Around London – Dickens and the foundlings; astronomy photographs at the Royal Observatory; Royal Parks allotments; and, Asian drinking vessels at the British Museum…

• A new exhibition exploring the relationship between author Charles Dickens, the Foundling Hospital and its secretary and former foundling, John Brownlow, opened at the Foundling Museum today. Received, a Blank Child: Dickens, Brownlow and the Foundling Hospital looks at how Dickens supported the institution in various ways including helping a young mother petition for a place for her child and publicising the work of the hospital through his writing – in particular the 1853 article Received, A Blank Child (the phrase comes from the wording used on the hospital’s entry forms). Among the items on display are never before displayed letters from Dickens relating to the hospital. The exhibition, which runs until 16th December, is free with the museum admission. And if you haven’t yet had a chance to see it, there’s still time to catch Dickens and the Foundling, in which six contributors including actor Gillian Anderson and journalist Jon Snow, have chosen objects to be displayed. This ends on 28th October. For more, see www.foundlingmuseum.org.uk.

Images from the Astronomy Photographer of the Year competition have gone on display at the Royal Observatory in Greenwich (which runs the competition in conjunction with Sky at Night Magazine). Among the winning images were The Whirlpool Galaxy taken by Martin Pugh of the UK/Australia, Star Icefall by Masahiro Miyasaka of Japan, and Venus-Jupiter Close Conjunction, by Laurent Laveder of France. The exhibition is free of charge and runs until February next year. For more (including an online gallery), see www.rmg.co.uk/visit/exhibitions/astronomy-photographer-of-the-year/2012-winners/.

It’s Harvest Festival time at London’s Royal Parks and this Sunday, between 11am and 4pm, people are invited to attend the Kensington Gardens’ allotment to see the fruits of the gardeners’ labour including the “big dig” of the potato crop as well as seasonal vegetables. There’s also the chance for families to see the allotment chickens being fed and children’s activities run by Ginger Cat. This week’s event follows one last weekend at Regent’s Park. For more, see www.royalparks.org.uk.

• On Now: Ritual and revelry: the art of drinking in Asia. This new free exhibition in room 91 of the British Museum features a display of objects which have been used in the consumption of liquids in various Asian contexts and the manner in which their use is intertwined with ritual, religious and otherwise. Among the vessels on display is a Tibetan skull-cap known as a kapala which is made from a human skull and used in religious rituals as well as a silver tea set from western India which features handles shaped like bamboo stems and a lacquered wooden sake bottle which was used as an altar piece. Runs until 6th January. For more, see www.britishmuseum.org.

10 Historic London Markets – 1. Borough Market…

In the first of a new series looking at some of London’s most historic markets, we take a look at the history of Borough Market in Southwark, now the city’s most famous food market.

The origins of a food market in the area go back to at least to the reign of the Anglo-Saxon King Ethelred the Unready in early 11th century (some have suggested as far back as Roman times) with food vendors clustering around the southern end of London Bridge. The market was relocated to Borough High Street in the 1200s.

In 1755, traffic congestion saw Parliament close the market but Southwark residents raised £6,000 and bought a small area of land known as The Triangle – once part of the churchyard of the now long gone church of St Margaret’s – and reopened the market there.

The Triangle still remains at the heart of the market which sits partly under railway arches just to the south of the Southwark Cathedral churchyard. New market buildings were constructed in the mid 1800s but deemed “impractical”, they were replaced by new buildings in the late 1800s and 1930s (the latter was when the art deco entrance on Borough High Street was erected).

The market was refurbished in 2001 and the ornate Grade II-listed Floral Hall, which was originally the south portico on the Floral Hall at Covent Garden (taken down to make way for the Royal Opera House), was installed in 2003.

There are now more than 100 stalls in the wholesale and retail food market, making it one of the largest in London. It is owned by a charitable trust, The Borough Market (Southwark), with the volunteer trustees all local residents. Sections in the market include the Jubilee Market and the Green Market and a blue plaque, declaring the market London’s “oldest fruit and veg market”, was installed by Southwark Council earlier this year.

The amazing variety fine food on offer will tempt even the most jaded of palates but be warned that you have to queue as it can get a little packed with tourists at lunchtimes!

