Museums

LondonLife – Yuri Gagarin relocates to Greenwich…

by exploringlondon

Elena-Gagarina-and-Dr-Kevin-Fewster

A statue of Russian cosmonaut and first man in space Yuri Gagarin has been relocated to the newly named Yuri Gagarin Terrace outside the Royal Observatory in Greenwich. First unveiled in The Mall, not far from Admiralty Arch, on 14th July 2011, the statue was a gift from the Russian federal space agency, Roscosmos, to mark the 50th anniversary of manned space flight (you can read more at our earlier post here). But it was only granted permission to remain on the site for 15 months and so has now been relocated to Greenwich where it as officially unveiled last Thursday in the week of Gagarin’s birthday by his daughter Elena Gagarina (pictured here with Royal Museums Greenwich director Dr Kevin Fewster). The statue – a 3.5 metre high zinc alloy figure – shows Gagarin dressed in a spacesuit and standing on a globe. It stands just outside the observatory’s Astronomy Centre. For more on the Royal Observatory Greenwich – the “home” of Greenwich Mean Time, see www.rmg.co.uk.

Around London – Royal Court treasures at V&A; Sir Michael Caine celebrated; a tunic with a past; and, George Catlin’s American Indian portraits…

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Water_pot• A new exhibition opens at the V&A in South Kensington this Saturday which charts the development of cultural trade and diplomacy between Britain and Russia from the founding of the Muscovy Company in 1555 until the end of King Charles II’s reign in 1685. Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars reveals the “majesty and pageantry” of the royal courts of both countries – from that of King Henry VIII to King Charles II in Britain and from that of Ivan the Terrible (Ivan IV) to the early Romanovs in Russia. The display features more than 150 objects including heraldry and processional armour,  furnishings, clothing, jewellery and portraiture including paintings and miniatures painted by court artists. Highlights include a rarely viewed portrait of Queen Elizabeth I, the Barbor Jewel – a pendant set with an onyx cameo of the queen; a hand-colored map of ‘Muscovy’ dating from 1570, and literature including Shakespeare’s First Folio as well as a showcase of British and French silver given to the Tsars by British merchants and kept in the Kremlin. The 20 pieces include the Dolphin Basin, made by Christiaen van Vianen – said to be a favoured silversmith of King Charles I and II – in 1635. The exhibition marks the 400th anniversary of the Romanov dynasty. Admission charge applies. Runs from Saturday, 9th March, until 14th July. For more, see www.vam.ac.uk. PICTURE: Water pot (1604-05), Historic collectino of the Armoury, © The Moscow Kremlin Museums.

• The life and work of Sir Michael Caine – who turns 80 this month – is the focus of a new free exhibition at the Museum of London. Michael Caine, which opens tomorrow, features photographs including some never exhibited before as well as iconic portraits by the likes of David Bailey and Terry O’Neill as well as a selection of audio and film clips from movies such as Alfie, The Italian Job, Get Carter, Hannah and Her Sisters and Educating Rita. The exhibition follows Sir Michael’s life from “Cockney rebel, through to Hollywood legend and inspirational Londoner” and looks at how the city influenced his life and career. Runs until 14th July. To coincide with the exhibition, the Museum of London Docklands is running Caine on Screen, a selection of free films which can been voted for by the public (see our earlier post here). The schedule of films will be announced after 14th March. For voting details and more information, see www.museumoflondon.org.uk.

• A bullet-pierced military tunic worn during the Indian Mutiny in the mid 19th century has been donated to the National Army Museum in Chelsea. The tunic, worn by Lieutenant Campbell Clark, of the 2nd Bengal European Fusiliers, at Cawnpore in 1857. The lieutenant was ambushed by rebels Indian infantry and shot at point-blank range. Despite being grievously wounded (the musket ball had passed through his stomach and remained in the wound), he survived the injury and the military hospital he was taken to and went on to have a long career, rising to the rank of colonel. He died in 1896 in Sussex. The tunic was donated to the museum by Clark’s great-great-nephew, John Gordon Clark. For more, see www.nam.ac.uk.

• On Now: George Catlin: American Indian Portraits. Opening today, this exhibition at the National Portrait Gallery is the first major exhibition of the American artist’s works to be held in Europe since the 1840s and has been designed to demonstrate to the viewer how Catlin constructed a particular view of Native Americans in the minds of his audiences. Catlin made five trips into the western United States in the 1830s before the Native American peoples had been subsumed into the United States and, inspired by those trips, went on to create an Indian Gallery which featured 500 portraits, pictures and indigenous artefacts. He subsequently toured with the gallery in both the US and Europe. The exhibition is organised in collaboration with the Smithsonian American Art Museum in Washington. Runs until 23rd June. Admission charge applies. For more, see www.npg.org.uk.

Around London – Aliens at the Royal Observatory; celebrating spring at the British Library; Blue Plaques for Heal and Mendelssohn; and, Barocci at the National Gallery…

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• It’s alien season at the Royal Observatory in Greenwich and to kick off a series of special events around all things extra-terrestrial, a new exhibition looking the history with things not of this earth opens tomorrow. Alien Revolution, which looks at man’s obsession with intelligent alien life – a trend which began in the century following Copernicus’ discovery that the earth was a planet and the sun a star, will be held in the observatory’s Astronomy Centre until August. Runs until 8th September. Admission is free. Other events include shorts courses looking at science fiction and astronomy, family events and special planetarium shows such as We Are Aliens which runs in April. For more on the events, see www.rmg.co.uk.

• The British Library’s Spring Festival kicks off tomorrow with five days of film, design and fashion including the unveiling of a new artwork by fashion illustrator and artist Julie Verhoeven. Verhoeven – who has worked for fashion houses Louis Vuitton, Versace and Mulberry – will be joined by Dylan Jones, editor-in-chief of GQ, to talk about what inspires them while others among fashion’s leading names will be contributing postcards in a one night only pop-up exhibition – Late at the Library: Fashion Flashback – which will also feature talks involving Jones and illustrator Tanya Ling. The event also features a spring market held in the library’s piazza at which designers will be selling wares inspired by the library’s collection. Other events include the showing of a series of short films.  For more about the Spring Festival events, head to www.bl.uk/whatson/exhibitions/spring-festival-2013/index.html.

