Museums

Around London – Your Roman influences; celebrating the City; and, of Journeys and kinship…

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• The Museum of London is calling on Londoners to submit images showing “Roman influences in London today” as part of its forthcoming Our Londinium 2012 exhibition, a revamping of the museum’s Roman gallery. In what is the largest update made to the museum’s Roman gallery since it opened in 1994, the  reworked gallery looks at parallels between Roman London and the city today and features important Roman artifacts such as a bust of the Emperor Hadrian found on the Thames foreshore (part of the British Museum’s collection, this will be displayed for six months before being replaced by a replica) alongside modern objects such as the V for Vendetta masks worn by protestors in the Occupy movement. The exhibition is being co-curated by young people from Junction, the Museum of London’s youth panel, and they’re calling on people to submit their images showing how the city’s Roman past still resonates even today (see example pictured). For details on how to submit images via email of Flickr, head to www.museumoflondon.org.uk/ol2012map.

• Secrets will be revealed, we’re promised, as part of the City of London’s Celebrate the City: four days in the Square Mile event to be held from 21st to 24th June. Events held in the City our the four days, many of which will be free, include a musical extravaganza to launch the event in Guildhall Yard as well as exhibitions, walks and talks, a chance to explore buildings like Livery Company Halls, the Bank of England and the Mansion House, family entertainment at the Cheapside Fayre and music and activities at sites across the Square Mile including the Barbican Centre, Museum of London and churches. We’ll have more to come on this. For now, head to www.visitthecity.co.uk/culture2012 for more information.

• Architectural historian and former director of the Sir John Soane Museum, Sir John Summerson, has been honored with an English Heritage blue plaque at his former home  London’s north-west. Sir John (1904-1992) lived at the property at 1 Eton Villas in Chalk Farm for more than 40 years. He was the director of the Sir John Soane Museum from 1945 to 1984. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

• Architecture students are being invited to submit designs for a new stone seating area on the City thoroughfare of Cheapside. The winning student will work with trainee masons from the Cathedral Works Organisation and The Mason’s Company with the new seating area unveiled in October. For an application pack and full brief, see For an application pack and full brief, please contact Melanie Charalambous, Department of the Built Environment, City of London Corporation, PO Box 270, Guildhall, London, EC2P 2EJ or call 020 7332 3155 or email stonebench@cityoflondon.gov.uk.

• Now On: Journeys and kinship. This display at the Museum of London Docklands showcases the creative output of a community collaboration project which involved a group of young Londoners working with visual artist Jean Joseph, Caribbean Calypso musician Alexander D Great and Yvonne Wilson from training organisation Equi-Vision. The centrepiece of the exhibition – which explores themes highlighted in the museum’s permanent gallery, London, Sugar and Slavery, on the city’s involvement in the trans-Atlantic slave trade  – is an artwork by Joseph entitled Sales Over Centuries, 2010, which features plaster face casts of 42 people from the African diaspora who were born in or currently live in London. In response to it, the young Londoners have created their own works including face casts, music, film and photography. Runs until 4th November. Entry is free. For more, see www.museumoflondon.org.uk/Docklands/.

Around London – Cutty Sark to reopen next month; Bed of Ware leaves V&A; and, Quentin Blake at the Foundling Museum…

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• London landmark, the 19th century tea clipper Cutty Sark, will reopen to the public on 26th April following a five year, £50 million conservation project. Visitors to the ship will now be able to explore the vessel as well as, for the first time, walk under the ship after it was raised three metres above the dry dock. A glass canopy has been designed to protect the base of the ship’s hull. The Cutty Sark was built in 1869 by ship-builders Scott & Linton at Dumbarton, Scotland, and, one of the last tea clippers built, was designed to move very fast through the water. After the tea trade was taken over by steamers, the Cutty Sark was used to carry more general trade including wool from Australia. Later sold to a Portuguese company and renamed Ferriera, in 1922 Captain Dowman of Falmouth bought the ship and used her in the floating nautical school. Following his death, the clipper was donated to the Thames Nautical Training School at Greenhithe. After the formation of the Cutty Sark Preservation Society in the early 1950s, the ship was moved to Greenwich and permanently installed in a stone dry-dock where the clipper’s appearance restored to that of an active sailing vessel. In November 2006, the ship rig was dismantled in preparation for a full restoration project – this received a set back the following 21st May a fire broke out aboard the ship. But with the restoration now complete, the ship will once again accommodate visitors wishing to explore its 140 year history. For more on the Cutty Sark, see www.cuttysark.org.uk. PICTURE: © Cutty Sark London

• A treasure of the V&A Museum, the 16th century Great Bed of Ware, is being loaned to the Ware Museum, located not surprisingly in the Hertfordshire town of Ware, for a year from early next month. Believed to date from around 1590 and to have been made in Ware, the bed is believed to have been created as a tourist attraction for people traveling the pilgrim route between London and Walsingham or Cambridge University. More than three metres wide, it was said to be able to sleep 12 people and was such an attraction that people apparently stopped in Ware for the night just to sleep in the bed.  It’s even mentioned in Shakespeare’s Twelfth Night – the author has Sir Toby Belch describe a piece of paper as “big enough for the Bed of Ware”. The bed was acquired by the V&A in 1931 and hasn’t left the museum since. For more, see www.vam.ac.uk.

• Now On: Quentin Blake – As large as life. This exhibition at the Foundling Museum in Bloomsbury features more than 60 works by artist Quentin Blake, best known for his illustrations of Roald Dahl’s books and Britain’s first Children’s Laureate. The works – which are recent commissions by UK and French hospitals – are contained in four series of pictures which are displayed throughout the museum. They include Our Friends in the Circus – a 2009 series featuring circus performers, Ordinary Life – a 2o10 series celebrating the “pleasures of everyday life”, the 2007 work Planet Zog – a 2007 series in which aliens and young people swap doctor and patient roles, and Mothers and Babies Underwater – a 2011 series created for a French maternity ward. Admission charge applies. The event draws on the long history of artists’ aiding the work of hospitals and child welfare organisations – including William Hogarth who donated paintings to the Foundling Museum. Runs until 15th April. For more information, see www.foundlingmuseum.org.uk.