WHERE: 8 Southwark Street (nearest Tube Stations are London Bridge or Borough); WHEN: 10am to 3pm Monday to Wednesday, 11am to 5pm Thursday, 12pm to 6pm Friday, and, 8am to 5pm Saturday; COST: Free entry; WEBSITE: www.boroughmarket.org.uk

LondonLife – A snapshot in time at the soon-to-be Design Museum…

A selection of objects chosen by leading designers and architects including Sir Terence Conran, Sir Paul Smith, Zaha Hadid, and Norman Foster were buried within the foundations of the soon-to-be Design Museum in Kensington High Street earlier this month. The objects, which included everything from a miniature model of an 1949 Wish Bone Chair to an iPhone, a Cylinder Line Coffee Pot, a tin of anchovies and Tube maps, were placed within a time capsule which was buried as part of a ground-breaking ceremony for the new museum. Designed by John Pawson, the new Design Museum will be based within the converted interior of the former Commonwealth Institute Building. Expected to open in 2015, it will have three times as much space as the existing premises in Shad Thames, south east London. For more, see http://designmuseum.org.

PICTURE: Dominic French.

Where’s London’s oldest…livery company hall?

The oldest livery company building, that of the Worshipful Society of Apothecaries of London, dates from just after the Great Fire of London in 1666.

Originally built in 1672 to the designs of surveyor Edward Jerman, it replaced an earlier building which had been destroyed in the fire. It has since been refurbished several times and while the external facade appears as it did in the late 1700s, the interior layout, with Great Room – complete with original Irish Oak panelling, Court Hall and Parlour, is as it was when first built after the Great Fire.

Previously members of the Grocer’s Company (and earlier still, the Guild of Pepperers), the Apothecaries Society was incorporated as a City livery company on 1st December, 1617, when it was granted a royal charter by King James I.

They purchased a building in 1632, known then as Cobham House (previously owned by Lady Anne Howard), on land formerly part of Blackfriars Priory (see our former post on the priory here) – it was this building which was destroyed in 1666.

Among treasures inside the current hall is a portrait of Gideon de Laune, Royal Apothecary to Queen Anne of Denmark, wife of King James I, and credited as founder of the Society which was was presented to the Society  in 1641 and hangs in the Court Room. There’s also a 24-branch candelabrum in the Great Hall which was presented to the society by Sir Benjamin Rawling, Sheriff of London and Master of the Society in 1736.

Now one of the largest of the livery companies in the City and still active in regulating medical practitioners, it is 58th in order of precedence and is still active in its trade with the organisation’s constitution requiring 85 per cent of the Society’s membership belong to the medical profession. Past luminaries have included the Romantic poet, John Keats.

The society is also known for having established the Chelsea Physic Garden in 1673 – making it one of the oldest botanic gardens in the world – on land granted it by Sir Hans Sloane (see more on him in our earlier post here).

The hall is available for hire. For more information on the Society, see www.apothecaries.org. Visits to the hall are by prior arrangement only. Contact the Beadle via the above website to find out more.

Where is it?…#44

The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Janet and Mike – these are indeed statues on the front of the former St John’s Old School in Wapping, east London. Located in Scandrett Street near the former parish church, the school was founded in 1695 although the current building dates from the mid-1700s. The costumes worn by the students are typical of the “blue coats” worn at charity schools (blue was apparently the cheapest dye) which were created for orphan children so they could be cared for and trained in the skills they would need to work in domestic service. Boys and girls were segregated and you can see the separate entrances for them on this building’s facade. The ‘model students’, some of the best on display in London, are made of Coade stone. The building is now used for residential accommodation.

Lost London – Princess Caroline’s bath, Greenwich Park

A white tiled plunge bath which once belonged to Princess Caroline of Brunswick, the estranged wife of George, Prince of Wales (later King George IV), still lies in the south-west corner of Greenwich Park between the Rose Garden and Chesterfield Gate.

Princess Caroline, a cousin of the prince, married him in 1795 in an arrangement made so he could get out of debt. Theirs was never a marriage of love – the prince is said to have spread rumours that she was adulterous, had bad breath and never washed – and after Princess Caroline gave birth to a daughter, Princess Charlotte, the couple separated.

