Author: exploringlondon

Treasures of London – Peter Pan statue, Kensington Gardens

by exploringlondon

It’s now one of the most popular statues in London – the diminuative “boy who wouldn’t grow up”. But few people today are aware of its somewhat unusual origins.

Located about half-way along the western shore of the Long Water in Kensington Gardens, the bronze statue first “appeared” in the park in 1912. The story goes that author JM Barrie, who published his first story about Peter Pan – The Little White Bird – in 1902, chose the location of the statue based on it being the place where, in the story, Peter Pan landed after flying out of the nursery window of his home.

Peter Pan first appeared on stage two years later in 1904 in the play Peter Pan, or The Boy Who Wouldn’t Grow Up, and this was later expanded into a novel by Barrie, Peter and Wendy. He’s since appeared in numerous film and stage adaptations – including sequels and prequels to the original tales.

Barrie had apparently been thinking about the statue for some time prior to its appearance – in 1906 he went so far as to take a series of photographs of six-year-old  Michael Llewelyn Davies wearing a Peter Pan costume (it was Barrie’s relationship with the Llewelyn Davies family which is said to have inspired Peter Pan’s creation).

Six years later Barrie commissioned Sir George Frampton to create the statue – interestingly, in what was a cause of some friction between the artist and patron, Sir George modelled his figure not on Llewelyn Davies but on another boy. Peter is seen playing on some pipes and is surrounded by small animals and fairies. There’s no sign of Captain Hook.

On the 1st of May, the statue simply appeared in its current position after being taken into the park under the cover of darkness. Barrie announced what he called his “May Day gift” to the children of London in The Times newspaper, describing it as “delightfully conceived”.

There was apparently some initially concerns raised among MPs about the appropriateness of an author erecting a statue to promote his own work but it has since become an iconic symbol of the gardens (and undergone some repairs – including after an incident in 1952 when Peter’s pipes were stolen).

So popular has the statue proved, that copies of the Peter Pan statue – created using Sir George’s mould – can now be found in Liverpool as well as in countries including Canada, Brussels, Australia and the US. There are others (not copies) in Kirriemuir, Scotland (Barrie’s birthplace) and another of him with Tinkerbell outside Great Ormond Street Hospital for Children (which holds the copyright to the character).

WHERE: Peter Pan statue (nearest Tube station is Lancaster Gate); WHEN: 6am to dusk daily; COST: Free; WEBSITE: www.royalparks.gov.uk/Kensington-Gardens.aspx

10 small (and fascinating) museums in London…5. The Old Operating Theatre Museum and Herb Garret

by exploringlondon

It’s the most unlikely location for anything to do with a hospital. High above the street in what was a herb garrett above a former church sits what was the operating theatre for females of St Thomas’ Hospital.

Built in 1703, the attic space resembles something of a large barn and was likely first used for storing and drying herbs by the resident apothecary at the then newly reconstructed St Thomas’ Hospital (this was largely rebuilt at the end of the 17th century on the same site previously occupied by the hospital as far back as the 1200s).

In 1822, the hospital’s governors decided that part of the herb garrett be converted into a new purpose-built operating theatre for female patients. The addition of windows in what was left of the adjoining garret, meanwhile, suggest it may have been used as a recovery ward.

The first thing that assails you as you enter the herb garrett these days, having clambered up a narrow twisting staircase is the sweet, spicy smell of herbs.

There are plenty of these within the garret, each with a hand written card explaining the curative properties they were renowned for – who knew, for example, that the ash of bladderwrack, dried kelp or seaweed, could be used to treat scrofula and goitre, or that the origins of aspirin go back to 1758 when a Chipping Norton clergyman chewed on a willow twig?

Elsewhere in the space are displays featuring early surgeon’s implements (and all the horror that entails), specimen jars containing human organs, anatomical models, pill and medicine making equipment and a display on nursing (there’s also a display on the poet John Keats who briefly served as an apprentice apothecary at St Thomas’ and St Guy’s in 1815-17).

Through the garret is located the operating theatre itself, complete with the wooden operating table and series of seats for spectators. Information panels nearby speak of such things as the blood box located below the floor into which the blood drained away and the speed with which surgeon’s had to work (until 1846 there was no reliable anaesthetic and it wasn’t until 1865 that Sir Joseph Lister introduced antiseptic procedures). There’s also a panel on the resurrection men – people who traded in cadavers to meet the growing needs of anatomists in the 18th and 19th centuries (and whom were known in London and elsewhere to have murdered people to meet the demand for bodies).

For all the faux-horror of nearby attractions like the London Dungeon, it’s here that you can truly experience the horrors some people have had to face as they prepared to go under the surgeon’s knife.

WHERE: The Old Operating Theatre Museum and Herb Garret, 9a St Thomas’s Street, London Bridge (nearest Tube station is London Bridge); WHEN: 10.30am to 5pm daily; COST: £5.90 an adult/£4.90 concessions/£3.80 children under 16/£13.80 a family (up to four children); WEBSITE: www.thegarret.org.uk.

Lost London – Billingsgate Roman House and Baths

by exploringlondon

Hidden beneath an office building in Lower Thames Street opposite the former Billingsgate Fish Market are the remains of some of London’s best preserved Roman ruins in the form of an expansive house and baths complex.

Last weekend, the Festival of British Archaeology presented a rare opportunity to visit the property which has been the subject of an extensive conservation project.

The remains of the buildings were first discovered by workmen building the New Coal Exchange in 1848 (this was demolished in the 1960s and the current office building constructed in its place in the 1970s – the ruins now sit in its basement).

While the house – which may have formed an L-shape or three-sided building stretching around a courtyard – dates back to the 2nd century AD, the baths complex – which is believed to be located in the house’s courtyard – were added the following century. The buildings, both of which feature an underfloor heating system known as a hypocaust, are notable for the fact that they remained in use until the early 5th century AD when much of what had been Roman Londinium was then already in decline.

