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Celebrating Charles Dickens – 9. Dickens’ literary connections, part 2…

by exploringlondon

In which we continue our look at some of London’s connections with Dickens’ writings…

• ‘Oliver Twist’ workhouse, Cleveland Street. The building, recently heritage listed following a campaign to save it, is said to have served as the model for the workhouse in Oliver Twist and was apparently the only building of its kind still in operation when Dickens wrote the book in the 1830s. Dickens had lived as a teenager nearby in a house in Cleveland Street and was living less than a mile away in Doughty Street (now the Charles Dickens Museum) when he wrote Oliver Twist. Thanks to Ruth Richardson – author of Dickens and the Workhouse: Oliver Twist and the London Poor – for mentioning this after last week’s post.

• Clerkenwell Green. It is here that Mr Brownlow first comes into contact with Oliver Twist and, mistakenly suspecting him of stealing from him, chases him through the surrounding streets. Interestingly, the grass (which you would expect when talking about a green) has been gone for more than 300 years – so it wasn’t here in Dickens’ time either.

• Barnard’s Inn, Fetter Lane. It was here, at one of London’s Inns of Court, that Pip and Herbert Pocket had chambers in Great Expectations. Barnard’s Inn, now the home of Gresham College, is only one of a number of the Inns of Court with which Dickens and his books had associations – the author lived for a time at Furnival’s Inn while Lincoln’s Inn (off Chancery Lane) features in Bleak House and the medieval Staple Inn on High Holborn makes an appearance in his unfinished novel, The Mystery of Edwin Drood. And, as mentioned last week, Middle Temple also features in his books.

• ‘Dickens House’, Took’s Court. Renamed Cook’s Court in Bleak House, the house – located in a court between Chancery and Fetter Lane – was where the law stationer Mr Snagsby lived and worked in the book. It’s now occupied by music promoter and impresario Raymond Gubbay.

• London Bridge. The bridge, a new version of which had opened in 1831 (it has since been replaced), featured in many of Dickens’ writings including Martin Chuzzlewit, David Copperfield and Great Expectations. Other bridges also featured including Southwark Bridge (Little Dorrit) and Blackfriars Bridge (Barnaby Rudge) and as well as Eel Pie Island, south-west along the Thames River at Twickenham, which is mentioned in Nicholas Nickleby.

We’ve only included a brief sample of the many locations in London related in some way to Dickens’ literary works. Aside from those books we mentioned last week, you might also want to take a look at Richard Jones’ Walking Dickensian London,  Lee Jackson’s Walking Dickens’ London or, of course, Claire Tomalin’s recent biography, Charles Dickens: A Life.

Famous Londoners – Jack Ketch

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A 17th century public executioner famed for his botched executions, Jack Ketch looms as an infamous figure in British history and a byword for brutality and executioners in general.

Ketch’s origins are unknown (he’s also known as John Catch) but he is believed to have received his appointment as a public hangman sometime in the early to mid 1660s – the first recorded mention of him in that role, in a pamphlet celebrating his handiwork, dates from 1678. Such was his self-importance that he apparently adopted the title Esquire and apparently asked for his letters to be addressed to Dr John Ketch.

Among those who died at his hand were those accused of involvement in the Popish Plot against the Crown – a Catholic conspiracy to assassinate King Charles II which was all apparently fabricated by Titus Oates. These included William Staley and Edward Coleman both of whom were hung, drawn and quartered in 1678 (Ketch was also charged with whipping Oates following his perjury conviction).

But Ketch’s most infamous executions, the only two beheadings he is known to have performed, became notorious because of the botched manner in which they were carried out.

It was reported that it took Ketch three blows to strike off the head of William, Lord Russell, when he was executed for treason on 21st July, 1683 (he had opposed the succession of James II and was accused of involvement in the Rye House Plot), although Ketch apparently denied suggestions he had turned up drunk and blamed Lord Russell for flinching.

The beheading of James Scott, the Duke of Monmouth (and illegitimate son of King Charles II), on 15th July, 1685 (pictured above in a print from the time), was apparently even worse – it took Ketch five blows to take off his head and he apparently finished the job with a knife after having almost given up halfway through. Monmouth had been captured following the Battle of Sedgemoor in July 1685 in which he led an army having declared himself king (more on that another time).

Ketch fell out of favor with the authorities later that year and was briefly gaoled in Bridewell prison. He was reinstated but his return to the job of public executioner was only short-lived for he died in 1686 and is believed to have been buried in St James’ in Clerkenwell on 29th November, 1686.

He was survived by his wife Katherine, who apparently stood by her man despite the public feeling against him, and is it generally assumed a girl Susanna who was baptised at the church in Clerkenwell in 1668 – some 18 years before his death – was his daughter.

Following his death, Ketch’s name was adopted by subsequent public hangmen – he even appeared as an ongoing character in Punch and Judy shows.

For more on Ketch, see Tim Wales’ article Jack Ketch in the Oxford Dictionary of National Biography (a subscription is required for access).

PICTURE: Wikipedia.