Two years later, in 1798, Princess Caroline was banished to live at Montague House near Greenwich Park while the prince dallied with his mistress Maria Fitzherbert. The princess, known for her scandalous and indiscreet behaviour during her residence at the house, used the sunken bath, which the stood inside a bathhouse partly attached to the main building.

The house was demolished in 1815 on the orders of the king (a decision apparently prompted by a fit of pique at the Queen’s lifestyle), a year after Princess Caroline left England for the Continent plagued by rumours that she’d mothered an illegitimate child (a secret commission into her behaviour cleared her of a charge of adultery but did find her behaviour to be improper).

The sunken bath, meanwhile, was filled in during the 1980s and served as a flowerbed until, in 2001, it was re-excavated by Royal Parks in a dig funded by the Friends of Greenwich Park, Greenwich Society, the Friends of Ranger’s House and donations from individuals.

WHERE: Princess Caroline’s Bath, south-west corner of Greenwich Park (nearest DLR station is Cutty Sark – other nearby stations include Greenwich, Maze Hill and Blackheath); WHEN: 6am to at least 8pm (but beware, closing times vary depending on the month); COST: Free entry; WEBSITE: www.royalparks.gov.uk/Greenwich-Park.aspx

PICTURE: © Copyright Colin Smithwww.geograph.org.uk 

Around London – Open House London; 16th century tankard at MoL Docklands; and, Spanish artists shine at the British Museum…

It’s Open House London weekend and that means your chance to enter scores of buildings not normally open to the public. More than 750 buildings are taking part in this, the 20th year the weekend has been held and there’s also an extensive program of free talks, walks and specialist tours. Among the buildings open this year are the iconic Gherkin building in the City (formally known as 30 St Mary Axe, pictured), Heron Tower in Bishopsgate, numerous livery company halls including that of the Apothecaries, Fishmongers and Carpenters, government buildings including Marlborough House, Westminster Hall, and the Foreign Office and numerous historic residences from the Mansion House, home of the Lord Mayor of London to Osterley Park House in west London. Among the events on offer is a moonlit hike through London tomorrow night to raise money for Maggie’s Cancer Caring Centres and rides on the new Emirates Airline cable car as well as boat tours to the Thames Barriers. If you didn’t order a guide, you can see the program online at the Open House London website – www.londonopenhouse.org. PICTURE: (c) Grant Smith/VIEW Pictures

A 16th century wooden tankard, found by a mudlark on the Thames foreshore near Ratcliff in London’s east, has briefly gone on display at the Museum of London Docklands. The large vessel, capable of holding three pints, has the initials RH inscribed on the base. It’s unknown for what purpose it was used, perhaps serving as a decanter rather than for individual use and may have been used on a ship. The vessel will be on display at the museum only until 27th September. For more, see www.museumoflondon.org.uk.

On Now: Renaissance to Goya: Prints and drawings from Spain. Opening at the British Museum today is this new exhibition featuring important prints and drawings by Spanish and other European artists working in Spain and spanning a period from the mid 16th century through to the 19th century. While all the works are drawn from the museum’s collection, many have never been on display before. The artists represented include Diego Velazquez, Alonso Cano, Bartolome Murillo, Francisco Zubaran and Jusepe de Ribera as well as Francisco de Goya. Held in room 90. Admission is free. Runs until 6th January. For more, see www.britishmuseum.org.

LondonLife – Pre-Raphaelites at the Tate…

Laus Veneris (1873-8) by Edward Burne-Jones was inspired by Algernon Swinburne’s poem Laus Veneris which relates the tale of a knight who falls in love with Venus (shown in red) but then decides to leave her. Usually found in the Laing Art Gallery in Newcastle upon Tyne, it’s among the 180 or so works on display at Tate Britain on Millbank as part of its recently opened exhibition, Pre-Raphaelites: Victorian Avant-Garde. The exhibition, the largest survey of the group in almost 30 years, locates the Pre-Raphaelites as the UK’s first modern art movement and traces the group’s development from its formation in 1848 through to their Symbolist creations of the 1890s. Other works on show, some of which have been rarely seen in the UK, include John Everett Millais’ Ophelia, William Holman Hunt’s The Lady of Shalott, and Dante Gabriel Rossetti’s Found. There are also works by Madox Brown and William Morris and as well as paintings, the display includes sculpture, photography and the applied arts. Runs until 13th January next year. Admission charges apply. For more, see www.tate.org.uk.