Visitors to the baths would first have visited the cold room (frigidarium) before moving on to the warm room (tepidarium) and then the hot room (caldarium) which was heated by the hypocaust. There they would pause to remove dirt and oils from their skin using curved metal scrapers known as strigils before retracing their steps to the cold room where they are believed to have either jumped bravely into a plunge pool or splashed cold water over themselves.

The site includes two furnaces – one at the house and another at the baths – used for heating the space under the floors. The fact both buildings were constructed of stone indicates they were either owned by a wealthy family or were for communal use, perhaps as an inn for travellers.

The objects found in the premises include hoard of bronze coins (all minted after 395 AD) and a bronze brooch, believed to have belonged to a Saxon woman who must have dropped it after 450 AD when the bath house may already have been in ruins.

You can follow the conservation work being currently being carried out on the property – a joint project involving the City of London Corporation, the Museum of London, English Heritage, Nimbus Conservation and the Institute of Archeology of University College London – here: www.billingsgatebathhouse.wordpress.com. It’s expected the ruins will next be opened to the public for the Open House weekend on September 17th/18th.

Around London – 16 Underground stations listed; life in a gun turret at HMS Belfast; and that dress on display at Buckingham Palace

by exploringlondon

• Sixteen London Underground stations were this week listed as Grade II heritage buildings. The Tube stations – several of which were designed by Leslie Green, known for his pioneering use of ‘ox-blood’ red tiles on the exterior of stations to create a consistent brand for the stations – include the now-closed Aldwych (pictured) along with Oxford Circus (originally two stations), Covent Garden and Russell Square as well as Belsize Park, Brent Cross, Caledonian Road, Chalk Farm, Chesham, Perivale, Redbridge, St John’s Wood, West Acton and Wood Green. Three other stations – Arnos Grove, Oakwood and Sudbury Town – have had their status upgraded from Grade II to Grade II*. These three were all designed by modernist architect Charles Holden for the extension of the Piccadilly Line in the 1930s. The new listings were made by Tourism and Heritage Minister John Penrose on the advice of English Heritage.

• A new permanent exhibition showing would-be sailors what it is like to fight at sea opens at the HMS Belfast this weekend. Gun Turret Experience: A Sailor’s Story, 1943, is an immersive experience using lights, imagery, sound, smoke effects, movement and smell to recreate the atmosphere and conditions of a gun turret tower when a crew was at battle stations. Visitors are encouraged to follow the story of a young sailor on Boxing Day, 1943 when the German battle cruiser Scharnhorst is sighted leading to the Battle of the North Cape. The Gun Turret Experience, housed within the original triple gun turrets overlooking the quarterdeck, was developed with the help of Royal Navy veterans and eye-witness accounts from the Imperial War Museum (of which the HMS Belfast is part). Entry is included in normal admission price. For more information, see www.hmsbelfast.iwm.org.uk.

• Now On: See the dress the Duchess of Cambridge wore when she was married to Prince William in April at this year’s summer opening at Buckingham Palace. The gown, which features a nine foot long train, will be displayed along with the Halo Tiara until 3rd October in the palace ballroom (the same room used for the newly married couple’s reception). The exhibition features video footage of designer Sarah Burton, explaining how the dress was made. This year’s summer opening also features a display of the work of Carl Faberge – including his magnificent jewel-encrusted Imperial Easter Eggs as well as bejewelled boxes and miniature carvings of favorite pets of the royal family. More than half a million people are expected to visit the exhibition. For more information, see www.royalcollection.org.uk/default.asp?action=article&ID=30

10 small (and fascinating) museums in London…4. The Wimbledon Windmill Museum

by exploringlondon

A tiny museum located in an 1817 windmill standing in the middle of Wimbledon Common, the Wimbledon Windmill Museum provides an interesting insight into the work and lives of the millers who once occupied it and the thousands of other windmills around the UK.

Displays are located over three levels – the last reached by a steep climb up a ladder – and range from the tools and machinery used by the millers to a room packed with models of different types of windmills (all of which turn when you press a button) through to a room set up as the mill was in the 1870s when it was divided into homes for six families.

As well as the more static displays, there’s also a chance for the kids to make their own flour and a video playing on a loop which goes into considerable detail on the history and function of windmills in the UK.

There are tearooms located next door (and, if you happen to visit when it’s snowing, there’s a great toboggan run located nearby!).

The windmill itself has some interesting historic connections – it was in the miller’s cottage behind the windmill (now much enlarged) that Scouts founder Robert Baden-Powell was staying when he wrote Scouting for Boys in 1907.

While this mill dates from 1817, there is a record of millers being on the common as far back as the 17th century. As well as making flour, the miller also served as the common’s constable.

This job entailed keeping an eye out for robbers operating on the common as well as illegal duelists (Wimbledon Common and Putney Heath were apparently popular spots for this).

Indeed, history records that Thomas Dann – the first miller about whom there is a record – and his wife witnessed an infamous duel between Lord Cardigan and Captain Tuckett from the windmill’s roof. Tuckett was wounded during the second round of shots and subsequently taken into the windmill for treatment of his injuries while Dann took Lord Cardigan into custody (he was eventually acquitted after a trial in the House of Lords).

This is certainly a small museum but, with an entry price of only a couple of pounds, well worth spending a little time to look through.

WHERE: The Wimbledon Windmill Museum, Wimbeldon Common (nearest Tube stations are Wimbledon, Wimbledon Park and Southfields); WHEN: 2pm to 5pm Saturdays, 11am to 5pm Sundays (and Bank Holiday Mondays) until October 30th; COST: £2 adults/£1 concessions and children/£5 families (two adults and up to four children); WEBSITE: www.wimbledonwindmill.org.uk.

LondonLife – SS Robin returns to East London…

by exploringlondon

The SS Robin being towed to its new mooring in East London on a floating pontoon. PICTURE: James Spellane/SS Robin Trust.