Treasures of London – The Battersea Shield…

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Found in the River Thames near Battersea, the Battersea Shield dates from the Iron Age and is believed to have been created for ceremonial or display purposes (which could be read as showing off), rather than for use in warfare.

Made of a thin layer of highly polished bronze featuring 27 studs into which were placed pieces of red enamel (opaque red glass), the bronze sheets would have originally been placed over a wooden shield. It was clearly designed with spectacle in mind and would have been quickly destroyed in any serious battle. The circular patterns housing the red enamel are designed in what is called the ‘La Tène style’, named for an Iron Age site in Switzerland.

The Celtic shield, which the British Museum dates between 350 to 50 BC, is believed to have been deliberately thrown or placed in the Thames, perhaps as a votive offering, and lay there undisturbed until 1857 when it was dredged up off the river bed near Battersea Bridge during bridge construction.

For a more detailed look at the Battersea Shield, see I.M. Stead’s The Battersea Shield. Unfortunately we were unable to secure permission to run an image of the shield so to see an image of the shield, click here.

WHERE: Room 50, British Museum, Great Russell Street (nearest Tube Stations are Russell Square, Tottenham Court Road, Holborn and Goodge Street). WHEN: 10am to 5.30pm daily (Fridays until 8.30pm); COST: Free; WEBSITE: www.britishmuseum.org.

Queen unveils final Jubilee Greenway plaque; a Barbican weekend; and, the Transit of Venus at Greenwich…

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• Queen Elizabeth II this week unveiled the final plaque marking the end of the 37 mile/60 kilometre Jubilee Greenway in front of Buckingham Palace. The circular Greenway – marked by 542 glass plaques – has been created to celebrate the Queen’s Diamond Jubilee. It can be walked or cycled and takes in key sites around London, including Kensington Palace, Regent’s Park, the Thames Barrier and Olympic sites including Greenwich Park (equestrian events), the O2 Arena (hosting gymnastics, trampoline and basketball events) as well as the main stadium at Olympic Park. The Greenway is divided into 10 sections and you can download either the entire walk or brochures for one of the sections only here.

• This weekend sees the Barbican Centre play host to the event known as ‘Barbican Weekender’ – two days of free art, dance, music, theatre and film at the Barbican Foyers. Part of London 2012 Festival, the event’s ‘Freestage’ programme features Roxxxan,Dizralie and the Small Gods, young drummers from East London and performance poetry by the Barbican Young Poets. There’s also street dance classes with Boy Blue Entertainment, the chance to make an Opera in a Day with the Hip Hop Shakespeare Company, a Digital Graffiti wall, street food stalls, the Wah Nails Pop-Up boutique and free running by Streets United. For more, see www.barbican.org.uk/weekender.

• On Now – Measuring the Universe: from the Transit of Venus to the edge of the cosmos. Marking the 2012 transit of Venus, this exhibition at the Greenwich Observatory follows the story of man’s ongoing quest to understand the vastness of space, looking at the people and technologies involved in seeing farther than ever before – from the Astronomer Royal, Edmond Halley, to Captain James Cook and Edwin Hubble and through to the possibilities offered by the Cosmic Microwave Background Explorer. It’s accompanied by a series of talks, observing events – including this month’s Daytime Sky Watch sessions – and a planetarium show. Runs until 2nd September. Admission is free. For more information, see www.rmg.co.uk.

Around London – Butler’s Retreat reopens in Epping Forest; Designs of the Year; and, Lucian Freud’s last work…

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• Epping Forest’s historic Butler’s Retreat has reopened its doors as a cafe following a refurbishment project to restore the building to its former glory. The building was constructed in the 19th century and is one of the last remaining Victorian-era ‘retreats’ within the forest. Named for its 1891 occupier, John Butler, it was one of a number of retreats built to serve refreshments as part of the Temperance movement – said to have been “extremely popular” with visitors from the East End. The building, which now forms part of the Epping Forest visitor hub, is expected to host a range of events this summer and will have its opening hours extended with the slated opening of a restaurant upstairs in the evenings. Owned by the City of London, Epping Forest is the largest public open space in the London area, stretching across 12 miles from Manor Park in East London to a spot past Epping in Essex. The cafe, the refurbishment of which was carried out with funding provided via the Heritage Lottery’s Branching Out project, will be open from 9am to 5pm weekdays and 8am to 5pm weekends. For more on the cafe, see www.worldslarder.co.uk. For more on Epping Forest, see www.cityoflondon.gov.uk/eppingforest

• On Now – Designs of the Year Exhibition: The London Olympic Torch and the Duchess of Cambridge’s wedding dress are among 90 objects nominated as one of the “best designs in the world” in this year’s Design of the Year competition. The objects, which go on display at the Design Museum today, have been entered in seven categories – architecture, digital, fashion, furniture, graphics, product and transport – with winners to be announced on 24th April. Among the other objects nominated are a wind-propelled landmine detector, a pop-up cinema in Hackney, the London 2012 velodrome and the first Tesco virtual store. An admission charge applies for the exhibition which runs until 15th July.  For more information, see designsoftheyear.com.

• On Now – Lucian Freud Portraits. The last work of the late artist Lucian Freud is on show for the first time in this exhibition at the National Portrait Gallery. The unfinished painting, Portrait of the Hound 2011, which depicts Freud’s assistant assistant David Dawson and his dog Eli, is a highlight of the exhibition which also includes works dating back as far as the 1940s. The 130 paintings and works on paper – which feature sitters including artists Francis Bacon and David Hockney along with the likes of Andrew Parker Bowles and Baron Rothschild – have been loaned from museums and private collections around the world. Runs until 27th May, 2012. Admission charge applies. See www.npg.org.uk.