Famous Londoners – Grinling Gibbons…

A late 17th and early 18th century wood carver and sculptor, the curiously named Grinling Gibbons is remembered for his magnificent carvings in numerous English buildings including such London icons as St Paul’s Cathedral and Hampton Court Palace.

Not much is known about Gibbons’ early life. The son of English parents (his father was apparently a draper), he was born in Rotterdam in The Netherlands on 4th April, 1648, and, as a young man, is believed to have undertaken an apprenticeship as a sculptor in that country.

Around the age of 19, he moved to England – first to York and to Deptford in the south. It was the quality of his work which led diarist John Evelyn, having discovered Gibbons working on a limewood relief of Tintoretto’s Crucifixion in a small cottage near Deptford in early 1671, that led him to introduce him to Christopher Wren, the architect of the age, and fellow diarist Samuel Pepys and to eventually present him (and his relief) to King Charles II at Whitehall Palace on 1st March the same year.

But Gibbons’ work apparently failed to initially impress at court and it was only following his ‘discovery’ later that year by the court artist Sir Peter Lely that he began to receive major commissions.

It’s apparently not known when Gibbons married his wife Elizabeth and moved to London they were living there by 1672 and were having the first of their at least 12 children (while at least five of their daughters survived into adulthood, none of their sons did).

In 1672, they were living in an inn, called La Belle Sauvage or The Bell Savage, located on Ludgate Hill near St Paul’s, and, while Gibbons continued to maintain a workshop here into the 1680s, the family moved to Bow Street in Covent Garden around the end of the 1670s (the house here apparently collapsed in 1702 and was subsequently rebuilt in brick).

Gibbons, who was admitted to the Draper’s Company in 1672 and held various posts within it over ensuing years, reached the pinnacle of his success when he was made master sculptor and carver in wood to King William III in 1693, and was later made master carpenter to the king, then King George I, in 1719.

Having worked mostly in limewood, Gibbons, recently called the “British Bernini”, is known for his distinct and exuberant style which features cascading foliage, fruit, animals and cherubs. While he worked on numerous important buildings outside of London – including carvings in the Chapel Royal and king’s dining room at Windsor Castle, in a chapel at Trinity College in Oxford, at Blenheim Palace in Oxfordshire and a famous ‘carved room’ at Petworth House in Sussex – and beyond (he also created two presentation panels – known as the ‘Cosimo’ and ‘Modena’ panels which were sent to Italy as royal gifts), Gibbons is also noted for his work on a number of prominent buildings in London.

Among the buildings he worked on or in around London are the churches of St James’s in Piccadilly, St Mary Abchurch, St Michael Paternoster Royal and, famously, St Paul’s Cathedral (where he carved choir stalls, the bishop’s thrones and choir screen) as well as Hampton Court and Kensington Palaces.

While he is primarily remembered for his limewood carvings, Gibbons’ workshop was also responsible for sculpting statues, memorials and decorative stonework. A couple of the workshop’s statues can still be seen in London – one of King Charles II in Roman dress at the Royal Hospital in Chelsea and another of King James II outside the National Gallery in Trafalgar Square – while the magnificent Westminster Abbey memorial to Admiral Sir Clowdisley Shovell is also attributed to him.

Gibbons died at his Bow Street home on 3rd August, 1721, and was buried in St Paul’s Church in Covent Garden (his wife had been buried there several years before).

For more on Grinling Gibbons, check out David Esterly’s Grinling Gibbons and the Art of Carving.

Where is it?…#43

The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

This image is one of many found in a subterranean tunnel surrounding Hyde Park Corner Underground Station and depicts, of course, the 1st Duke of Wellington, Arthur Wellesley, enjoying his latter years. The ‘Iron Duke’ has strong connections to Hyde Park Corner – his former home, Apsley House, No 1. London, is located there as is the Wellington Arch, the Decimus Burton memorial to him. For more on the Duke, see our earlier post here and for more on Wellington Arch, see our earlier ‘Where is it?’ post here.

