Where is it? #72…

Where-is-it--#72

Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Jameson, this is indeed the steeple of the church of St Mary Magdalen Bermondsey, located in Bermondsey Street. The first record of the church dates from about 1290 when the church belonged to the Prior and Convent of Bermondsey, although a church did apparently exist some time prior. The current building largely dates from around 1690.

Around London – Reclaiming Castiglione; transport open weekend; and, Australia at the RA…

Oriental The UK’s first major exhibition on the work of the innovative but violent 17th century artist Giovanni Benedetto Castiglione opens tomorrow at the Queen’s Gallery next to Buckingham Palace. The exhibition, which features 90 drawings and prints from the Royal Collection, is aimed at re-establishing Castiglione as one of the greatest artists of the Baroque period, thanks to his being credited with creating huge drawings in oil directly on paper, producing about 60 etchings and inventing the technique of monotype. Works include his monotype prints Head of an oriental (late 1640s) and The Nativity with angels (about 1655), a translation of Titian’s Sacred and Profane Love and drawings like Circe with the companions of Odysseus transformed into animals. Castiglione’s “nomadic” career was marred by his violent temperament – he was repeatedly before the courts for assaulting people, apparently tried to throw his sister off a roof and was forced to leave Rome because, it is believed, he had committed murder. Castiglione: Lost Genius runs with Gifted: From the Royal Academy to The Queen, an exhibition of prints and drawings given to the Queen by Royal Academicians to mark her Diamond Jubilee, until 16th March. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Giovanni Benedetto Castiglione, The head of an oriental, late 1640s. Royal Collection Trust/©Her Majesty Queen Elizabeth II 2013.

The restored Met Locomotive 1 and the Victorian Jubilee Carriage 353 will be on show this weekend as part of the London Transport Museum’s Open Weekend at its Acton Depot. Visitors will be able to explore the depot’s vast collection of more than 400,000 objects along with a range of other activities including miniature tram and railway rides, heritage bus rides, talks and film screenings, and costumed interpreters as well as the chance to watch artist Ross Ashmore paint the locomotive and Jubilee Carriage. The weekend kicks off tomorrow. For more information and bookings, see www.ltmuseum.co.uk/whats-on/museum-depot/events.

On Now: Australia. This landmark exhibition at the Royal Academy of Arts at Burlington House in Piccadilly features more than 200 works including paintings, drawings, photography, watercolours and multimedia pieces by 146 Australian artists. Spanning the period from 1800 until today, the display includes works by Aboriginal artists such as Albert Namatjira, nineteenth century immigrants such as John Glover and Eugene von Guerard, impressionists like Arthur Streeton and Tom Roberts, early modernists like Margaret Preston and Roy de Maistre, 20th century painters including Arthur Boyd, Albert Tucker and Brett Whiteley and contemporary artists including Gordon Bennett, Fiona Hall and Shaun Gladwell. Highlights include Frederick McCubbin’s The Pioneer (1904), four paintings from Sidney Nolan’s Ned Kelly series (1946), Rover Thomas’ Cyclone Tracy (1991) and Emily Kame Kngwarreye’s Big Yam Dreaming (1995). Organised with the National Gallery of Australia, the exhibition runs until 8th December. Admission charge applies. For more, see www.royalacademy.org.uk.

10 fictional character addresses in London – 2. ‘Whitehaven Mansions’…

Florin-Court

Since we’re talking about the homes of detectives, we’ll continue on that trend with a look at the home of Agatha Christie’s creation Hercule Poirot as it appears in the TV series of the same name (now in its 13th and final season).

The Belgian-born detective, who featured in some 33 novels and 65 short stories, rose to the rank of the police chief of the city Brussels before the outbreak of World War I forced him to leave his home for England. There he met up with his friend Captain Arthur Hastings – they had apparently previously met – and undertakes some government work before eventually embarking upon his new career as a private detective.

