupied by a pickle factory in the 19th and 20th centuries and from 1927 was the home of the Astoria cinema, remodelled as a live venue in the 1980s. Live music was last presented there in 2009 when the site was compulsorily acquired for the Crossrail project.

• On Now: Crowns and Ducats: Shakespeare’s money and medals. This exhibition at the British Museum explores the role of money in Shakespeare’s world and looks at how coins – a frequently recurring motif in Shakespeare’s work – and medals were issued to mark major events. Objects in the display include Nich0las Hilliard’s ‘Dangers Averted’ medal of Elizabeth I and William Roper’s print of the Queen, the first to be signed and dated by a British artist, as well as a money box such as might have been used at the Globe and a hoard of coins, including a Venetian ducat, deposited in Essex around the time of Shakespeare’s birth. Almost every coin mentioned in Shakespeare’s plays will be on show – from ‘crack’d drachmas’ to ‘gilt twopences’. Runs until 28th October in room 69a. Entry is free. For more, see www.britishmuseum.org.

Where is it? #25

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The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Charlotte, Sean and Jameson – this is, of course, a picture of the Horniman Conservatory located at the rear of the Horniman Museum located in Forest Hill in London’s south-east.

While the eclectic museum has its own fascinating story (see our earlier post here), so too does the conservatory. It was built in 1894 at the family home of the museum’s founder – wealthy merchant, philanthropist and MP Frederick John Horniman – located at Coombe Cliff in Croydon.

The Grade II listed cast iron and glass building was relocated to its current site by English Heritage in the late 1980s. It can now be hired out for private functions including weddings.

Interestingly, the gardens surrounding the Horniman are currently undergoing a £2.3 million revamp and will be fully reopened later this year. We’ll have more on that at a later date…

Around London – Europe’s oldest intact book at British Library; 100 days to the Games; world’s largest archaeological archive; the London Marathon; and, Turner at the National Gallery…

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• The British Library has paid £9 million for a 7th century text, the St Cuthbert Gospel, which is also the oldest intact European book. The acquisition follows the library’s most successful fund-raising effort ever – it included a £4.5 million grant from the National Heritage Memorial Fund. The book – a Gospel of John bound in beautifully tooled red leather – was produced in north-east England in the late 7th century and was placed in the saint’s coffin after his death on the Isle of Lindisfarne in 698. It was retrieved when the coffin was opened at Durham Cathedral in 1104. The Gospel is on display in the Sir John Ritblat Treasures Gallery at the library in St Pancras and following a conservation review, it is anticipated it will soon be displayed with the pages open for the first time. There will be a public event celebrating the acquisition on 15th May. For more, see www.bl.uk/whatson/events/may12/index.html.

• London this week marked 100 days until the Opening Ceremony of the 2012 Olympic Games. This included unveiling the latest installation of the Olympic rings – made of 20,000 plants the 50 metre long rings are located in the Royal Botanic Gardens at Kew in the city’s west and can be seen from planes on the Heathrow flight path. The organising committee also announced the Red Arrows aerobatic display team will perform a nine-ship flypast in ‘big battle’ formation on the day of the Opening Ceremony (27th July) and stated that the games motto will be ‘Inspire a Generation’. For more, see www.london2012.com.

• The Museum of London’s archaeological archive – known as the London Archaeological Archive and Research Centre (LAARC) – is officially the largest in the world according to Guinness World Records. The archive contains more than five million artefacts and the records of almost 8,500 excavations dating back to 1830. Items in the archive include shoes dating back to Roman times, a 200-year-old set of false teeth, ‘witching bottles’ including one with human hair and toenails, and coffin plates from London’s cemeteries. The world record has been recorded as part of World Record London, a series of world record breaking events being held in the run-up to the Olympics. Others have included the Faberge Big Egg Hunt.

• Thousands of people are expected to take part in the Virgin London Marathon this Sunday. The 26.2 mile route starts in Blackheath, passes through Woolwich and Greenwich and crosses the Thames at Tower Bridge before looping around the east end of London, through Canary Wharf, and the west along The Highway (formerly known as The Ratcliffe Highway) and Embankment to Parliament Square, Birdcage Walk and finally to Buckingham Palace. The first London marathon was run in 1981. For more, see www.virginlondonmarathon.com.