Treasures of London – The Royal Kitchens, Kew…

Given this week’s release of English Heritage’s The London List 2011 – which lists all properties given a new or upgraded heritage listing last year, we thought it was only appropriate to look at one of the properties listed, in this case the Royal Kitchens in Kew Gardens.

Upgraded to a Grade I listing in 2011, the kitchens were opened to the public for the first time in May this year following a £1 million restoration. The origins of the kitchens go back to the 1730s when they were built to the designs of William Kent to serve the White House, the grand mansion of Frederick, Prince of Wales (eldest son and heir of King George II).

While the White House was demolished in 1802, the Georgian kitchens – built in a separate building to mitigate the risk of fire – were kept to serve the nearby premises of Kew Palace (formerly known as the “Dutch House”, it had been originally built in 1631 for a Flemish merchant).

But after the death of Queen Charlotte (wife of King George III) in 1818, members of the Royal family only stayed occasionally and so the kitchen fell into disuse. While the upper floors were given over to accommodation, the lower floor remained untouched, allowing it to survive in a considerable degree of intactness.

The kitchens centre on the double storey ‘Great Kitchen’ featuring three charcoal stoves as well as a rare cooking range with “smoke jack” and fan. Other rooms include a scullery, a bakery, larders and stores for silver and spices while among the surviving furnishings is a preparation table or dresser, cupboards, shelves and baking ovens. Upstairs, the office of the clerk who oversaw the feeding of the Royal Household has been restored.

Historic Royal Palaces, who look after the kitchens, have installed a new permanent exhibition at the site which focuses life on the 6th February, 1789, the date when King George III, having suffered his first bout of ‘madness’ (believed to be porphyria), was given back his knife and fork. William Wybrow was the Master Cook at this time and William Gorton the Clerk of the Kitchen.

WHERE: The Royal Kitchens, Kew Gardens, Kew (nearest Tube Station is Kew Gardens); WHEN: 11am to 5pm daily until 30th September, then Thursday to Sunday until 28th October, then daily again until 4th November; COST: Kew Gardens tickets must be purchased – £16 adults/£14 concessions/children under 16 free – and then tickets to Kew Palace – £6 adults/£4.50 concessions/children under 16 free (or free with annual Historic Royal Palaces membership); WEBSITE: www.hrp.org.uk/kewpalace/stories/palacehighlights/royalkewkitchens.

PICTURE: Forster/HRP

For more on Kew Palace, check out Kew Palace: The Official Illustrated History.

Around London – London’s listed; Open House beckons; Blue Plaque for opthalmologist; and, Motya Charioteer at the British Museum…

• It includes everything from the iconic Lloyd’s Building in the City to the former Strand Union Workhouse in Fitzrovia which may have inspired scenes in Charles Dickens’ Oliver Twist and the red phone boxes which sit outside the British Museum in Bloomsbury. English Heritage this week released it’s London List 2011 which documents the more than 100 sites in London which have been awarded listed status by the organisation last year. They include 19 Underground stations (among them that of Oxford Circus, St James’s Park and Aldwych), four war memorials (including the grand Central Park War Memorial in East Ham) and two schools as well as various cemetery monuments (including at Highgate and Brompton Cemeteries, and Bunhill Fields Burial Ground) and parks (the status of Green Park was upgraded to Grade II*), religious and commercial premises, public libraries and homes. To download a copy, visit www.english-heritage.org.uk/publications/london-list-2011/.

It’s just one week to go until the Open House London weekend when more than 750 buildings of all sorts open their doors to you. We’ll be talking more about some of the special places open this year in next week’s update – this is, after all, one of our favorite London events of the year, and while, if you haven’t already entered, you’ve missed on the balloted openings, there’s still plenty of places where you can simply turn up on the day (and entry to all is free). If you haven’t already bought one, you can buy the Guide online – just follow the links from www.openhouselondon.org.uk. It can also be picked up free at some participating London libraries.