The world’s oldest complete steamship, the SS Robin, made a dramatic return to the Royal Docks in East London earlier this month. Built in 1890 at the Thames Ironworks shipyard on the River Lea, the coastal cargo steamer was operational for more than 80 years, initially around the coast of Britain and the English Channel and later in Spain where it bore the name Maria. The 300 tonne vessel has just been through a three year restoration project spearheaded by the SS Robin Trust. It has now taken up a temporary mooring on a new floating pontoon while final conservation work is completed. It is anticipated that the steamship – which is listed on the ‘Core Collection’ of the UK National Historic Ships Register meaning it’s seen as historically significant as London’s two other maritime landmarks, the Cutty Sark and HMS Belfast – will be opened to the public. For more information, see www.ssrobin.com.

10 Questions – Martin Stancliffe, Surveyor to the Fabric, St Paul’s Cathedral…

by exploringlondon

In the first of a new series in which we ask 10 questions of someone involved with one of London’s historic sites, we speak to Martin Stancliffe, Surveyor of the Fabric at St Paul’s Cathedral, about the £40 million, 15 year cleaning and restoration project at the iconic London structure which came to an end last month…

1. What does your job at the cathedral involve? “Advising on all aspects of the care and repair of the fabric of the cathedral, and its setting. This involves devising and leading all fabric projects, major or minor.”

 2. What prompted the 15 year repair and cleaning project? “The perception that the cathedral could reach out more to all its visitors both as a great centre for worship and as a great tourist attraction if it were in better condition and had improved facilities.”

3. How much of a difference has the cleaning and repair project made to the look of the cathedral, both inside and out? “I think it is not too much to say that the cleaning has transformed the appearance of both the exterior and the interior. In particular, the interior now speaks much more clearly of its primary purpose as a great church and a setting for great national services of memorial or celebration. In addition, the programme of repair works in almost all parts of the cathedral has put it into good condition in ways that can be sensed, but cannot  – I hope – be seen.”

4. How many people have been involved? “It is hard to make a count, but the number must run into several hundred.”

5. What trades did the task require and was it easy to source the sort of expertise required? “The various different tasks required a great range of skills, from masons to electricians and scaffolders,  and from expert painters and gilders to conservators. There is a wonderful supply of skilled craftsmen and professionals in this country; but younger people need to be encouraged to understand how creative and rewarding such work is, and to learn the expert skills required to continue to care for buildings like this.”

6. What was the most challenging aspect of the project? “The most challenging aspect was the organisation of the internal cleaning project, which required special techniques and special scaffolding to enable the cathedral to continue its day to day work uninterruptedly throughout the 15 year programme – including having to remove all scaffolding from the interior for the Queen’s Golden Jubilee right in the middle of the project!”

7. Is the cathedral we now see as (original architect) Sir Christopher Wren envisaged it? “No, the interior had already been substantially altered in the 19th century by the removal of the original choir screen, the stripping of paint from all the internal stonework, and the installation of mosaic decorations. However, the atmosphere in the cathedral is certainly closer to how Wren envisaged it than in its gloomy state 15 years ago; and he would certainly have recognised – and welcomed – the radiant quality of light which has been restored to the interior.”

8. Did you make any interesting discoveries about the building during the restoration project? “A building like this is always revealing new things. We discovered much more about how the lower parts of the dome were constructed, and we have understood much better why and how the building moved and settled as a structure over the last 300 years. We also discovered many fragments of the great cathedral which stood on this site for some 600 years before the destruction of the Great Fire, built into the structure of  Wren’s cathedral.”

 9. What’s your favorite part of the cathedral?  “I love all parts of the dome, from the top of the lantern down to its complex foundations on the top of the arches of the nave.”

10. Can you tell us something about St Paul’s that many visitors may be unaware of? “Many people are unaware of the reason why the dome seems so all embracing when you are in the interior. This is because the dome spans right across the whole width of the church,  allowing the aisles to pass through it, unlike St Peter’s in Rome, for instance.”

WHERE: St Paul’s Cathedral, St Paul’s Churchyard (nearest tube station is St Paul’s); WHEN: St Paul’s is open from 8.30am to 4pm (galleries from 9.30am to 4.15pm), Monday to Saturday. Open for worship only on Sundays;  COST: £14.50 an adult/£13.50 concessions/£5.50 a child (6-18 years)/£34.50 a family of four; WEBSITE: www.stpauls.co.uk

Daytripper – Brighton

by exploringlondon

It’s summer and that means, fingers crossed that the weather holds, Londoners start looking for the beach. One of the easiest to access coastal resorts – just an hour on the train – is the East Sussex town of Brighton.

Its history dates back to before the Doomsday Book and by medieval times, the town – previously known as Brighthelmstone – was prosperous enough to become a target to French raiders who burnt it down during a raid in 1514.

Yet much of what we now know as Brighton dates from the late 18th century when the town was transformed into a fashionable seaside resort. But before we get to that, there’s a couple of notable survivors from earlier days worth mentioning.

First up is the  14th century St Nicholas’ Church which, although considerably altered in later years, still contains a Norman font and has several graves of interest in the churchyard including that of Captain Nicholas Tattersall who carried King Charles II to France in his boat in 1651, as well as those of Phoebe Hessel, famed for having served 17 years in the army during the 1700s disguised as a man, Sake Dene Mohomed who first brought Turkish baths to Brighton and Amon Wilds, a famed Regency architect and builder.

And for a feel of what the medieval streetscape may have been like, head to the central shopping area known as The Lanes which still follows the medieval street pattern (although the shops date from later period) and which, boasting a range of interesting shops, is well worth spending some time poking about in.