Around London – ‘Cathedral of Middlesex’ to be opened in west London; Roman brothel token on display; wifi in Westminster and Kensington; and, looking at the Hajj at the British Museum…

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• A medieval barn in west London, said to be the “Cathedral of Middlesex”, will open to the public in April. The Grade I listed Harmondsworth Barn was built in 1426 by Winchester College, who owned a manor farm at Harmondsworth, and was used to store grain. Nearly 60 metres long, the roof is held up by 13 massive oak trusses. In 2006, the barn was bought by an off-shore company who subsequently agreed to sell it to English Heritage following the issuing of a notice for emergency repairs. English Heritage say the barn, called the “Cathedral of Middlesex” by the late poet-laureate Sir John Betjeman, will now be “run by and for the local community”. “Harmondsworth Barn is one of the greatest medieval buildings in Britain, built by the same skilled carpenters who worked on our magnificent medieval cathedrals,” says Simon Thurley, chief executive of English Heritage. “Its rescue is at the heart of what English Heritage does – protecting this nation’s architectural treasures and helping people discover our national story through them. We will complete the repair of this masterpiece and working with local people, will open it to the public to enjoy.” For more, see www.english-heritage.org.uk. (Image: Copyright English Heritage; Photographer Boris Baggs).

• The oldest Roman brothel token to have been discovered in London has gone on temporary display at the Museum of London. The token, which may be the oldest of its kind to have been found in Britain (or, indeed, even the only one of its kind ever found in Britain), was known as a spintria and depicts two reclining human figures on one side and the Roman numeral 14 on the other. It was found on the Thames foreshore near Putney Bridge by a mudlarker using a metal detector. Only the size of a 10 cent piece, its use remains something of a mystery – it may have been exchanged for sexual services or used as gaming piece. The token is on display at the museum until April. For more, see www.museumoflondon.org.uk.

• Free wifi is being rolled out across Westminster, Kensington and Chelsea as part of deal between Westminster City Council, the Royal Borough of Kensington and Chelsea and network operator, O2. The network, installation of which began last month, is initially being rolled out in a limited number of areas but will eventually cover all of the boroughs and create the largest free wireless hub in Europe.

• Now On: Hajj: journey to the heart of Islam. This exhibition at the British Museum is the first to focus on the pilgrimage to Mecca in Saudi Arabia – a central tenet of the Islamic faith. Organised in partnership with the King Abdulaziz Public Library in Riyadh, it’s based around three central themes: the pilgrim’s journey to Mecca with an emphasis on the major routes taken; the Hajj today and its associated rituals; and the origins and importance of the Hajj to Mecca. Objects featured in the exhibition include a seetanah which covers the door of the Ka’ba as well as gifts offered to the sanctuary and souvenirs taken back home. It’s the first of three exhibitions at the British Museum focused on spiritual journeys. Runs until 15th April. Admission charge applies. For more, see www.britishmuseum.org.

Exploring London’s 10 most popular posts for 2011 – Numbers 2 and 1…

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And so we come to it – the most popular posts on Exploring London this year – one of which is perhaps surprising, the other of which not!

2. Treasures of London – The Cheapside Hoard: A look at the “greatest find of Jacobean and Elizabethan jewellery ever made”, much of which is now held at the Museum of London;

1. The Royal Wedding – Eight curious facts about Royal Weddings past and present: Perhaps not a surprising winner, given the worldwide interest in 2011’s Royal Wedding, this post looked at some of the stranger facts surrounding royal weddings in Britain in the relatively recent past.

And that brings our countdown to an end. Our usual coverage resumes next week…

Exploring London’s 10 most popular posts for 2011 – Numbers 10 and 9…

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As we approach the end of the year, we’re taking a look back at our 10 most popular posts for 2011. We start the countdown with numbers 10 and 9…

10. LondonLife – The Royal Menagerie: in which, inspired by what was a new exhibition at the Tower of London, we take at the Royal Menagerie kept there by England’s monarchs for more than 600 years;

9. Treasures of London – Admiral Lord Nelson’s coat: part of a series looking at some of the many, many ‘treasures’ of London, this piece focused on the coat which Admiral Lord Nelson when he was fatally shot aboard the HMS Victory during the Battle of Trafalgar and which can now be seen at the National Maritime Museum in Greenwich (complete with bullet hole).

Stay tuned by numbers 8 and 7 tomorrow. We love to hear from you if there was a particular post that was your favorite. Leave your comment below…

Around London – Lloyd’s gets Grade I; 700,000 historic items online in NT database; and, introducing the Silverdale Hoard…

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• London’s iconic Lloyd’s Building (also known as the ‘inside out’ building thanks to a design in which utility pipes, lifts and stairways are exposed on the outside) has been listed as a Grade I building, becoming the youngest building to be granted such status. John Penrose, Minister for Tourism and Heritage, made the decision following advice from English Heritage. Roger Bowdler, English Heritage’s designation director, said he was “delighted” at the decision. “Its listing at the highest grade is fitting recognition of the sheer splendour of Richard Rogers’s heroic design. Its dramatic scale and visual dazzle, housing a hyper-efficient commercial complex, is universally recognised as one of the key buildings of the modern epoch.” The futuristic-looking building is one of very few post war buildings to be protected with a Grade I listing. Construction of the tower started in 1981 and was largely completed by May 1984. It was occupied two years later. As well as its futuristic exterior, the building also features a nod to the past with the Adam Room, which dates from the 1760s and was moved here intact from which was moved from Bowood House in Wiltshire. The building is also home to the Lutine Bell, which comes from a French frigate captured by the British in 1793, and was rung to herald important announcements (today these are generally only ceremonial). The history of Lloyd’s goes back to 1688 when it’s believed the first Lloyd’s Coffee House opened in Tower Street.