• On Now: Turner Inspired – In the Light of Claude. The first major presentation of 17th century artist Claude Gellée’s influence on the English romantic artist J M W Turner, the exhibition focuses on Claude-inspired themes which run through Turner’s work including “the evocation of light and air in landscape, the effect of light upon water and his often radical reworking of contemporary scenes”. The display includes works from large scale oils on canvas through to leaves from Turner’s pocket sketchbooks. Interestingly, the exhibition also explores the story behind the so-called Turner Bequest – that on his death, Turner linked himself to Claude forever by leaving the National Gallery two pictures – Dido building Carthage (1815) and Sun rising through Vapour: Fishermen cleaning and selling Fish (before 1807) –  on condition that they were hung between two pictures by Claude, Seaport with the Embarkation of the Queen of Sheba (1648) and Landscape with the Marriage of Isaac and Rebecca (1648). Runs until 5th June. Admission charge applies. For more, see www.nationalgallery.org.uk.

Around London – Of a dramatic Boat Race; celebrating bluebells; Cockney slang; WT Stead; and, Titian’s early masterpiece…

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 • Cambridge took the line honours over Oxford in this year’s Boat Race on the Thames in what has been billed as one of the most dramatic races in its 158 race history. The race was interrupted when a swimmer, described as an anti-elitist protestor, was spotted in the water and, following a restart near the Chiswick Eyot, the boat crews clashed oars and one of the Oxford crew lost his oar’s spoon. Cambridge pulled steadily ahead with Oxford an oar down and was declared the winner by four and a quarter lengths. The presentation ceremony was subsequently not held after Oxford’s bow man collapsed and was rushed to hospital where was reported to be recovering well. The win takes Cambridge’s victories to 81 compared to Oxford’s 76. For more, see http://theboatrace.org. (For more on the history of the Boat Race, see our entry from last year).

• Epping Forest’s bluebells are out in force and to celebrate the City of London Corporation is holding a series of events including an art exhibition at The Temple in Wanstead Park. The exhibition, Out of the Blue, celebrates the bluebells of Chalet Wood and features a “miscellany of bluebell images, artwork, folklore and fairies”. A free event, it runs until 27th May. This Sunday the Temple will also host an art afternoon with local artist Barbara Sampson and on 29th April photographer Robert Good will hold a course on photography around the forest. Both are free events. For more details, see www.cityoflondon.gov.uk/epping.

• “Porky pies” (lies) is the most used Cockney phrase, according to a survey of Britons on their knowledge and use of Cockney. The Museum of London survey of 2,000 people, including 1,000 from London, also found that “apples and pears” (stairs) was the most well-known Cockney phrase and that while a majority of people knew what common phrases like “brown bread” meant (in this case dead), only small percentages of people used them. And while 63 per cent of respondents believed Cockney slang was crucial to London’s identity, 40 per cent were convinced it is dying out and 33 per cent were sad at its passing. Strictly speaking, a ‘Cockney’ is someone who was born within the sound of bow bells at the church of St Mary-le-Bow in Cheapside, but according to Alex Werner, head of history collections at the museum, “people from all corners of London identify themselves as being Cockney”. He said that while for many people “Cockney rhyming slang is intrinsic to the identity of London”, the research the Cockney dialect “may not be enjoying the same level of popularity”. The research found that among the least known Cockney rhyming slang phrases included “white mice” (ice), “donkey’s ears” (years), and “loop de loop” (soup). For more from the museum, see www.museumoflondon.org.uk.

• The life of influential newspaper editor and Titanic victim, William Stead, will be celebrated at a two day conference next week. Hosted by the British Library, in association with Birkbeck College and the University of Birmingham, the conference will feature 40 speakers from around the world. Stead, who was editor of The Pall Mall Gazette, was a controversial figure who is credited with being one of the inventors of the modern tabloid. He died on the Titanic‘s maiden voyage – the 100th anniversary of which is being marked this month. W.T. Stead: A Centenary Conference for a Newspaper Revolutionary takes place from 16th to 17th April, 2012. Tickets (£45 for one day or £85 for two days) can be booked by visiting the box office in the St Pancras building or phoning 01937 546546. The programme for the conference can be found at https://sites.google.com/site/stead2012/.