He subsequently moves into an art deco flat which becomes his workplace and home at 56B Whitehavens Mansions (he apparently chose the building based on its symmetry).  In the TV show, the art deco block chosen to represent this building is the Grade II-listed Florin Court, located on the eastern side of Charterhouse Square in Smithfield.

Actually built in 1936 – well after Poirot apparently moved in – the nine floor building has a curvaceous facade and boasts some 120 flats along with a basement swimming pool and rooftop garden. Interestingly, last July there was a fire in a first floor flat causing the entire building to be evacuated.

Poirot apparently lived in a couple of different apartments in the building and was also known at times to reside in The Savoy Hotel and The Park Lane Hotel.

PICTURE: Goodwillgames/Wikimedia Commons

LondonLife – Joey stabled at the V&A…

War-Horse

Joey, the puppet horse used in the West End play War Horse, has taken up a new home at the V&A in South Kensington. Created by the Handspring Puppet Company for the National Theatre’s adaption of Michael Morpurgo’s novel, Joey appeared in more than 1,640 shows since his debut at the New London Theatre on 28th March, 2009. He will now be housed in the V&A’s Theatre and Performance Gallery in a specially created display which shows how the puppet was operated on stage and features three mannequin puppeteers to illustrate the process. Joey was donated by Adrian Kohler and Basil Jones of South Africa’s Handspring Puppet Company who designed and created the puppets used in War Horse. War Horse, which continues its run at the New London Theatre, has been seen by more than four million people. For more, see www.vam.ac.uk. PICTURE: Joey at the V&A operated by Nicholas Hart (Head), Stuart Angell (Heart), Thomas Goodridge (Hind). © Victoria and Albert Museum, London. 

 

Famous Londoners – Sir Arthur Conan Doyle…

Given our current Wednesday series, we thought it only fitting that we take a quick look at the life of Scottish-born Sir Arthur Conan Doyle, a physician and author most famous for his creation of fictional detective Sherlock Holmes.

Born in Edinburgh on 12 May, 1859, to a wealthy Irish-Catholic family, Doyle was educated at a Jesuit preparatory school in England before  undertaking a medical degree at the University of Edinburgh. It was there where he met his mentor, Dr Joseph Bell, a figure who at least partly inspired the creation of Holmes, and it was also during his time here that he first began writing – his first short story was The Mystery of Sasassa Valley. Having taken a voyage to the Arctic Circle in the post of ship’s surgeon and worked in Birmingham as a doctor’s assistant, he was awarded a medical degree in 1881 (he became MD in 1885).

His first job after graduation was aboard another ship – this time sailing to Africa – and after the voyage he settled back in England, briefly in Plymouth and then in Portsmouth where he opened his first medical practice. For the next few years, he continued  practising as a doctor while writing and in 1885 married his first wife Louisa Hawkins.

In 1886, he started writing A Study in Scarlet. Introducing Sherlock Holmes and Dr John Watson to the world,  it was eventually published in Beeton’s Christmas Annual in 1888. Doyle went on to write some 60 stories about Holmes over the ensuing years but also wrote other books including historical novels, fantasy and science-fiction stories (The Lost World), romances (The White Company), plays (including one about Sherlock Holmes), poetry and written works which reflected his interest in Spiritualism – an interest which had started while he was at university.

In 1890, having studied opthalmology in Vienna, he established a practice at 2 Upper Wimpole Street, Marylebone, London (the location lies only a short distance from his creation’s famous address at 221b Baker Street) and, with his family, took up residence in Montague Place and later at 12 Tennison Road in South Norwood (marked by a Blue Plaque). But with no patients, he spent his time writing, deciding to kill Holmes off in 1893 but subsequently bringing him back to life after a public outcry. He toured the US in 1894 (other countries he visited during his life included Australia) and later served as a surgeon in the Boer War (1899-1902), for which he was knighted in 1902.

Following the death of his first wife form tuberculosis in 1906 (with whom he had two children), Doyle married Jean Elizabeth Leckie in 1907. Moving to Windlesham in Sussex (it was here Doyle would live for the rest of his life while keeping a flat in London), they had three further children. Meanwhile his interest in Spiritualism continued to grow, particularly following the death of his son, Kingsley, in World War I.