• Furniture designer Sir Ambrose Heal was honoured with the unveiling of an English Heritage Blue Plaque at his former home in Pinner yesterday – the date marking 120 years since he joined the family firm, Heal’s. The house – at Fives Court, Moss Lane in Pinner – was Sir Ambrose’s home from 1901-1917 during the period when he began exerting his influence over the business, having won a silver medal at the 1900 Paris Exhibition for a bedroom suite. Heal was knighted in 1933 and appointed a royal designer for industry in 1939. Meanwhile, a Blue Plaque for 19th century composer Felix Mendelssohn was unveiled at 4 Hobart Place earlier this month, commemorating the house he stayed in at the height of his career during his numerous visits to London. The house was the home of the Hanoverian embassy secretary, Karl Klingemann, at the time. For more on Blue Plaques, see www.english-heritage.org.uk.

• On Now: Barocci – Brilliance and Grace. This landmark exhibition at the National Gallery is the first major monographic exhibition dedicated to the art of 16th and 17th century Italian artist Frederico Barocci – pioneer of the Baroque style. Highlights include his spectacular altarpiece, The Entombment of Christ, from the coastal town of Senigallia, the Last Supper – painted for Urbino Cathedral, as well as two altar pieces from Rome – Visitation from the Chiesa Nuova and Institution of the Eucharist from Santa Maria sopra Minerva. Also included are portraits, smaller devotional paintings, Aeneas’ Flight From Troy – his only secular narrative, and more than 65 preparatory drawings, pastel studies and oil sketches. Runs until 19th May. Admission charge applies. For more, see www.nationalgallery.org.

What’s in a name?…Baker Street

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Synonymous with Sherlock Holmes, where does the name Baker Street actually come from? Not from a baker located there, as some might expect. Rather, Baker Street was apparently named after a Dorset luminary, Sir Edward Baker.

Baker-StreetSir Edward, created 1st Baronet Baker of Ranston in Dorset in 1802, was a friend and neighbour of the Portman family who developed the area in the late 1700s and early 1800s. Sir Edward (who later changed his name to Sir Edward Baker Baker) had apparently lent the Portmans a helping hand in developing the area.

A fashionable place to live when it was created, Baker Street remains famous for the house at number 221b, which, according to Sir Arthur Conan Doyle, served as the home to literary characters Sherlock Holmes and Dr John Watson between 1881-1904. The Sherlock Holmes Museum, which actually sits between numbers 237 and 241 Baker Street, now claims the address.

Other attractions to have been located in Baker Street include Madame Tussaud’s waxworks which in 1835 set up in premises known as ‘The Baker Street Bazaar’ before moving to its current premises around the corner on Marylebone Road in 1884.

Among the notable buildings still in Baker Street is the London Beatles Store (located at 231/233) where you can purchase all manner of memorabilia related to the group.

Famous residents have included 19th century Prime Minister William Pitt the Younger, actress Sarah Siddons, author and politician Edward Bulwer-Lytton, explorer Sir Richard Burton, and singer Dusty Springfield. The street was almost immortalised in Gerry Rafferty’s 1970s hit, Baker Street.

Around London – Prehistoric life on show at Wellington Arch; Your favourite Michael Caine movie; Lichtenstein at the Tate; and, looking at Classical Greece through 19th century eyes…

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Apologies for missing our series on Great Victorian Projects yesterday. It will resume next week. In the meantime…

• Fourteen rare Victorian paintings of life in prehistoric times have gone on display at Wellington Arch near Hyde Park Corner. The watercolors – which were commissioned by MP and archaeologist Sir John Lubbock in 1869 and have never before been displayed in public together – form the centrepiece of a new English Heritage exhibition, The General, The Scientist & The Banker: The Birth of Archaeology and the Battle for the Past. The “ground-breaking” works were painted by animal illustrator Ernst Griset and were ‘informed’ by then-recent archaeological finds including stone tools and fossils. The exhibition, which also includes rare artefacts, drawings and manuscripts tells the story of archaeological pioneers who fought to bring about recognition and legal protection for Britain’s ancient monuments and looks in detail at the achievements of three men – scientist Charles Darwin, archaeologist General Pitt-Rivers and banker Sir John Lubbock. The exhibition is the first of five being held in the arch’s Quadriga Gallery to mark the centenary of the 1913 Ancient Monuments Act. Runs until 21st April. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.

• Get Carter or The Ipcress File? Alfie or Educating Rita? The Museum of London is asking fans to vote for their favourite Michael Caine movie ahead of the opening of their new free exhibition on the actor next month. Voting for Caine on Screen can be found by following this link and closes at 5pm on 14th March after which the top four films will be revealed.  A full list of Sir Michael’s movies – and there’s more than 100 – is available on the voting form. More on the exhibition to come.

• On Now: Lichtenstein: A Retrospective. This exhibition on level two of the Tate Modern on South Bank is the first major retrospective on the Pop artist Roy Lichtenstein (1923-1997) for 20 years and brings together more than 125 of his most definitive paintings and sculptures as it reassesses his work and legacy. Key works include Look Mickey (1961), Whaam! (1963) and Drowning Girl (1963). Co-organised by The Art Institute of Chicago and Tate Modern, it runs until 27th May. Admission charge applies. For more, see www.tate.org.uk.

• On Now: In search of Classical Greece: Travel drawings of Edward Dodwell and Simone Pomardi, 1805-1806. This free exhibition at the British Museum looks at Greece through the eyes of classical late eighteenth and early nineteenth century scholar Edward Dodwell and his Italian artist Simone Pomardi and features works produced during their travels in 1805-06. Lent by the Packard Humanities Institute, the works have never been seen in public before. See them in Room 90. Runs until 28th April. For more, see www.britishmuseum.org.

10 Questions – Simon Murphy, curator at the London Transport Museum…

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Simon Murphy is a curator at the London Transport Museum in Covent Garden – the museum is currently celebrating the 150th birthday of the Underground with a series of events including a landmark exhibition on the art of the Tube (Poster Art 150 – London Underground’s Greatest Designs)…

Underground-2How significant was the construction of the London Underground in world terms? And how does it stack up 150 years later? “The Metropolitan Railway was a true world class pioneer, but like all pioneers it made mistakes that subsequent operators learned from. Similarly the first tube railways tested the ground for others to follow. But these pioneering lines are still part of today’s world class Tube network, and some of the original stations, like King’s Cross, are still amongst the busiest, so they must have been on the right track.”