• More than 700,000 objects in the care of the National Trust can be accessed virtually via a new online database. The database, accessed via www.nationaltrustcollections.org.uk contains details of more than 700,000 objects – everything from artworks by Gainsborough to a laudanum bottle containing remnants of poison and the cotton underwear of a grocer – currently housed at more than 200 properties as well as in storage or on loan to other organisations. Highlights include a costume made from beetle wings for the actress Ellen Terry, an early anti-aging ‘machine’, a furnished Victorian dolls house from Uppark House in West Sussex, and a Bible reputed to have been used at the execution of King Charles I from Chastleton House in Gloucestershire. The database has been in development for 15 years and the work to develop it will continue.

• A 1,100-year-old collection of Viking Age objects including silver arm-rings and brooch fragments and coins from the Silverdale Hoard – found in Silverdale, Lancashire, in September – has gone on display in room 2 of the British Museum until early in the New Year. Among the 200 objects in the hoard is a type of coin not seen before and bears the inscription Airdeconut which appears to be an early attempt to represent the name Harthacnut. Lancaster City Museum has reportedly expressed an interest in acquiring the hoard. For more, see www.britishmuseum.org.

Around London – Dickens at the Museum of London; looking at Leicester Square’s past; Mr Chinnery’s art; and, Wellcome’s Miracles & Charms…

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• Dickens fever is well and truly upon us in the lead-up to the bicentenary of his birth in February and tomorrow the Museum of London opens its own unmissable exhibition, Dickens and London. Displays centre on the relationship between Dickens and the city and visitors will be able to follow in the great novelist’s footsteps as they visit some of the places which sparked his imagination as well as confront some of the great social issues of the 19th century – including childhood mortality, prostitution and poverty – and be taking on a tour of some of the age’s greatest innovations – everything from railways and steamboats to the Penny Post. Among the objects on display will be Dickens’ writing desk and chair, his bank ledger, excavated items from Jacob’s Island, a notorious slum which was located near Bermondsey, and manuscript pages describing an East End opium den which was featured in Dicken’s unfinished novel, The Mystery of Edwin Drood (this, along with William Powell Frith’s celebrated portrait of the author, are being lent by the Victoria and Albert Museum). The exhibition also features a specially commissioned film looking at London after dark in Dickens’ time and today. Costumes from the upcoming BBC One drama series, Great Expectations, will also be on display and there is also a specially commissioned window display by acclaimed creative director and set designer Simon Costin showing a wintery London in the mid-19th century. The museum is also offering a new iPhone and iPad graphic novel app, Dickens: Dark London, which will take users on a “journey through the darker side” of Dickens’ London. Opens on 9th December (tomorrow) and runs until 10th June, 2012. Admission charges apply. For more, see www.museumoflondon.org.uk. For more on Dickens, see www.dickens2012.org. PICTURE: Dickens Dream by Robert William Buss (Courtesy Museum of London).

• New hoardings have gone up at Leicester Square celebrating the area’s history as work continues on an £18 million plan by Westminster City Council to revitalise the Leicester Square streetscape. The more than 160 square metres of hoardings feature 11 images spanning a period of 250 years (and selected from thousands of archive images of the square). Meanwhile in Trafalgar Square, the famous Norwegian Christmas Tree was lit in a ceremony last Thursday. The tree is an annual gift from the people of Oslo as thanks for British support during Norway’s years of occupation in World War II. It will be lit from noon until midnight every day until 6th January.

• And, briefly…..London’s Kew Gardens has been voted the top visitor attraction in Britain at the British Airways magazine travel award while the London Eye and Tate Modern came runner’s up…..Figures released to mark the 10th anniversary of free admission to England’s national museums show that visitor numbers to the museums have more than doubled over the past decade…..and, the first woman Tube driver, Hannah Dadds, reportedly died at the age of 70.

• On Now: The Flamboyant Mr. Chinnery: An English artist in India and China. This exhibition at Asia House in New Cavendish Street in the West End, focuses on the work of 19th century artist George Chinnery and features landscapes and portraits he painted while in China and India. Runs until 21st January. Admission is free. For more, see www.asiahouse.org.

• On Now: Miracles & Charms. The Wellcome Collection is hosting this exhibition which features two shows – Infinitas Gracias: Mexican miracle paintings, the first major exhibition of Mexican votive paintings outside of Mexico, and Charmed life: The solace of objects, an exhibition of unseen London amulets from Henry Wellcome’s collection. Runs until 26th February, 2012. For more, see www.wellcomecollection.org.

Around London – New Year’s Eve fireworks; a Resurrectionist diary; and, Russian architecture at the Royal Academy…

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• Plans for this year’s New Year’s Eve fireworks – marking the beginning of the year in which London hosts the Olympic and Paralympic Games – have been announced by the Mayor of London, Boris Johnson. The EDF London Eye on South Bank will once again form the focus of the fireworks display and those wishing to attend have been warned to take their places early with some areas filling up by 9pm or 10pm. Parents with young children are advised to consider attending fireworks displays closer to home (for more, see www.london.gov.uk/newyearseve). The display will be followed by a parade on New Year’s Day (for more, see www.londonparade.co.uk). Meanwhile, the annual Christmas Tree lighting ceremony will take place next Thursday. The tree is a gift from the people of Oslo, the Norwegian capital, given annually for more than 60 years in recognition of Britain’s support during World War II.

• On Now – The Diary of a Resurrectionist. This month marks the 200th anniversary of an intriguing diary which offers insights into the work of a group of grave robbers and to mark the moment, the Hunterian Museum at the Royal College of Surgeons of England is hosting an exhibition featuring extracts from the diary and charting the rise and fall of grave robbing. The exhibition, which is being hosted in the Library Reading Room, runs until 22nd December. There is a special lecture by Kirsty Chilton at the museum from 7pm tonight (24th November, entry fee applies). For more, see www.rcseng.ac.uk/museums/exhibitions/index.html.