Around London – Crown Jewels polished for Diamond Jubilee; Diana’s dresses at Kensington Palace; a plaque for Ziggy Stardust; and At Home with the World…

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• A revamped Crown Jewels display opens today at the Tower of London to mark the Diamond Jubilee of Queen Elizabeth II. The new display features graphics, music and newly restored film footage and will focus on the coronation ceremony as its central theme, exploring how the regalia are used in the ceremony. The regalia – which includes some of the most extraordinary diamonds in the world such as the Star of Africa and Koh-i-Nur – is being displayed in the order in which it is used at the coronation ceremony. The Crown Jewels have been on show to the public at the Tower of London since at least 1661 after they were remade for King Charles II’s coronation. The previous collection had been largely destroyed in the Civil War although some pieces survived including a gilt silver spoon probably made for King Henry II or King Richard I (the “Lionheart”). For more information, see www.hrp.org.uk/TowerOfLondon/.

• Five dresses worn by Diana, Princess of Wales, have gone on display at Kensington Palace  which re-opened to the public this week following a £12 million overhaul. The five dresses include a black silk taffeta gown (designed by Emanuel) which Diana wore to a fundraising event at the Goldsmith’s Hall in 1981 – her first official engagement with Prince Charles as well as a formal dinner dress of ivory silk (Catherine Walker) created for a State Banquet for the King and Queen of Malaysia in 1993 and a black ribbed silk shift evening dress (Gianni Versace) worn to the London premiere of Apollo 13 in Hammersmith in 1995. For more on the revamp of the palace see our earlier post. Or visit www.hrp.org.uk/KensingtonPalace/.

• A plaque commemorating the site where the iconic image for the cover of David Bowie’s 1972 album The Rise and Fall of Ziggy Stardust and the Spiders of Mars was photographed has been unveiled in the West End. The plaque at the somewhat innocuous site at 23 Heddon Street, just off Regent Street, was installed by the Crown Estate and unveiled this week by Gary Kemp of Spandau Ballet. The image for the album cover was shot by the late photographer Brian Ward who managed to persuade Bowie to step outside the ‘studio’ space he had rented upstairs despite the fact it was a cold, wet January night.

• On Now: At Home with the World. This exhibition at the Geoffrye Museum explores the cosmopolitan nature of London’s homes over the past 400 years and looks at how diverse cultures have helped shaped the homes – covering everything from Chinese porcelain and the tea craze of the 1700s to the use of Islamic and Indian patterns in the 1800s, the popularity of Scandinavian and American design in the 1900s and the globalism of today. The period rooms on show at the museum have been reinterpreted to highlight the international influences. This is one of a series of Stories of the World: London exhibitions taking place across the city which are exploring four aspects of life – home, identity, journeys and place – as part of the London 2012 Cultural Olympiad program. Runs until 9th September. Entry is free. For more, see www.geffrye-museum.org.uk.

Celebrating Charles Dickens – 8. Dickens’ literary connections, part 1…

by exploringlondon

London is redolent with sites which appeared in the books of Charles Dickens and, having had a look at his life, it’s time we turn our attention to some of the sites relevant to his writing. For the next two weeks, we’re looking at just a few of the many, many sites which feature in his novels. So, here’s seven places to get us going…

• Saffron Hill, Clerkenwell. Once a notorious slum akin to St Giles (see last week’s entry) and the city’s Italian Quarter, Saffron Hill is where Fagin and his gang of thieves operate in Oliver Twist and have their den.

• Chancery Lane, Holborn. Much of the novel Bleak House is set around this narrow street between High Holborn and Fleet Street – Tom Jarndyce kills himself in a coffee shop here in the novel and Lincoln’s Inn Hall – formerly home of the High Court of Chancery – also features.

• The Old Bailey. Some have suggested Dickens worked here as a court reporter although there is no compelling evidence he did so. But the the Old Bailey (the current building dates from the early 20th century, well after Dickens’ death) and Newgate Prison certainly featured in his books – it is here that Fagin is eventually hung in Oliver Twist.

• Child & Co’s Bank, Fleet Street. While the present building dates from 1878, Dickens is believed to have used the bank as the model for Tellson’s Bank in A Tale of Two Cities.

• St Dunstan-in-the-West, Fleet Street. In David Copperfield, David and his aunt, Betsy Trotwood, make a special trip to see the giants Gog and Magog strike the church bells. It also features in Barnaby Rudge and Dickens dedicated his Christmas story, The Chimes, to the church.

• Garden Court and Fountain Court (pictured), Middle Temple. Garden Court is where Pip lived in Great Expectations and where Abel Magwitch turned up to reveal himself as Pip’s benefactor. Fountain Court features in Martin Chuzzlewit as the site for the romance of Ruth Pinch and John Westlock.

• Golden Square, Soho. Mentioned in Nicholas Nickleby – Nicholas’ uncle, Ralph Nickleby, was thought to live in a previous building at number seven.

There’s some great books about London sites which appear in Dickens’ books – among them are Ed Glinert’s Literary London: A Street by Street Exploration of the Capital’s Literary Heritage and Michael Paterson’s Inside Dickens’ London as well as Paul Kenneth Garner’s 
A Walk Through Charles Dickens’ London.