While Brighton had gradually been establishing a reputation as a sea bathing resort in the years prior to 1783, in that year the town’s profile received a valuable boost when the Prince Regent (later King George IV) visited the town. So taken with it was he that not only did he make repeat visits, he also constructed the magnificently opulent Royal Pavilion (pictured) – completed in 1822 and designed by John Nash – which still stands as one of the town’s foremost attractions.

The property, which Queen Victoria sold to the town in 1850 for the grand price of £53,000, boasts a series of exquisitely decorated chambers inspired by exotic ‘oriental’ themes. A 10 year, £10 million restoration project was completed in 1991.

Other properties in the town dating from a similar era include the Brighton Dome, which, completed in 1808, was originally the stables for the Prince Regent (back in the day when the Royal Pavilion was simply a farmhouse – in fact, it’s said that it was that fact people commented that the Prince’s horses were better accommodated than the man himself which helped spur him to build the Royal Pavilion). These days it’s the town’s main landmark entertainment venue and contains a concert hall and theatre.

Another property of the era is the Western Pavilion which feature a large Indian dome in reference to those of the Royal Pavilion and was built by Amon Henry Wilds, son of the architect Amon Wilds and a partner in his architectural practice, in 1831 as a residence. It stands next to the Gothic house built by his father, and another architect, Charles Busby, in the 1820s.

The arrival of the railway in 1841 further opened up the town to Londoners which in itself led to the construction of numerous waterfront hotels (the most famous of which is the Grand Hotel, built in 1864 and the scene of a 1984 IRA bombing aimed at killing then PM Margaret Thatcher).

The boom also saw three piers built running out off the foreshore – the Chain Pier (built in 1823 and destroyed by a storm in 1896), the West Pier (constructed in 1866, the derelict remains of which stand starkly in the waters off the town today after it was closed in 1975), and the Palace Pier (constructed in 1899, it is now hosts a lively funfair and, since 2000, has been formally known as Brighton Pier).

The late 1800s also saw the founding the Booth Museum (1874) by naturalist and collector Edward Thomas Booth (located in Dyke Road, it is now known as the Booth Museum of Natural History) and Volk’s Electric Railway which opened in 1883 and is now the ‘world’s oldest operating electric railway’, still running daily trains between Brighton Pier and Black Rock near the Marina.

Brighton, now part of the City of Brighton & Hove, remains a popular beach resort for Londoners, both for its beach and its nightlife, so on a warm day be prepared to fight the crowds.

Among the town’s other, more recent, attractions are the Sea Life Centre on the waterfront, home to more than 150 creatures including sharks and rays, the Brighton Museum & Art Gallery in the city’s ‘cultural quarter’ near the Royal Pavilion, and the Brighton Fishing Museum, also located on the waterfront, it traces the story of the town’s fishing community.

Visit Brighton has a range of maps and walks to help you explore the city. Visit www.visitbrighton.com for more information.

Around London – Yuri Gagarin honored; Londinium by iPhone; celebrating a year to the Olympics; and, British Museum hopes to buy Europe’s oldest book…

by exploringlondon

• Earlier this month it was former US President Ronald Reagan’s turn to be honored with statue in Grosvenor Square. Last week it was the turn of former Soviet Cosmonaut Yuri Gagarin – the first man in space – to be so honored with a new statue located outside the British Council’s offices in the Mall (opposite another explorer, Captain James Cook). The statue, a gift of the Russian Space Agency Roscosmos, was unveiled to mark the 50th anniversary of Gagarin’s celebratory visit to London on 14th July, 1961, just three months after he completed his orbit of the earth on 12th April that year. The 3.5 metre high zinc alloy figure stands close to Admiralty Arch which was where Gagarin met then Prime Minister Harold MacMillan after he was invited to the UK by the National Union of Foundrymen. Among those present for the unveiling of the statue – which is a replica of one in the town of Lubertsy where Gagarin worked as a foundryman as a teenager – was Gagarin’s daughter Elena Gagarina, now director of the Kremlin Museums, and Vladimir Popovkin, head of the Russian Federal Space Agency. The British Council is running an exhibition, Gagarin in Britain, which looks at the life of Gagarin and the early Soviet space programme, until 14th September – among the objects on display is the first space suit and an ejector seat similar to that Gargarin used when he ejected out of Vostok 1. Entry is by registration only and space is limited – email gargarin@britishcouncil.org is you’d like to register for a place. For more information, see www.britishcouncil.org. PICTURE: Frank Noon/British Council

• A new iPhone app which directs people to key sites in what was Roman London (Londinium) will go live on Monday. Developed by the Museum of London and the History Channel, Streetmuseum Londonium will bring to life some of the city’s most significant Roman sites, such as the amphitheatre at Guildhall, using “augmented reality video” which will overlay scenes of Roman London over the modern city while soundscapes will allow users to listen to a ritual at the Temple of Mithras or traders at the forum. In addition, users will be able to ‘digitally excavate’ Roman artifacts including leather bikini briefs and an ancient manicure set. Navigation to these “immersive experiences” will be via a specially created new map of Roman London which will be superimposed on a modern map of the capital, allowing users to see how the city has changed. The launch follows the earlier creation of the Streetmuseum app which guides people to more than 200 sites across the city. More than 200,000 people from across the world have so far downloaded this. Streetmuseum Londinium will be available free to download from 25th July. See www.museumoflondon.org.uk/apps for more.

• London will mark one year to go until the Olympic Games next Wednesday with a ceremony in Trafalgar Square which will be broadcast live on BBC1. Among those present with be the International Olympic Committee (IOC) President Jacques Rogge, London Organising Committee of the Olympic and Paralympic Games (LOCOG) chairman Sebastian Coe and Mayor of London Boris Johnson. The event will also feature a live cross to the Aquatics Centre in Olympic Park where Olympic hopeful Tom Daley will make the first dive into the pool.