His final 12 stories about Sherlock Holmes were published in 1928 in a compilation called The Casebook of Sherlock Holmes. The following year, despite poor health, he embarked on a Spirtualism tour on the continent but had to break it off and return home to Crowborough, East Sussex, in England. There he died on 7th July, 1930, leaving behind a literary legacy which has continued on unchecked. His grave can be found in Minstead Churchyard in New Forest.

For more on Sherlock Holmes, see our earlier posts Famous Londoners – Sherlock Holmes and 10 fictional character addresses in London – 1. 221b Baker Street….

Where is it? #71…And the answer is…

Where-is-it--#71

Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Jameson, this lighthouse sculpture does indeed adorn a building at 42 Moorgate. It has been suggested that the lighthouse, which apparently did once work, was the symbol of The Ocean Accident and Guarantee Corporation Ltd, the original occupant of the building. As Jameson points out, if you do want to know more, there is a terrific article on the sculpture here.

Lost London – The Pillories…

Once a visible sign of London’s legal system, the city had several pillories which were used to degrade and humiliate those offenders put within them.

Titus-OatesOriginating in medieval times, the pillories were wooden contraptions in which a standing person’s head and hands were held in place and exposed to the ridicule of the crowd (not to mention their rotten foodstuffs and other less savoury things). They were a similar form of punishment to the stocks and were designed to humiliate those put within them.

They were used to punish a broad range of offenders including everyone from con-men and forgers to traders who didn’t play fair with their customers, people publishing unlicensed literature, and homosexuals.

Some people were pilloried repeatedly and additional punishments could be handed out to some put in the pillory – such as the nailing of the offender’s ears to the structure. There was cases of enraged mobs injuring the person locked in the pillory so badly that they died and the journey to the pillory – a formal parade of the malefactor before the people – was another chance for people to shout abuse and throw things at the offender.

As well as in Charing Cross where the pillory was located just to the south of Trafalgar Square, pillories were found at locations in Cheapside, Cornhill and Old Bailey in the City as well as Old Palace Yard and Tyburn in Westminster.

Among the most famous occupants of London’s pillories was the writer Daniel Defoe. The author of Robinson Crusoe and Moll Flanders, he was placed here on 31st July,1703, due to his publication of pamphlets criticising the church. It didn’t prove the harshest of punishments, however – Defoe was greeted with flowers, not stones, by a crowd rather sympathetic to his cause.

Others to suffer the punishment of the pillory included Titus Oates, who fabricated a plot to kill King Charles II, and puritan William Prynne, who lost both his ears when pilloried for libelling Queen Henrietta Maria  (although they were apparently sewed back on before he lost them again for a subsequent offence).

The punishment was formally abolished in 1837 – the last time it was used was in 1830.

PICTURE: Wikipedia. Image is from Robert Chambers’ Book of Days, 1st edition.

Around London – Chinese masterpieces at the V&A; Iraq war photography; and, The Age of Glamour at the Cartoon Museum…

Chen_Rong_Nine_DragonsChinese masterpieces are the focus of a new exhibition opening at the V&A in South Kensington on Saturday. Masterpieces of Chinese Painting 700-1900 will feature more than 70 works including some of the earliest surviving Chinese paintings and many shown in Europe for the first time. Organised chronologically in six successive periods, the works in the display range from intimate works by monks to a 14-metre long scroll painting. As well as examining the tensions between tradition and innovation, the exhibition will look at the variety of settings for which the paintings were created – from tombs and temples to banners, portable handscrolls and hanging scrolls – and the materials used. The exhibition runs until 19th January. Admission charge applies. Meanwhile, from 2nd November, celebrated Chinese artist Xu Bing will transform the museum’s John  Madejeski Garden into an “ethereal Arcadia” inspired by the Chinese fable Tao Hua Yuan (The Peach Spring Blossom) in an installation to coincide with the exhibition. Runs until 2nd March. For more, see www.vam.ac.uk/chinesepainting. PICTURE: Nine Dragons (detail), Chen Rong (1244), © 2013 Museum of Fine Arts, Boston

