What’s in a name?…Farringdon

Farringdon is a name that crops up quite a bit in London. As well as Farringdon Road, Farringdon Street and Farringdon Lane, there’s a Tube/overground train station which also bear the name along with two of the 25 wards of the City of London.

These latter are named Farringdon Within and Farringdon Without – a distinction which relates to their placement within and without the City’s walls and dates to the late 14th century.

While the name Farringdon, which can be found elsewhere in England, apparently meant ‘ferny hill’ in Old English, its origins in London apparently relate to two medieval London goldsmiths, William de Faringdon (also spelt de Farindon and various other ways) and his son Nicholas.

Both William and Sir Nicholas were aldermen and Lord Mayors of London in the late 13th and early 14th centuries.

Sir Nicholas was apparently well favoured by King Edward II – he was several times appointed mayor, a job the king apparently said he could hold for “as long as it pleased him”. He was buried at St Peter-le-Chepe, destroyed in the Great Fire of London.

Interestingly, another well-known alderman of this ward was the radical MP John Wilkes, who was elected while in Newgate Prison.

Farringdon Street, which becomes Farringdon Road, runs along the course of the former Fleet River and dates from the 1730s when the river was arched over.

Lost London – Blackwell Hall…

A trade hall for the wool and cloth trade, Blackwell Hall, also known as Bakewell Hall, once stood on the east side of Guildhall Yard in Basinghall Street.

The buttressed stone building – whose previous owners included Thomas Bakewell (from where apparently it gets its name) – is understood to have been purchased by the City of London Corporation during the reign of King Richard II and subsequently established as a cloth market.

‘Factors’ were introduced to act as agents and handle the sale of goods on behalf of the clothiers but shifts in trade – in particular the expansion of northern mills which led to them handling their sales directly –  saw the importance of the London-based factors wane.

The structure was rebuilt a couple of times over its lifespan – there are records of a rebuilding in 1588 and again after the Great Fire of 1666 – before it was finally demolished in 1820 to make way for the Bankrupcy Court.

Remains of the foundations were discovered during excavations in Guildhall Yard in 1988.

Lost London – Baynard’s Castle (part 2)…

Having previously looked at the Norman fortification (razed by King John in 1213 – see our earlier post here), this time we’re taking a look at the later (medieval) fortification known as Baynard’s Castle.

Baynard's-CastleIn the 1300s, a mansion was constructed about 100 metres east of where the castle had originally stood on a riverfront site which had been reclaimed from the Thames. This was apparently destroyed by fire before being rebuilt in the 1420s and it became the seat of the House of York during the Wars of the Roses. King Edward IV was proclaimed king here in 1461 and King Richard III was offered the crown here in 1483 (a moment famously captured by William Shakespeare).

King Henry VII transformed the fortified mansion into a royal palace at the start of the 16th century – adding a series of towers – and his son, King Henry VIII, gave it to the ill-fated Catherine of Aragon when they married. The Queen subsequently took up residence (Anne Boleyn and Anne of Cleves also resided here when queen – the latter was the last member of the royal family to use it as a permanent home).

After King Henry VIII’s death, the palace passed into the hands of the Earl of Pembroke (brother-in-law of Queen Catherine Parr, Henry’s surviving Queen) who substantially extended it, adding ranges around a second courtyard. In 1553, both Lady Jane Grey and Queen Mary I were proclaimed queen here. Queen Elizabeth I was another royal visitor to the palace, entertained with a fireworks display when she did.

It was left untouched during the Civil War (the Pembrokes were Parliamentarians) but following the Restoration, it was occupied by the Royalist Earl of Shrewsbury (among his visitors was King Charles II). It wasn’t to be for long however – the palace was largely destroyed in the Great Fire of 1666, although remnants of the building, including one or two of the towers, continued to be used for various purposes until the site was finally cleared in the 1800s to make way for warehouses.

The site in Queen Victoria Street in Blackfriars (the area is named for the monastery built on the site of the Norman castle) is now occupied by the Brutalist building named Baynard House. The castle is also commemorated in Castle Baynard Street and Castle Baynard Ward.