Around London – Your Roman influences; celebrating the City; and, of Journeys and kinship…

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• The Museum of London is calling on Londoners to submit images showing “Roman influences in London today” as part of its forthcoming Our Londinium 2012 exhibition, a revamping of the museum’s Roman gallery. In what is the largest update made to the museum’s Roman gallery since it opened in 1994, the  reworked gallery looks at parallels between Roman London and the city today and features important Roman artifacts such as a bust of the Emperor Hadrian found on the Thames foreshore (part of the British Museum’s collection, this will be displayed for six months before being replaced by a replica) alongside modern objects such as the V for Vendetta masks worn by protestors in the Occupy movement. The exhibition is being co-curated by young people from Junction, the Museum of London’s youth panel, and they’re calling on people to submit their images showing how the city’s Roman past still resonates even today (see example pictured). For details on how to submit images via email of Flickr, head to www.museumoflondon.org.uk/ol2012map.

• Secrets will be revealed, we’re promised, as part of the City of London’s Celebrate the City: four days in the Square Mile event to be held from 21st to 24th June. Events held in the City our the four days, many of which will be free, include a musical extravaganza to launch the event in Guildhall Yard as well as exhibitions, walks and talks, a chance to explore buildings like Livery Company Halls, the Bank of England and the Mansion House, family entertainment at the Cheapside Fayre and music and activities at sites across the Square Mile including the Barbican Centre, Museum of London and churches. We’ll have more to come on this. For now, head to www.visitthecity.co.uk/culture2012 for more information.

• Architectural historian and former director of the Sir John Soane Museum, Sir John Summerson, has been honored with an English Heritage blue plaque at his former home  London’s north-west. Sir John (1904-1992) lived at the property at 1 Eton Villas in Chalk Farm for more than 40 years. He was the director of the Sir John Soane Museum from 1945 to 1984. For more, see www.english-heritage.org.uk/discover/blue-plaques/.

• Architecture students are being invited to submit designs for a new stone seating area on the City thoroughfare of Cheapside. The winning student will work with trainee masons from the Cathedral Works Organisation and The Mason’s Company with the new seating area unveiled in October. For an application pack and full brief, see For an application pack and full brief, please contact Melanie Charalambous, Department of the Built Environment, City of London Corporation, PO Box 270, Guildhall, London, EC2P 2EJ or call 020 7332 3155 or email stonebench@cityoflondon.gov.uk.

• Now On: Journeys and kinship. This display at the Museum of London Docklands showcases the creative output of a community collaboration project which involved a group of young Londoners working with visual artist Jean Joseph, Caribbean Calypso musician Alexander D Great and Yvonne Wilson from training organisation Equi-Vision. The centrepiece of the exhibition – which explores themes highlighted in the museum’s permanent gallery, London, Sugar and Slavery, on the city’s involvement in the trans-Atlantic slave trade  – is an artwork by Joseph entitled Sales Over Centuries, 2010, which features plaster face casts of 42 people from the African diaspora who were born in or currently live in London. In response to it, the young Londoners have created their own works including face casts, music, film and photography. Runs until 4th November. Entry is free. For more, see www.museumoflondon.org.uk/Docklands/.

Where is it? #21

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The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Congrats to Jameson Tucker who correctly placed this in the gardens which now occupy the site of the former church of St John Zachary which lie, as Mike Paterson correctly pointed out, near the Goldsmiths’ Hall.

In fact, the gardens, located at the corner of Gresham and Noble Streets in the City (opposite the Goldsmith’s Hall), are also known as the Goldsmith’s Garden and were laid out following bomb damage during the Blitz (the church of St John Zachary had been destroyed in the Great Fire of London and not rebuilt).

The gardens were redesigned in 1957 by landscape architect Sir Peter Shepheard and have been added to and amended over the years since (including by landscape architect Anne Jennings in the mid-Nineties).

The iron arch, which was commissioned by the Blacksmith’s Company and put here in 1994, features the leopard’s head which is the hallmark of the Goldsmiths’ Company Assay Office, the premier hallmark in the UK (the term hallmark dates from the 15th century when London craftsmen were first required to bring their creations to the Goldsmiths’ Hall for verification and marking although the mark of the leopard’s head has been in use since the early 1300s).

For more on the Goldsmiths, see www.thegoldsmiths.co.uk.

Lost London: Gates Special – Newgate

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Better known now as the name for the infamous former prison which whom its history is intertwined, Newgate was originally one of the seven principal gates of London and, like five others, originally dates back to Roman times.

The gate, which apparently took the name ‘new’ thanks to a rebuild in the early medieval era, possibly in the reign of King Henry I or King Stephen, was located close to where the street known as Newgate meets the Old Bailey (see picture – there’s a blue plaque marking the spot on Newgate).

It was used as a prison from the 12th century for housing debtors and felons  – in the 13th century King Henry III is recorded as having issued orders for the prison’s repair (You can see our earlier entry on the prison here.)

The gate’s prison function – this was really no more than a few ‘cells’ – was substantially added to in the 1420s when, apparently as required under the terms of former Mayor Richard Whittington’s will, the gate was rebuilt and a new prison building was constructed to the south on what is now the site of the Old Bailey (home of the Central Criminal Court).

The gate was eventually demolished in the mid 18th century apparently due to urban planning issues. The prison, meanwhile, continued to be used until 1902 and was finally pulled down two years later.