A new exhibition of photography marking the 10th anniversary of the start of the second Iraq war opens today at the Imperial War Museum. Featuring the work of photographers Mike Moore, a former Fleet Street photographer who was the first press photographer to be officially embedded with the British Army, and Lee Craker, an American photographer who specialises in documentary photography, the exhibition examines the impact of the war on the Iraqi people and the US and British troops who served there.  The exhibit is the first photography show to be exhibited as part of the IWM Contemporary programme. Runs until 5th January. Meanwhile one of Britain’s leading contemporary photographers, Donovan Wylie, explores the effects of modern day military surveillance programs in a new exhibition, at the IWM, Vision as Power. The display includes five works. Runs until 21st April. Admission to both exhibitions is free. For more, see www.iwm.org.uk.

The Age of Glamour: RS Sherriffs’ Stars of Stage & Screen. This exhibition at the Cartoon Museum in Bloomsbury features the work of Sheriffs, whose caricatures of the likes of Charlie Chaplin, Greta Garbo and Douglas Fairbanks were published in magazines including Radio Times, London Calling and The Sketch. As well as individual portraits, the works include ensemble drawings such as one featuring Laurence Olivier and Peggy Ashcroft in Romeo and Juliette. Runs until Christmas Eve. Admission charge applies. For more, check out www.cartoonmuseum.org.

10 fictional character addresses in London – 1. 221b Baker Street…

221b-Baker-Street

Today we kick off our new Wednesday series with a look at some of the most famous addresses in London where fictional characters once lived. Most, if not all, of the addresses we’ll look at are not fictional in themselves – they do actually exist – but the characters said to have lived there owe their lives solely to the imaginations of their creators and the readers and audiences who have loved and admired them.

To kick it off, we take a quick look at what is certainly the most visited address of a fictional character in London – 221b Baker Street, the home of Sherlock Holmes and his associate Dr John Watson.

The-Sherlock-Holmes-MuseumWe’ve looked mentioned this Baker Street address in a couple of earlier posts – including a look at the origins of the naming of Baker Street and a piece on Sherlock Holmes himself.

So, to somewhat recap, the writer Sir Arthur Conan Doyle has Holmes and Watson living at this address from 1881 (it becomes their address in the first book featuring them – A Study in Scarlet, published in 1887) to 1904 when Holmes retired (Watson was not a continual presence here, moving in and out a couple of times).

What’s interesting is that the address now belongs to the Sherlock Holmes Museum, although in terms of the other numbers in the street, this is actually located between numbers 237 and 241 (in a street which was, prior to the 1930s, known as Upper Baker Street).

What is now number 221 is a 1930s art deco building formerly known as Abbey House (but this would have been 41 Upper Baker Street in 1887). It was the headquarters of Abbey National which had a long-running dispute with the museum over the right receive mail at the address 221b (since the closure of Abbey House in the early Noughties, the museum has received the mail).

It should be noted that there are also numerous other theories over the ‘real’ location of 221b Baker Street – in particular one which suggests the real address is opposite the former location of Camden House in Baker Street, thanks to a reference in The Empty House.

The museum, which is located in a house built in 1815, is set up as it was in Holmes’ day and contains his first floor study, filled with artefacts relating to the many cases he solved – including his famous pipe as well as his deerstalker hat, magnifying glass, violin, and the wicker chair which was used in Sidney Paget’s famous illustrations.

Other rooms include Dr Watson’s small second floor bedroom and the housekeeper Mrs Hudson’s room.

Worth noting is that there is also reconstruction of Holmes’ study at The Sherlock Holmes pub, located at 10-11 Northumberland Street in Westminster. This had been created for the Festival of Britain in 1951 by the Marylebone Borough Library and Abbey National and was located at Abbey House. For on this, check out the Westminister Libraries & Archives site.