• The British Library hopes to raise £2.75 million to acquire the world’s earliest surviving intact European book, the 7th century St Cuthbert Gospel. A copy of the Gospel of St John, the book was buried with St Cuthbert on the isle of Lindisfarne in 698 and later found in the saint’s coffin in Durham Cathedral in 1104. The National Heritage Fund Memorial has already awarded £4.5 million to obtain the St Cuthbert Gospel and the Art Fund and The Garfield Weston Foundation have donated £250,000 each. The book has been on long-term loan to the library since 1979 and is regularly on view in the Sir John Ritblat Treasures Gallery. The library was approached last year and given first option to acquire the text after the Society of Jesus (British Province) decided to sell it. A price of £9 million has been agreed, of which £2.75 million remains outstanding. For more, see www.bl.uk.

10 small (and fascinating) museums in London…3. The Foundling Museum

by exploringlondon

Opened in 2004, the Foundling Museum was created to look after the former Foundling Hospital’s collection of art and artifacts and provides a unique and deeply moving insight into the work of the hospital and those who came under its care.

The Foundling Hospital’s origins go back to the 1720s when former mariner and ship-builder Captain Thomas Coram, shocked by the number of abandoned babies he saw in London (it’s estimated that in the early 1700s, there were as many as 1,000 babies being abandoned every year), began a campaign to found a hospital for “exposed and deserted young children”, that is, ‘foundlings’.

The hospital was founded in 1739 after King George II granted it a royal charter and, from that date until its closure in 1953, had some 27,000 children pass through its doors.

The museum’s story is not an easy one to tell for while the hospital was founded with the best of intentions, the life of the children who came into its care – even in the 20th century – remained far from easy; it was not, as one of those who formerly lived at the hospital notes, a life they would wish on anyone else. But the museum handles their story – as well as that of those behind the hospital’s founding – with care and dignity.

Located at 40 Brunswick Square – close to the site of the original hospital, the museum is spread over four floors. On the ground floor is an exhibition which details the hospital’s history and features objects including a series of sketches by the controversial 18th century artist William Hogarth, an ardent supporter of the hospital’s work and later one of the many artists who became a governor, as well as the founding charter document itself.

Among the most poignant of the artifacts to be found in the museum are the tokens mothers left with their children so they could later identify them (these were removed from the children on being taken into the hospital, however, to ensure the child’s anonmity).

The lower ground floor has a space for temporary exhibitions – at present this contains the ‘Foundling Voices’ exhibition in which those who once lived under the care of the hospital tell their stories firsthand in what is an emotional journey into the hospital’s relatively recent past (the exhibition runs until 30th October). It is also home to the reconstructed Committee Room, built as part of the original hospital in the mid-1700s, dismantled and then reconstructed in the new headquarters.

Upstairs (the stairs themselves were taken from the boy’s wing of the original hospital), is a reconstruction of the hospital’s original Picture Gallery which was London’s first public art gallery and was instrumental in raising the profile of the work of the hospital. Among the works it contains is Hogarth’s 1740 portrait of Captain Thomas Coram. Nearby is the Court Room, another reconstruction from the original hospital, this time of the building’s most splendid room, used for meetings of the Board and Governors and other special occasions. It too contains numerous artworks.

The top floor of the building houses the Gerald Coke Handel Collection, said to be the greatest collection of artifacts relating to composer George Frideric Handel in the world. Handel’s assocation with the museum goes back to 1749 when he offered a performance of his music to help fund the hospital’s completion. He held another the following year, this time performing the Messiah, and after that Handel agreed to an annual benefit performance – a practice which continued until his death in 1759.

Key artifacts in the Handel collection include the composer’s will and codicils, written in his own hand, as well as programme from the first performance of the Messiah along with other documents and artworks.

WHERE: The Foundling Museum, 40 Brunswick Square, Bloomsbury (nearest Tube station is Russell Square); WHEN: 10am to 5pm, Tuesday to Saturday/11am to 5pm Sunday (closed Mondays); COST: £7.50 an adult/£5 concessions/children under 16 free; WEBSITE: www.foundlingmuseum.org.uk.

LondonLife – Waterbus on Regent’s Canal

by exploringlondon

Regent’s Canal was fully opened in 1820 and linked the Grand Junction Canal, which ended at Little Venice in Paddington in London’s west, with the East London Docks and Limehouse in the east. Architect John Nash was one of the directors of the canal company and it was thanks to his friendship with the Prince Regent, the future King George IV, that the canal obtained its name. Nash saw the canal as an integral part of his plans for The Regent’s Park and it now runs along the park’s northern edge. Nash’s assistant James Morgan was the canal’s chief engineer. The waterbus service, which operates between Little Venice and Camden Loch, runs at various times daily until October. See here for timetable details.

What’s in a name?…Whitechapel

by exploringlondon

An area of the East End of London which has become synonymous with the Jack the Ripper murders of the late 1880s, the origins of the name Whitechapel actually lie much further back in history.

The name dates back to the 14th century when the church of St Mary Matfelon (or Matfelun) was built on what is now the corner of Whitechapel High Street and Adler Street. The church, which was known as the “white chapel” apparently thanks to the white stone used in the walls, was apparently first constructed the mid 13th century and is said to have been named after a prominent local family. It became the parish church of Whitechapel in the 14th century.

Rebuilt and extended several times over the ensuing centuries – including in 1673 and the 1870s, it was bombed during the Blitz in 1940 and ultimately finally removed in 1952. The site where it once stood is now the Altab Ali Park, named after a young Bangladeshi man who was murdered in a racially motivated attack in Adler Street in 1978.

Whitechapel originally stood along the road, which from Roman times ran from London to Colchester. The fact it stood outside the city walls meant it to became home to some of the city’s more undesirable businesses including slaughterhouses, tanneries and breweries.

Greater numbers of poor came into the area from Middle Ages onwards and by the mid-1800s it was one of London’s most crowded, poorest and disease ridden areas, known for its immigrant population and for its rising levels of crime.