I understand the initial stretch of line ran between Farringdon and Paddington. How quickly were other sections opened? “The Metropolitan Railway’s first extension was authorised by Parliament in 1861, two years before the original line even opened. The railway made a profit in its first year, so financial backing was relatively easy to find, and the extension east to Moorgate opened in 1865, with a westward extension to South Kensington following in 1868. The Met’s main competitor, the Metropolitan District Railway, opened its first section from South Ken to Westminster in 1868. The plan was for the two companies to work together to create an Inner Circle service, but their respective directors fell out and the Circle was not completed until 1884.”

How many miles of line is the Underground composed of today? “The first underground started with less than four miles of track and seven stations; today’s system has 250 miles of track, serving 270 stations.”

When were steam trains on the Underground replaced? “Steam trains worked in central London until 1905, but were still used on the furthest reaches of the Met until 1961.”

When did the Underground take on the name ‘Tube’? “The Central London Railway opened with a flat fare of 2d in 1900, and was promoted as the Twopenny Tube – the name caught on, although the Underground has only been referring to itself officially as the Tube since the 1990s.”

Underground1It’s fairly widely known that Underground stations and tunnels were used as air raid shelters during World War II. Do you know of any other different uses they have been put to? “The station at South Kentish Town on the Northern Line closed in 1924, but the surface building, still looking very much like a station is now occupied by a branch of Cash Converters. During the war unfinished tunnels on the Central line were occupied by a secret factory run by Plessey Components. Also during the war, paintings from the Tate Gallery were stored in  a disused part of Piccadilly Circus station for safe keeping.”

Stylish design has always been an important part of the Underground’s appeal. What’s your favourite era stylistically when it comes to the Underground and why? “Most people admire the golden age of the 1920s and 30s when the Underground’s corporate identity and personality reached its peak with Charles Holden’s architecture, the roundel, Harry Beck’s diagrammatic map and the amazing posters issued in that era, but personally I find the earlier period from 1908 to 1920 more interesting. You can trace the roots of each element of today’s brand being developed at this time, under Frank Pick’s critical eye, starting with the early solid-disc station name roundels, the joint promotion of the individual tube railways under the UndergrounD brand and the introduction of Edward Johnston’s typeface. You can see the company gaining confidence and momentum, especially in relation to the increasingly sophisticated posters and promotion that Pick commissioned.”

Can you tell us a bit about how the London Transport Museum is marking the 150th anniversary? “We started the year by bringing steam back to the Circle line, after restoring an original Metropolitan Railway carriage and overhauling an original Met steam locomotive, and have just opened our fabulous overview of the 150 best Underground posters at the museum in Covent Garden, which runs until October. We are opening our Depot store, near Acton Town station in April for a steam weekend, and have a range of lectures and evening events at Covent Garden linking to the history of the Underground and its poster art heritage. There’s also our comprehensive new history of the Tube published last year and a wide range of new products and souvenirs in our amazing shop.”

Underground3What are some of your favourite Underground-related objects on display at the museum? “The Design for Travel gallery on the ground floor is the literal and metaphorical heart of the Museum for me. Packed with close to 300 objects including signs, posters, models, leaflets and other documents, it’s hard to single out individual items, but I love the simplicity of the small ‘Platform 2’ hanging sign (pictured right) – it’s a real example of the design consistency and attention to detail that I associate with the Underground.”

And lastly, can you tell us a couple of little-known facts about the Underground? History is more than a chronological list of facts, and what one person finds fascinating sends another to sleep, so it’s quite a challenge to choose something that is little known, but genuinely interesting, but I’ll try: I grew up near Brent Cross station so I might be biased, but I reckon that if there was a top trumps for Underground lines, the Northern line would win. It has the longest escalators (at Euston), the deepest lift shaft (at Hampstead), the highest point ve sea level (on a viaduct near Mill Hill East), the longest tunnels (between East Finchley and Morden – 17 miles) and has had more names than any other line – it only became the Northern line in 1937.”

IMAGES: Top: Steam engine at Aldgate (1902); Middle: Platform 2 sign, 1930s design; and Bottom, Angel Underground Station (1990s). © TfL from the London Transport Museum collection. 

Poster Art 150 – London Underground’s Greatest Designs runs at the London Transport Museum until October. Admission charge applies. For more (including the many events around the exhibition), see www.ltmuseum.co.uk/whats-on/events/events-calendar#posterart150.

Around London – Celebrating the art of the Underground and art on the web; Picasso at the Courtauld; and, Frederic Church at the National…

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• A new exhibition celebrating the art of the Underground opens at the London Transport Museum in Covent Garden tomorrow. Poster Art 150 – London Underground’s Greatest Designs showcases 150 posters with examples taken from each decade over the past 100 years. Artists include the likes of Edward McKnight Kauffer, Paul Nash and Man Ray. The posters were selected from the museum’s archive of more than 3,300 by a panel of experts. Visitors to the exhibition will be able to vote on their favorite poster as well as online with the most popular poster to be revealed at the end of the exhibition. The last major exhibition of Underground posters – the first commission of which was in 1908 – was held in 1963 to celebrate the system’s centenary. The exhibition is based around six themes – ‘Finding your way’, ‘Brightest London’, ‘Capital culture’, ‘Away from it all’, ‘Keeps London going’ and, ‘Love your city’. Runs until 27th October. Admission fee applies. For more on the exhibition and surrounding events, see www.ltmuseum.co.uk.

National-Gallery• The external facade of the National Gallery in Trafalgar Square was decorated with artworks last Friday night (pictured right) in celebration of the completion of Your Paintings – a website which hosts the UK’s entire national collection of oil paintings (more than 210,000!). The projections – which were happening in 28 UK cities simultaneously – featured two National Gallery paintings – Van Gogh’s Sunflowers and Gainsborough’s Mr and Mrs Andrews. To see the website, head to www.bbc.co.uk/arts/yourpaintings/. PICTURE: © The National Gallery, London.

• On Now: Becoming Picasso: Paris 1901. This exhibition at The Courtauld Gallery in Somerset House on The Strand tells the story of Pablo Picasso’s break-through year as an artist – 1901 – when the then 19-year-old launched his career in Paris at a summer exhibition. The display follows Picasso from his debut and into the start of his Blue period. Works exhibited are among the first to bear his famous signature. Runs until 26th May. There is an admission charge. For more, see www.courtauld.ac.uk/gallery/index.shtml.

• On Now: Through American Eyes: Frederic Church and the Landscape Oil Sketch. This free exhibition of 30 works at the National Gallery focuses on the work of Frederic Church (1826-1900), a member of the Hudson River School of artists and considered by many to be the greatest of the American landscape oil sketch artists. Works on display include those made at exotic locations such as Ed Deir, Petra, painted in Jordan in 1868, and Distant View of the Sangay Volcano, Ecuador, painted in 1857, as well as the paintings created closer to home, such as Hudson, New York at Sunset, painted in 1867. The exhibition is held in Room 1. Runs until 28th April. For more see www.nationalgallery.org.uk.