10 London sites to celebrate Charles Dickens – 5. Seven pubs associated with Dickens (including one he never visited)…

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There hardly seems to be a pub in London which doesn’t claim some connection with the Victorian author but we thought we’d confine ourselves to five pubs with more well-established credentials…

• Ye Olde Cheshire Cheese. This pub is a Fleet Street institution with parts of the current building dating back to 1667 when it was rebuilt following the Great Fire. Dickens was among numerous literary figures who frequented the premises – the pub is perhaps most famously associated with the lexicographer Dr Samuel Johnson (although there is apparently no recorded evidence he ever attended here); other literary figures who came here include Mark Twain and Sir Arthur Conan Doyle – and, according to a plaque in Wine Court, worked out of the pub for a period while producing his journal All The Year Round.

• The One Tun, Saffron Hill. Said to have been established as an ale house on its present site in 1759, the pub was rebuilt in the mid-Victorian era  and was apparently patronised by Dickens between 1833 and 1838. It’s also apparently the inspiration for the pub called The Three Cripples in Oliver Twist (The Three Cripples was actually a lodging house next door to the One Tun and didn’t sell ale). For more, see www.onetun.com

• The George Inn, Southwark. Dating from the 17th century, the George Inn in Borough High Street is the last galleried coaching inn left standing in London and is now cared for by the National Trust (and leased for use by a private company). Dickens is known to have come here when it was running as a coffee house and he mentions it in the book, Little Dorrit. For more, see     www.nationaltrust.org.uk/george-inn/.

• George & Vulture, Castle Court (near Lombard Street). Established in the 18th century on the site of an older inn, this well-hidden pub was not only frequented by Dickens but is mentioned in The Pickwick Papers more than 20 times.

• The Grapes, Limehouse. Formerly known as The Bunch of Grapes, there has been a pub on the site for almost more than 430 years. Dickens was known to be a patron here (his godfather lived in Limehouse) and mentioned the pub – renamed The Six Jolly Fellowship Porters – appears in his novel Our Mutual Friend. For more, see www.thegrapes.co.uk.

• Ye Olde Mitre, Ely Place. This pub dates from the mid 1500s by Bishop Goodrich of Ely to house his retainers and later rented out to Sir Christopher Hatton (it still houses the remains of a cherry tree which Sir Christopher is said to have danced around during a May Day celebration with none other than the future Queen Elizabeth I). Dickens (and the ubiquitous Dr Johnson) are both said to have drunk here.

• And lastly, The Dickens Inn in St Katharine Docks. It’s worth noting up front that Charles Dickens had nothing to do with this pub – dating back to at least 1800, it was once a warehouse and is thought to have been used to either house tea or play a role in a local brewing operation – but it was his great grandson, Cedric Charles Dickens, who formally opened the pub in 1976, apparently declaring, “My great grandfather would have loved this inn”. For more, see www.dickensinn.co.uk.

This list is by no means comprehensive – we’d love to hear from you if you know of any other pubs Dickens frequented…

Lost London: Gates Special – Moorgate

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Originally a postern (small or secondary) gate built by the Romans, Moorgate came into its own as a larger gate in the 15th century and survived for more than 300 years before it was demolished in 1761.

The name comes from the area in which it stands – Moorfields, one of the last open pieces of space within the City of London – stood just to the north of the gate. It was originally a sparsely populated marshy expanse – so much so that when the gate was first built, the area around it was often flooded and some local residents used boats as a means of transport – but was later drained. Many people were evacuated here during the Great Fire of London in 1666 and some apparently then settled in the area which later also gained a reputation as a hiding place for highwaymen like Jack Sheppard – we’ll take a closer look at Moorfields in a later post.

The gate known as Moorgate, meanwhile, was first rebuilt as a full sized gate with towers in 1415 on the orders of then Mayor Thomas Falconer to provide access to the fields without. It was enlarged several times in medieval years before being damaged in the Great Fire. It was replaced with a ceremonial stone gate in 1672 to provide access to the now well-drained fields before being demolished in 1761 (some of the stone was apparently later used to support the newly widened central arch of London Bridge).

The gate’s name now lives on in the street known as Moorgate (originally formally known as Moorgate Street after it was first constructed in 1846) – worth noting is that the Romantic poet John Keats was born in the street. The area around the street also is also known by the name Moorgate and is home to some of the City’s key financial institutions.

There’s a plaque near where the site of Moorgate once stood at the corner of Moorgate and London Wall.

PICTURE: Moorgate in its final, ornate form. Taken from a London Wall Walk plaque.

Lost London: Gates Special – Cripplegate

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Originally the northern gate of the Roman fort constructed in about 120 AD, Cripplegate was rebuilt several times during the medieval period before finally being demolished in 1760 as part of road widening measures.

The origins of the gate’s name are shrouded by the mists of time but it has been suggested that it was named for the beggars or cripples that once begged there or that it could come from an Anglo-Saxon word crepel which means a covered walkway.

The name may even be associated with an event which took place there in 1100 when, fearful of marauding Danes, Bishop Alwyn ordered the body of Edmund the Martyr, a sainted former Anglo-Saxon king, to be tranferred from its usual home in Bury St Edmunds to St Gregory’s Church near St Paul’s in London so that it could be kept safe. It was said that when the body passed through the gate, many of the cripples there were miraculously healed.