It was discovered in archaeological excavations in the 197os that the castle’s waterfront wall had been built on top of the Roman riverside city wall.

PICTURE: © Copyright Andrew Abbott

What’s in a name?…Holborn…

Prudential-Assurance-Building

The origins of the name of this part of central London, to the west of the City, lie in the fact that the Fleet River runs through the area (albeit, since the 18th century, underground).

Mentioned as far back as the 950s, the name Holborn comes from the Old English “hol” or “holh” (“hollow”) and “burne” or “bourne” (“stream”) and means the “stream in the hollow” with the hollow in this case being the valley over which the Holborn Viaduct was built in the 1860s.

The term ‘Holburne’ was either used to refer to a tributary of the Fleet or part of the river itself. There was a bridge which apparently bore the same name and spanned either the Fleet or its tributary up until the river was covered.

The street now known as High Holborn – the main street in the area – was originally a Roman road and by the 19th century had become a centre for the entertainment industry featuring theatres, restaurants and pubs (including one of our favorites, the Cittee of Yorke).

The street is also home to the Holborn Bar, which marked the boundary of the City of London and was once site of a toll gate – it’s now the site of the Royal Fusilier’s War Memorial.

Other famous monuments in the area include an equestrian statue of Prince Albert – the City of London’s official statue of him – which was removed from its position in the centre of Holborn Circus in the east of the area to a new position on the western side of the intersection during a renovation last year.

Now dominated by offices and some shopping precincts (these include a street market in Leather Lane), among other notable buildings are pre-Great Fire of London survivor Staple Inn (see our earlier post here), churches including St Andrew Holborn, and St Alban the Martyr, Holborn, and, to the east, St Etheldreda’s Church (see our earlier post here) and Ye Olde Mitre pub (see our earlier post here).

The area is also home to the Inns of Court Lincoln’s Inn and Gray’s Inn and the Grade II*-listed Prudential Assurance Building (pictured above), constructed on the former site of Furnival’s Inn in the late 19th century/early 20th century, as well as Hatton Garden, famous for being the centre of London’s jewellery trade.

Lost London – Alsatia…

A Thames-side slum area located between Temple and Whitefriars Street (and south of Fleet Street), an area previously occupied by the Whitefriars Monastery, Alsatia was known as something of a lawless district where residents resisted any intervention by City officials.

The district came into existence following the dissolution of the monastery by King Henry VIII (he apparently gave the buildings and land to his physician Dr William Butts) and the area, despite some initial efforts to build substantial houses there, eventually degenerated into an overcrowded slum (apparently even when the priory was still existent, some of the surrounding areas had been somewhat disreputable).

The right of sanctuary apparently existed in the area which meant that debtors and criminals who entered gained immunity from arrest while they remained here.

Authorities were certainly loathe to enter the district given the strength which residents showed in resisting any attempts to grab hold of wanted persons and the maze-like narrow thoroughfares of the area and it became mockingly referred to as Alsatia in a reference to Alsace, a much disputed region on the French-German border which was historically outside normal legal jurisdiction.

Among those who took refuge here was Daniel Defoe – he is said to escaped here in 1692 after he was wanted by authorities for writing seditious material.

There were several attempts to clean up the slum but these had little effect (although the Great Fire of London did burn through here in 1666) and in 1608, King James I confirmed the area’s liberties in a formal charter. The rights remained in place until 1697 when they were abolished by an Act of Parliament (along with those of other liberties), although the area maintained its disreputable character for some time after.

Alsatia was mentioned in several books including in Thomas Shadwell’s 1688 play The Square of Alsatia and Sir Walter Scott’s 1822 novel, The Fortunes of Nigel, and the term continued to be used to refer to run-down neighbourhoods until late in the 19th century.

8 structures from the London that never was – 4. Whitehall Palace (remodelled)…

Banqueting-House

Still on designs for royal palaces and today we’re looking at two designs for the same palace. Both Inigo Jones (1573-1652) and Sir Christopher Wren (1632-1723) drew up designs for the remodelling and expansion of Whitehall Palace.