Lost London – The Crystal Palace…

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Given our current series on great London projects of the Victorian age in honour of the Tube’s 150th birthday, it’s only fitting that we should take a look at the Crystal Palace, a wonder of the age which once adorned the grounds of Hyde Park.

The-Crystal-PalaceBuilt as the centrepiece to the Great Exhibition (more properly known as the Great Exhibition of the Works of Industry of All Nations) of 1851 – an event enthusiastically supported by Prince Albert, the Crystal Palace (pictured left in an image published in 1854) was a vast cast-iron and glass exhibition hall which took its nickname (apparently first mentioned in Punch magazine) from the enormous amount of glass used in its creation.

Designed by gardener and architect Sir Joseph Paxton (his designs were chosen after an international competition failed to come up with anything suitable), the enormous and innovative structure, located just south of the The Serpentine, owed its design inspiration to his previous work on glasshouses.

Measuring 1,848 foot (563 metres) long, it was completed in just five months. The building, which needed no artificial lighting during the day due to its massive expanses to the glass, was so large that full-sized elm trees already growing in the park could be enclosed within it.

More than six million people visited the building during the Great Exhibition, held from 1st May to the 15th October, 1851. As well as hosting 14,000 exhibitors, the building also housed the first major installation of public toilets in which George Jennings had installed his ‘monkey closet’ flushing lavatory. While the structure was only meant to be temporary, such was its appeal (Paxton was knighted for his design efforts) that following the closing of the exhibition, it was purchased by the Crystal Palace Company.

A massive feat of logistics saw it dismantled and relocated to a site on what was then Penge Common at Sydenham Hill in south London where it was rebuilt (albeit to a different, much larger, design). It reopened in 1854 and contained a series of courts, illustrating art from various periods of history as well as other exhibits and performance spaces.

The grounds, meanwhile, were decorated with gardens and fountains designed by Edward Milner which drew water from two water towers designed by Isambard Kingdom Brunel. There was also a maze (still there) and also featured some terrific life-sized statues of dinosaurs created by Benjamin Waterhouse Hawkins (these Grade I-listed specimens, the first of their kind in the world, are still located in Crystal Palace Park).

Interestingly, the fountains were later grassed over and one was used as a sports stadium, famous for hosting the first 20 FA Cup Finals. The site also became home to the Crystal Palace School of Art, Science, and Literature and later, the Crystal Palace School of Practical Engineering.

The Crystal Palace remained in use for various purposes – including as a TV studio for John Logie Baird – until late in 1936 when it was destroyed by fire, the origins of which apparently remain somewhat mysterious.

The name Crystal Palace has remained, however, as well as being given to Crystal Palace Park – the actual site where the building once stood – it also continues to lend itself to the area in which the structure once stood.

There’s also now a foundation – the aptly named Crystal Palace Foundation – which works to “keep alive the memory of the Crystal Palace and its major role in the story and social development of Victorian and Edwardian England” and a small museum, The Crystal Palace Museum, housed in a building constructed around 1880 as a classroom for the Crystal Palace Company’s School of Practical Engineering. Plans for building a replica of Crystal Palace have been mooted but there’s no sign of it rising once more at this stage.

PICTURE: Wikipedia.

For more on the Crystal Palace, see Patrick Beaver’s book, The Crystal Palace: A Portrait of Victorian Enterprise.

Around London – Of foundling tokens; a French field marshal’s grave marker; behind the scenes at Royal Albert Hall; Tom Daley’s swimming trunks; and, crime fiction at the British Library…

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• A new exhibition opens at the Foundling Museum tomorrow (25th January) which tells the often heart-breaking stories behind the tokens left by mothers with their babies at the Foundling Hospital between 1741-1760. While hundreds of tokens were removed from the hospital’s admission files in the 1860s, Fate, Hope & Charity reunites the tokens – which range from coins and jewellery to playing cards, poems and even a nut – with the foundlings to whom they were given. A moving exhibition. Museum admission charge applies. For more, see www.foundlingmuseum.org.uk.

• The Duc and Duchesse de La Rochefoucauld-Doudeauville were among those who attended the dedication of a ledger stone marking the grave of their kinsman, Field Marshal Francois de La Rochefoucauld, the Marquis de Montendre, at Westminster Abbey last week. Born in 1672, de La Rochefoucauld served in the British Army during the reign of King William III and Queen Mary II after fleeing France as a Huguenot refugee (he had also succeeded his brother as marquis). He was promoted to field marshal in 1739 but died later that year and was buried in the abbey. The floor stone which was replaced by the new ledger stone will be sent to France for inscription and installation at Montendre. For more on the abbey, see www.westminster-abbey.org.

• One we should have mentioned with our piece on Royal Albert Hall last week. The Royal Albert Hall is running behind the scenes tours of the venue every Monday until 11th February as well as Tuesday 29th January (so you’ll have to be quick!). The tour – which runs as an extension of the front of house tour – takes in the loading bay located under the hall and one of the many dressing rooms (currently in use by Cirque de Soleil who are in residency with their new show KOOZA. The 90 minute Behind the Scenes tours cost £16. Booking in advance is strongly recommended. For more, see www.royalalberthall.com.

• A pair of swimming trunks worn by diver Tom Daley during the 2012 Olympic Games has been donated to the Museum of London. The trunks join an ever increasing collection of Olympics and Paralympics-related outfits in the museum with others including a leotard worn by bronze-medal winning gymnast Beth Tweddle. A display featuring the Olympic kit is being planned for spring. Meanwhile, still aty the museum and an exhibition featuring a series of photographs exploring the city’s major arterial roadways opens on Saturday. The free exhibition, Highways: Photographs by John Davies, features six specially commissioned photographs taken by Davies in 2001-02 – just prior to the introduction of the Congestion Charge in 2003. Routes featured include the Elephant and Castle roundabout, the Hammersmith Flyover, Marble Arch and Hyde Park, St Pancras Station Midland Grand Hotel and the A501, the junction of Poultry and Queen Victoria Street and the Blackwall Tunnel entrance. Runs until 16th June. For more, see www.museumoflondon.org.