WHERE: The Sherlock Holmes Museum, 221b Baker Street (nearest Tube station is Baker Street);  WHEN: 9.30am to 6pm daily; COST: £8 adults; £5 children (under 16); WEBSITE: www.sherlock-holmes.co.uk.

LondonLife – A glimpse into London’s shameful past…

Map-of-Romney-plantationA map of the Romney plantation is among a selection of unseen documents from a West Indian sugar plantation on show as part of a new display, A Material Connection, which opened at the Museum of London Docklands in August. The documents are just some of the 1,000 letters, invoices and deeds dating from between the 1740s and 1860s which make up the Romney family plantation archive.  It is the first time the public have a chance to see documents from the archive which was purchased by the museum in 2011 using an £85,000 grant from the Heritage Lottery Fund. The display explores the role London played as a nexus between Britain and its slave colonies and in particular the relationship between a specific slave plantation and its owner. Opened on the International Day for the Remembrance of the Slave Trade and of its Abolition (23rd August), the display forms part of the London, Sugar & Slavery exhibition at the museum. For more, check out the Museum of London Docklands.

PICTURE: Museum of London Docklands.

 

What’s in a name?…Gracechurch Street…

This central London thoroughfare runs through the heart of the City of London and has been a main thoroughfare since Roman times.

Gracechurch-StreetStretching from Eastcheap (near the Monument) to Leadenhall Street, the street runs over the site of what was Roman London’s forum and basilica (see our earlier post on the Roman buildings here).

The name, meanwhile, comes from the former medieval church of St Benet Gracechurch which was once located on the corner of Gracechurch and Fenchurch Streets.

The church, which was destroyed in the Great Fire of 1666 but rebuilt by Sir Christopher Wren before finally being demolished in 1876, was named for St Benedict (St Benet is a short form) while Gracechurch – which was used after the Great Fire – was a corruption of Grasschurch, a reference to it being located near a hay market (in fact, the church was also known as St Benet Grass). The street was also known as Gracious Street.

Landmarks along Gracechurch Street including the Leadenhall Market (see our earlier post here) and a 30s-inspired modern building of note which stands at number 20.

PICTURE: Looking down Gracechurch Street toward the Monument.

For more on London’s Wren churches, see John Christopher’s Wren’s City of London Churches.

Where is it? #70…

Where-is-it--#70

Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

OK, so for those who were wondering, this statue, an 1836 marble by John Gibson, depicts William Huskisson, a Tory politician and financier who was present at the fall of the Bastille in Paris on 14th July, 1789, but became best known for being the world’s first railway casualty after he was run over by George Stephenson’s locomotive engine, Rocket, when he failed to see the oncoming train while trying to speak to the Duke of Wellington. The statue is located in the Thames-side park, Pimlico Gardens.

Treasures of London – The lions of Trafalgar Square…

Lion

Dwarfed by the towering form of Nelson’s Column in the southern part of Trafalgar Square, the four lions at the base of the column’s plinth – known to some as Landseer’s Lions – are now a favourite of tourists and Londoners alike. But it wasn’t always so.

While the column was erected in 1843 and the fountains in 1845, it wasn’t until 1867 that the lions – designed by Sir Edwin Landseer – appeared in the square. The reasons for the delay were apparently several including arguments over the artistic vision of the sculptures and funding and Landseer’s own ill-health.

Indeed, Landseer, best known as a painter of animal subjects, wasn’t the first choice as sculptor but was only commissioned after the models of the first sculptor – Thomas Milnes –  was rejected (there’s a terrific painting by John Ballantyne of Landseer working on the lions in the National Portrait Gallery).

As a result when the lions were eventually unveiled, they were held to general ridicule when they finally arrived, costing thousands of pounds more than what had been budgeted for them.

While the lions were initially going to be made of granite, Landseer’s 20 foot long lions were cast by Baron Marochetti in bronze at his Kensington studio. The form of the lions was apparently modelled on a dead lion which, according to Ed Glinert in The London Compendium, were brought to his studio in St John’s Wood by cab from the London Zoo, although all four lions have distinct faces.