• On Now: Titian’s First Masterpiece: The Flight into Egypt. The National Gallery is hosting a new exhibition focused on the then young artist’s creation of the magnificent painting The Flight into Egypt in the 16th century. The artwork, lent to the National Gallery by the Hermitage Museum, St Petersburg, has recently been restored and the exhibition represents the first time the painting has been seen outside Russia since 1768 when Empress Catherine the Great purchased it in Venice. Admission is free. Runs until 19th August. For more, see www.nationalgallery.org.uk.

Around London – At home in World War II; Hogwarts comes to London; Kew Steam Bridge Museum to be upgraded; and, V&A looks at British design…

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• A new exhibition in which visitors can experience life during the Second World War through the eyes of a London family opens today at the Imperial War Museum in London. A Family in Wartime explores the lives of William and Alice Allpress and their 10 children at their South London home during the war as the face events such as the Blitz and the evacuation of the city. The display includes firsthand audio accounts from members of the family, photographs and a detailed model of the family home at 69 Priory Grove. Two of the family’s sons served in the military during the war while three of the daughters joined the Women’s Voluntary Service. Artefacts on display include many everyday household items such as cookery books which gave advice on cooking with limited rations and stirrup pumps which people were encouraged to wear in case of incendiary bombs as well as newspaper clippings, propaganda posters and film footage. There will also be artworks depicting wartime living by artists including Henry Moore, Wilfred Haines and Leila Faithful. Admission is free. For more, see www.iwm.org.uk/visits/iwm-london.

• Hogwarts has come to London’s north with the opening of the new Warner Bros Studio Tour in Leavesden. The tour, which was launched this week, features sets, costumes and pros from the Harry Potter series of films and reveals how special effects and animatronics were used in the movies. Highlights include the chance to visit Hogwarts Great Hall, Dumbledore’s office and Diagon Alley as well as see Harry’s Nimbus 2000, the flying Ford Anglia owned by the Weasleys and Hagrid’s motorcycle. For more information, see www.wbstudiotour.co.uk.

• The Kew Bridge Steam Museum in London’s west has been awarded a £1.84 million Heritage Lottery Fund grant for a restoration project that will see new visitor facilities and more modern displays as well as new outdoor water-based actvities. Project Aquarius will also see outstanding repairs to the Grade I and Grade II listed buildings – described as the most important historic site of the water supply industry in the UK – completed. The museum, which opened 37 years ago, features four giant working Cornish steam pumping engines as part of its displays telling the story of London’s water supply and attracts some 15,000 visitors a year. For more, see www.kbsm.org.

• On Now: British Design 1948-2012: Innovation in the Modern Age. The V&A’s major spring exhibition, this is a showcase of British design from the 1948 ‘Austerity Olympics’ to present day and features more than 300 objects – from the 1959 Morris Mini Minor to a model of the recently completed Zaha Hadid-designed London Aquatics Centre. Highlighting significant moments in British design, the exhibition looks not only at 60 years worth of fashion, furniture, fine art, graphic design, photography, ceramics, architecture and industrial design but also investigates how the UK continues to nuture artistic talent and the role British design and manufacturing plays around the world. Admission charge applies. Runs until 12th August. For more see www.vam.ac.uk.

We’re taking a break over Easter – posts will resume next Tuesday. In the meantime have a great Easter!

Around London – Crown Jewels polished for Diamond Jubilee; Diana’s dresses at Kensington Palace; a plaque for Ziggy Stardust; and At Home with the World…

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• A revamped Crown Jewels display opens today at the Tower of London to mark the Diamond Jubilee of Queen Elizabeth II. The new display features graphics, music and newly restored film footage and will focus on the coronation ceremony as its central theme, exploring how the regalia are used in the ceremony. The regalia – which includes some of the most extraordinary diamonds in the world such as the Star of Africa and Koh-i-Nur – is being displayed in the order in which it is used at the coronation ceremony. The Crown Jewels have been on show to the public at the Tower of London since at least 1661 after they were remade for King Charles II’s coronation. The previous collection had been largely destroyed in the Civil War although some pieces survived including a gilt silver spoon probably made for King Henry II or King Richard I (the “Lionheart”). For more information, see www.hrp.org.uk/TowerOfLondon/.