The gate (pictured here in an 18th century etching as it would have looked in 1663 in an image taken from a London Wall Walk plaque), which gave access in medieval times to what was then the village of Islington, was associated with the Brewer’s Company and was used for some time as a prison.

It was defensive works, known as a barbican, built on the northern side of the gate in the Middle Ages which are apparently responsible for the post World War II adoption of the name Barbican for that area of London which once stood outside the gate’s northern facade (the gates stood at what is now the intersection of Wood Street and St Alphage Garden).

The gate’s name now adorns the street known as Cripplegate as well as the name of the church St Giles Cripplegate, which originally stood outside the city walls. It is also the name of one of the 25 wards of the City of London. The original site of the gate is marked with a blue plaque.

Around London – ‘Cathedral of Middlesex’ to be opened in west London; Roman brothel token on display; wifi in Westminster and Kensington; and, looking at the Hajj at the British Museum…

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• A medieval barn in west London, said to be the “Cathedral of Middlesex”, will open to the public in April. The Grade I listed Harmondsworth Barn was built in 1426 by Winchester College, who owned a manor farm at Harmondsworth, and was used to store grain. Nearly 60 metres long, the roof is held up by 13 massive oak trusses. In 2006, the barn was bought by an off-shore company who subsequently agreed to sell it to English Heritage following the issuing of a notice for emergency repairs. English Heritage say the barn, called the “Cathedral of Middlesex” by the late poet-laureate Sir John Betjeman, will now be “run by and for the local community”. “Harmondsworth Barn is one of the greatest medieval buildings in Britain, built by the same skilled carpenters who worked on our magnificent medieval cathedrals,” says Simon Thurley, chief executive of English Heritage. “Its rescue is at the heart of what English Heritage does – protecting this nation’s architectural treasures and helping people discover our national story through them. We will complete the repair of this masterpiece and working with local people, will open it to the public to enjoy.” For more, see www.english-heritage.org.uk. (Image: Copyright English Heritage; Photographer Boris Baggs).

• The oldest Roman brothel token to have been discovered in London has gone on temporary display at the Museum of London. The token, which may be the oldest of its kind to have been found in Britain (or, indeed, even the only one of its kind ever found in Britain), was known as a spintria and depicts two reclining human figures on one side and the Roman numeral 14 on the other. It was found on the Thames foreshore near Putney Bridge by a mudlarker using a metal detector. Only the size of a 10 cent piece, its use remains something of a mystery – it may have been exchanged for sexual services or used as gaming piece. The token is on display at the museum until April. For more, see www.museumoflondon.org.uk.

• Free wifi is being rolled out across Westminster, Kensington and Chelsea as part of deal between Westminster City Council, the Royal Borough of Kensington and Chelsea and network operator, O2. The network, installation of which began last month, is initially being rolled out in a limited number of areas but will eventually cover all of the boroughs and create the largest free wireless hub in Europe.

• Now On: Hajj: journey to the heart of Islam. This exhibition at the British Museum is the first to focus on the pilgrimage to Mecca in Saudi Arabia – a central tenet of the Islamic faith. Organised in partnership with the King Abdulaziz Public Library in Riyadh, it’s based around three central themes: the pilgrim’s journey to Mecca with an emphasis on the major routes taken; the Hajj today and its associated rituals; and the origins and importance of the Hajj to Mecca. Objects featured in the exhibition include a seetanah which covers the door of the Ka’ba as well as gifts offered to the sanctuary and souvenirs taken back home. It’s the first of three exhibitions at the British Museum focused on spiritual journeys. Runs until 15th April. Admission charge applies. For more, see www.britishmuseum.org.

10 curiously named churches of London – 10. St Olave Hart Street

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One of a few London churches to have escaped the Great Fire of 1666 (the flames are said to have come within 100 metres before the wind changed direction), St Olave Hart Street is named after the patron saint of Norway, St Olaf – a figure more known for his ability as a warrior than as a saint.

King Olaf II was King of Norway in the early 11th century and an ally of the Saxon King, Ethelred the Unready. The Norwegian king won the thanks of the English after he fought alongside Ethelred against the Danes in 1014 in what some refer to as the Battle of London Bridge.

According to some, the church was built on the site of where the battle was fought – many also believe the battle was also the inspiration for the nursery rhyme, London Bridge Is Falling Down, for it was during that battle that Olaf, who was helping Ethelred retake London, is credited with using his longships to pull down London Bridge in a effort to thwart the Danish occupiers.

The church, meanwhile, was rebuilt a couple of times in the Middle Ages, when it was said to have been known as St Olave-towards-the-Tower. The church which now stands on the site was built in 1450 with the distinctive red brick on the tower added in the early 18th century.

Having survived the Great Fire in 1666, the church was not so fortunate during the Blitz when it was struck by German bombs. It was subsequently restored with King Haakon VII of Norway attending the re-opening in the mid-1950s (there is a stone laid in front of the sanctuary which he brought from Trondheim Cathedral).

Other features inside include a recently returned 17th century bust of a prominent physician Dr Peter Turner – part of a monument which went missing after World War II, it resurfaced at an auction in 2010.