Legend has it that the Grade I-listed lions will come to life if Big Ben chimes 13 times.

There has been concern in recent years about the damage people are doing to the lions in climbing on them with one report recommending that the public be banned from climbing on them.

For more, see our previous posts on Nelson’s Column and Trafalgar Square.

For more on London’s monuments, check out Peter Matthews’ London’s Statues and Monuments (Shire Library).

Around London: Nelson and the Navy; Whistler at Dulwich; Eric Coates’ Blue Plaque; childrens’ books at BL…

A new permanent gallery looking at how the Royal Navy shaped individual lives and the course of British history over the 18th century opens at the National Maritime Museum in Greenwich on Monday 21st October, Trafalgar Day. Nelson, Navy, Nation charts a course from the Glorious Revolution of 1688 through to the defeat of Napoleon in 1815 and provides a setting for the museum’s many artefacts related to Vice-Admiral Lord Nelson. Among the 250 objects on display in the gallery are the uniform (with bullet hole) Nelson wore at the Battle of Trafalgar, artworks likes William Hogarth’s Captain Lord George Graham in his Cabin, a seven barreled volley gun and grim items like a surgeon’s tools including an amputation knife, bone saw and bullet forceps. There is also the last letter Nelson wrote to his daughter Horatia and mourning rings worn by close friends and family at his funeral. Entry to the new gallery is free. For more, see www.rmg.co.uk.

The first major exhibition dedicated to the American-born artist James Abbott McNeill Whistler’s time in London between 1859 and his death in 1903 opened at the Dulwich Picture Gallery this week. An American in London: Whistler and the Thames features paintings, etchings and drawings produced by the artist and more than 70 objects related to Whistler’s depiction of the Thames and Victorian London. Highlights include Nocturne: Blue and Gold – Old Battersea Bridge (1872/1873) and Brown and Silver: Old Battersea Bridge (1859-1863), the oil painting Wapping (1860-64) and the etching Rotherhithe (1860). There are also a series of portraits of Whistler and his patrons. Runs until 12th January. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.

Composer Eric Coates has been honoured with the unveiling of an English Heritage blue plaque outside his former home at Chiltern Court in Baker Street. Coates, who created “some of the best known and loved pieces of English light orchestral music”, lived in a flat at the property between 1930-39. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

On Now: Picture This: Children’s Illustrated Classics. This exhibition in the Folio Society Gallery at the British Library takes a look at 10 of the most iconic children’s books of the 20th century – from Charlie and the Chocolate Factory to The Wind in the Willows, Paddington Bear, Peter Pan and Wendy, and The Iron Man as well as Just So Stories, The Hobbit, The Borrowers, The Secret Garden and The Railway Children. On display is at least four illustrated editions or artworks of each title with Quentin Blake, Michael Foreman, Peggy Fortnum and Lauren Child among the artists whose works are being shown. The exhibition also features five specially filmed interviews with four illustrators and Paddington Bear author Michael Bond. Runs until 26th January. Entry is free. For more, see www.bl.uk.

LondonLife – The Monument from St Paul’s…

Monument1

View of the top of the Monument from the top of St Paul’s Cathedral. For more on the history of The Monument, see our earlier post here.

London Pub Signs – The Sutton Arms…

This pub, located just off Charterhouse Square near Barbican, has a distinctive barrel-shaped front window and a name that evokes a sense of the rich history of the area in which it stands.

The-Sutton-ArmsThe name of this pub at 6 Carthusian Street comes directly from Sir Thomas Sutton, a late 16th century/early 17th century businessman and moneylender who owned nearby land on which a Carthusian monastery once stood and who founded the Charterhouse School based at the site.

The monastery, which had been founded in 1371, was dissolved by King Henry VIII in the Dissolution of the Monasteries which took place in the first half of the 16th century – it was a nasty business with some of the monks executed at Tyburn.