• Five dresses worn by Diana, Princess of Wales, have gone on display at Kensington Palace  which re-opened to the public this week following a £12 million overhaul. The five dresses include a black silk taffeta gown (designed by Emanuel) which Diana wore to a fundraising event at the Goldsmith’s Hall in 1981 – her first official engagement with Prince Charles as well as a formal dinner dress of ivory silk (Catherine Walker) created for a State Banquet for the King and Queen of Malaysia in 1993 and a black ribbed silk shift evening dress (Gianni Versace) worn to the London premiere of Apollo 13 in Hammersmith in 1995. For more on the revamp of the palace see our earlier post. Or visit www.hrp.org.uk/KensingtonPalace/.

• A plaque commemorating the site where the iconic image for the cover of David Bowie’s 1972 album The Rise and Fall of Ziggy Stardust and the Spiders of Mars was photographed has been unveiled in the West End. The plaque at the somewhat innocuous site at 23 Heddon Street, just off Regent Street, was installed by the Crown Estate and unveiled this week by Gary Kemp of Spandau Ballet. The image for the album cover was shot by the late photographer Brian Ward who managed to persuade Bowie to step outside the ‘studio’ space he had rented upstairs despite the fact it was a cold, wet January night.

• On Now: At Home with the World. This exhibition at the Geoffrye Museum explores the cosmopolitan nature of London’s homes over the past 400 years and looks at how diverse cultures have helped shaped the homes – covering everything from Chinese porcelain and the tea craze of the 1700s to the use of Islamic and Indian patterns in the 1800s, the popularity of Scandinavian and American design in the 1900s and the globalism of today. The period rooms on show at the museum have been reinterpreted to highlight the international influences. This is one of a series of Stories of the World: London exhibitions taking place across the city which are exploring four aspects of life – home, identity, journeys and place – as part of the London 2012 Cultural Olympiad program. Runs until 9th September. Entry is free. For more, see www.geffrye-museum.org.uk.

What’s in a name?…St John’s Wood

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This well-to-do area in London’s north-west, just outside Regent’s Park, takes its name from the historic ownership of land here by the Order of St John of Jerusalem (also known as the Knights Hospitaller).

The land had previously been part of the Great Forest of Middlesex. The Order of St John of Jerusalem, which since 1140s had its English headquarters in a Clerkenwell priory where St John’s Gate stands (this now houses the Museum of the Order of St John – see our previous entry here), took over ownership of land in the early 1300s after the previous owners, the Knights Templar, fell into disgrace.

Following the Dissolution, it became Crown land and remained so until 1688 after which it passed into the hands of private families, notably the Eyre family who owned much of the area.

It remained relatively undeveloped until the early 19th century when, following the introduction of semi-detached villas on planned estates, it was marketed as a residential alternative for London’s middle classes, away from the smog and congestion of central London.

It became favored by the bohemian set and residents included creative types like artists and authors as well as scientists and traditional craftsmen (apparently in the late 19th century it was also known for its upmarket brothels).

Rebuilt with swanky apartment complexes in the early twentieth century, these days it remains a leafy enclave for the wealthy. Many of the houses which have survived are heritage listed.

Landmarks include St John’s Church (pictured above, this was consecrated in 1814) and the St John’s Wood Barracks and a Riding School (this was completed in 1825 and is the oldest building still on the site) which is now home to the King’s Troop Royal Horse Artillery which carries out mounted ceremonial artillery duties such as firing royal salutes for the State Opening of Parliament, royal birthdays and state visits.

St John’s Wood is also home to Abbey Road Studios (home of the Beatles and that famous zebra crossing), Lord’s Cricket Ground (officially the home of the Marylebone Cricket Club which was moved here in 1814, the same year the church was consecrated) and the Central London Mosque located on the edge of Regent’s Park.

For more on St John’s Wood, take a look at the website of The St John’s Wood Society.