Inigo-Jones-proposalFirst up was the neo-classical architect Jones who drew up plans for a vast complex of buildings (pictured left) which would replace the Tudor palace King Henry VIII had created when he transformed the grand house formerly known as York Place into a residence suitable for a king (York Place had previously been a residence of Cardinal Thomas Wolsey and prior to that, the London residence of the Archbishops of York).

Jones’ complex – which apparently featured seven internal courts – covered much of what is now known as Whitehall as well as neighbouring St James’s Park with a magnificent River Thames frontage.

The first part of Jones’ grand scheme – the Banqueting House (see our earlier post here) – opened in 1622. It still survives today – pictured above – and gives a taste of the grandeur of his overall scheme.

Yet, despite the eagerness of King James I for the project, it failed to materialise. English Heritage chief executive Simon Thurley told the BBC in 2012 that the hall represented only five per cent of what Jones had planned.

King James I died in 1625 and his son King Charles I was apparently keen to continue the project – so much so that Jones submitted new plans in 1638 – but he didn’t find the funds the project needed (and, of course, as we know, then became consumed by the events of the Civil War before being beheaded outside the Banqueting House in 1649).

Following the Restoration, in the 1660s King Charles II apparently had Sir Christopher Wren quietly draw up plans to redevelop the palace but these weren’t follow through on although during the reign of King James II he did work on several projects at the palace including a new range of royal riverside apartments, terrace (remains of which can still be seen) and a chapel.

In 1698, much of the bloated Whitehall Palace – then the largest palace in Europe with more than 1,500 rooms – burnt down although the Banqueting House, though damaged, survived basically intact (in fact there’s an interesting anecdote, its veracity questionable, which has it that on hearing of the fire Wren rushed to the site and had an adjacent building blown up to create a firebreak and ensure the Banqueting House was saved).

The then king, King William III, approached Wren and he again submitted plans for its rebuilding (prior to the fire, he had already worked on several aspects of the palace including a new range of royal apartments and a chapel for King James II).

But Wren’s plans – images show a grand domed building – were largely never realised (although he did convert the Banqueting House into a chapel) and the destroyed palace never rebuilt (no doubt in large part due to the fact that King William III preferred a more rural and less damp location – such as that of Kensington Palace – thanks to his asthma).

For more on the history of the Palace of Whitehall, see Simon Thurley’s Whitehall Palace: The Official Illustrated History.

This Week in London – Dr Livingstone’s beetles; the Great River Race; Snowdon at the NPG; and Foundlings at War…

BeetleFrom Dr Livingstone, I presume? A recently unearthed collection of beetles gathered together by Dr David Livingstone during his Zambezi expedition of 1858-64 will go on display in its original box at the Natural History Museum in South Kensington on Friday night. The specimens were found among the museum’s 10 million beetles by beetle curator Max Barclay who stumbled on an unusual box received from a private collector. The collector was later found out to be amateur entomologist Edward Young Western (1837-1924) who apparently bought the specimens from a member of Livingstone’s expedition. The 20 beetles found inside the box are believed to the only surviving specimens known to have been collected by Livingstone. The specimens will be on show as part of Science Uncovered, a free annual after hours event – part of European Researcher’s Night – which will take place at the museum between 3pm and 10.30pm Friday night. Other highlights of the night include the chance to extract DNA from strawberries and bananas, create your own earthquake and chat live with NASA about chasing asteroids. For more, see www.nhm.ac.uk/scienceuncovered. PICTURE: Giant Predatory Ground Beetle, Termophilum alternatum © The Trustees of the Natural History Museum, London.