The church’s most famous parishioner was the 17th century diarist Samuel Pepys who lived and worked in the nearby Naval Office (for more on Pepys see our earlier entry here). The door through which he would have entered the church is marked with a 19th century memorial.

Pepys and his wife Elizabeth are both buried in the church (the memorial Pepys commissioned for her is still there) as is his brother John. Samuel Pepys’ life is commemorated at a service held close to the day he died – 26th May – each year.

Others associated with the church include Sir William Penn, an admiral and father of the William Penn who founded Pennsylvania in what is now the United States, and Charles Dickens, who gave it the name “Ghastly Grim” thanks to the skulls above its Seething Lane entrance.

St Olave’s is also the chapel of the The Clothworker’s Company, The Worshipful Company of Environmental Cleaners and Trinity House, a charitable organisation dedicated to the safety, welfare and training of mariners established by Royal Charter from King Henry VIII in 1514.

WHERE: Corner of Hart Street and Seething Lane in the City (nearest Tube stations are Tower Hill and Monument). WHEN: See website for details; COST: Free; WEBSITE: www.sanctuaryinthecity.net/St-Olaves.html

10 curiously named churches of London – 9. St Michael Paternoster Royal

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This triple-monikered church was first recorded in the 1200s. Far from unique in its dedication to the Archangel St Michael (there were apparently seven churches which were dedicated to him before the Great Fire), it was distinguished from the others by the name Paternoster Royal.

Surprisingly, the name has nothing to do with royalty or the clergy, at least not directly. The name Paternoster comes from the church’s location on what was Paternoster Lane (it’s now College Hill) – it was named for the number of paternoster or rosary seller that were based there.

The name Royal, meanwhile, is a little bit more obscure. First applied in the 1300s, it apparently comes from the close proximity of another street called Le Ryole which was itself a corruption of the French town of La Reole in the wine districts near Bordeaux. The street is believed to have been given the name thanks to the number of wine merchants who traded there.

Like other London churches, this one has been rebuilt several times – notably after the Great Fire of London (to the designs of Sir Christopher Wren) and again after World War II during which the church was all but destroyed by a V1 flying bomb. Since its reopening in 1968 it has served as the international headquarters of the Christian organisation, the Mission to Seafarers, which supports chaplains working in ports around the world.

The walls date from Wren’s time and the stone steeple, which wasn’t completed until 1717, is the work of Nicholas Hawksmoor. The interior features carved figures of Moses and Aaron which stand before the reredos – these apparently came from All-Hallows-the-Great (demolished in 1894) as did the chandelier which bears the words ‘Birmingham 1644’).

High profile parishioners over the years have included the four time Lord Mayor of London, Dick Whittington (see our earlier post on him) – he paid for a substantial extension of the church and founded a college of priests there (it’s from this college, which was dissolved in the mid-1500s and then re-established soon after, that College Hill is believed to have derived its name) as well as an almshouse next door.

Whittington and his wife were both buried inside but he was apparently exumed since several times and the location of his body is now unknown. There’s a stained glass window depicting Whittington and his famous cat inside and the gardens just outside also bear his name.

Lost London: Gates Special – Bishopsgate

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Another of London’s gates which had its origins in Roman times, it was built as the city exit for Ermine Street which ran all the way to York.

The gate is believed by many to have taken its name from Bishop Erkenwald, a seventh century Anglo-Saxon Bishop of London who is said to have ordered the gate’s reconstruction on the gate’s Roman foundations.

Bishopsgate – the site of which is marked by a bishop’s mitre attached to the facade of a building near the junction of Wormwood Street (pictured) – was rebuilt several times over the centuries (its first known mention was in the 12th century). This included in the 1470s when it is said to have been rebuilt by Hansa merchants who did so apparently in return for exemptions from tolls (or, according to some, other trade privileges).

The gate – which was known for having the heads of traitors displayed on spikes upon its top – took its final form in 1735 before it was finally demolished along with several other London gates in 1760 as part of road widening measures.

The name Bishopsgate is remembered in the street of the same name as well as one of the City of London wards. Among the notable people associated with Bishopsgate are William Kemp, an Elizabethan comic actor who, in a remarkable feat, is said to have performed a Morris dance starting at the gate and finishing in Norwich.

10 curiously named churches of London – 8. St Lawrence Jewry

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The reason for the name of this church, founded in 1136, may seem obvious – it was associated with London’s Jewish community, thanks to its location on the edge of the area in which they lived (this area was centred on the street just to the south still known as Old Jewry).

What is perhaps more amazing may be the fact that the name stuck despite the expulsion of all Jews from London in 1291, the name was still used to distinguish it from other churches.

The church – named in honor of St Lawrence, a Roman era martyr who was slow grilled over a fire – was among those consumed in the Great Fire of London and rebuilt by Sir Christopher Wren afterwards. This new church had the honor of being reopened by King Charles II in 1677 – it was badly damaged in the Blitz before being rebuilt by Cecil Brown to Wren’s original design.

Located just off Guildhall Yard – home of the City’s authorities – St Lawrence Jewry is the official church of the Corporation of London and as such hosts a number of special services for the Lord Mayor and Aldermen during the year. Some 11 livery companies have links with the church – among them are those of tallow chandlers, loriners, girders, haberdashers and actuaries.