• On Now – Building the Revolution: Soviet Art and Architecture 1915-1935. The Royal Academy of Arts is hosting this exhibition which looks at the avant-garde architecture which appeared in Russia from 1922 to 1935, and its design origins in the earlier flowering of Constructivisit art which emerged around 1915. Large scale photographs, taken by Richard Pare, are juxtaposed with relevant Constructivisit drawings and paintings as well as vintage photographs. A reconstruction of Vladimir Tatlin’s Monument to the Third International (known as Tatlin’s Tower) has been built in the Annenberg Courtyard to coincide with the exhibition. Runs until 22nd January. Admission charge applies. For more, see www.royalacademy.org.uk.

Around London – New picture gallery at V&A; remembering the 5th of November; War Horse – the exhibition; and, celebrating Private Eye…

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• The Victoria and Albert Museum has opened a new permanent gallery displaying highlights from its internationally renowned collection of photographs in what amounts to a chronicle of the medium stretching from its invention in 1839 to the 1960s. The gallery, which opened in late October, initially features works such key figures as Henri Cartier Bresson, Man Ray, Alfred Stieglitz, Diane Arbus and Irving Penn. Among highlights are the oldest photograph in the V&A’s collection – a daguerrotype of Parliament Street taken from Trafalgar Square in 1839, a Robert Howlett portrait of Isambard Kingdom Brunel standing in front of the Great Eastern, and an early botanical photography taken without a camera in 1854. The display also includes two “in focus” sections, looking at the lives of two photographers – initially British photographer Julia Margaret and the influential Henri Cartier-Bresson – in depth. The V&A was the first museum to start collecting photographs when it did so in 1856. Entry is free. For more, see www.vam.ac.uk.

• Remember, remember, the 5th of November! This weekend is Bonfire Night (aka Guy Fawkes Night) and across London communities will be gathering around bonfires to gasp at fireworks displays. We don’t have the capacity to collect all the details of where they’re taking place but thankfully the people at View London do. Follow this link to see its listing of where fireworks displays are taking place. To see our previous entry looking at the origins of the night, follow this link. For more on the Gunpowder Plot, see our previous entry here.

• On Now – War Hose: Fact & Fiction. A book, a long running stage performance and a soon to be released film, War Horse is now also the subject of a major exhibition at the National Army Museum. War Hose: Fact & Fiction is a family-friendly exhibition which tells the real-life story of horses in war and includes archive material from the animal charity The Brooke, which was founded after Dorothy Brooke rescued some former war horses being sold into a life of hard labour in Cairo (Brooke, who rescued some 5,000 horses, went on to found the Old War Horse Memorial Hospital in Cairo in 1934). The exhibition also features content from Michael Morpurgo, author of the novel War Horse, as well as the National Theatre’s production and the upcoming Spielberg-directed movie. Entry is free. Runs until August 2012. For more, see www.nam.ac.uk.

On Now: Private Eye: The First 50 Years. A celebration of the irreverent Private Eye magazine which, since it was founded in October 1961, has distinguished itself through a combination of satire and hard-hitting journalism. The exhibition features more than 120 of the magazine’s funniest cartoons and a display of the magazine’s distinctive covers with one of from each year chosen by editor Ian Hislop. It also shows how surprisingly low-tech the magazine’s production remains despite great changes in technology, and there’s a recreation of the editor’s Soho office. Admission is free. Runs until 8th January. For more, see www.vam.ac.uk.

Around London: Taking to the skies over the Thames; a new plumber in Cannon Street; and, new images of war at IWM…

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• The proposed cable car crossing of the Thames will be sponsored by airline Emirates in a 10-year, £36 million deal announced last Friday. To be known as the ‘Emirates Air Line’, the cable car will link the DLR station Royal Victoria with the Jubilee Line station North Greenwich and will involve the creation of two new cable car stations bearing the sponsor’s name – Emirates Greenwich Peninsula on the south bank and Emirates Royal Docks on the north. It is the first time a corporate brand will appear on the Tube map. Transport for London has said the new service could be operational by summer 2012 (although whether it will be ready for the Olympics remains uncertain). It will feature 34 cable car gondolas and ferry as many as 2,500 passengers across the river every hour with an expected two million passengers to use the service each year. The journey is expected to take five minutes and will see the gondolas travelling at a height of 160 feet above the river. The sponsorship deal was announced by the Mayor of London, Boris Johnson, along with Tim Clark, president of Emirates Airline, and Mike Brown, managing director of London Underground and Rail.

• The Duke of Gloucester unveiled a new statue, called Plumber’s Apprentice, at Cannon Street Station last week to mark the 400th anniversary of the granting of a Royal Charter to London’s Worshipful Company of Plumbers. Sculpted by Martin Jennings (he also created the statue of British poet Sir John Betjeman that now stands in St Pancras Station), the seven foot tall bronze statue is said to underline the livery company’s ongoing commitment to train young plumbers. The company, which was formed in 1365, received its charter from King James I in 1611. From 1690, following the destruction of the company’s previous hall in the Great Fire of London, it was based in a building on the site of the railway station. In 1863, it was forced to again move when the hall was compulsorily purchased to make way for the railway. Also present at the unveiling were the Lord Mayor of London, Michael Bear, and the Lady Mayoress, herself a sculptress and liverymen of the Worshipful Company of Plumbers. For more, see www.plumberscompany.org.uk.

• On now: Shaped by War: Photographs by Don McCullin. The Imperial War Museum is hosting the largest ever exhibition of the life and works of acclaimed photographer Don McCullin. The display features some 250 photographs including rarely seen before portraits of anonymous victims of war, contact sheets, objects, magazine and personal memorabilia. Conflicts covered include those of the Cold War, in places like Vietnam and Cambodia, Bangladesh and the Middle East – the latter include images from the Gulf War and the 20o3 invasion of Iraq. There is also a newly commissioned video in which McCullin talks about the exhibition. Runs until 15th April, 2012. An admission charge applies. For more, see www.iwm.org.uk.