Totally Thames – the month long celebration of the great river – is going out with a bang this weekend with more than 300 crews expected to take part in the Great River Race. Running from Millwall to Ham in Surrey, the 21.6 mile long event attracts entries from across the globe. The first boats leave Millwall at 12.40pm. Head to the riverbank between Richmond and Ham at approximately 3.40pm to see the winners cross the line to a cannon broadside. For more on the Great River Race, see www.greatriverrace.co.uk. Other events on as part of Totally Thames this weekend include historic riverside walks – one focused on Brunel and another on London’s ports before the Great Fire of 1666 as well as exhibitions including Richmond’s River at Orleans Gallery House in Twickenham and your last chance to see Florentijn Hofman’s HippopoThames. For more on Totally Thames, see www.totallythames.org.

Some of Snowdon’s most iconic images will be on show as part of a new exhibition opening at the National Portrait Gallery near Trafalgar Square on Friday. Snowdon: A Life in View will feature studio portraits spanning a period from the 1950s to the 1990s alongside images from Private View, Snowdon’s 1965 examination of the British art world, created in collaboration with art critic John Russell and then director of Whitechapel Gallery, Bryan Robertson. More than 40 black-and-white portraits are included in the display including some works acquired by the gallery last year. To be held in Room 37 and 37a of the ground floor Lerner Contemporary Galleries until 21st June. Admission is free. For more, see www.npg.org.uk.

On Now: Foundlings at War: World War I. This display at the Foundling Museum in Bloomsbury reveals for the first time the stories of foundlings who fought as well as those of the mothers forced to leave their children at the hospital as a result of bereavement or abandonment of those serving abroad. A free digital ibook, The Foundlings at War: World War I, containing expanded background information was published to coincide with the opening of the display earlier this month and can be downloaded from iTunes. The exhibition is part of a major research project, Foundlings at War, supported by the Heritage Lottery Fund and is the first of several displays examining the institution’s historic links with the military. For more, see www.foundlingmuseum.co.uk.

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What’s in a name?…Fenchurch Street…

There’s a couple of alternate theories for the origins of this City of London street’s name.

Fenchurch-StreetRunning between Gracechurch Street to the west and Aldgate to the east, Fenchurch Street isn’t actually home to Fenchurch Street Station (one of the four Monopoly board stations!) – that’s located in adjoining Fenchurch Place. And for good measure, there’s also a nearby Fenchurch Avenue.

The name apparently relates to a church that once stood here, known as St Gabriel Fenchurch. The fen part of the name is believed to either stand for what may have been nearby ‘fens’ – that is, swampy or marshy ground – related to the now lost Langbourn River once located here or for faenum, a Latin word for hay which may have referred to a nearby haymarket.

The church, which is known to have existed from at least the 14th century and stood between Rood and Mincing Lanes, burnt down in the Great Fire of London in 1666 and was not rebuilt but merged into the parish of St Margaret Pattens (there’s a plaque marking its site in Fenchurch Street opposite Cullum Street – we’ll have a look at the church in more detail in a later Lost London entry).

Landmarks in the street include Lloyd’s Register of Shipping at number 71 (a Grade II-listed building dating from 1901) and the somewhat controversial tower at 20 Fenchurch Street, nicknamed the ‘Walkie Talkie’ building.

10 sites from Shakespearean London – 7. Shakespearean connections in the Elizabethan world – St John’s Gate and Staple Inn…

Following on from our post last week, we take a look at a couple more of London’s buildings that had some sort of association with William Shakespeare…

St-John's-Gate St John’s Gate, Clerkenwell (pictured): This former gatehouse into Clerkenwell Priory was at the time of Shakespeare home to the Master of the Revels and where the playwright would have had to have brought his plays for official government approval. Thirty of the Bard’s plays were licensed here and the Master of Revels during all but the final few years of Shakespeare’s career was Edmund Tilney (or Tylney), who served in the post under both Queen Elizabeth I and King James I. The gatehouse was later used as a coffee house and pub among other things and is associated with everyone from artist William Hogarth (his father Richard ran the coffee house), Dr Samuel Johnson and Charles Dickens. These days, the gatehouse is part of the Museum of the Order of St John (for more on that, see our earlier post here).