• On Now: Murder in the Library: An A-Z of Crime Fiction. This exhibition at the British Library looks at the history of crime fiction and features never-before-seen manuscripts, printed books, rare audio recordings, artworks and artefacts. Highlights include Arthur Conan Doyle’s manuscript of the Sherlock Holmes story, The Adventure of the Retired Colourman (1926); the first appearance in print of Miss Marple (in Royal Magazine in 1929); John Gielgud’s annotated script for the film Murder on the Orient Express, crime novels from unlikely authors including Pele and burlesque performer Gypsy Rose Lee and the 1933 book, the Jigsaw Puzzle Murders in which readers had to complete a jigsaw puzzle to solve the crime. A series of events will be taking place alongside the exhibition. Entry to the library’s Folio Society Gallery is free. Runs until 12th May. For more see www.bl.uk.

10 of London’s greatest Victorian projects – 2. Two South Kensington Museums…

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Located in the South Kensington estate – known to some during the Victorian era as Albertopolis (see previous entry in this series) – each of the two museums mentioned here represents an architectural and cultural feat in its own right, for the sake of space (and to allow us to explore a wider range of buildings as part of this series) we’re grouping them together…

V&A2• Victoria and Albert Museum: Following on from the success of the Great Exhibition of 1851, the V&A as it’s popularly known, was established in 1852 and funded by the profits from the exhibition.

Initially known as the Museum of Manufactures, it was founded with the three aims of making art accessible, educating people and inspiring British designers and manufacturers.

Renamed the South Kensington Museum after moving to its current site in 1857, its collections – which now include everything from metalwork, furniture and textiles to fine art such as paintings, drawings and sculptures from a range of contemporary and historical periods – continued to expand.

Located in what were only meant to be temporary exhibition buildings – factory-like structures which become known as the ‘Brompton Boilers’, in 1899 Queen Victoria laid the foundation stone for the grand new facade and entrance that we see today (it was at this point that that the museum took on its current name).

The Science Museum – the third major museum of Albertopolis – initially formed part of this museum and only gained its independent status in 1909.

WHERE: Victoria and Albert Museum (nearest Tube stations are South Kensington and Knightsbridge); WHEN: 10am to 5.45pm daily (late opening Fridays); COST: Free (apart from special exhibitions); WEBSITE: www.vam.ac.uk.

 

NHM• Natural History Museum: Created to house what was previously the natural history collection of the British Museum (itself founded out of the collections of Sir Hans Sloane), the museum was founded thanks largely to the efforts of Sir Richard Owen.

The superintendent of the natural history department at the British Museum and later the founder of the NHM, it was he led the campaign for a separate premises for the museum’s natural history collections which had outgrown the museum’s home in Bloomsbury.

It first opened its doors on Easter Monday, 1881, but the museum legally remained part of the British Museum until 1963 and continued to be known as British Museum (Natural History) until 1992.

Known as the Waterhouse Building (after Alfred Waterhouse, the young architect who designed it following the death of the original designer, engineer Captain Francis Fowke, who was also involved in the initial design of Royal Albert Hall), the museum’s main structure – faced in terracotta – is said to be one of the finest examples of a Romanesque structure in Britain.

The premises and collections of the Geological Museum – now the ‘red zone’ of the NHM –  merged with the Natural History Museum in 1985.

WHERE: Natural History Museum (nearest Tube stations are South Kensington and Knightsbridge); WHEN: 10am to 5.50pm daily; COST: Free (apart from special exhibitions); WEBSITE: www.nhm.ac.uk.

Around London – Duchess of Cambridge at the NPG; Imperial War Museum closed for now; and, Frozen London…

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• The controversial first official painted portrait of Kate Middleton, the Duchess of Cambridge, has gone on display at the National Portrait Gallery. Unveiled on 11th January, the portrait by Paul Emsley has already sparked considerable criticism. Emsley, the 2007 winner of the gallery’s BP Portrait Award competition, was chosen by the gallery’s director Sandy Nairne to paint the portrait which took three-and-a-half months to paint. It is now on permanent display in the gallery as part of Contemporary Collections in the Lerner Galleries in Room 36, on the ground floor. Admission is free. For more (including a film on the making of the portrait), see  www.npg.org.uk.

• The Imperial War Museum has closed its doors until July this year as the museum undergoes an extensive refurbishment. In July, the museum will launch a new exhibition –  Horrible Histories®: Spies, and also reopen of The Lord Ashcroft Gallery: Extraordinary Heroes, The Holocaust Exhibition, Secret War, A Family in Wartime and the Explore History Centre. The redevelopment, meanwhile, will continue until summer 2014 when the brand new First World War Galleries will be opened, marking the 100-year anniversary of the start of the First World War. For more, see www.iwm.org.uk/visits/iwm-london.

• On Now: Frozen London. This exhibition at the London Metropolitan Archives looks at the impact of some of the most severe winters the city has ever experienced which occurred between 1683 and 1895. A highlight is a look at the Frost Fairs which took place on the River Thames during that time. Runs until April 25th. Admission is free. For more, follow this link. Correction: Opened 21st January-25th April.

LondonLife – Celebrating London Underground’s 150th…

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London-Underground1

Metropolitan Locomotive No 1 recreated the first London Underground journey, which took place on 9th January, 1863, on the Metropolitan Line between Paddington and Farringdon, as part of the network’s 150th anniversary celebrations last Sunday. The newly restored locomotive was the last to be built at Neasden in 1898 by the Metropolitan Railway. It was pulling the Metropolitan Railway Jubilee Carriage No 353, the oldest operational underground carriage in existence. Ex Metropolitan Railway electric Locomotive No.12 Sarah Siddons also formed part of the train. The train will also be running this coming Sunday (20th January) and on special occasions throughout this year and is just one of a series of events planned by the London Transport Museum to mark the anniversary of what is the world’s oldest underground railway. They include an upcoming exhibition of London Underground’s poster art (more on that to come). For more, see www.ltmuseum.co.uk. PICTURES: © Transport for London from the London Transport Museum collection.

London-Underground3

Where’s London’s oldest…Thames tunnel?

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While the Greenwich foot tunnel may these days be more well-known due to the fact it is still open to pedestrians, London’s oldest under-Thames tunnel (also credited as the oldest underwater tunnel in the world) actually runs between Rotherhithe on the river’s southern bank and Wapping on the northern.

Thames_Tunnel-in-2010First opened in 1843, the Thames Tunnel (pictured left during a brief reopening to pedestrians in 2010) was the first major project of star Victorian engineer (and delightfully named) Isambard Kingdom Brunel (who, at the age of just 19 started work on the job with his father, a French engineer named Marc Isambard Brunel) and was known for a time as the eighth Wonder of the World.