• Dame Ida Mann, Oxford’s first female professor and a pioneering ophthalmologist, has been honored with an English Heritage Blue Plaque at her childhood home in West Hampstead. The plaque, which was unveiled by an Australian opthalmologist who worked with Mann, Donald F. Ezekial, last week, has been placed on a house at 13 Minster Road where Mann lived from 1902-1934. Mann was born in West Hampstead and lived there for 41 years before eventually emigrating to Australia. For more on blue plaques, see www.english-heritage.org.uk.

• On Now: Motya Charioteer at the British Museum. Best be quick for this one, the charioteer, on loan from the Museo Giuseppe Whitaker on Motya, is only around until 19th September (that’s next Wednesday). The stunning statue, displayed near the sculptures from the Parthenon, dates from about 460-450 BC and is generally credited as one of the finest examples of Greek marble sculpture to have survived down the ages. It is believed to depict the winner of a chariot race and is likely to have been commissioned to commemorate a victory by a participant from one of Sicily’s Greek cities. It was found in Sicily in 1979. Admission is free. For more, see www.britishmuseum.org.

10 Historic Sporting Events in London – 10. The first Peter Pan Cup…

In this, the final in our series on historic sporting events in London we take a look at the first time the Peter Pan Cup was presented at the annual Serpentine Swimming Club’s Christmas Day race in Hyde Park.

While the origins of the annual 100 yard Christmas Day day race – and the club itself – go back to 1864, it wasn’t until 1904 that author JM Barrie (writer of Peter Pan, or The Boy Who Wouldn’t Grow Up and later knighted), first presented the Peter Pan Cup to the race’s winner (Peter Pan was first performed at the Duke of York’s Theatre the same year). Previous winners had received a gold medal.

Barrie’s involvement apparently came from the fact that he lived nearby in Bayswater and had often seen the swimmers.

The race, which starts at 9am on Christmas Day on the south side of the Serpentine near the cafe, is only open to club members (so don’t turn up expecting to be able to join in) and operates on a handicap system (pictured are swimmers in the 2009 race). Last year’s winner was Neil Price.

It’s worth noting that while this is the club’s most famous event, members swim every weekend throughout the year.

For more on the Serpentine Swimming Club, see http://serpentineswimmingclub.com/.

PICTURES: Serpentine Swimming Club

What’s in a name?…Pimlico

Tradition holds that this small triangular area, wedged between Westminster and Chelsea on the north bank of the Thames, takes its name from Ben Pimlico, said to be the 17th century owner of an famous alehouse or tea garden in Hoxton, on the north side of the City, and brewer of a particularly sought-after “nut brown” ale.

The story goes that so popular was his brew that Hoxton Street was then known as the “Pimlico Path”  due to the numbers making their way to his alehouse and that the area of Pimlico somehow adopted this name (although to be fair we should note that it’s also been suggested that the name comes from the Pamlico tribe of American Indians who exported timber to London around the same period).

While references to Pimlico go back to the 17th century, the area was largely uninhabited until the 19th century when it was developed by Victorian planner Thomas Cubitt under contract to the land owner, the Grosvenor family.

Initially in demand among the well-to-do, the fortunes of the area had declined by the end of the nineteenth century before a resurgence of interest took place in the early 20th century.

Among the projects constructed at that time was Dolphin Square (pictured) – with more than 1,200 apartments, it was the largest apartment complex in Europe at the time and has since proved particularly popular among politicians keen to be close to the action in Westminster and Whitehall.

Famous residents of Pimlico have included Winston Churchill, who lived briefly at 33 Eccleston Square between 1908-11.

Worth noting is that there is a racecourse in Maryland in the US known as the Pimlico Race Course which is also named for Ben Pimlico’s tavern.

For a photographic essay of Pimlico, check out Brian Girling’s Pimlico Through Time.

Where is it?…#42

The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Carol, this bust – yes, of Abraham Lincoln, 16th President of the United States – is located just inside the ‘rear’ entrance of the Royal Exchange in the heart of the City. The work of Irish-American sculptor Andrew O’Connor, it was carved from a block of limestone apparently quarried near the President’s birthplace in central Kentucky. The bust, which shows Lincoln is his prime, was presented to The Gresham Committee by the Lincoln Committee in 1930.

(And sorry about the previous #42 post – a technical glitch meant we had to shelve it!)