Staple Inn, Holborn: OK, there’s no direct link at all between Shakespeare and this building on High Holborn but it was built during his lifetime – in 1585 – and as such is one of very few surviving examples of buildings of his era. Its name comes from the fact the site where it stands was originally a covered market where wool was weighed and taxed (the word ‘staple’ apparently relates to the duty on wool introduced in 1275). It later became an Inn of Chancery – a medieval school for lawyers which fed students through to the Inns of Court (in this case mostly Gray’s Inn), and it was members of the Society of Staple Inn who built the new building here in the 1580s. The building – which still boasts a grand hall – survived the Great Fire of London in 1666 and, albeit with considerable damage, the Blitz. Since the late 1800s, it has been home to what’s now known as the Institute and Faculty of Actuaries. The building, which was restored in the 1990s, is a great example of an Elizabethan-era structure and gives some sense of what Shakespeare’s London was like.

10 sites from Shakespearean London – 3. Shakespeare’s houses…

The playwright is believed to have lived in several different locations in London and is also known to have invested in a property. Here we take a look at a couple of different locations associated with him…

St-Helen'sBishopsgate: Shakespeare is believed to have lived here in the 1590s – in 1596 tax records show he was living in the parish of St Helen’s. The twin-nave church of St Helen’s Bishopsgate (pictured), which would have been his parish church, still stands. In fact, there is a window to Shakespeare’s memory dating from the late 19th century.

•  Bankside: In the late 1590s, Shakespeare apparently moved across the Thames to Bankside where he lived at a property on lands in the Liberty of the Clink which belonged to the Bishop of Winchester. The exact address remains unknown.

Silver Street, Cripplegate: It’s known that in 1604, Shakespeare moved from Bankside back to the City – it’s been speculated outbreaks of plaque may have led him to do so. Back in the City, he rented lodgings at the house of Christopher and Mary Mountjoy in on the corner of Monkwell and Silver Streets in Cripplegate, not far from St Paul’s Cathedral. Mountjoy was a refugee, a French Huguenot, and a tire-maker (manufacturer of ladies’ ornamental headresses). The house, which apparently stood opposite the churchyard of the now removed St Olave Silver Street, was consumed in the Great Fire of London in 1666 (the church was also lost in the Great Fire). The former church site is now located on the south side of London Wall. Silver Street itself was wiped out in the Blitz and is now lost under the Barbican redevelopment but the house lives on in a representation found on a late 16th century map created by Ralph Agas.

Ireland Yard, Blackfriars: In 1613, Shakespeare purchased the former gatehouse of the Blackfriars Priory located here, close to the where the Blackfriars Theatre was located. It is believed the property was purchased as an investment – there’s no evidence he ever lived there but it was passed to his daughter Susanna after his death. Incidentally, there is some speculation that Shakespeare may have lived in Blackfriars when he first came to London – a man believed to have been a boyhood friend from Stratford, Richard Field, who was known to have lived there.

For a more in-depth look at Shakespeare’s time in Silver Street, see Charles Nicholl’s The Lodger: Shakespeare on Silver Street.

Lost London – The Steelyard…

The Thames-side property known as the Steelyard – the phrase comes from the Dutch-German word Stahlhof and relates either to a steel beam used for weighing goods or a courtyard where the goods were sold – was the main trading base of the Hanseatic League in London from the 13th century onward.

Located near where Walbrook flows out of the Thames on the north bank (the site is now at least partly covered by Cannon Street Station), the walled compound – which at some point housed as many as 400 people – was in some senses a mini city within a city complete with a hall, warehouses, a weighing house and counting houses as well as residences and a chapel.

While the community – which represented an alliance of towns and cities in northern Europe – was mentioned as far back as the late 1200s, it wasn’t until 1303 that King Edward I formerly confirmed the tax and customs concessions of the merchants (at some point, in return for privileges they were given, the group was charged with keeping up the maintenance of Bishopsgate).

The power of the trading post had grown substantially by the 15th century and the concessions the group had been granted meant there was inevitably considerable friction with English merchants. There was also some official friction and one example of it was when the Steelyard was closed temporarily in the 15th century when the Hanse cities were at war with England.