It was constructed after demand grew for a way to transport goods across the crowded Port of London to the east of London Bridge. Given the height of the masts of larger ships, a bridge was deemed impracticable with the ramps required to take wheeled transport to the necessary height far too long (although this problem was overcome at the end of the 1800s by the use of new bascule technology in the construction of Tower Bridge).

Following several failed attempts to dig a tunnel under the Thames, Marc Brunel was given permission to build the new tunnel in the mid 1820s. The project relied on the use of a ‘tunnelling shield’, a then state-of-the-art technological solution to under river tunnelling which had only a few years earlier been patented by Marc Brunel and Thomas Cochrane, and Brunel initially thought the project would only take three years (it ended up taking as many as 18).

Construction by the newly formed Thames Tunnel Company, which had the support of none other than the Duke of Wellington, commenced in early 1825 at the Rotherhithe end. The shield enabled miners to dig out the tunnel while bricklayers came along behind them. While it significantly reduced the risk of a collapse (although several floods still did occur, taking the lives of six men – a fact which didn’t apparently much deter the sightseers who paid for the privilege of seeing the shield in operation), working conditions remained terrible with the men constantly showered with water from the river which was at that time the city’s main sewer. How many died indirectly as a result of working on the project is unknown.

Brunel-plaqueIndeed, such was the stress of the project that Marc Brunel, later knighted for his efforts in building the tunnel, himself suffered a stroke during its construction. Isambard Brunel, who took over as the project’s engineer when the resident engineer fell ill in 1826, himself came close to being killed when he had to flee the flooding tunnel.

After much delay (including seven years in which the unfinished tunnel was left untouched) and several more disasters, the tunnel was finally completed in November, 1841.

After being fitted out with lighting, spiral staircases and roads in the following years, it was finally opened to pedestrians only on 25th March, 1843. While it was originally envisaged that the primary purpose of the tunnel would be to transport goods under the river, this never occurred.

Still, it did capture the public’s attention and as many as 50,000 people walked through the tunnel on the opening day (among the initial visitors to the tunnel was Queen Victoria herself). Within 10 weeks of its opening, a million people (a figure equal to what was then half the population of London) had reportedly passed through it.

Despite the number of people initially using it, however, the tunnel was still not a financial success and over the ensuing years became noted as a gathering place for unsavoury types. In 1865 it was purchased by the East London Railway Company which subsequently incorporated the tunnel into its railway network with both the Wapping and Rotherhithe entrance shafts converted into stations. It later become part of the London Underground network – the  – and since 2010 has been part of the London Overground.

Both stations are still in use and you can get a good sense of what the tunnel was like by riding the overground between Rotherhithe and Wapping. The Brunel Museum in Rotherhithe – actually housed within a building originally used to house machinery for draining the tunnel – see plaque above – is also a great place to find out more about the project and Brunel. Visit www.brunel-museum.org.uk for details.

PICTURES: Top – Lars Plougmann (Wikipedia)/Other – David Adams

For more on the life of Brunel, see Steven Brindle’s Brunel: The Man Who Built the World.

Exploring London’s 10 most popular posts for 2012 – 4 and 3…

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4. Around London – Olympic Rings unveiled on Tower Bridge; London from above; Blake on Primrose; V&A illustrations; and, Munch at the Tate Modern. More on an Olympic theme.

3. LondonLife – Florence Nightingale remembered. A piece mentioning the annual service at Westminster Abbey commemorating the life of the ‘Lady with the Lamp’. Part of our LondonLife series.

Exploring London’s 10 most popular posts for 2012 – 6 and 5…

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Both of the next two are from our Thursday updates – Around London…

6. Around London: Olympic Torch Relay hits London; mascots pop-up all over the city; and Shakespeare at the British Museum – not a surprising mention, given the Olympic theme;

5. Around London – Butler’s Retreat reopens in Epping Forest; Designs of the Year; and, Lucian Freud’s last work. The reason for this update’s inclusion remains a bit of a mystery – but it was a big year for the late Lucian Freud.

Around London – Christmas at the Tower and Kew Gardens; Old Flo on display; African Diaspora on show at MoL Docklands; and, Mariko Mori at the Royal Academy…

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Victorian-Christmas• The Tower of London is going Victorian this Christmas with visitors able to experience some of what the Yuletide celebrations in the foreboding, much storied buildings were like in the mid-to-late 1800s. Visitors will be shown how many of the Christmas customs we now participate in each year – like writing cards, pulling crackers and the setting up of family Christmas trees – owe their origins to the Victorian era. The Yeoman Warders will be receiving a Victorian makeover and writer of the age – Charles Dickens – will be reciting some of his works before joining in a “raucous” lunch party with some of his fellow writers, artists and benefactors. It’s even rumoured that Queen Victoria and Prince Albert themselves may make an appearance (take that as a given). Bah! Humbug! A Very Merry Victorian Christmas runs from 27th until 31st December. The festivities will all be included in the usual admission price. For more, see www.hrp.org.uk. PICTURE: Nick Wilkinson/NewsTeam.

• Kew Gardens are celebrating Christmas with a host of events including a “Twelve trees of Christmas” family trail. The trail, a map of which can be picked up as you enter, includes facts about trees along the route. Volunteer guides are also leading free tours of seasonal highlights and the Kew Christmas tree can be seen at Victoria Gate. Other festive treats at Kew include the chance to see Father Christmas in his grotto (until Sunday only) and a vintage carousel on the Kew Palace Lawn. Many of the Christmas-related events end on 6th January. See www.kew.org for more.

• A display focusing on the history of Henry Moore’s sculpture, Draped Seated Woman (better known as Old Flo), has opened at the Museum of London Docklands. Henry Moore and the East End provides a glimpse into 1950s East London and looks at why public art was considered important at the time. It features some of the maquettes (scale models) Moore used in creating the piece. The exhibition was opened following a decision by the Mayor of Tower Hamlets, Lutfur Rahman, to sell Old Flo (now at the Yorkshire Sculpture Park) rather than display the artwork in a public space. The move is being contested by the Museum of London Docklands who have offered to put the work on public display. An online exhibition can be seen at www.museumoflondon.org.uk/oldflo and a ‘pop-up exhibition’ on Old Flo will be launched in January. The museum is also encouraging people to tweet their views about the selling of the sculpture under the hashtag #saveoldflo.