 

Lost London – Queenhithe…

Not, strictly speaking, lost, Queenhithe – a dock on the north bank of the Thames – is nonetheless these days merely a shadow of its former self.

There has been a dock here since Saxon times when it is recorded that King Alfred (he of ‘The Great’ fame), established a harbour here in 883. It was then known as Ethelred’s Hythe (the Ethelred being that of his brother-in-law and ‘hythe’ being a Saxon word for a trading shore where goods could be traded directly out of boats).

Queenhithe took its name from Queen Matilda, the wife of King Henry I, who was granted dues from goods being traded at the dock in the early 1100’s – a right which was later inherited by future English queens.

The dock reached the peak of its popularity in the 13th century when it became the principal site for the landing of grain and other food supplies to feed London but in the 15th century, the dock’s importance waned as other docks downstream, better suited to larger watercraft, took over much of its trade.

Remains of the wooden timbers which in medieval times lined the Thames waterfront have been found here. The inlet for Queenhithe’s harbour (pictured above) is one of few left on The Thames.

The name these days gives itself to Queenhithe street (which leads to the inlet) and the Queenhithe Ward, one of 25 wards in the City of London. There was also a former church known as St Michael Queenhithe – it was destroyed in the Great Fire of 1666, rebuilt to the designs of Sir Christopher Wren and then demolished in the late 19th century.

Around London – Cecil Beaton at the IWM; a night of bicycles at the Design Museum; and, Dickens and the Foundling…

A major new exhibition featuring stunning images captured by the late renowned society and fashion photographer Cecil Beaton during World War II opens at the Imperial War Museum in Lambeth today. Cecil Beaton: Theatre of War features some of the 7,000 photographs the photographer took between 1940 and 1945 with many of them exhibited for the first time. The photographs were taken in an array of locations – from Britain and Europe to the Middle East and Africa, India, Burma, China and the US – and depict everything from “ordinary” people in civilian life through to some of the era’s most famous military leaders. The exhibition will also look at how the war affected Beaton personally including his own brushes with death including in a major air crash and suffering from the likes of dengue fever and dysentery. Admission charge applies. Runs until 1st January. For more, see www.iwm.org.uk.

• A celebration of all things bicycle will be held at the Design Museum tomorrow (Friday, 7th September) night. Bike V Design, which kicks off at 6.30pm, will feature talks exploring the design of bikes, a mini cinema and live performances including BMX stunts and circus trick cycling as well as a demonstration of saddle manufacturing. Visitors are encouraged to bring their own bikes or enjoy the selection of bespoke bicycles on display. The night is being held to coincide with Designed to Win, the museum’s current exhibition exploring the tension between sport and design. An admission charge applies. For more, see www.designmuseum.org.

• On Now: Dickens and the Foundling. In case you’ve missed it, this exhibition at the Foundling Museum in Bloombury explores the relationship between the writer and the Foundling Hospital through a series of objects selected for display by six people with an interest in Dickens including actress Gillian Anderson, Dickens’ descendent Mark Dickens, comedian Armando Iannucci, Camden councillor Tulip Siddiq, poet Lemn Sissay and journalist Jon Snow. Among the objects on show are a letter from Dickens to the editor of The Times in which he objects to public hangings, the writing desk at which Dickens wrote what we have of the unfinished The Mystery of Edwin Drood, and a manuscript page from Oliver Twist, written when Dickens lived in a house at nearby Doughty Street. The exhibition runs until the end of October. Free with museum admission. For more, see www.foundlingmuseum.org.uk.

10 Historic Sporting Events in London – 9. A dead heat in the Oxford-Cambridge Boat Race…

Now officially known as the BNY Mellon Boat Race, the annual rowing event between Oxford and Cambridge universities was first held at Henley on Thames in 1829, moving to London for the second event in 1836 and becoming an annual event (with the exception of the two world wars) in 1856.

One of the most controversial races ever held – and next year’s will be the 159th – was in 1877 when the race, run over a four mile, 374 yard course which starts in Putney in west London and taking in a great bend of The Thames as it goes past Chiswick and Hammersmith, finishes at Mortlake, ended in a “dead heat”.