Worth noting on the inside is the painting of the martyrdom of St Lawrence – this survived the Blitz along with the tower and outer walls – and the many beautiful stained glass windows, painstakingly restored after World War II. There’s also a pond, complete with fish, outside the main entrance.

WHERE: Guildhall Yard (nearest Tube stations are St Paul’s, Bank and, a little further off, Moorgate and Mansion House). WHEN: 8am to 6pm Monday to Friday; COST: Free; WEBSITE: www.stlawrencejewry.org.uk.

10 curiously named churches of London – 7. St Margaret Pattens

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It’s not often you’d come across a church named after a type of shoe, but that’s the case with the church of St Margaret Pattens.

Located in Eastcheap, a church dedicated to St Margaret – a saint who was martyred in Antioch in the Middle East – has stood on the current site for at least 900 years. The earliest reference dates from 1067 and the church was rebuilt at least once in the medieval period, with the costs of construction apparently partly funded out of gifts presented to a crucifix or rood which stood in Rood Lane close to the church.

It’s only since the 17th century, however, when the church was rebuilt to the design of Sir Christopher Wren after the Great Fire of London, that it took on the name ‘Pattens’ to distinguish itself from other churches dedicated to St Margaret.

Pattens were wooden undershoes which were trapped beneath normal footwear and raised the wearer above the street, allowing them to walk across muddy roads and still arrive at their destination cleanshod. This footwear was apparently made and sold near which the church was located.

The trade of pattenmaking, incidentially, died out as streets became paved – according to the church’s website, the last pattenmaker died in the 19th century. There’s still a sign in the church asking women to remove their pattens before entering.

It’s worth noting before we move on that there is an alternative theory as to the origins of the name – this is that it commemorates a benefactor, possibly a canon at St Paul’s named Ranulf Patin – but it’s the former interpretation which is more widely accepted.

St Margaret Pattens, which was united with that of St Gabriel Fen after the latter was destroyed in the Great Fire, was damaged by bombing in World War II but was restored in the mid 1950s.

While the church lost many of its valuables during the Reformation (with the exception of a silver gilt communion cup dating from 1545 – on loan to the Victoria & Albert Museum), notable features inside include a memorial to King Charles I (since 1890, the king has been remembered in a special service each year held on the nearest Thursday to the date of his execution – 30th January) and a Royal Stuart Coat-of-Arms believed to be those of King James II.

There’s also a reredos containing a painting by Italian Carlo Maratta (1625-1713), two unusual canopied pews reserved for churchwardens, an hourglass dating from 1750 used to time the sermons, and a bell which dates from before the Great Fire. It’s also possible to view a set of pattens.

Among those who have been associated with the church is famed medieval Lord Mayor of London, Dick Whittington, apparently at one time the church’s patron (you can see our earlier post on him here), as well as livery companies including, as one would expect, the Worshipful Company of Pattenmakers, and the Worshipful Company of Basketmakers.

WHERE: Corner of Eastcheap and Rood Lane (nearest Tube stations are Monument, Bank and Tower Hill). WHEN: Weekdays from 10.30am (check website for services); COST: Free; WEBSITE: www.stmargaretpattens.org.

Lost London: Gates Special – Aldgate

by exploringlondon

Once the eastern-most gateway into London, Aldgate is another of London’s gates which dates from Roman times.

The gate, which stood over the short street in the City now simply known as Aldgate, was rebuilt several times during the Middle Ages before, thanks again to the need for road widening, it was demolished in 1761.

Some sections of the gate were apparently taken to Bethnel Green, just to the east, where they were rebuilt as an addition to a 17th century mansion known as Aldgate House.

The name Aldgate is generally thought to mean ‘Old Gate’ but alternative theories suggest it derives from ‘Ale Gate’ (a connection with a local alehouse perhaps?) or ‘All Gate’ (that, is, all are free to enter).

The most famous person associated with the gate is the Middle English writer Geoffrey Chaucer – he lived in apartments above it for more than 10 years – from 1374 to 1386 – while working as a customs official.

Aldgate is also one of the wards of the City of London.

PICTURE: An artist’s impression of how Roman Aldgate may have looked as seen on a plaque marking the site of the former gate (part of a series of plaques on the former London Wall Walk).

10 curiously named churches of London – 6. St Katharine Cree

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Contrary to what some may, St Katharine Cree is not named after a person of that name (or at least not entirely). St Katherine, certainly, but the addition of ‘Cree’ is simply a medieval corruption of ‘Christ Church’.

The name Christ Church, abbreviated to Cree, was applied to this church because it was the prior of the Augustinian Priory of the Holy Trinity in Aldgate, also known as Christ Church, who founded St Katharine Cree in 1280 for the use of the area’s parishioners (apparently their use of the priory church was causing problems).

The current building dates from 1630 (although the tower dates from 1504), making it the only surviving Jacobean church in London.

It  was consecrated by William Laud, then Bishop of London (and later beheaded for, among other things, his support of King Charles I). He is commemorated in one of the church’s chapels.

Unlike so many other of London’s churches, St Katharine Cree was not destroyed in the Great Fire of London and only suffered minor damage in the Blitz. But structural problems meant it did need substantial restoration in the 1960s.