• On Now: Take Another Look. Still at the Museum of London Docklands, this exhibition focuses on the visual representation of people from the African Diaspora who were living and working in Britain in the late 18th and early 19th century. The display of 17 exhibits in the London, Sugar and Slavery gallery features prints by artists including Thomas Rowlandson and George Cruikshank as well as newspaper cuttings, mostly dating from 1780-1833, which show black Britons in perhaps what were unexpected roles – soldiers, musicians and sportsmen – during what was the period in which the abolition of slavery occurred. There are a series of events planned around the exhibition which runs until 4th August. Entry is free. For more see www.museumoflondon.org.uk/Docklands/.

• On Now: Mariko Mori: Rebirth. The first major museum exhibition of the New York-based Japanese artist Mariko Mori in London since 1998 has opened at the Royal Academy of Arts in Piccadilly. The exhibition features some of the artist’s most acclaimed works from the last 11 years, many of which have never before been seen in the UK, as well as works created just for the exhibition. Highlights include Tom Na H-iu, a five metre high glass monolith lit by hundreds of LED lights and connected back to the Institute for Cosmic Ray Research at the University of Tokyo; Transcircle, described as a “modern day Stonehenge”; and, Flatstone, an installation of “22 ceramic stones assembled to recreate an ancient shrine”. Runs until 17th February. Admission charge applies. For more, see www.royalacademy.org.uk.

Around London – A West End institution reopens; Barnet’s Foundling Hospital under the spotlight; English landscape masters at the RA…

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• A West End institution which has hosted a who’s who of Londoners – including the likes of Oscar Wilde, Arthur Conan Doyle, Rudyard Kipling and Winston Churchill as well as, more recently, David Bowie, Mick Jagger and Princess Diana – has reopened its doors to the public after a four year redevelopment. Originally opened in 1865 by French wine merchant Daniel Nicholas Thévenon and his wife Celestine, Café Royal at 68 Regent Street – overlooking Piccadilly Circus – has been relaunched as five star hotel featuring more than 150 rooms, six historic suites and a variety of dining venues – including the spectacular Grill Room – as well as a private members club, meeting rooms and wellbeing centre. The redevelopment of this storied building, which centres on the original premises – retaining John Nash’s Grade I-listed facade, has seen the restoration of grand public rooms, originally dating from the 1860s and 1920s, as well as an expansion into neighbouring buildings – all under the watchful eye of David Chipperfield Architects and Donald Insall Associates. For more, see www.hotelcaferoyal.com.

 • One of six small hospitals set up by the Bloomsbury-based Foundling Hospital, the Barnet branch operated in Monken Hadley in west London from 1762-1768. It’s now the subject of one of two new exhibitions which opened at the Barnet Museum at the beginning of the month. The Barnet Foundling Hospital, Monken Hadley, 1762-1768, features a range of objects relating to some of the children placed in the hospital including identifying coin tokens left by mothers, and letters written by manager Prudence West. The exhibition initially runs until 14th January – after which objects will be replaced with prints – and then until 28th February. The second exhibition, Foundling Voices, is on tour from the Foundling Museum and features oral histories of some of the last people to be cared for by the Foundling Hospital in Berkhamsted which closed in 1954. This runs until 13th January. Admission to both is free. For more, see www.barnetmuseum.co.uk.

• On Now: Constable, Gainsborough, Turner and the Making of Landscape. This exhibition, recently opened in the John Madejski Fine Rooms and Weston Rooms at the Royal Academy of Arts, features works of art by three “towering figures” of English landscape painting – John Constable, Thomas Gainsborough and JMW Turner. The 120 works on display includes paintings, prints, books and archival material. Highlights include Gainsborough’s Romantic Landscape (c 1783), Constable’s The Leaping Horse (1825) and Boat Passing a Lock (1826), and Turner’s Dolbadern Castle (1800). There are also works by their 18th century contemporaries and artifacts including letters written by Gainsborough, Turner’s watercolour box, and Constable’s palette. Admission charge applies. Runs until 17th February. For more, see www.royalacademy.org.au.

Around London: Charles Dickens Museum reopens; ‘The History Man’s’ blue plaque; and, a Dandy exhibition at the Cartoon Museum…

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• The only surviving London house lived in by author Charles Dickens – now occupied by the Charles Dickens Museum – reopens on Monday after a £3.1 million restoration and refurbishment. The redevelopment of the Georgian, Grade I listed townhouse at 48 Doughty Street in Bloomsbury – a project named Great Expectations – has seen the museum expand into a neighbouring property at 49 Doughty Street which now houses a visitor and learning centre and cafe. Inside the house itself, the rooms have been returned to their appearance during Victorian times and on display will be some of Dickens’ personal items which haven’t been seen before. They include a set of photographic prints from 1865 which depict a train crash in Staplehurst, Kent, in which Dickens was involved. The museum, which is where Dickens wrote Oliver Twist, Nicholas Nickleby and finished The Pickwick Papers while living here between 1837-1839, was first opened in 1925. This year marks the bicentenary of Dickens’ birth (he was born on 7th February, 1812, in Portsmouth). For more on the museum and upcoming events there (including Christmas performances of A Christmas Carol and a series of special Dickensian Christmas walks), see www.dickensmuseum.com. For more on Dickens, see our earlier special – 10 London sites to celebrate Charles Dickens.

• Historian and broadcaster AJP Taylor, known as ‘The History Man’, has been honoured by English Heritage with a blue plaque placed on his former home at 13 St Mark’s Crescent in Primrose Hill.  Taylor lived at the mid-nineteenth century semi-detached villa between 1955 and 1978 during the height of his fame. First appearing on television as early as 1942, Taylor was a regular on television discussion programmes between the 1950s and 1980s, and is described as one of the first ‘media dons’. He also wrote weekly columns in the press and books including the controversial The Origins of the Second World War. Married three times, he had six children and died of Parkinson’s disease in 1990. For more, see www.english-heritage.org.uk/about/news/?topic=Blue%20Plaques.

• On Now: A Dandy 75th Birthday Exhibition. This exhibition at the Cartoon Museum in Bloomsbury focuses on The Dandy, Britain’s longest running comic (officially recognised by the Guinness Book of Records), and follows its development from its birth with the release of the first issue on 4th December, 1937 (which, incidentally, was so popular it sold 481,895) through to this year’s issues including the final print issue released on 4th December this year (after which The Dandy goes digital). Runs until 24th December. Admission charge applies. For more see www.cartoonmuseum.org.