This reputation was only solidified in 1888 when the killings of the so-called murderer Jack the Ripper garnered worldwide attention for the brutal slayings of at least five women (some believe the figure should be much higher). Speculation still surrounds the Ripper’s identity.

These days, Whitechapel – along with many inner city areas – is undergoing a gentrification process and is now known as something of a hub for art and music as well as home to a street market in Brick Lane.

Ripperology aside, other notable landmarks include The Blind Beggar pub in Whitechapel Road (it was here gangster Ronnie Kray shot George Cornell in 1966; its sign is pictured above) and the Whitechapel Bell Foundry (described in the Guinness Book of Records as Britain’s oldest manufacturing company, it was founded in 1570 and among the most famous bells cast there are the US Liberty Bell (1752) Big Ben (1858) – stay tuned for our upcoming ‘London’s Oldest’ entry).

The area is also home to the internationally renowned Whitechapel Gallery on the corner of Brick Lane and Whitechapel High Street and the East London Mosque, one of the largest in the UK.

Where is it? #1…

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In the first of a new occasional series, we’re testing your knowledge of London and asking you to identify the location where a particular image was taken. The first is above. Where was this taken and who does the statue depict?

And the answer is…(drum roll please)…Prince Albert above the main entrance to the Victoria & Albert Museum (V&A) in South Kensington.

Around London – National Maritime Museum expands; new galleries proposed for British Museum; Festival of British Archaeology in London; and, the London Street Photography Festival…

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• The National Maritime Museum in Greenwich opened the doors of its new £36.5 million Sammy Ofer Wing today. The new, architecturally slick extension – which is being touted as bringing with it a change of direction in the way the museum operates – features a new permanent gallery known as Voyages as well as a temporary exhibition space, library and archive. There’s also a lounge, cafe and brasserie – the latter boasting views out over Greenwich Park. The Voyages gallery has been designed as an introduction to the museum and features a 30 metre long thematic ‘object wall’ hosting more than 200 objects – everything from a letter written by Horatio Nelson to his mistress Emma Hamilton while he was on board the Victory in 1803 through to a watch belonging to Robert Douglas Norman – among those who perished on the Titanic, and a somewhat battered Punch puppet. The special exhibition space initially hosts High Arctic which uses technology to create an “immersive environment” exploring the Arctic world from the perspective of the future. The museum is also introducing the Compass Card scheme, a new initiative which will eventually be rolled out across the museum. Visitors are presented with a unique card with which, by inserting it into special units placed in galleries, they can flag their interest in receiving further information on a specified subject. The card can then be used to call up related archival information in the museum’s Compass Lounge or using the visitor’s home computer. For more information, see www.nmm.ac.uk.

• The British Museum has announced funding has been secured for two new gallery spaces. These will include a new gallery looking at the history of world money from 2000 BC to present day. Known as the Citi Money Gallery, it will be opened in 2012. A donation from Paul and Jill Ruddock, meanwhile, means the museum will also be working on a major redisplay of Room 41 which covers the Mediterranean and Europe from 300 to 1,100 AD. The artefacts in the room include treasures taken from Sutton Hoo and the Vale of York Viking Hoard. The gallery will open in 2013/14. For more, see www.britishmuseum.org.

• Now On: Festival of British Archaeology. Coordinated by the Council for British Archaeology, the 21st festival (formerly known as National Archaeology Week) kicks off this weekend and runs until the end of July. It boasts more than 800 events across Britain including in London where they include guided tours of the Rose Theatre, a range of Roman themed events and activities – including a gladiator show – at the Museum of London, gallery talks at the Bank of England Museum and British Museum, the chance to visit the Billingsgate Roman House and Baths, and a guided walk of Londinium (Roman London) organised by All Hallows by the Tower. For a complete events listing, see http://festival.britarch.ac.uk/.

• Now On: The London Street Photography Festival is running until the end of the month with a series of exhibitions, talks, walks and workshops, the majority of which are taking place in and around King’s Cross. Key events include Street Markets of London in the 1940s – Walter Joseph featuring never before seen images at the British Library, Vivien Maier: A Life Uncovered at the German Gymnasium, and Seen/Unseen – George Georgiou and Mimi Mollica at the Collective Gallery. For more information, see www.londonstreetphotographyfestival.org.

10 small (and fascinating) museums in London…2. Bank of England Museum

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The Bank of England Museum, located on the east side of the “Old Lady of Threadneedle Street”, provides a fascinating account of life behind the bank’s fortress-like walls, spanning the period from its origins and founding in 1694 to its nationalisation in post-World War II Britain through to the high-tech nature of banking – and banknotes – today. 

The museum is partly housed in a 1988 reconstruction of architect Sir John Soane’s 1793 stock office (Sir John designed the bank’s original headquarters –  much of this was later demolished with the exception being the outer windowless walls of the bank which still frown down on passersby) as well as in the Rotunda – designed by Herbert Baker and dating from the 1930s, it features some of the original Caryatids which decorated Soane’s design.

Highlights among the permanent exhibition include the Great Iron Chest, a precursor to today’s safes dating from around 1700, the Bank of England Charter of 1694 still afixed with the Great Seal, the earliest known Bank of England running cash note (relating to a deposit of £22 and dating from 1697), muskets and pistols used for security at the bank, and documents relating to some of the bank’s more high profile customers (these include Admiral Lord Nelson and former US President George Washington) as well as extensive collection of banknotes and coins. There’s also the opportunity to feel the weight of a solid gold bar (worth £393,884 at the time of our visit).

The exhibition also includes a display on Kenneth Grahame, author of The Wind in the Willows and a long-time (30 year) employee of the bank until his sudden resignation, possibly in part due to him being shot by an intruder several years before, in 1908, only four months before his internationally renowned book was published. Key artifacts include his resignation letter in which he asks for “relief” from the burden of his responsibilities at the bank.

Among current temporary exhibitions is The Pound in Your Pocket which looks in detail at the issue of inflation through a variety of entertaining devices including a balance in which you have to keep inflation at a level during a series of “economic shocks”.