Around London: The East India Company at National Maritime Museum; Open days at London Transport Museum’s depot; and, Atkinson Grimshaw at the Guildhall Art Gallery…

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• The National Maritime Museum in Greenwich has launched five month-long festival looking at the East India Company and the mark it’s left on London and the world. The festival, which was launched late last month as a new gallery, Traders: The East India Company and Asia, opened its doors at museum, features musical performances, film screenings, games, discussions, story-telling and debates surrounding the company and its legacy as well as ‘curry and a pint’ nights and tea parties. Also included are two days of celebrations marking Diwali, the Hindu Festival of Lights, on 12th November, and Chinese New Year on 18th February. For more on the events and the museum, see www.nmm.ac.uk.

• London Transport Museum’s Depot in Acton is holding a family open weekend this Saturday and Sunday with ‘make and take’ workshops, object handling sessions and rides on the open air miniature railway and life-sized heritage vehicles. Among those on hand to answer all your questions will be London’s Emergency Response Unit. Open between 11am and 5pm both days (last admission 4pm). An admission charge applies. To book or to find out more information, see www.ltmuseum.co.uk/whats-on/museum-depot/events.

• On Now: Atkinson Grimshaw: Painter of Moonlight. The first major show of Grimshaw’s work for more than 30 years, this exhibition at the Guildhall Art Gallery includes more than 60 paintings from his earliest Pre-Raphaelite inspired landscapes to the Impressionist style seascapes of his last years along with drawings, manuscripts and photographs on loan from public and private collections and descendants of the artist. Grimshaw (1836-1893) was a popular Victorian artist known for his evocative scenes of the urban environment at night and for his landscapes. Runs until 15th January (admission charge applies). There is also a special late viewing (the gallery’s first) on 21st October. For more on the exhibition, see www.guildhallartgallery.cityoflondon.gov.uk/gag/.

Around London: Talking rubbish; Conan Doyle’s lost manuscript; John Martin’s apocalypse; and, Postmodernism at the V&A…

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• Twenty-five talking rubbish bins will be installed in Westminster City Council area as part of a campaign to encourage people to use them more. The rubbish bins, which will look no different from normal bins, will start chatting from 13th October and will be in London for two months before embarking on a UK tour after which they may become permanent fixtures. Each bin will have a unique respond when used – from singing a part of the Hallelujah Chorus to a blast of the trombone and will be tailored to suit their location (Covent Garden’s, for example, will be operatic in nature). The talking bins, which are also being trialled in Liverpool, are being put on the streets as part of Keep Britain Tidy’s Love Where You Live initiative.

• A hitherto unpublished novel by Arthur Conan Doyle – creator of Sherlock Holmes – was published by the British Library this week. The Narrative of John Smith was Conan Doyle’s first novel and was written between 1883 and 1884 but the manuscript was lost on the way to the publishers. Conan Doyle rewrote it from memory but never resubmitted the work for publication. It serves as a rare insight into his creative development prior to his writing of more famous works like those featuring Holmes (the new book and an audio CD featuring Robert Lindsay, are available from the library shop). The library is also hosting an exhibition of related items in the Treasures Gallery, including one of the four notebooks that comprise the manuscript of The Narrative of John Smith, letters Conan Doyle wrote to his mother, and a “scientific and monthly magazine” he created when he was just 16. The exhibition is open until 5th January. The library is also hosting an event in which author Anthony Horowitz – commissioned by the Conan Doyle Estate to write a new Sherlock Holmes novel, The House of Silk, which will be published in November – will talk about his work and the new novel. To be held on 27th November from 2.30pm to 4pm (admission charge applies). For more, see www.bl.uk.

• On Now: John Martin: Apocalypse. The Tate Britain is hosting an exhibition featuring the works of nineteenth century British artist John Martin, in the first show dedicated to his works in more than 30 years. While something of an outsider, Martin was a key figure in the art world of his day, known for his “dramatic scenes of apocalyptic destruction and biblical disaster”. The exhibition brings together some of his most famous paintings as well as previously unseen and newly restored works. Admission charge applies. Runs until 15th January. For more, see www.tate.org.uk/britain/.

• On Now: Postmodernism: Style and Subversion 1970-1990. An “in-depth survey of art, design and architecture of the 1970s and 1980s”, this exhibition at the Victoria & Albert Museum shows how postmodernism evolved from being merely a provocative architectural movement in the 1970s through to ideas that went on to broadly influence popular culture – everything from art and film to music and fashion. The exhibition is divided into three broad chronological sections – the first focuses on architecture, the second on the “proliferation of postmodernism through design, art, music, fashion, performance, and club culture during the 1980s” and the third on the “hyper-inflated commodity culture of the 1980s”. Admission charge applies. Runs until 15th January, 2012. For more, see www.vam.ac.uk.

LondonLife – A last chance to experience Australia at the British Museum…

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An Australian landscape constructed in the forecourt of the British Museum as part of the museum’s Australian Season. The landscape takes the intrepid on a journey across the vast Australian continent through the arid red desert of the red centre to the granite outcrops of the country’s west coast. The plants include iconic Australian flora such as the kangaroo paw, wattle, coast banksia, gums and ferns as well as a Wollemi pine. The landscape is the fourth created in the museum’s forecourt under a partnership with the Royal Botanic Gardens, Kew. But time is running out to see it – the garden will disappear on 16th October. Other events held at the museum as part of Australian Season have included an exhibition of Australian artworks and handcrafted baskets. Admission to the garden is free. For more, visit www.britishmuseum.org.