In 1598 Queen Elizabeth I took away the Steelyard’s trading privileges (after which the compound was apparently looted). It was subsequently allowed to reopen by King James I but never regained the prominence it had previously had.

Much of the compound was destroyed in the Great Fire of London but nonetheless, the Steelyard was rebuilt and continued to provide links between German cities and the English until the mid 1800s when the land was sold off and, in 1866, Cannon Street Station built on the site.

A couple of surviving objects from the Steelyard include a series of at least eight portraits of Hanse merchants painted by Hans Holbein the Younger and a stone model of the Hanseatic Arms which were placed over the gate into the compound can be seen at the Museum of London.

London Pub Signs – The Anchor…

While the first official records of this Bankside pub only date from 1822, the pub’s history goes back much further. Like many pubs in London, nailing down its exact origins is tough but the story goes that it was named The Anchor by seventeenth century merchant Josiah Child.

The-AnchorChild owned the brewhouse which had been established in 1616 by James Monger at a site known as Dead Man’s Place (close to where the original Globe Theatre had stood before burning down in 1613) and was also a merchant who supplied the navy with everything from masts and spars to stores and beer. Hence the name The Anchor.

It’s speculated that William Shakespeare himself might have had a drink here and it’s believed to be from this pub – “a little alehouse on Bankside” – that diarist Samuel Pepys witnessed the destructive power of the Great Fire of London in 1666.

Dr Samuel Johnson – apparently a close friend of later brewery owners, Henry and Hester Thrale – was among regular drinkers. Other patrons, according to the pub’s website, included the artist Joshua Reynolds, Irish poet Oliver Goldsmith, actor David Garrick and Irish statesmen Edmund Burke.

The pub was apparently rebuilt a couple of times after being destroyed by fire. The brewery, meanwhile, rose to become one of the largest in the world before it was finally demolished in 1981 leaving the pub, the brewery tap, still standing.

Refurbished in recent years, the pub today contains a room dedicated to The Clink prison, the Bishop of Winchester’s lock-up which was located in nearby Clink Street.

The waterside pub at 34 Park Street is now part of the Taylor Walker chain. You can find out more about it here.

PICTURE: Ewan Munro/Flickr

What’s in a name?…Seven Dials…

Seven-Dials---bigStanding at the junction of seven streets in London’s West End is a pillar topped with six – that’s right, six – sundials, giving the intersection and the surrounding area its name.

The layout of the area was originally designed by Thomas Neale, an MP and entrepreneur, in the early 1690s – it was part of the rebuilding of London after the Great Fire of 1666 – and initially had the pillar standing at the centre of six streets before it was later increased to seven. The streets which radiate out from the hub include Earlham, Mercer and Monmouth Streets and Shorts Gardens.

Seven-dialsWhile Neale, who designed the street layout to maximise street frontages and thus his return, had hoped the area would attract the well-to-do, it was not be and by the 19th century the area had become one of the cities most notorious slums, considered part of the infamous rookery of St Giles.

That has since changed and today the area is at the heart of a bustling commercial district, the streets which run off it housing stylish shops and offices.

The pillar itself apparently never had seven faces – there is the suggestion that the column itself was the seventh – and while the original column was removed in 1773, apparently by city authorities keen to rid the area of undesirables, it was replaced with a replica column in the late 1980s and unveiled by Queen Beatrix of The Netherlands to commemorate the tercentenary of the reign of King William III and Queen Mary II in June, 1989.

The original column, meanwhile, was apparently first acquired by an architect, James Paine, who kept it at his house in Surrey, before, in 1820, being taken to Weybridge where, in 1820, the column was re-erected as a memorial to Princess Frederica, Duchess of York (who had lived there). The dial-stone, meanwhile, was used as a mounting block before eventually being placed outside the Weybridge Library.

What’s in a name?…Gracechurch Street…

This central London thoroughfare runs through the heart of the City of London and has been a main thoroughfare since Roman times.

Gracechurch-StreetStretching from Eastcheap (near the Monument) to Leadenhall Street, the street runs over the site of what was Roman London’s forum and basilica (see our earlier post on the Roman buildings here).