Around London – Christmas at the Geffrye; a Kensington Palace advent calendar; new furniture gallery at the V&A; and, last chance to see Bronze…

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• Christmas is looming and at the Geffrye Museum in Hoxton that means the museum’s many period rooms have been transformed for the Christmas festivities. The rooms span 400 years of history, from 1600 until today, and show how the middle class have lived over that time. The Christmas display will also provide insights into such Christmas traditions as kissing under the mistletoe, hanging up stockings, sending Christmas cards and decorating trees. The Christmas theme carries through to the restaurant and gift shop. Entry to the exhibition is free. Runs until 6th January. For an online gallery showing some of the rooms, click here. For more on the museum, see www.geffrye-museum.org.uk.

• Meanwhile Kensington Palace is to be transformed into giant advent calendar in the lead-up to Christmas with a daily ‘reveal’ inspired by Princess Victoria’s Christmas diary entries and letters. The halls of the palace will be decorated with 24 specially designed mirrored baubles, Christmas music will be played throughout and a sparkling 25 foot high Christmas tree will be placed in the gardens. As part of the Christmas festivities, an evening of carol singing will be held on 5th December in the King’s Gallery with carols sung by the Hampton Court Palace Royal Chapel Choir. Other events include a Midwinter Masquerade Ball on 13th December and an Eerie Evening Tour on 20th December. For more, see www.hrp.org.uk/KensingtonPalace/.

• A new permanent furniture gallery opens at the V&A this Saturday. The Dr Susan Weber Gallery – the first at the museum dedicated to furniture – will display more than 200 pieces of British and European furniture, spanning a period stretching from the Middle Ages through to present day, as well as examples of American and Asian furniture. Each piece is examined in detail with information provided about the materials and techniques used in creating it. Among the designers represented will be Thomas Chippendale, Grinling Gibbons, Robert Adam, Ron Arad and Tom Dixon. Highlights include a 20th century Frank Lloyd Wright-designed dining chair, a gilded cassone made for the Duke of Urbino in about 1509, and a scagliola decorated table which was formerly at Warwick Castle and dates from 1675. Twenty-five ‘key’ pieces have been selected for a central chronological display including a storage unit by Charles and Ray Eames dating from 1949-50, a Gothic revival cradle dating from 1861 and designed by Richard Norman Shaw and one of the museum’s newest acquisitions, the 2011 ‘Branca’ chair, designed by Industrial Facility. The display includes the use of touch screen interfaces, films and audio recordings. Entry is free. For more, see www.vam.ac.uk.

• On Now: Bronze. Last chance to see this exhibition at the Royal Academy of Arts which closes on 9th December. The exhibition brings together more than 150 of the finest bronzes in the world, spanning 5000 years of history, with many of the pieces on display never seen before in the UK. Among the earliest works are the 14th century BC bronze and gold Chariot of the Sun from Denmark, ancient Chinese ritual vessels including an elephant-shaped vessel dating from the Shang Dynasty (1100-1050 BC) and an Etruscan masterpiece – Chimera of Arezzo, dating from about 400 BC. Other highlights include a Roman cavalry helmet found in Cumbria in 2010 and the Portrait of King Seuthes III, dating from the early Hellenistic period, and found in Bulgaria in 2004 as well as a series of Renaissance bronzes and more recent works like Rodin’s The Age of Bronze (c 1876). Admission charge applies. For more, see www.royalacademy.org.uk.

Around London – Regicides’ rogues gallery; seeing London in extreme detail; Marilyn at the NPG; and, the Middle East at the V&A…

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• A “rogues gallery of regicides”  – six key parliamentarians who signed the death warrant of King Charles I – has been placed online this week by the National Army Museum to mark Parliament Week. The online gallery presents portraits and “potted histories” of the six men who include Oliver Cromwell (later Lord Protector of the Commonwealth, he died before the Restoration), Henry Ireton, John Hutchinson, John Hewson, John Okey and Thomas Harrison (the latter two were captured after the Restoration and rather brutally executed). In September, the museum placed 643 oil paintings from its collection online at the Your Paintings website – a collaboration between the BBC and the Public Catalogue Foundation. The paintings, which span 400 years of military history, can be viewed here: www.nam.ac.uk/your-paintings.

• While we’re looking at things online, photographer Henry Stuart earlier this month placed a GigaPixel image of London as seen from the top of St Paul’s Cathedral’s Dome – more than 100 metres above street level – as the sun sets over the city. Gigapixel means extreme detail so you can zoom in to pick out the details of individual buildings in greater clarity that the human eye can see from such a distance. Landmarks visible include the Olympic Stadium, Buckingham Palace, Westminster Abbey and Wembley Stadium. The picture can be seen here. The image can be compared to a similar image taken at sunset earlier this year (you can see this one here). He’s also taken a GigaPixel image of the St Paul’s interior (see it here). To find out more about Stuart’s work, head to www.sphericalimages.com.

• On Now: Marilyn Monroe: A British Love Affair. This display at the National Portrait Gallery – coinciding with the 50th anniversary of Marilyn’s death – puts a spotlight on her links with the UK and features a range of photographic portraits as well as rare magazine covers, vintage prints, lobby cards and film stills. Monroe, then newly married to playwright Arthur Miller, spent four months in the UK in 1956 during which time she was making the film The Prince and the Showgirl opposite Laurence Olivier. Other events recorded include her meeting with the Queen and a private sitting with the film’s cinematographer Jack Cardiff. Among other images on display are Antony Beauchamp’s 1951 images of Marilyn in a yellow bikini and photographs taken by Cecil Beaton in New York’s Ambassador Hotel in 1956. There is also a selection of magazine covers ranging from a 1947 cover of Picture Post featuring then Norma Jeane Baker to the cover of Town magazine published three months after her death and featuring an image from her last official photo shoot. Runs until 24th March. Admission is free. For more, see www.npg.org.uk. PICTURE: Marilyn Monroe, artwork for The Prince and The Showgirl poster/Courtesy The John Kobal Foundation.

• On Now. Light from the Middle East: New Photography. Described as the “first major museum exhibition of contemporary photography from and about the Middle East”, this exhibition at the V&A features more than 90 works which show creative responses to events which have shaped the region over the past 20 years – including the recent revolution in Egypt. The display is structured around three themes – Recording, Reframing and Resisting – and as many as 30 artists from 13 countries are represented in the display including Abbas (Iran), Youssef Nabil (Egypt) and Walid Raad (Lebanon). Runs until 7th April. Admission is free. For more, see www.vam.ac.uk.