WHERE: The Bank of England Museum, Bartholomew Lane off Threadneedle Street (nearest Tube stations are Bank/Monument and Mansion House); WHEN: 10am to 5pm, Monday to Friday (last entry 4.45pm); COST: Free; WEBSITE: www.bankofengland.co.uk/education/museum/index.htm.

LondonLife – Remembering the 2004 Indian Ocean tsunami…

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Prince Charles and the Duchess of Cornwall were among those to pay their respects at a new memorial remembering those 155 Britons who were among the 225,000 people died in the 2004 Indian Ocean tsunami last week. The 115 tonne memorial, located in gardens at the Natural History Museum in South Kensington, was designed by architecture studio Carmody Groarke. It is sculpted from granite quarried from France and was funded by a £550,000 grant from the Department for Culture, Media and Sport. Carmody Groarke was also involved in the design of the 7 July Memorial which, located in Hyde Park, commemorates the 52 people killed in the suicide bombings which took place in London in 2005. It was unveiled by Prince Charles in 2009.

Where’s London’s oldest…(still-in-use) theatre?

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While the remains of some of London’s oldest purpose-built theatres – such as The Rose and The Globe – can be found in once notorious Southwark, London’s oldest, still-in-use theatre is in fact in the West End. The Theatre Royal Drury Lane (not to be confused with the Theatre Royal Haymarket) apparently takes the honor – the latest incarnation of a theatre which has still on the same location since 1663.

First built on the orders of Restoration-era dramatist and theatre manager Thomas Killigrew, the original theatre on the site – where King Charles II’s mistress Nell Gwynn apparently trod the boards and which was originally known as the Theatre Royal in Bridges Street – was burnt down in 1672 only to be rebuilt to the designs of Sir Christopher Wren two years later.

This building lasted for more than a century before it too was demolished – this time to make way for a larger theatre which opened its doors in 1794. Fire seems to have been a perennial problem, for it too burned down in 1809, being rebuilt and opened again in 1812 with a performance of Hamlet (the current building, designed by BenjaminWyatt).

Now owned by star composer Andrew Lloyd Webber via his Really Useful Group, the building has associations with some of London’s theatreland’s finest names – everyone from eighteenth century actor David Garrick (one of the theatre’s managers) to early nineteenth century child actress Clara Fisher and, in more recent times, Monty Python.

Currently hosting Shrek: The Musical, other recent productions there have included Miss Saigon and a musical adaption of Lord of the Rings.

Treasures of London – The White Tower

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It’s one of London’s most famous landmarks and, having just undergone a three year, £2 million restoration, we thought it was time to take a look at the origins of the White Tower.

Now the keep of the Tower of London, the White Tower was first built by the Norman King William the Conqueror following his defeat of Saxon King Harold Godwinson and the cream of the Saxon army at the Battle of Hastings in 1066.

Following his coronation at Westminster Abbey on Christmas Day, King William then withdrew to Barking Abbey while his men built several temporary strongholds in the city to ensure it wouldn’t cause any trouble – this included an earth and timber keep standing on an artificial mound in the south-east corner of the city’s Roman-era walls.

The White Tower, a permanent structure, replaced this and although the exact date its construction started is unknown, building – under the watchful eye of Gundulf, the Bishop of Rochester, was well underway by the mid-1070s. While the labourers were English, the masons in charge of the building were Norman and then even used some Caen stone imported from William’s homeland (along with Kentish ragstone). By 1097 the tower was complete.

Primarily built as a fortress rather than for comfort, the size of the Tower was intimidating and, at 27.5 metres tall, it would have dominated the skyline for miles. Initial defences surrounding the White Tower included the Roman walls and two ditches although in later years outer walls were added to create the massive fortifications and series of towers one encounters at the site today.

The tower earned its moniker, the White Tower, from the whitewash used on its walls during the reign of King Henry II. The caps on the four turrets which stand at each corner of the tower were originally conical but were replaced with the current onion-shaped domes in the 1500s (the round tower was once home to the Royal Observatory before it moved out to Greenwich). The White Tower’s large external windows are also more modern innovations, these were added in the 1600s by Sir Christopher Wren.

The original entrance to the White Tower was on the first floor, reached by a wooden staircase (that could be removed if necessary), much as it is today while, for security reasons, the internal stone spiral staircase was placed as far from this entry as possible in the north-east turret. A stone forebuilding was later added during the reign of King Henry II but was later demolished.

Inside, accommodation for the king was provided on the second floor – it originally had a gallery above but an extra floor – still there today – was later added. Accommodation for the Tower’s constable was probably on the first floor. Both floors were divided in two – with a large hall on one side and smaller apartments on the other. These rooms now house displays on the Tower’s history – at the present these include the Royal Armouries’ exhibition ‘Power House’.

The White Tower is also home to the Chapel of St John the Evangelist which, made from Caen stone, still looks much the same as it did in Norman times. It was used by the royal family when in residence at the tower but by the reign of King Charles II had become a store for state records. These were removed in 1857. Among some of the events which took place here was the lying in state of Queen Elizabeth of York, wife to King Henry VII, after her death in 1503, and the betrothal of Queen Mary I to Philip of Spain in 1554 (by proxy, Philip was not present). Prince Charles received communion here on his 21st birthday.

Other historic events associated with the White Tower include the apparent murder in 1483 of the ‘Princes in the Tower’ – King Edward V and his younger brother, Richard, Duke of York – while legend says they were killed in the Bloody Tower, the discovery of two skeletons under stairs leading to the chapel during building works in 1674 has led some to believe that they may have been buried here.

It was also in the White Tower that King Richard II was forced to sign away his throne to King Henry IV in 1399 and it was from the White Tower that Gruffydd ap Llywelyn Fawr, the illegitimate son of  Welsh Prince Llywelyn the Great, apparently fell to his death while attempting to escape captivity in 1244.