The land was subsequently granted to Sir Edward North who built a mansion on the site which was subsequently sold to the fourth Duke of Norfolk. It was his son, Thomas Howard – the first Earl of Suffolk, who, in 1611, sold the property to Sir Thomas (and subsequently built the magnificent Audley End House in Essex with the funds).

Said to have been the “wealthiest commoner in England”, Sutton, who died that same year, used his wealth to endow a charitable foundation to both educate boys and care for elderly men.

The Charterhouse school later moved out to Surrey while elderly “brothers” are still housed at the original location today (for more on the Charterhouse, see our previous posts on King James I’s London and on 10 Historic London Squares).

Some of the glass in the  pub’s great barrel-shaped window was apparently replaced after a bomb knocked some of the original out during the Blitz.

Incidentally, there’s another pub of the same name only a few streets away in Great Sutton Street.

Where is it? #69…

Where-is-it--#69Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Congrats to Carol Stanley – this statue is located in St George’s Gardens (a formal burial ground located near Coram’s Fields, famous for containing the tomb of Oliver Cromwell’s grand-daughter Anna Gibson). The terracotta figure is of Euterpe, the muse of instrumental music, and, interestingly it (and eight others) once adorned the facade of the Apollo Inn on Tottenham Court Road (the building was demolished in 1961 and the statue subsequently found its way here). For more on these gardens, check out www.friendsofstgeorgesgardens.org.uk.

Lost London – St Paul’s Cross…

Paul's-Cross-Memorial

Located in the north-east corner of the churchyard of St Paul’s Cathedral, St Paul’s Cross – also known simply as Paul’s Cross – was a large free-standing cross which served as an open-air pulpit for at least 500 years.

The history of the Cross goes back to at least the 12th century and it long served as a public gathering place for Londoners to hear sermons or matters of public importance. King Henry III met Londoners here in 1259 so they could swear their allegiance, people like 15th century chaplain Richard Walker appeared here to plead guilty for crimes against the church (in his case to charges of sorcery) and it was here that William Tyndale’s testaments were burnt in the 16th century.

Pauls-Cross2Conversely, it was also from here that the English Reformation was preached (there’s a painting in the Houses of Parliament of King Edward VI listening to a sermon preached from the Cross by reformist Bishop Latimer). It has been said that if all the sermons preached here had been collected, they would effectively make a history of the Church of England.

While it was a simpler structure in its earlier years, in the late 15th century, the then Bishop of London, Thomas Kempe, ordered the construction of a ‘preaching station’ on the site. It was an elevated small wooden structure with a lead roof topped by a cross under which a preacher and a couple of others could stand.

The cross and pulpit were destroyed during the English Civil War in 1643.

These days there’s a plaque marking the original site of the cross (above). In 1910, the St Paul’s Cross Memorial – a column topped with a gilt statue of St Paul designed by Sir Reginald Blomfield (pictured top), was installed nearby (as ordered by the will of HC Richards, according to a plaque on the site) and remains there today.

The Virtual Pauls Cross website, led by Professor John N Wall of North Carolina State University in the US, reconstructs what the site would have looked like when John Donne gave his Gunpowder Day sermon on 5th November, 1622.

Around London – The Cheapside Hoard revealed; Queen Elizabeth I at the NPG; 3D printing at the Science Museum; and, Viennese portraits…

Cheapside-Hoard-1The ‘secrets’ of the Cheapside Hoard – the world’s finest and largest collection of 16th and 17th century jewels – are revealed in a new exhibition opening tomorrow at the Museum of London. The
Cheapside-Hoard-2Cheapside Hoard: London’s Lost Jewels
 publicly displays the hoard of Elizabethan and early Stuart jewellery and gemstones in its entirety for the first time since its discovery more than 100 years ago. The hoard, consisting of as many as 500 pieces including rings, necklaces, cameos, scent bottles and a unique Colombian emerald watch, was discovered buried in a cellar on Cheapside in the City of London in 1912. The exhibition uses new research and state-of-the-art technology to showcase the hoard as it explores the questions of who owned the hoard, when and why was it hidden, and why was it never reclaimed. New information revealed by the research shows that the hoard was buried between 1640 and 1666 (the critical clue was a previously overlooked intaglio – a gemstone engraved with the heraldic badge of William Howard, Viscount Stafford, who lived between 1612-1680). It also reveals Thomas Sympson was the “dodgy” jeweller responsible for two counterfeit rubies contained within the hoard (he apparently had a trade in selling counterfeit gems for as much as £8,000 each). Entry charge applies. Runs until 27th April. For more, see www.museumoflondon.org.uk.  PICTURED: Above: gold and pearl cage pendants from the Cheapside Hoard; and right: a bejewelled scent bottle.