The name, meanwhile, comes from the former medieval church of St Benet Gracechurch which was once located on the corner of Gracechurch and Fenchurch Streets.

The church, which was destroyed in the Great Fire of 1666 but rebuilt by Sir Christopher Wren before finally being demolished in 1876, was named for St Benedict (St Benet is a short form) while Gracechurch – which was used after the Great Fire – was a corruption of Grasschurch, a reference to it being located near a hay market (in fact, the church was also known as St Benet Grass). The street was also known as Gracious Street.

Landmarks along Gracechurch Street including the Leadenhall Market (see our earlier post here) and a 30s-inspired modern building of note which stands at number 20.

PICTURE: Looking down Gracechurch Street toward the Monument.

For more on London’s Wren churches, see John Christopher’s Wren’s City of London Churches.

Lost London – St Dunstan in the East…

St-Dunstan-in-the-East

The ruins of this medieval church can still be found in the eastern end of the City of London and now play host to a rather delightful little park.

Originally built around 1,100 in the Gothic style, the church – which stands between St Dunstan’s Hill and Idol Lane (off Great Tower Street) was enlarged and repaired in ensuing centuries before suffering severe damage in the Great Fire of London in 1666. Not enough to destroy the church, however, and it was repaired in the late 1660s with a new steeple and tower designed by Sir Christopher Wren to fit with the existing structure, was added in the late 1690s. Inside were carvings by Grinling Gibbons.

St-Dunstan-in-the-East-smallBut by the early 19th century, however, the weight of the roof had pushed the walls dramatically out of line and, after an unsuccessful attempt to repair the church, it was decided to demolish it (with the exception of Wren’s tower) and rebuild.

Built in the Perpendicular style to the designs of David Laing, the new church reopened in 1821.

The church lasted for more than 100 years before it was again severely damaged, this time during the Blitz of 1941. Wren’s spire and tower thankfully remained but other than that it was a shell with only the north and south walls remaining.

The Anglican Church decided not to rebuild – the parish was incorporated into that of All Hallows by the Tower – and the City of London Corporation opted to turn the (now) Grade I-Iisted remains into a public park. It was opened in 1971 by the then Lord Mayor of London, Sir Peter Studd.

It remains there today, with beautiful climbing foliage – including many exotic plants – and a fountain in the nave. The tower, meanwhile, is used by a complementary medical centre.

A great place to pass a lunch hour!

London Pub Signs – Ye Olde Watling…

Ye-Olde-WatlingThis pub, located in the City, takes its name from the street upon which it stands – Watling Street.

The street, which is just 180 metres long, bears the same name as a great Roman road which ran all the way from Dover through London to the long gone Roman town of Viroconium (now known as Wroxeter in Shropshire).

The Roman road followed, to some extent, the route of an ancient Celtic pathway. But while the Celtic pathway crossed the Thames at Westminster, the Roman road, once the bridge was constructed, crossed at London Bridge and headed through London, apparently taking in this surviving piece.

The building itself – located on the intersection with Bow Lane – is said to have been constructed from old ship’s timbers by none other than Sir Christopher Wren in 1668. The upstairs rooms were said to have been used as a drawing office during the construction of Wren’s masterpiece, St Paul’s Cathedral. It may have also been used as  pub by the workmen building the cathedral – in fact it’s said to have been the first pub built after the Great Fire of 1666.

The pub is part of the Nicholson group. For more on it, check out www.nicholsonspubs.co.uk/yeoldewatlingwatlingstreetlondon.

PICTURE: Duncan Harris/Wikipedia

London Pub Signs – The Tipperary…

Built on land which once formed part of ‘White Friars’ (Carmelite) monastery, this Fleet Street institution is the latest incarnation in a string of pubs which have occupied the site since at least the early 17th century.

The-TipperaryA pub was built on the site in about 1605. Made of stone rather than wood (the stones apparently plundered from the monastery), the property – which stands over the top of what’s left of the River Fleet – survived the Great Fire of London in 1666.