Inside, is a mid 17th century font and stained glass dating from the same era which depicts a Catherine wheel (St Katherine/Catherine is said to have died strapped to a spiked wheel when martyred during the time of the Roman Empire.).

There is also a rose window which was modelled on that of old St Paul’s Cathedral (before it was destroyed by the Great Fire). Parts of the organ, which was restored in the early Noughties, date from the 17th century and the original was played by none other than George Frideric Handel and Henry Purcell. The six bells were restored in 2009 following an appeal.

Among those buried at St Katharine Cree are Sir Nicholas Throckmorton, a 16th century diplomat (his monument is inside), and the artist Hans Holbein the Younger (his grave is also claimed by St Andrew Undershaft).

The church today has no parish but is the Guild Church to Finance, Commerce and Industry (its rector is that of St Olave Hart Street). Among its annual events is the Lion Sermon given in October, a tradition that dates back to 1643 and owes its origins to the former Lord Mayor of London, Sir John Gayer, who decided to finance the sermon after he survived an encounter with a lion in Syria.

WHERE: Leadenhall Street, London (nearest Tube stations are Aldgate and Tower Hill); WHEN: See website for service times; COST: Free; WEBSITE: www.sanctuaryinthecity.net/St-Katharine-Cree.html.

10 curiously named churches of London – 5. St Magnus the Martyr

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St Magnus the Martyr has to be one of the most oddly dedicated churches in London. Indeed, for many years there was confusion over which St Magnus it was dedicated to – candidates including  a second and a third century martyr and a Viking who was slain in the Orkney Isles around 900 years ago.

Revived interest in the latter St Magnus in the early 20th century thanks to the discovery of his remains hidden in a pillar in the Orkney ‘capital’ of Kirkwall , however, led to a confirmation of the church’s dedication in 1924.

There is believed to have been a church on the site since Roman times (a fact which has contributed to the confusion over it’s more recent dedication) but its first known mention as that of St Magnus is shortly after the Norman Conquest.

The church’s location, on the approach to London Bridge (see the picture, right, of the church tower overlooking the Thames), meant it occupied an important place in the life of medieval London. Following the Reformation, the patronage of the church was held alternately by the Abbey of Bermondsey and the Abbot and Convent of Westminster – this later passed into the hands of the Bishop of London, Edmund Grindall, and it was he who appointed the church’s most famous rector, Miles Coverdale, best remembered today as a Bible translator (there is a large monument to him in the church).

The church had been repaired in the early 17th century but was destroyed completely in the Great Fire of 1666. It was subsequently rebuilt to the designs of the ubiquitous Sir Christopher Wren.

A fire in 1760 did considerable damage to Wren’s building but it was restored and improvements continued to be made on a sporadic basis until 1831 when Sir John Rennie’s new London Bridge was opened and the old bridge demolished, meaning St Magnus no longer occupied the ‘gateway’ position it had for centuries prior.

The church only received relatively minor damage during World War II when a bomb struck London Bridge but was later restored. Features of the church now include the exterior clock, which dates from 1700, and a piece of wood believed to have one formed part of the Roman wharf which has been placed under the porch.

Among those buried at St Magnus’ during medieval times were Henry Yevele, master mason to King Edward III and King Richard II (his monument was destroyed in 1666). The church still has connections to the Fishmonger’s Company and the Plumber’s Company.

WHERE: Lower Thames Street, London (nearest Tube stations are Monument and London Bridge); WHEN: 10am to 4pm Tuesday to Friday; COST: Free; WEBSITE: www.stmagnusmartyr.org.uk.

Lost London: Gates Special – Aldersgate

by exploringlondon

Its name now more well known as one of the City of London’s 25 wards, Aldersgate was a gate opening to the city’s north, located close to where the Museum of London now stands, and was one of the city’s four original gates.

A plaque in Aldersgate Street marks where the gate once stood (there’s also an explanatory ‘London Wall’ plaque nearby) – it was finally knocked down in 1761.

The gate’s origins go back to late Roman times – it was apparently created to strengthen the city’s northern defences against Saxon incursions – and was built with two roadways passing through the wall protected by semi-circular towers. (The name apparently has nothing to do with the age of the gate as many believe but may be a corruption of a Saxon name Ealdred or come from a type of tree which grew nearby.)

An important link to places like the fair at Smithfield, St Bartholomew’s Priory and the Charterhouse in the Middle Ages, it was used as a prison and even as late as 1660, diarist Samuel Pepys writes of seeing the limbs of executed traitors displayed upon it. It was also had residential quarters above it – these were said to have been occupied at times by the City Crier and in the mid-1500s were used by printer and stationer John Day (he is said to have printed an early copy of the Bible, dedicated to King Edward VI, there in 1549).

In 1603, it was through Aldersgate that King James I entered London (his arms were later placed over the gate), and just 14 years later, in 1617, the entire gate was rebuilt. Repaired in the aftermath of the Great Fire of London in 1666 (it’s final form was said to feature, as well as the arms of King James I, statues of the Biblical figures Jeremiah and Samuel), it was finally demolished in 1761 to improve the flow of traffic.

PICTURE: Site of where Aldersgate once stood. To the right of the picture is the Church of St Botolph-without-Aldersgate.