A previously unknown painting of Queen Elizabeth I is on display as part of a new exhibition, Elizabeth I and Her People, opening at the National Portrait Gallery today. The small painting, which has been attributed to miniaturist Isaac Oliver and which is a reworking of the classical story of the Judgement of Paris, was recently acquired by the gallery. It will sit among a selection of other portraits of the “Virgin Queen” in a display which endeavours to show how during her 50 year reign she portrayed the image of a strong monarch. The portraits are just some of the 100 items featured in the exhibition which also includes costumes, coins, jewellery and crafts and examines the rise of new social classes in Elizabethan society. Other portraits in the exhibition feature images of courtiers such as William Cecil and Christopher Hatton along with images of merchants, lawyers, goldsmiths, butchers, calligraphers, playwrights and artists. There is also a little known painting of three Elizabethan children and what may be the first portrait of a guinea pig. The exhibition, supported by the Weiss Gallery, runs until 5th January. Admission charge applies. For more, see www.npg.org.uk.

Printed objects including replacement body organs, aeroplane parts and a music box have gone on display at the Science Museum in South Kensington as part of a new exhibition, 3D: printing the future. The exhibition looks at the rapidly evolving field of 3D printing and its growing impact on society through stories such as the use of 3D printing by engineers to create lighter aeroplane parts and the ways in which the medical industry is researching the use of the technology to create replacement body parts. The display will also include miniature 3D printed figures created from scans of visitors who took part in workshops during the summer holidays. This free exhibition runs in the Antenna gallery for nine months. For more, see www.sciencemuseum.org.uk.

On Now: Facing the Modern: The Portrait in Vienna 1900. On at the National Gallery, the first major UK exhibition devoted to the portrait in Vienna features iconic works by Gustav Klimt, Egon Schiele, Richard Gerstl, Oskar Kokoschka and Arnold Schonberg alongside those of lesser known artists such as Bronica Koller and Isidor Kaufmann. Highlights include Klimt’s Portrait of Hermine Gallia (1904) and Portrait of a Lady in Black (about 1894), Schiele’s The Family (Self Portrait) (1918) and Nude Self Portrait by Gerstl (1908). Runs until 12th January. Admission charge applies. For more, see www.nationalgallery.org.uk.

10 curious London memorials recapped (and vote for the one that most moves you)…

We’re kicking off a new special series next Wednesday but in the meantime we thought we’d recap our latest series – 10 (more) curious London memorials, and the previous series, 10 curious London memorials…

So, first for the 10 (more) curious London memorials list…

10. Memorial to 16th century navigators…

9. The Speke Monument…

8. The SOE Memorial…

7. D’Oyly Carte Memorial…

6. 7 July Memorial…

5. National Police Memorial…

4. ‘People of London’ Memorial…

3. William Wallace Memorial…

2. Animals in War Memorial…

1. Kindertransport memorial…

And, for the first curious London memorials list, which we ran way back in 2011…

10. The Bard or not The Bard?

9. The Golden Boy of Pye Corner

8. Edith Cavell Memorial

7. Tower Hill scaffold memorial

6. The Buxton Memorial Fountain

5. Eros (or the Shaftesbury Memorial Fountain)

4. The Suffragette Memorial

3. Charing Cross

2. The Albert Memorial

1. Watt’s Memorial in Postman’s Park

Hope you’ve enjoyed them. We look forward to bringing you our next series from next Wednesday…