There are tours of the White Tower daily at 10.45am, 12.45pm, and 2.15pm.

WHERE: Tower of London (nearest tube station Tower Hill); WHEN: 9am to 5.30pm, Tuesday to Saturday, 10am to 5.30pm Sunday to Monday (until 31st October); COST: Included in Tower of London admission – £19.80 adults; £10.45 children under 15; £17.05 concessions; £55 for a family (prices include a voluntary donation); WEBSITE: www.hrp.org.uk/toweroflondon/.

Around London – Ronald Reagan unveiled, two ways in Pall Mall, Hungarian photography at the RA, and a celebration of the Arab world…

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• A new statue of former US President Ronald Reagan was unveiled in Grosvenor Square near the US embassy on Monday, 4th July. The 10 foot tall bronze statue of the president, who died in 2004, was unveiled at a private ceremony by the Foreign Secretary William Hague – former US Secretary of State Condoleezza Rice were also among the more than 2,000 people who attended along with current US ambassador Louis Susman (a frail Margaret Thatcher was reportedly too frail to attend). Commissioned by the Ronald Reagan Presidential Foundation, the statue is the work of sculptor Chas Fagan. Its unveiling is one of a series of events marking the centenary of the birth of the former actor turned politician.

• Pall Mall and St James Street in the West End were opened to two-way traffic this week for the first time in 50 years. The changeover came into effect last Sunday morning. The roads were made one-way in 1963 under a scheme to deal with increasing traffic in the area. But it has been reopened in the first stage of a £14 million overhaul of traffic around Piccadilly Circus – home to world-famous neon billboards and the Eros Statue. The area is visited by 200,000 every day.

• Time to get your togs on. Scores of swimmers will be taking the plunge at the Hampstead Heath Lido tomorrow and Saturday to raise funds for the Lord Mayor’s Appeal, Bear Necessities. A 4,000 metre swim, the City Dip, will be swum by teams and individuals with every swimmer receiving a commemorative certificate and medal. The current Lord Mayor of London is Michael Bear. To sign up or for more information, see  www.lordmayorsappeal.org.uk/dip

• On Now: Eyewitness: Hungarian Photography in the 20th Century – Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi. This new exhibition at the Royal Academy of the Arts at Burlington House in Piccadilly, organised to mark the Hungarian Presidency of the EU, is dedicated to the birth of modern photography and features the work of Brassaï, Robert Capa, André Kertész, László Moholy-Nagy and Martin Munkácsi. It comprises more than 200 photographs, dating from 1914 to 1989, which usually form part of the collection of the Hungarian National Museum of Photography as well as the National Museum in Budapest and other public and private collections in both Hungary and the UK. Runs until 2nd October. For more information, see www.royalacademy.org.uk. PICTURE: Laszlo Fejes, Wedding, Budapest, 1965, Copyright Hungarian Museum of Photography.

• On Now: Shubbak: A Window on Contemporary Arab Culture. London’s first ever celebration of contemporary culture from across the Arab world will feature more than 100 artists involved in 70 events at some 30 venues over the weeks until 24th July. The program includes visual arts, film, music, theatre, dance, literature, architecture, lectures and discussions with many events boasting free admission. Highlights include A Girl in her Room, an exhibition of photo works by highly acclaimed Lebanese/American artist, Rania Matar, at the Mosaic Rooms, one of London’s leading centres for Arab contemporary arts (runs until 23rd July), Shopopolis, a series of collaborations with shoppers at Westfield Shopping Centre (runs until 24th July) and this weekend’s Interference, a series of free films, talks and workshops at the ICA curated by Mathaf: Arab Museum of Modern Art in Doha. For full details of all events, see www.london.gov.uk/shubbak.

10 small (and fascinating) museums in London…1. Museum of the Order of St John

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This is the first in our new special series looking at 10 of the best of London’s small museums. We’re not including houses once lived in by famous people (that will be the subject of a later series), but rather those museums which contain some of the city’s most eclectic collections yet still tend to fly a little under the radar when it comes to the crowds…

First up, we take a look at the Museum of the Order of St John. The museum – which was reopened in late 2010 following a £3.7 million redevelopment – is located in St John’s Gate in Clerkenwell (pictured), the Tudor era gatehouse of the order’s once substantial London priory.

Told inside is the story of the order, from its founding in the 12th century as the Order of the Hospital of St John of Jerusalem with the aim of caring for sick pilgrims who had travelled to the Holy Land through to its later role as a military order and its Middle Ages moves – following the capture of Palestine by Muslim forces in 1291 – to Cyprus, then Rhodes, and eventually Malta, along with its current work through the charitable foundation of St John Ambulance.

Exhibits include weapons and armour, paintings and illuminated manuscripts (such as the Rhodes Missal of 1504), coins, furnishings, ceramics, silverware and textiles. There is also a 16th or 17th century bust of Jean de la Valette, Grand Master of the Knights Hospitaller from 1557 to 1568 and famed for leading the order to victory in the Great Siege of Malta in 1565 (he is remembered still in the name of the island nation’s capital, Valletta).

As well as the gatehouse (which, following the Dissolution, was used for various purposes including being the childhood home of 18th century artist William Hogarth and, at another time, housing a printing press used by famed lexicographer Dr Samuel Johnson), the museum’s assets also encompass the 12th century crypt under what was once the priory church (it’s located just to the north across Clerkenwell Road). It’s well worth a visit for the stunning 16th century tomb effigies alone.

WHERE: The Museum of the Order of St John, St John’s Gate, St John’s Lane, Clerkenwell (nearest Tube stations is Farringdon); WHEN: 10am to 5pm, Monday to Saturday (tours are held at 11am and 2.30pm on Tuesday, Friday and Saturday); COST: Free (a small donation for guided tours); WEBSITE: www.museumstjohn.org.uk.