Around London – Design Festival in full swing; museum acquires rare merchant figure; Olympic medals on display; and, remembering Polish, Czech and Slovak airmen…

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• The London Design Festival is in full swing in London this week with more than 250 events taking place across the city over its 10 days. Launched last Saturday, the festival runs until Sunday and there’s still plenty of time to get involved. Among the highlights is a series of events, workshops and talks being held at the Victoria & Albert Museum (where you can also see 12 specially commissioned installations, one of which sees the museum’s grand entrance transformed with a sculptural form), a series of shows focusing on design in six London “design districts” – Brompton, Pimlico Road, Covent Garden, Fitzrovia, Clerkenwell and Shoreditch, and a broad program of ‘partner’ and ‘international’ events – everything from a festival featuring African-Caribbean design through to an exhibition of experimental chairs by the Danish Cabinetmaker’s Association. To find out more, simply head to www.londondesignfestival.com.

• The Museum of London has announced the purchase of a rare 18th century clay figure of London druggist and tea merchant Thomas Todd. The figure, which was acquired with the help of the Art Fund and MLA/V&A Purchase Grant Fund,  is one of only two known portrait works attributed to the Chinese artists Chitqua on show in Britain. The figure, which is made from unfired clay held together by bamboo and brightly painted, was acquired from Todd’s great, great, great, great grand nephew, Thomas Todd, and will appear shortly in the Expanding City Gallery in the Galleries of Modern London. Based in Fleet Street, Pat Hardy, the museum’s curator of paintings, prints and drawings, says Todd “epitomised the kind of business acumen which ensured the growth of Britain’s industrial, mercantile and commercial empire in the eighteenth century”. For more, see www.museumoflondon.org.uk

• The British Museum has opened an exhibition giving the public their first chance to see next year’s Olympic and Paralympic Games medals. Medals have been awarded at the Olympic Games since the first modern games were held in 1896. The latest Olympic medals were designed by jeweller David Watkins, for many years Professor of Goldsmithing, Silversmithing, Metalwork and Jewellery at London’s Royal College of Art, while the latest Paralympic Medals were designed by jeweller Lin Cheung, a senior lecturer for Jewellery Design at London’s Central Saint Martins College of Art and Design. The exhibition tells how, using minerals mined in the US and Mongolia (Rio Tinto is sponsoring the exhibition), the medals were produced at the Royal Mint in Llantrisant, South Wales. Mine to medals: the London 2012 Olympic and Paralympic Games medals runs until 9th September next year. Admission is free. For more, see www.britishmuseum.org.

• On Now: Brothers in Arms – Airmen of Poland and Czechoslovakia in the Battle of Britain & Beyond. The Royal Air Force Museum in Colindale, north London, is hosting an exhibition looking at the contribution of Polish, Czech and Slovak airmen in the Battle of Britain and their life afterwards. Curated in association with the Polish Institute of National Remembrance, the exhibition features drawings, archival film footage and sculpture as well as uniforms, diaries and combat reports. Opened by Poland’s Foreign Affairs Minister Radoslaw Sirkorski (who later attended the annual banquet held in honor of the Veterans of the Battle of Britain), it runs until 4th March, 2012. Entry is free. For more, visit  www.rafmuseum.org.uk.

Famous Londoners – Captain Thomas Coram

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A ship-builder and New World colonist of some renown, Thomas Coram is primarily remembered now as the founder of London’s Foundling Hospital.

While details of Coram’s early life are sketchy, it is known that he was born in Dorset, possibly in Lyme Regis, in 1668 and was believed to be the son of a merchant seaman, John Coram.

Coram’s mother apparently died while he was still young and he went to sea at the age of just 11. Following his father’s remarriage, however, the family moved to Hackney in East London and it was after that move that Coram was apprenticed to a shipwright working beside the Thames.

In 1694, having previously worked for the Government auditing troop and supply ships, a group of merchants asked Coram to establish a new shipyard in Boston, Massachusetts. He did so and spent the next 10 years building ships in Boston and Taunton. But, a staunch Anglican living among Puritans, he apparently make some enemies while doing so (this led to lawsuits and even apparently an attempt on his life). It was during this time that he also married a Bostonian, Eunice Wait.

Following his return to England in 1704, Coram found further success as a merchant and was soon commanding merchant ships during the War of the Spanish Succession (it is believed it was during this time that he acquired the title of captain). Throughout the following years he continued to conduct business in the New World colonies – particularly Massachusetts and Maine – as well as in London.

It was after he had moved to Rotherhithe in 1719 that Coram’s eyes were opened to the plight of abandoned children – he would apparently see them when travelling into London – and, his heart obviously moved, he began to advocate for the creation of a foundling hospital similar to those he had seen on the continent during his travels.

While his efforts initially came to nothing, Coram eventually received the backing of Queen Caroline, wife of King George II – an important step for the plain-speaking seaman. Having presented numerous petitions to the king, His Majesty finally signed the Foundling Hospital Charter on 14th August, 1739. The first meeting of the governors – which included notables such as artist William Hogarth and prominent physician Dr Richard Mead – was held at Somerset House that November.

A temporary hospital opened it’s doors at Hatton Garden on 25th March, 1741, and the first foundlings were baptised Thomas and Eunice Coram. But it was only four and a half years later – in October, 1745 – that a purpose-built hospital opened its doors in an area known as Bloomsbury Fields. As well as Hogarth (who painted Coram in 1740 – the picture can still be seen in the Foundling Hospital today), the hospital also attracted the support of composer George Frideric Handel.

Coram’s role in the governance of the hospital effectively came to an end in 1741-1742 (he is said to have made some indiscreet comments about some of his fellow governors) but – despite being still engaged in numerous business activities – he continued to visit the hospital regularly and, as well as being Godfather to more than 20 of the foundlings, the story goes that he found the time to sit in an arcade at the hospital and pass out pieces of gingerbread to the children.

Captain Thomas Coram died on 29th March, 1751, in lodgings on Spur Street near Leicester Square (his wife Eunice had died earlier, in July 1740, and the couple had no children). He was buried in the Foundling Hospital chapel.