While there seem to be a few competing versions of the pub’s history, it was apparently first named the Bolt-in-Tun (the sign of which showed a barrel pierced by a crossbow quarrel or bolt) and became a popular coaching inn (an alley opposite still bears the name Bolt Court). It was apparently later renamed The Boar’s Head.

The pub – located at 66 Fleet Street – was at some stage – the sign outside says in 1700, others suggest it was in the late 1800s – it was bought by Dublin-based brewery SG Mooney & Son (the Mooney name is still on the doorstep). It was after this purchase that it was transformed into what is claims was the first Irish pub outside of Ireland and, perhaps more importantly, the first pub outside Ireland to serve Guinness (first bottled and later draught).

The pub’s name was changed to the Tipperary after World War I when, as one story goes, returning Irish soldiers made it a favourite of theirs and christened it in honour of the song It’s A Long Way To Tipperary.

Bought by Greene King in the 1960s, the pub underwent a restoration which took it back to the style it would have been during Mooney’s days.

The pub apparently once featured a clock by renowned Fleet Street clockmaker Thomas Tompion, known as the “father of English clockmaking”. A replica now sits in the pub thanks to the original being stolen.

Treasures of London – Henry Moore altar at St Stephen Walbrook…

Henry-Moore-altar

A beautiful church in the round, St Stephen Walbrook has a rich history with one of its stand-out features is an altar designed by world renowned sculptor Henry Moore. 

The centrally located circular altar, carved between 1972 and 1983 of polished travertine marble (the marble was taken from the same quarry as that used in Michelangelo’s work), is eight foot across and weighs several tons.

It was commissioned  by property developer and churchwarden, Lord Palumbo, as part of a £1.3 million restoration of the church – built under the supervision of Sir Christopher Wren in the 1670s, replacing an earlier church which burnt down in the Great Fire – which took place between 1978 and 1987.

It was deliberately designed to be placed at the centre of the church and didn’t take up its new position without controversy with objectors to it taking the matter to the Court of Ecclesiastical Cases Reserved (they ruled the altar was acceptable for use in a Church of England church).

WHERE: St Stephen Walbrook, 39 Walbrook (nearest tube stations are Bank and Cannon Street); WHEN: 10am to 4pm weekdays (check website for changes); COST: Free; WEBSITE: www.ststephenwalbrook.net.  

Where is it?…#64…And the answer is…

Where-is-it--#64

Can you identify where in London this picture was taken? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Jamie, this is indeed the tower of St Giles Cripplegate, located  just off Fore Street in the Barbican Estate. The church – the oldest building in the area – dates from about 1090 and was rebuilt in 1545 after it was destroyed by a fire. The new building survived the Great Fire of 1666 but didn’t fare so well in a fire of 1897 or in the Blitz when all but the outer shell was destroyed. Oliver Cromwell was married here in 1620 and the poet John Milton was buried here in 1674 (he had written much of Paradise Lost locally) (interestingly, his body was apparently exhumed about 100 years later, workman took some souvenirs including teeth and a rib). Others buried here include explorer Sir Martin Frobisher, John Foxe, author of The Book of Martyrs, and Bible translator Lancelot Andrews. For more on the church, see www.stgilescripplegate.com.

LondonLife – Paternoster Square from St Paul’s…

Paternoster-Square

Looking down on Paternoster Square from St Paul’s Cathedral. The 23.3 metre tall pillar at the centre of the square is the  Paternoster Square Column. Designed by architects Whitfield Partners (responsible for the square’s redevelopment in the early 2000s) and topped by a gilded copper urn with flames coming out of the top, it serves as a ventilation shaft for a carpark underneath. The redevelopment of the square – home to the London Stock Exchange since 2004 – followed an earlier redevelopment in the 1960s (needed after aerial bombing destroyed the area in World War II, the second time the area had been destroyed – the first was when the Great Fire of London swept through in 1666). The square takes it name from Paternoster Row which once ran through it. For more, see www.paternostersquare.info.

PICTURE: David Adams