The drama began as the boats passed Barnes Bridge, about three-and-a-half miles through the course, when one of the blades of the Oxford team’s oars broke after striking rough water. Oxford (wearing dark blue) had been leading the race and the incident is believed to have helped Cambridge (wearing light blue) to draw level – so much so that both crews are recorded as having passed the finish line in 24 minutes and eight seconds.

It’s the only time the race has ever finished in a draw and there was, as might be expected, significant controversy over the result. With no finishing posts then in place, the judge, a waterman from Fulham named ‘Honest John’ Phelps, had to decide the result from his place in a small skiff on the water (and, according to the official Boat Race website, it is believed he was in a position to do so and not dozing under a bush as others have suggested).

His skiff, it is believed, may have drifted off the finish line. In addition, it was not the only craft on the water and it’s believed that the other craft filled with people eager to see the result, may have partially obscured his view. Even if they hadn’t, his was a tough task.

As was recorded in The Times (with thanks to Wikipedia):  “Cheers for one crew were succeeded by counter-cheers for the other, and it was impossible to tell what the result was until the Press boat backed down to the Judge and inquired the issue. John Phelps, the waterman, who officiated, replied that the noses of the boats passed the post strictly level, and that the result was a dead heat.”

Oxford, however, thought they had won by a matter of several feet and it’s believed that as a result Honest John announced the result as “dead heat to Oxford by five feet”. The result was later confirmed as simply a “dead heat”.

The controversy did lead to some changes – including the introduction of finishing posts – a stone on the south bank and a post on the north – and the passing of the role of judge to members of the two universities instead of a professional waterman.

Following this year’s race (also rather controversial – see our earlier article here) Cambridge has 81 wins and Oxford 76. For more on the history of the Boat Race see our earlier entry here or visit www.theboatrace.org.

LondonLife – John Donne at St Paul’s Cathedral…

A new bust of priest and poet John Donne was unveiled outside St Paul’s Cathedral earlier this year. Donne was made  Dean of St Paul’s in 1621, a position he held until his death 10 years later. He was subsequently buried in Old St Paul’s Cathedral and a memorial to him – a likeness apparently based on a drawing of him in his shroud – was the only monument to survive the Great Fire of London in 1666. It’s still inside the cathedral. The new bronze bust, located in the garden to the south of the cathedral, was the work of artist Nigel Boonham and has Donne looking east towards his birth place in nearby Bread Street. The text “Hence is’t, that I am carried towards the West/This day, when my Soul’s form bends to the East” – taken from the poem Good-Friday, 1613, Riding Westward – is inscribed underneath the bust. Commissioned by the City of London, the sculpture was unveiled in June by the artist and Professor Peter McCullough, one of the cathedral’s Lay Canons. For more on St Paul’s, see www.stpauls.co.ukPICTURE: Graham Lacdao / The Chapter of St Paul’s Cathedral. 

London Pub Signs – Ye Olde Mitre Tavern…

This small pub, found down a laneway – Ely Court – off Ely Place in Holborn, is considered by many one of London’s hardest to find. The name – which describes a bishop’s headwear – comes from the fact that the building was built by Bishop Goodrich of Ely, who lived in nearby Ely House, for his retainers.

The original premises dated from 1546 but the current building on the site reportedly dates from about 1773 (about the date on which the bishop’s residence nearby was demolished). Interestingly, the pub was actually part of Cambridge – the city of Ely, and the Bishopric, being based there – which meant that the licensees once had to go to Cambridge for renewal.

In 1576, part of the property, along with a substantial part of the bishop’s estate, was leased to Sir Christopher Hatton, favorite of Queen Elizabeth I (and the man after whom nearby Hatton Garden is named – more on that another time), on order of the Queen herself.

Indeed the bar still houses the remains of a cherry tree behind glass. The tree is said to have marked the  border between Sir Christopher’s land and the Bishop’s land. Sir Christopher, incidentally, is said to have danced around it during a May Day celebration the Queen though this tale may simply by apocryphal.

Both Charles Dickens and Dr Johnson are said to have been customers here. The pub, which features dark  panelling on the walls, still evokes a sense of the past with its olde world furnishings and fittings (and absence of more modern fittings like blaring TVs). Great place to pass a few hours in on a chilly day!

For more on the pub, see http://yeoldemitreholburn.co.uk.