One of the best places to visit to find out more about Captain Coram and his life is the Foundling Museum, housed in part of the former hospital. For our previous story on the hospital, follow this link. A statue of Coram (pictured above) stands outside in Brunswick Square.

Around London – Open House London; Magna Carta on display; Fashion Week photography; and, Henry Moore returns to Greenwich…

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• It’s Open House London weekend again and there’s scores of properties across the city which will be opening their doors to allow the curious a rare glimpse inside. The properties which will be open include architect’s homes and cutting edge housing as well as historic city landmarks, landscape projects and government buildings (including the Foreign Office & India Office – pictured). Other highlights of this year’s event – conducted under the theme of ‘The Liveable City’ –  include a night hike, a festival aimed at kids and families, talks, walks and cycle tours and competitions. Among the buildings flinging their doors wide are Lambeth Palace, home of the Archbishop of Canterbury, livery company halls, the newly reopened St Pancras Renaissance Hotel and the Bevis Marks Synagogue in the City. Most properties can simply be visited on a first come, first in basis but some do require advance booking so check before you go. Open House London was first started 19 years ago and has since spread to many other cities around the world including New York, Jerusalem and Helsinki. For more information and to purchase an online guide, see www.londonopenhouse.org. PICTURE: (c) Nick Woodford.

• King Edward I’s Magna Carta will go on show at the Guildhall Art Gallery in the City this weekend, presenting a rare opportunity to see this pivotal document. The City of London Corporations 1297 Magna Carta – regarded as one of the finest 13th century copies – will be on display in the Roman Amphitheatre during Open House London. The document features King Edward I’s seal and the original writ to the Sheriffs of London ordered that the charter be promulgated within the City. Admission over the weekend is free. For more see, www.guildhallartgallery.cityoflondon.gov.uk/gag/

 

• The Museum of London has launched an online collection of early Twentieth century fashion photographs to coincide with London Fashion Week. The more than 3,000 glass negative plates come from the collection of Bassano Limited, founded by Italian-born Alexander B. Bassano, and were taken between 1912 and 1945. They record a wide range of fashions as well as designers and retailers and can be accessed via the Museum’s Collections online web portal. Meanwhile, the museum is hosting it’s first ever professional catwalk show on Friday night. It features the works of Christopher Raeburn. For more, see www.museumoflondon.org.uk.

• A Henry Moore sculpture, Large Standing Figure: Knife Edge, has been returned to Greenwich Park, more than four years after it was removed. The almost five metres tall sculpture, made by Moore in 1976, was originally placed in the park in 1979 but was removed for conservation in early 2007 before joining a Moore exhibition at Kew Gardens and then forming part of the Henry Moore display at the Yorkshire Sculpture Park. The bronze, on loan from The Henry Moore Foundation for two years, has now been returned to its original location between The Avenue and Croom’s Hill Gate.

10 small (and fascinating) museums in London…10. The Horniman Museum

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For the last in our series on small (and fascinating) museums, Exploring London visited the Horniman Museum, an eccentric collection of artifacts based in south-east London.

The museum started life as the personal collection of wealthy 19th century tea merchant, philanthropist and MP Frederick John Horniman. Horniman, who started collecting in the 1860s, opened his house in Forest Hill to the public so people could come and view his collection. But as the number of objects in the collection increased, he decided to construct a purpose-built museum and in 1898 commissioned architect Charles Harrison Townsend to design it.

The new art deco museum building – which includes a landmark clocktower – opened in 1901 and, along with 16 acres of gardens, was given to the people of London. While further buildings were added over the ensuing century (including in 1911 when Horniman’s son Emslie donated a new building), some of these later additions were demolished in the late Nineties and a new extension built which was opened in 2002.

These days Horniman’s original collections only make-up around 10 per cent of the 300,000 objects in the museum. The artifacts are grouped in a series of thematic galleries. Among them is a Natural History Gallery containing stuffed specimens and models of animals ranging from the Dodo (extinct since 1680) to the yellow-bellied pangolin (which rolls into a prickly ball when threatened).

Other galleries include the stunning African Worlds Gallery, housing everything from a display of Ethiopian crowns, a series of plaques from Benin depicting scenes from the country’s history, 25 kilogram Bwa plank masks, and macabre Midnight Robber head-dresses from Trinidad as well as the Music Gallery which contains an amazing array of instruments old and new, including a monster 6’6” tall tuba and a Tibetan trumpet made from a femur.

There is also the Centenary Gallery which contains a display of Horniman’s original artifacts and new finds – everything from American Indian head-dresses to a Burmese Buddhist shrine and a fake torture chair which was once claimed to have dated from the Spanish Inquisition but is actually believed to have been assembled in the 19th century.

The site also includes an aquarium (an entry fee applies) and spaces for special exhibitions – these currently include The Art of Harmony, which brings together musical instruments from the Horniman and some on loan from the V&A, and Bali: Dancing for the Gods, which explores Balinese dance culture and dance (this is free with the aquarium ticket or an entry fee applies).

There’s also a shop, cafe and gardens to explore (although the latter are currently undergoing redevelopment, meaning of the gardens are currently not accessible).

This quirky museum – aptly once known as a “cabinet of curiosities” – will reward any visitor. As Horniman himself said in a quote which appears in the museum: “Those who use their eyes obtain the most enjoyment and knowledge. Those who look but do not see go away no wiser than they came.”

This is the last in our series on 10 small (and fascinating) museums. Given the number of museums we haven’t yet mentioned, we’ll be running another such series in the future. Next week we start a new Wednesday series on Royal Parks.

WHERE: Horniman Museum, 100 London Road, Forest Hill (nearest station is that of Forest Hill – both Overground and South-Eastern); WHEN: 10.30am to 5.30pm; COST: Free (with the exception of the aquarium and some special exhibitions – the aquarium is £2.50 an adult/£1.20 a child aged 3 to 16/ £5.50 a family; WEBSITE: www.horniman.ac.uk